There’s nothing bad about Convergence: Wonder Woman #2, or the mini-series as a whole. It’s all fine, competent comic booking. The writing is okay, the art is decent, the characters mostly seem to be themselves. The only thing is, I’m not entirely sure why it exists. I mean, I understand why these two months of “Convergence” are happening; DC Comics is moving from New York to Los Angeles and they brought in some outside folks to arrange two months of comics to give them time to get sorted. What I don’t understand is why this Wonder Woman, why this story, and who it’s designed to appeal to. We’ll discuss this all momentarily, but first:
I am about to reveal ALL of the major plotpoints in this comic!
Look away if you haven’t read it yet!
Last month I talked about how many of the “Convergence” mini-series were tapping into nostalgia. Fans have been missing their favourite characters since DC relaunched their superhero universe in 2011, and “Convergence” became a chance to revisit beloved characters, maybe tie up some loose ends, and give a little bit of closure to fans.
If you’re looking for nostalgic fun, Convergence: Wonder Woman is not the book for you. Not only is it set in an era that few, in any, were clamouring to visit again, it takes a pretty dark turn in its second issue. It was sort of fun to have Steve Trevor and Etta Candy back hanging out with Diana Prince in the first issue, but long story short by the end of this finale both Steve and Etta were turned into vampires and killed, and the book ends with a morose Wonder Woman reflecting on the costs of war. It’s really not a fun trip down memory lane.
It’s an okay book in terms of action. I liked Wonder Woman’s plan to beat the hell out of all of the vampires to impede them from attacking anyone; the vampires wouldn’t heal, but they wouldn’t die either, so she went to town rendering them immobile with sound thrashings. Then Athena showed up to give Wonder Woman free rein to kill all of the vampires, even her friends, because they’ve been turned into monsters and to end them would be a mercy. Wonder Woman does some pretty cool staking as she eliminates her Red Rain foes the Joker, Poison Ivy, and Werecatwoman.
There’s also a nice moment of the end where vampire Steve stops vampire Etta from attacking Wonder Woman, tackling her to both of their deaths into a deep dark chasm. I like the idea that Steve’s love for Wonder Woman would still endure even under the evil vampiric thrall of the Joker. But at the same time, what about Etta’s love for Wonder Woman? I feel like she should have been able to resist as well. Etta and Wonder Woman go way back. I mean, ovaries before brovaries, am I right?
In the end, I felt like this book lacked any sort of larger purpose other than having Wonder Woman bust up a bunch of vampires. I’m not sure how or if this book ties into the main series, but my guess is that the events here don’t play much of a pivotal role in how the primary Convergence arc goes down. It’s just all sort of a weird, dark fight between two generally unloved universes that ends with everybody dead but Wonder Woman.
Meanwhile, I’m seeing folks left and right online getting all emotional and excited about big moments in other “Convergence” books. In particular, Gail Simone’s Nightwing and Oracle title seems to be going over huge in terms of giving this incarnation of Barbara Gordon a lovely sendoff and depicting a fan favourite relationship. Ultimately, these are just fill in stories, basically. “Convergence” is not the sort of event that’s going to change the DC universe for years to come like so many comic events purport to do. It’s a decent idea for killing a couple of months. And that’s what Convergence: Wonder Woman is, a fine if uninspired interlude with no real ramifications or larger point. It’s just disappointing that several other “Convergence” books have found ways to make them something more, to elevate their two issues beyond the fill in that they are, while Convergence: Wonder Woman doesn’t. Again, it’s not a bad two issues. It’s more of a missed opportunity.