Archive for the ‘WW Comics’ Category

Wonder Woman #36 Review: Can We Just Not, With Any Of This?

December 13, 2017

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Let’s begin with a story. Last Wednesday, I woke up prepared to begin my usual bi-weekly Wonder Woman review routine. Buy the comic. Read it a couple of times. Think about it a bit and formulate some opinions. Then sit down and write out my review. However, I was mistaken. Yes, it had been two weeks since the last issue of Wonder Woman came out, but November was a five-Wednesday month. The issue wouldn’t be out until the following week, because Wonder Woman comes out on the second and fourth weeks of each month. I was amused at my error, and tremendously relieved. I didn’t have to read Wonder Woman! It felt like a reprieve.

Anyway, now it’s the correct week and here we are. Let’s dig into this nonsense, but first:

SPOILER ALERT!!

This review reveals key plot points from this issue!

Don’t read this if you haven’t read the comic yet!

Though I can’t in good conscience recommend that you read this comic book!

So we’re in a bit of a catch-22 here!

Here’s a positive thing to start with: I like the new corner box on the cover. It’s an old school affectation brought back with a modern feel. I’m into it. That “Rebirth” bar was getting tiresome after a year and a half, and this is a lot cleaner and more compact. I think it might hint at some coming changes for the line, too. DC’s been doing a lot of multiverse stuff lately, and that “Universe” designation might be significant. Spinning out of “Metal,” I wouldn’t be surprised to see new books set in different universes, with corner boxes that marked them as such. Could be cool. But whether that’s coming or not, I think it’s a good look.

And here’s even more good news: Wonder Woman is actually in this issue of Wonder Woman! On nearly every page, even. You wouldn’t think that’d be something we’d even have to celebrate, but there’s been a substantial lack of Wonder Woman in this run thus far.

That’s where the good news ends, though. The book is still really bad. The story is still really dumb. There are a few twists in this issue, none of them good or particularly unexpected. I will say, the art is nicer than it’s been lately. While Emanuela Lupacchino’s done fine work on her villain backstory issues, a misuse of her talents but excellent art nonetheless, the main story has been decidedly subpar. Carlo Pagulayan’s pencils with inks from Jason Paz and Sean Parsons are a definite step up, and of course Romulo Fajardo Jr.’s colours are fantastic, as always. While the story remains a trash fire, at least it’s nicer to look at this time around.

So let’s dive into the story itself. Grail and Jason have Wonder Woman trapped, and the issue begins with them all yelling at each other. Jason is bitter about his upbringing for no good reason, Grail just wants to kill folks, and Diana wants her brother to see reason. No one really breaks through with anyone, largely because all the speechifying is just there to lay the groundwork for Wonder Woman busting free and starting a big fight scene. I will say this for Robinson: I did enjoy the reveal that Diana could have broken out of her bonds at any time, but she stayed trapped and took Grail’s abuse to try to reach Jason. I mean, Jason sucks and all, but that’s a very Wonder Woman thing to do.

The fight takes a turn with the inevitable arrival of Darkseid, who has now grown to be a young man. Grail’s god killing seems to be feeding him well. Then we get the not at all shocking turn in which Jason finds out that Grail has been lying to him. Combined with Darkseid’s brutal treatment of his sister, Jason’s no longer sure he’s on the right team here and tries to stop him. This will likely lead to Diana and Jason teaming up to defeat Grail and Darkseid later on which, ugh, of course it will. I don’t know about you all, but I was cheering for Darkseid to blast Jason with an Omega Beam and free us from his tedious presence. No such luck this time around, but I’ll keep my fingers crossed for future outings.

Then finally, the twistiest twist of them all! Hercules’ weirdo lawyer is actually Zeus in disguise! Gasp. A story about two children of Zeus features an appearance from Zeus. Who saw that coming? Anyway, he’s in the mix now, threatening Darkseid to close out the issue. And he’s got an all new design, too. It’s not great, though I do enjoy the glowing white cape. That’s kind of cool. His armour bits are a little too Magogy for me, and I don’t care for him copying Wonder Woman’s bracelets. Also, that crown could be better. Still, on the larger spectrum of Zeus designs in Wonder Woman, I’d say this is one of the better ones. Zeus has never looked particularly cool. I mean, the dude showed up in a space unitard at one point

(HOT TIP: For an excellent take on Zeus, and the Greek gods in general, go read the Olympians series by George O’Connor! They are excellent comic books with really smart, clever takes on all of the gods, and it’s got far and away my favourite Zeus ever.)

