Wonder Woman #71 Review: A Colossal Discovery

ww71

We’ve had a bit of a talky go of it lately with Wonder Woman. Atlantiades is not the sort of villain you stop with fisticuffs, or even a villain at all, really. More an interesting conundrum, a deity in a strange place doing what only comes natural to them, seeking worship. And toying with mortals, of course. The gods are always toying with mortals. It’s brought us an interesting glimpse into Wonder Woman’s love life, along with some cool discussions on free will and happiness, and it’s all been quite excellent. That plot is largely resolved this week, but with little in the way of awesome punching and action fun.

That’s why it’s handy that Maggie and Aphrodite went off exploring and found a new foe. One that’s definitely going to need some punching. There’ll be no thoughtful, introspective discussions with this adversary. Just a classic beat ‘em up. I love that Wonder Woman is a book that can give us both. G. Willow Wilson’s dug into some heavy subject matter since she took over the series, but she’s also made time to have Diana bust up some rock giants and now what appears to be a massive living statue of some sort. That’s just quality comic booking all around. We’ll dig into it all, but first:

SPOILER ALERT!!

We’re going to discuss everything that happened in this issue!

Turn away if you haven’t read it yet!

Also, as always, you should be reading this book!

Before we get into all the fun, I don’t know who keeps telling Terry and Rachel Dodson that Steve Trevor is in the book, but he is not. And yet, he keeps showing up on the covers. He actually popped in for a scene or two a couple weeks back, but wasn’t on the cover then. And now he’s back on the cover once more, with nary a mention of the man inside the book. It’s such a nitpicky thing, I know, but I wonder about the disconnect. Was Steve supposed to be in the book at one point and plans got changed? Are the Dodsons just drawing what they think will look cool? I mean, their covers are always amazing. I’m not even annoyed. Just curious and confused.

Anyway, onto the story. We get a resolution of sorts with Atlantiades, as they realized what they’d hoped to achieve in the town had failed. They thought that letting people be free of the expectations of their ordinary lives and indulge in their desires would bring the town happiness, but it most definitely did not. Actions have consequences, and the weight of these consequences snapped the townsfolk out of Atlantiades’ spell. They got them back momentarily with a display of divine power, but Diana talked them out of continuing the experiment. Atlantiades is clearly dealing with a lot, including a strained relationship with their mother, and hopefully we can see some growth on that front moving forward. They’re a selfish character, but I think they have a good heart. They’re just a bit lost and hurt, and likely have been that way for centuries. I’m excited to see what they make of the opportunities in this new world, having learned from this experience, and I hope Wilson checks in on them from time to time if this town escapade is indeed wrapped up for now.

The only thing I didn’t like about the resolution was that Xermanico didn’t draw the last few pages of it. This is understandable. Bi-weekly comics are an insane grind and you’re going to get some fill-in pages. Tom Derenick and Scott Hanna stepped in to finish the scene, and while the artwork was serviceable, it failed to capture the characters well, especially Atlantiades. Xermanico brought a compelling androgyny to Atlantiades that befit their mythological background. Derenick and Hanna failed to replicate that, leaning much more into the feminine aspects of the character. Atlantiades ended up looking like a twin of Diana rather than the unique take Xermanico had obviously carefully developed.

Xermanico’s work on this arc has been exceptional, from character design to panel layout and beyond, and I’m sad that the strictures of the schedule prevented him from being able to close it out himself. As much as I love getting Wonder Woman twice a month, I deeply hate the onerous demands that bi-weekly books put on artists. This is a run that should be collected for years, even decades to come, and putting out subpar artwork now to fit this unreasonable schedule is a short term compromise that will lead to disappointment long term. I know nobody likes late books, but I feel like editorial could do a better job of planning out the artwork.

But I digress. There was a whole other story to this issue, with a dang colossus in it! At first I thought it was just a giant minotaur, but Aphrodite called it a colossus and the golden head confirms her words. This appears to be a massive statue brought to life somehow, perhaps with the same power that got us stone giants in the Rockies. As far as I can tell, this is an original invention by Wilson and not based on an existing statue or anything. There have been various colossal statues throughout history, most famously the Colossus of Rhodes, which was a statue of Helios, but none of them were a minotaur, I don’t think.

So yeah, we’ve got a fight on our hands now! I love that the sword has emboldened Maggie, and that she was prepared to take on the colossus by herself. She’s been a great addition to the cast, and I’ve enjoyed watching her trepidation give way to courage over the past few issues. Not even Aphrodite dared face off against the colossus, and she’s a dang god! Luckily Wonder Woman arrived just in the nick of time and now they can make a good fight of it. I’m excited to see them throw down in June, and to see what mysteries these underground pathways hold. Well, “underground.” I’m guessing there’s some dimensional travel at play or an underworld sort of situation. Either way, adventure awaits!

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