The final issue of this Wonder Woman ’77 arc ends with a bang as Wonder Woman faces a gang of some of her fiercest villains in a battle royale. Sort of. As the end of last week’s issue revealed, Dr. Psycho was behind the appearance of a new Wonder Woman and Diana’s apparent depowering, controlling her mind with some sort of fiendish apparatus. This week, Dr. Psycho’s still got some mental sway, but not enough to overcome Wonder Woman.
He conjures up a group of foes for Wonder Woman, including Giganta, the Cheetah, Silver Swan, and Cathy Lee Crosby’s Wonder Woman. After a few pages of fighting, Wonder Woman realizes that the villains aren’t real and wraps herself in her own lasso so that she can see what’s actually going on. What she finds is a fleeing Dr. Psycho, who she quickly nabs with her lasso, using it to make him think a legion of Wonder Woman zombies are after him. She returns him to prison, and then skips out on a date with Steve to instead relax in the tub. The gal had a long day.
The issue is a fun conclusion to the series’ second arc, and I was glad to see so many villains in the mix, even if they weren’t real. The first arc was just about Silver Swan, which was good and all, but it was cool to see classic villains like Dr. Psycho, Giganta, and the Cheetah worked into Lynda Carter’s Wonder Woman universe. I always wondered why the TV show didn’t make more use of Wonder Woman’s classic rogues gallery, so it’s fun that we finally get to see Lynda Carter face off against them, even if it’s in comic book form nearly 40 years later.
The writing is strong throughout the issue, though necessarily sparse. It’s the big final fight, so there’s really no need for exposition or a lot of chitchat. I love the assortment of villains that Marc Andreyko picked, and that he focused so much on female villains. I also love that his Cheetah is Priscilla Rich, harkening back to her Golden Age incarnation rather than the Barbara Minerva incarnation that most fans are more familiar with these days. You’ve got to enjoy a deep cut like that.
Matt Haley and Richard Ortiz do a good job with the issue. They capture all of the villains well, and continue a strong and accurate depiction of Lynda Carter. That’s the lynchpin of the whole series, really. Wonder Woman HAS to look like Lynda Carter, or else what’s even the point? If she doesn’t, then it becomes just another Wonder Woman comic. Haley and Ortiz do a very good Carter here, giving us fans what we want most. I also like the subdued take on Dr. Psycho. He’s not deformed or creepy or over-exaggerated, a trap I’ve seen several artists fall into. Haley and Ortiz make him villainous without making him into some sort of crazed ogre.
Overall, this was a fun arc, and I’m excited to check out the collection of the first two arcs of Wonder Woman ’77 when it hits stores soon. It will be very cool to have some Lynda Carter Wonder Woman comics in print form. Digital is great, but for me there’s nothing like paper. It adds something to the experience, I find. I do sort of wish they’d print Wonder Woman ’77 and Batman ’66 on the old style, cheap paper though, just for fun, to capture the retro vibe even more. While I doubt it would be the best showcase for today’s modern art and colouring, it would be so cool. But modern paper is good too. Look for the Wonder Woman ’77 Special #1 in comic shops everywhere on May 6.
This might be it for Wonder Woman ’77 for a while, and perhaps forever depending on sales. It’d be great to see more, but I’m not sure what the plans are. Next week, Sensation Comics featuring Wonder Woman is back, promising some monsters and a great Emanuela Lupacchino cover!