So a bunch of things happened, none of them particularly interesting, all of them poorly written. The art was a little bit nicer, at least. And it looks like we’ve got a big fight coming, with Zeus and Darkseid set to battle it out in an Old God versus New God showdown. That could be a good thing, if only because the brawl might take up a lot of the next issue and thus cut down on the words therein. I’m all for anything that will make this book a quicker read and spare me from Robinson’s horrible dialogue.

Anyway, there’s some encouraging news for us to end on: We’re halfway through, gang. This ridiculousness is scheduled to last for twelve issues, and this was this sixth. By this time in March, we’ll have reached the grand finale and will be eagerly anticipating whoever is set to take over next. Will we get returning favourites? Will it be an up and coming team with a fresh voice for Wonder Woman? Will it be some random people they just grab off the street? Whoever they choose, it can’t be worse than this run.

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Wonder Woman #35 Review: Please, Someone Make This Stop

November 22, 2017

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Stop me if you’ve heard this before: In this issue of Wonder Woman, Diana appears only fleetingly and never speaks, and instead the book focuses on the backstory of a villain, the bulk of which we already knew. It sounds familiar because that’s what happened two issues ago with an outing that was all about Grail. Now we’ve got an issue that’s all about Diana’s brother, Jason. So basically, two of the last three issues of Wonder Woman have barely featured Wonder Woman at all. Yeah, that’s the ticket, DC. Wonder Woman’s never been more popular, so now’s a great time to sideline her in her own book in favour of subpar villains. Who thought this was a good idea? Who is letting this stupid story drone on? It’s mind bogglingly terrible. We’ll talk about it all in a moment, but first:

SPOILER ALERT… actually, never mind.

There is literally no new information in this book.

Jason monologued all of this stuff in the last issue.

It’s an utterly pointless, useless, boring regurgitation of a comic book.

Carry on.

Before we get to the comic book itself, let’s chat about the cover. Bryan Hitch’s covers for the arc thus far have been a bit bland, to be honest, but this one had me intrigued for a second. I feared that we would get what we got, an issue that was all Jason and no Diana, but the cover showed me otherwise. Teen Diana! Doing some rad Amazon training! That looks fun. Also, there’s Hippolyta with some bad, ancient Greek style bangs; that was less interesting. But teen Diana, that could be cool! Turns out, there is absolutely no teen Diana in this issue. There’s barely any adult Diana. So thanks for that cruel tease. If you haven’t got the book yet and, like me, are too much of a completist to drop Wonder Woman from your pull list even though it’s straight up garbage right now, I suggest you try to get the Justice League variant cover by Terry and Rachel Dodson. You can never go wrong with the Dodsons drawing Wonder Woman.

In terms of the inside of the issue, where to even start? Let’s go with something I’ve mentioned already, the fact that pretty much everything in this issue is information we already knew. Jason blathered on about his life two weeks ago, and nothing here adds to that. It’s even more blatant than the Grail issue from last month, which did basically the same thing but added a fight scene in the middle, at least. We got no real action in this issue, apart from the tease of an upcoming battle with some aquatic creatures because, god help us, this issue was only part one of this redundant exploration of Jason’s past. James Robinson must be laughing all the way to the bank, telling a story in one issue and then retelling that story again two weeks later. The dude is getting two comic books out of one story, and he’s done it twice now. That’s one way to manage the bi-weekly schedule, I suppose.

Another way is to churn out horrendous dialogue and then just leave it, I guess. Because there’s no way any degree of thought or effort was put into Glaucus’ narration of Jason’s tale. It is PAINFUL. So annoyingly folksy, with its countless dropped letters. It’s not his, it’s ‘is. It’s not and, it’s ‘n’. Every ing is an in’. An of is an o’. To is t’. It is so laboured and irksome and, most annoyingly, not even consistent. Robinson replaces the with th’, but only occasionally. Why? There is no rhyme or reason to it. It’s so bad. There are few things that are less enjoyable to read than a bad story poorly narrated. No one needs that double dose of unpleasantness. Then Glaucus just disappears for no good reason apart from some sort of bicentennial migration, because Robinson is putting as much effort into the plot as he is the dialogue.

