NOTE: The terrible pun in this title only works if you pronounce it mine-o-tar. Which is the more fun way to pronounce it anyway!
After several issues of serious goings on in Durovnia, with Diana facing off against the god of war himself in the midst of a complicated international conflict, this week’s Wonder Woman brings us some much lighter fare. Cadmus the pegasus, Damon the satyr, and Eirene the minotaur were introduced earlier in the run, exiles from Themyscira who found themselves in Durovnia with no recollection of how they got there. Now, with the war sorted and all mythological persons ordered out of Durovnia, Wonder Woman has brought them to stay in America while she looks into the mystery surrounding their initial arrival.
The cover above promises a far more menacing story than the pages inside offer. There were no angry protesters, no mobs trying to hurt these mythological refugees. Their only foes were a perplexed border protection agent and an angry couple who didn’t want to share a restaurant with them. This issue was funny above all else, a nice change in tone after we spent several weeks ruminating on the nature of war and Wonder Woman’s culpability in perpetuating a cycle of violence. Those weeks were definitely enjoyable, but the antics of Cadmus, Damon, and Eirene are a different sort of fun. We’ll get into it all, but first:
I am about to reveal what happens in this issue!
Turn away if you haven’t read it yet!
Also, it’s got a pegasus, a satyr, and a minotaur exploring Washington, DC!
It’s an issue worth picking up!
I’m glad to see G. Willow Wilson’s shift in tone with this issue. Not that the first few issues were too serious, but we’ve seen writers in the past come in and be ONLY serious, forgetting to bring some levity and fun to the proceedings. I was confident that Wilson would be able to strike a good balance, and she definitely shows that here. While it’s a romp of an outing, it still fits well with everything she’s done before. Setting up the characters early on was wise, as they provided brief moments of comic relief amid the war, and now they have some room to breathe as they get up to some hijinks in the nation’s capital.
Not that the past is forgotten, though. The mystery of how Cadmus, Damon, and Eirene came to our world hangs over the entire issue, presumably setting up Wonder Woman’s pursuit of answers and a potential return to Themyscira in the weeks to come. Plus we got a teaser of an ending that suggests all of this will be much more complicated than we thought.
I’d be curious to know how this issue came together because, as I said above, the cover suggests a much more serious tone. This could have been an exploration of the many, many problems with the American immigration system and xenophobia throughout the country, and we got a bit of that. The border protection agent was talking about a special registry, diners were displeased at their presence, and Damon pointed out the ease with which Diana could assimilate in America because of her appearance and how it was difficult for them because they looked so different. But ultimately, it felt like Wilson pulled away from leaning into that metaphor too much in favour of a funnier outing. These hints of a critique never developed into anything substantial. Instead, we got whacky fun, and ultimately some new friends for our displaced creatures. And, Ferdinand the minotaur, back again! Perhaps finding romance, even? You can’t beat that. As much as I love some social commentary in my Wonder Woman comics, I think that Wilson chose the right tack with this one.
And editorial brought in the right artist. We haven’t seen Cary Nord for a while, and instead of Xermanico again we’ve got our old pal Emanuela Lupacchino. She’s been a go-to artist on several runs of the book now, and she always does a marvelous job of it. Lupacchino has a knack for Wonder Woman herself, and draws her in a way that captures both her power and beauty every time she gets a crack at the character. And apparently, she’s excellent at mythological creatures as well. She brought great humour and expression to the gang, setting the tone for the book from the get-go. Her art was just this side of cartoonish enough to keep everything grounded, but close enough to cartoonish to make it all extra funny. It was a fine line, and she walked it well. Her linework paired wonderfully with Romulo Fajardo Jr.’s colours as well. After so many issues together, he clearly knows how to bring the best out of her style of art.
We’ve got to talk about that ending, though! First off, Veronica Cale is back and I am here for it. Greg Rucka did a fantastic job with the character when he relaunched the book, making her both sympathetic and still very much a villain, and I trust that Wilson will continue in that vein. She’s going to present a big problem for Wonder Woman because it turns out that she has Nemesis chained up in her basement. Now the question is, which Nemesis? You may remember a couple different versions of Nemesis from past comics, including Tom Tresser in Gail Simone’s Wonder Woman run or Soseh Mykros from JSA years and years ago. But I think this could be the Nemesis from Greek mythology, the goddess of retribution who strikes down those with the hubris to defy or disrespect the gods. In which case, yikes. This is a very powerful deity, and one that could be a lot of trouble for Wonder Woman if Veronica Cale’s got any sort of hold over her. I’m curious to see where this goes, and if Cale had a role in the return of the gods. If memory serves, her daughter is trapped in Themyscira right now. She has the motive to tear down the veil between the two worlds, that’s for sure.
So this week we got some fun frolics and some ominous developments, and I can’t wait for what comes next. More gods, more mythological creatures, more Amazons maybe? Time will tell. Whatever is coming, it looks like Wonder Woman is going to have her hands full.