It’s been so long since we’ve had an in-continuity Wonder Woman story that was this good. Outside of continuity, there have been some great Wonder Woman tales over the past few years; The Legend of Wonder Woman was amazing, while there were some absolutely stellar issues of Sensation Comics over the course of its run. But in terms of the proper mainline Wonder Woman title itself, things haven’t been great for a while now. There were cool moments here and there, but the book has lacked a sustained start to finish arc that tells a good story and captures the essence of who Wonder Woman is, what she means, and why she’s important. Greg Rucka and Nicola Scott have given us such a tale, and it’s been a joy to read each issue. Today’s finale was a fitting close to the arc, one that stands on its own as a distillation of the heart of the character while also tying into everything else going on in “The Lies,” “The Truth,” and “Godwatch.” Let’s dig into it all, but first:
I am about to reveal all of the details in this exciting conclusion!
Look away if you haven’t read it yet!
Also, go read it! It’s really good!
When we last left our intrepid heroine, the god of war had appeared at the military installation where Wonder Woman was staying, and he seemed to be in a bad mood. His poor attitude wasn’t terribly surprising; Ares is known to have a rather foul disposition. But now we know what he was after: He wanted the location of the home of the Amazons, and he was going to take it by force if he had to.
Wonder Woman wasn’t interested in force, however. She battered Ares around a bit initially, but then took a different tack, and the scene that ensued captured everything I love about Rucka and Scott’s approach to Wonder Woman. First, she realized that fighting the god of war WITH war, i.e. confronting him directly and violently, wasn’t going to end well for anyone. He’s war incarnate, after all. He’s very good at it. So instead, she decided to talk to him, and supplicated herself before him.
Second, she then appealed to what is best in Ares. She didn’t insult him or try some kind of trickery. Instead, she gave him an honourable out when she told him, “Show us thine courage in mercy.” Wonder Woman recognized his power and offered him a way to use it that would make him look good while avoiding any bloodshed. It was a tactical move on her part, to be sure, but it also showed how Wonder Woman sees the best in everyone, understands their potential for good, and tries to help them achieve that. She met Ares on his own terms, and tried to turn him onto a path that would be for the good of all, himself included. And she was willing to humble herself to do so.
Third, Wonder Woman gave herself up for her friends. Kneeling before Ares is kind of a terrible idea. Exposing herself to the god of war, defenseless, could easily have taken a grisly turn. But she was willing to take that risk, put herself on the line, and trade whatever she could in order to find a peaceful solution to what could have been a violent conflict that endangered her friends. Her new friends, at that, and beyond. She barely knew Steve, Etta, and Barbara, and she’d been exposed to the evils of this outside world, and still she was willing to give herself up to keep them, and the wider world, safe.
Fourth, when all else failed and Ares didn’t get what he wanted, Wonder Woman knew how and where to hit him. She didn’t punch him, thus avoiding playing the game on his terms. Instead, she wrapped him in the lasso of truth and used its power to defeat him. Interestingly, while the lasso has retained its classic truth revealing elements in this incarnation of Wonder Woman, its added something new: Understanding. Wrapping themselves in the lasso is how Diana, Steve, Etta, and Barbara overcame their language barrier. It united them in a manner that allowed them to understand each other perfectly, despite their many differences. It may seem a little corny, but I absolutely love a story in which truth and understanding is the weapon the hero uses to defeat hate and war.
The rest of the issue was fun as well. Athena stepped in and revealed Ares’ fiendish master plan, so Wonder Woman and Steve went off and took care of that with ease. This resulted in another great scene for Diana; she was overcome with anger while fighting a group of terrorists and almost gave into a murderous impulse, but then she wrapped herself in her own lasso and the truth steeled her against the power of Ares’ lies. The fun continued in other ways as well, with the Etta/Barbara romantic subplot developing nicely, and for readers interested in some male eye candy, Nicola Scott had a lot of shirtless Steve Trevor in this issue. There was something for everyone, really. And the issue ended with a nice nod to Wonder Woman’s past, with an array of newspapers naming her “Wonder Woman” using different fonts that harkened back to the scripts used on the covers of Wonder Woman over the course of the series’ history.
All together, it was an excellent conclusion to a fantastic run that will go down as one of the best Wonder Woman stories of all time. It was well written and absolutely gorgeous, and it set the tone for who Wonder Woman is and what she means in today’s world. With such a good beginning, I can’t wait to see what’s next. Bilquis Evely, who drew the wonderful Barbara Ann Minerva standalone issue, is taking over the art for Scott on the new arc, “Godwatch,” a transition so perfect that it lessens the blow of Scott’s departure considerably. Wonder Woman‘s going to be good for a while, gang. It’s exciting times.