The book’s one redeeming quality is the art, and even that is frustrating. Emanuela Lupacchino is an excellent penciller, and Ray McCarthy inks her well. And do you know what they’re particularly great at? Drawing Wonder Woman. And do you know what they’ve barely done at all in their last two issues of Wonder Woman? Drawn Wonder Woman. The few panels in which she appears are gorgeous, and they would do an amazing job on an issue that actually had Wonder Woman in it for any length of time. But no, DC’s chosen to waste this talent on some annoying boy that no one cares about. Meanwhile, the artists on the issues Wonder Woman actually does show up in are middling at best. Come on, now.

Finally, in the midst of this truly terrible outing, we’ve also got additional confirmation that Diana is still the daughter of Zeus in current continuity. This was a New 52 development, along with a horrible take on the Amazons, but the “Rebirth” arcs “The Lies” and “The Truth” reset that and erased those Amazons as a fiction crafted by the gods. Greg Rucka and company never addressed Diana’s birth directly, however, and it seems that it remains unchanged. The real Hippolyta also hooked up with Zeus, as this issue shows, and it looks like that’s just going to be the standard origin going forward. It was bound to stick after they used it in the movie and all, but it’s still dumb and antithetical to the very nature of the character.

Ultimately, this issue was very bad indeed and I would suggest buying literally any other comic book instead. There are lots of good ones. Hell, there are lots of bad ones that are still better than this foolishness. You can’t go wrong. Come back to Wonder Woman in four months. After Justice League‘s subpar box office performance, DC’s got to realize that Wonder Woman is their biggest character right now and they’ll put a great team on the book then. Right? I hope so, because what they’re churning out now is just embarrassing.

“The Truth About Wonder Woman” on AMC’s Secret History of Comics, Featuring Me!

November 14, 2017

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I was on television last night, gang! With a lot of amazing people, too. AMC has a new documentary series about comic books called Robert Kirkman’s Secret History of Comics, with Kirkman’s production company making the show. Last night’s episode was “The Truth About Wonder Woman” and it focused mainly on her early years, particularly William Moulton Marston’s vision for the character and the role Elizabeth Marston and Olive Byrne played in inspiring and shaping her. Guests included Wonder Woman director Patty Jenkins (!!), actual Wonder Woman Lynda Carter (!!!!), and also me:

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So yes, I’ve officially starred in a television show with Lynda Carter now. We never met, but still. I’ll take it.

The other guests were great as well. My pal Travis Langley, who I co-wrote a chapter of Wonder Woman Psychology with, was on it. So were some other historians and writers who I don’t know personally so much but whose work I respect, including Noah Berlatsky, Andy Mangels, Trina Robbins, and Jennifer K. Stuller. Also, Phil Jimenez was in the mix, doing a fantastic job talking about Wonder Woman as always; few comic book creators understand Wonder Woman as well as Phil does. There were a couple of folks I wasn’t familiar with too, plus a member of the Marston family, and actor Michelle Rodriguez for some reason? It was a cool mix, and I was really honoured to be a part of it.

I couldn’t watch much of it because seeing/hearing myself weirds me out so much, but from what I saw they did an excellent job telling the story of Wonder Woman’s creation and explaining what she stood for then and continues to stand for now. The director, Jesse James Miller, had a real love and understanding of Wonder Woman. When I met with him and filmed my interview, he was still pretty new to the project and to Wonder Woman’s history, but he’d really thrown himself into it and had completely grasped not just the meaning of the character but the importance of Elizabeth and Olive behind the scenes. He was committed to being respectful and not salacious in telling their story, and I think he did an excellent job of it here. It was a real pleasure to talk with him and see how he worked.

So yeah, I’m a TV star now, I guess. If you missed the show last night, it’s up on AMC’s website, though I think you might need a cable subscription to sign in? And it looks to be just for Americans. But if you’ve got AMC on your television you should be able to get it, and if you have a pal with AMC it’s probably going to be re-aired a bunch of times over the next few weeks so check the schedule and go visit them maybe? They did a very nice job with the show, plus you can see me wearing my favourite tie!

Wonder Woman #34 Review: The Worst Family Reunion, On Multiple Levels

November 8, 2017

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Although this is the 34th issue of the current incarnation of Wonder Woman, it’s also something more: When you add up all of the issues from past volumes together, this is actually the 700th issue of Wonder Woman! It’s a massive achievement. Apart from a few short breaks here and there, Wonder Woman has been published continuously since 1942, one of only a handful of titles with such a legacy. It’s fun to think back to all of the different versions of Wonder Woman we’ve seen in the series over the years, how she’s evolved and grown, overcome various setbacks, and continued to be an inspirational heroine for so many. While Wonder Woman’s status as a cultural icon often supersedes the ups and downs of her comic book adventures, those stories showcase one of the most fascinating and compelling journeys in the history of the medium. Hitting 700 issues is remarkable, and I’m glad that DC noticed the numbers and marked the occasion.

