We’ve got lots of action and a potentially interesting cliffhanger in Wonder Woman this week, but I’ve gotta be honest, gang, and say this issue fell a little bit flat for me. The art certainly didn’t help matters, with some fill-in artists failing to reach the heights recently established by the series’ more regular pencilers. But the writing wasn’t all that exciting either. It was an issue that needed to get Wonder Woman, Maggie, and Atlantiades from Point A to Point B, which it did. Just not in a very engaging manner, and without the thoughtfulness and depth I’ve come to expect from the book since G. Willow Wilson became the writer.
This issue is technically the finale to the “Love is a Battlefield” arc, and it didn’t feel much like a finale at all. If anything, the last issue wrapped up most of that plotline quite nicely, and this one found us in a new space with new adventures. There were no further conclusions, and nothing really connected to the arc apart from a brief conversation between Aphrodite and Atlantiades and a quick reference to Atlantiades’ romantic fascination with Wonder Woman. It was an in-between story, needing to bridge the gap between “Love is a Battlefield” and Steve Orlando and Aaron Lopresti’s upcoming guest issue, and it very much felt like that. We’ll dig into it all, but first:
I am about to reveal everything that happened in this issue!
It wasn’t a whole lot, really!
But still, be wary nonetheless!
So when we last left our intrepid heroine, she and Maggie were facing off against a colossal minotaur statue brought to life. In my last review, I wondered about what it could be and what deeper mythological ties it had. Turns out, it was largely irrelevant, there for Maggie to defeat with ease thanks to Antiope’s sword. The battle was swift, and the importance of the sword was emphasized when the ground gave way and the weapon fell into an abyss. Maggie was distraught to lose it, but Atlantiades swooped in and grabbed it, their wings coming in very handy there. This led to another fight with some subterranean baddies that again served to showcase how awesome the sword is and how much Maggie likes wielding it.
It’s great to see Maggie growing in confidence, and emerging as a hero in her own right. Her rapid progression with the sword is starting to make me think something bigger is going on, that she isn’t just some random gal the mythological characters befriended but that she’s got some larger connection to the Amazons. We’ve certainly seen stories where the Amazons have been unknowingly hidden among the general population before. Perhaps there’s something similar happening now, with the collapse of the divine realm transporting so many people to the mundane plane of Earth? Time will tell. Maggie may very well be a perfectly normal person who’s just got an aptitude for swords. But that the sword is growing in power so quickly with her wielding it has me suspicious that something more may be at play.
In showcasing Maggie and the sword, though, I feel like the story took a bit of a misstep. The handling of the subterranean monster horde struck me as out of character for Wonder Woman. They all could have flown away with ease and avoided the battle, but Maggie insisted on fighting them. Then Wonder Woman joined her, and together they killed dozens if not hundreds of living creatures. It just felt wrong. Wonder Woman wouldn’t jump into a fight when there was a peaceful resolution available, nor would she wantonly kill these creatures, however nasty they may be, if she didn’t absolutely have to. Yes, they were mean and ugly and terrible all around, but they were quasi-sentient beings at the very least. This was all entirely avoidable, and everything about the scene seemed off to me. Not intentionally off either, like “Oh, maybe Wonder Woman’s under some sort of spell!” or some such. It just felt poorly thought out.
Like I said at the top, the art wasn’t much help in improving this issue either. Jesus Merino has done some fill-ins on the book recently, and while he’s a serviceable artist, he rarely wows me. His work in this outing was generally fine, and he did a nice job capturing the androgyny of Atlantiades in a way that was true to Xermanico’s stellar design of them. The early pages of this book are definitely better than the later ones, and Romulo Fajardo Jr. does a great job with some creative coloring and shading choices to make everything pop a bit more. But all together, the art is just okay.
Then Tom Derenick and Scott Hanna take over, and the quality drops noticeably. All the problems we saw two weeks ago continue here, starting with a decidedly feminine take on Atlantiades that really bugs me. Xermanico established the character SO WELL and Merino did such a nice job with them, and Derenick just doesn’t even seem to be trying here. No one else looks great either, the creature design is bland, and the fight’s not that exciting. None of it works, and not even Romulo Fajardo Jr. can save these pages from feeling dull and pedestrian.
We end on a bit of intrigue, though. The light of the sword, shining like a laser, leads them to Dimension Chi, and I have no idea what that is. I’ve read every issue of Wonder Woman, and while she’s been in all manner of weird dimensions, especially in the Silver and Bronze Ages, this one isn’t ringing a bell at first glance. The solicit for the next issues suggests Diana visited Dimension Chi when she was younger, and I’m very curious to see what Steve Orlando has cooked up. His brief few issues on the series a few months back demonstrated a deep appreciation for Wonder Woman lore, and it wouldn’t surprise me if he’s dug up something cool and obscure here that I’ve forgotten. I’m looking forward to checking it out!