It’s too bad that the story inside is absolutely terrible. We’ll dig into it all, but first:

SPOILER ALERT!!

I am about to reveal the foolish twists and turns inside this issue!

Look away if you haven’t read it yet!

Or really, just read this instead! The issue is awful!

I’m going to start with something really nitpicky, because for some reason I just can’t stand bad versions of Wonder Woman’s tiara. Sergio Davila penciled this issue, and we saw him a couple issues back in Wonder Woman #32. His art wasn’t great then, but it was serviceable and he had the tiara about right. We’ve got a few versions of the tiara going across DC’s line right now so there’s really not a definitive take on it currently, and Davila was in the ballpark of these various designs. Then, in this issue, it got wonky. The red star seemed to get smaller as the issue progressed, while the tiara itself grew wider and bulkier. It just looked wrong. And I know it’s a small thing, but when the writing is so bad, you look to the art for a little bit of spark. Unfortunately, in this issue the art just annoyed me further.

Not as much as the writing, though. Good lord. I mean, DC Comics is a professional comic book company. They’ve been publishing a comic called Wonder Woman for 75 years and 700 issues now! You would think they’d all know how to put together an enjoyable issue by now. But no. This arc has been absolutely painful thus far, and it’s not any better here. Diana’s reunion with her brother Jason was beyond corny. So sappy and over the top and just cringeworthy most of the time. Their conversation took up the bulk of the book, and while it was nice to actually have Wonder Woman show up in Wonder Woman for a change, their mutual fawning and getting to know each other was not pleasant.

And then we got a shocking turn of events. All of those insipid, boring pages we just sat through? They were a fake out! Jason is secretly evil, hates Wonder Woman, and has been working with Grail the whole time! Then Grail showed up and there was a big old fight and oh dear, a startling cliffhanger with Wonder Woman in a real bind. IT. WAS. SO. STUPID.

Here’s the thing: If you’re going to dedicate half an issue to setting up a twist that then invalidates everything that came before, make those pages good. Make them interesting or fun or compelling in some way so that the reader gets emotionally invested. Sell me on this burgeoning sister/brother relationship! Give them an engaging dynamic, a connection that has me rooting for them and glad to have him be a part of a book! Whatever you do, don’t make these pages absurdly boring, because when you do that and your new good guy turns out to be a bad guy the only reaction you’re going to get is, “Well, that’s the first interesting thing he’s ever done.”

When the turn came, part of me was very much underwhelmed, but the other part of me was just glad that Diana’s bland, dull twit of a brother wasn’t going to be hanging around being a bore for the next few months. He’ll still be boring, I suppose. Being evil doesn’t make him any more interesting. But at least we don’t have to sit through another droning, hackneyed heart to heart conversation.

Anyway, this arc continues to be generally horrible. And the teaser at the end of the issue promised that the next outing is “The Story of Jason,” so please keep me in your thoughts and prayers as I prepare for this time of trial and tribulation. If I have to sit through another issue of Wonder Woman without Wonder Woman dedicated to the tedious backstory of some dumb ass side character I couldn’t possibly care less about, I’m going to lose my mind. Also, I know Jason’s backstory already. He blathered on about it in this issue, and while I’m sure some of it was lies, I’m guessing that the bulk of it is the same plus a couple of dark twists and some whiny brooding over his famous sister. And I don’t want to read 20 pages of that. Ugh.

Wonder Woman #33 Review: Just… What Are They Even Doing Here?

October 25, 2017

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You may recall that when this new arc began a month ago, I wasn’t terribly pleased with the fact that Wonder Woman appeared in only a few pages of the first issue. The book is called Wonder Woman, after all. I don’t think it’s unreasonable to expect a decent amount of the titular heroine in it. Well, the latest issue has no Wonder Woman at all, except for a few shots in which she appears on a television screen in the background. Instead, the book is all about Grail and how she’s killing gods to help regrow Darkseid. It is, essentially, a pointless comic book. It’s Wonder Woman without Wonder Woman, and it’s an issue that gives us backstory that’s already been well established in the first two issues of this run. Also, the writing still absolutely sucks. So yeah, let’s talk about it all, but first:

SPOILER ALERT!!

Though really, nothing important happens!

It’s all stuff we already knew was going on!

I don’t know why this issue exists, to be honest!

But still, look away if you don’t want to be further spoiled!

So, Grail is killing gods to feed Darkseid to help him grow from a baby into an adult. These are things we knew already, and yet for some reason this entire issue is dedicated to further explaining this. Plus there’s a fight with Perseus, and then another fight with an A.R.G.U.S. team, and finally they end up planning to go after Jason, Diana’s brother. That’s all this issue is. Twenty pages of previously established plot points and a couple of brawls. I mean, look, this story as a whole isn’t even good to begin with. Reader enthusiasm is LOW. And then you dedicate the third issue to basically rehashing stuff we learned a month ago in the first issue? That’s no way to tell a story. Twelve issues of this nonsense is going to be an ordeal.

The writing continues to be quite poor. It’s formulaic and dull, though mercifully it’s not as over-written as the first two outings. It was all quite bad, but at least it was over quick. The art was solid throughout, though. I quite like Emanuela Lupacchino’s work, and as much as I was not looking forward to this arc, I was a little bit excited to see her drawing Wonder Woman. She and inker Ray McCarthy are a great team, and with Romulo Fajardo Jr. coloring, it was guaranteed to look good. But, of course, I got no Wonder Woman. Only Grail. And while it was fine, visually, it all felt like a huge waste of Lupacchino’s talents. Put her on an issue that matters, one where she actually gets to draw Wonder Woman.

Honestly, I have nothing else to say about this issue other than it’s not good and I did not particularly care for any of it, nor for any of this arc thus far.

So let’s talk about something else. Since Wonder Woman sucks right now, we fans aren’t getting our usual bi-monthly dose of Amazonian entertainment. Luckily, I’m here to help with some suggestions for other books you can read instead. First off, I heartily recommend Bombshells United, which just started in September. It’s a follow up to DC Comics Bombshells after its stellar run ended this summer, and it’s got the same creative team presenting a retelling of World War Two in which DC’s female superheroes take center stage. The current arc is focused on Wonder Woman dealing with Japanese internment camps in America, and it’s got a Wonder-centric supporting casting featured re-imagined versions of a couple of Wonder Girls. It’s such a good book, with a great take on Wonder Woman.

Also, there’s a DC lady team-up going on right now in Batgirl and the Birds of Prey, and Wonder Woman is in the mix there too, along with Batwoman, Catwoman, Spoiler, and more. I’m not up to date with the series, but I’ve been hearing good things about this arc and it’s rad to have so many heroines all together. And if you’re looking for heroine fun beyond Wonder Woman herself, Batgirl‘s been an enjoyable read since the “Rebirth” relaunch last summer, and the new Batwoman series has been excellent at well. There’s a few good books over at Marvel, too: Ms. Marvel is perennially amazing and if you haven’t been reading that you’ve been doing yourself a disservice, the new Hawkeye series stars Kate Bishop and it’s a dang delight, and Jane Foster’s adventures as Thor in Mighty Thor have been action-packed but also quite moving. There are lots of great comics with superheroic female leads out there, so check out a few of those if Wonder Woman isn’t giving you the fun you’re looking for right now.

Anyway, it looks like we’ll be back to Diana and Jason in two weeks time, and Wonder Woman will actually be in her own book again. Hooray, but also, it’s probably not going to be much better. We’re a quarter of the way through this arc, and it’s been uniformly terrible thus far. Things may pick up, I suppose. You never know what might happen. But based on everything we’ve seen up to this point, we’re just going to have to wait this story out and hope that DC picks a better team with a better angle to take over in a few months.

Fact and Fiction in Professor Marston and the Wonder Women

October 17, 2017

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My review of Professor Marston and the Wonder Women went up today at The Comics Journal, and there sure was a lot to dig into here. To begin with, I really enjoyed the film. I thought that the cast was excellent, especially Rebecca Hall as Elizabeth Marston. She was brash and delightful, and whoever picked her outfits did an amazing job, especially in the earliest scenes; everything she wore was super rad. Luke Evans and Bella Heathcote were great as well, and the chemistry between the three of them was remarkable. All together, the movie was a compelling story about the joys and travails of their unconventional, polyamorous relationship and it was well made all around.

The only trouble is, it really isn’t the story of the Marstons. In the broadest of strokes, it’s similar. Yes, William Moulton Marston had two children each with Elizabeth Marston and Olive Byrne lived together as one happy family, and yes, he later created Wonder Woman. The film covers all of that. However, it does so while getting the vast majority of the details wrong.

A lot of this is just how biopics roll. Hollywood and historical accuracy rarely go together, and writer/director Angela Robinson takes a lot of creative liberties with things. There are several exaggerated and manufactured conflicts throughout; Wonder Woman was never in danger of being cancelled, nor did the family ever split up. A lot of what’s covered just didn’t happen in the way that it’s depicted in the film. But again, that’s to be expected.

What’s trickier is the core of the movie, the relationship between Elizabeth, Olive, and William. They were private people and we know very little about their private life together, apart from the fact that William had two children with each woman. What we really don’t know is the exact nature of the relationship between Elizabeth and Olive; there are reasons to speculate that they were romantically and sexually involved, but their descendants have been quite adamant that they weren’t. Robinson’s take is not only that they were, but that they were the driving forces behind the triad. It’s an assumption taken to such a degree that it runs counter to what few established facts we have, and in exploring this the film often veers into outright fiction.

You can read my full discussion of Professor Marston and the Wonder Women over at The Comics Journal, where I get into considerable detail about every facet of the film’s historical accuracies and inaccuracies. It really is quite an enjoyable film, and I liked it a lot. It just purports to be the “true story” of the Marstons, and it really isn’t.

Wonder Woman #32 Review: Children of the Gods Continues, Unfortunately

October 11, 2017

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Let’s start this review with a question: How many female characters other than Wonder Woman have speaking parts in this issue? During the initial “Rebirth” arcs, there were a wide variety of women in the mix, from allies like Etta Candy and Barbara Minerva to villains like Dr. Cyber and Veronica Cale. Plus Amazons. A whole lot of Amazons. Wonder Woman‘s last arc, “Heart of the Amazon,” was essentially a Diana/Etta team up story, and it featured an array of women in all sorts of different roles, good and bad, primary and incidental. There was even an entire team of female assassins, with several deep cut characters from DC’s history. So now with “Children of the Gods,” the story that’s introducing Diana’s brother to the world for whatever reason, how many women other than the title character are involved? For this issue, one. One woman in the entire book. Her role takes up about half a page, and she directs Diana to her brother. That is all, and I think that speaks volumes about this arc and it’s creative team. We’ll get into the issue as a whole, but first:

SPOILER ALERT!!

I am about to discuss all of the dumb things that happened in this issue!

Look away if you haven’t read it yet!

So the lack of female characters is disheartening, especially since the book spent the last year and a bit building such a stellar cast of women around Wonder Woman. On top of that, it’s just not a very good comic book, on any level. The story is clunky, the writing is poor, the art is middling. It’s not an enjoyable read, and it’s so awkward that it’s hard to feel any connection to the story. Even the big emotional climax at the end of the issue when Diana sees her brother for the first time falls absolutely flat because it’s so painfully clichéd; they immediately recognize each other because they’re twins and feel their connection, and I rolled my eyes so hard that I may need to go see an optometrist.

James Robinson’s writing is unremarkable throughout the book. For example, there’s two pages of Diana and Hercules’ lawyer driving to his home to read his will that are an enormous waste of space, as well as a battle with parademons that reads like it was tacked on to add a bit of action to this otherwise lifeless issue. The whole thing felt like filler, as if Robinson knew he wanted to end this issue with the reveal of Jason and just threw a bunch of things together to fill up the nineteen pages before that. We get slightly more information on the dead gods, I suppose, but it’s nothing that we didn’t already know from Grail in the last issue.

The art didn’t help matters, either. Sergio Davila’s pencils, with inks from Scott Hanna and Mark Morales, were generic superhero fodder. I didn’t find much in the way of a unique style or artistic flair. It was standard cape comic art, and not particularly strong art at that. It wasn’t terrible by any means, but there was nothing interesting about it. It was serviceable at best. Though I did like how Davila drew Diana’s hair later in the issue in a sort of up-do thing with her tiara perched higher up. That was kind of a cool look. I’m always down for a creative use of the tiara.

There were also two story choices that rubbed me the wrong way as a Wonder Woman fan. First was the depiction of Hercules. Back in the 1940s, Hercules was a villain. His betrayal and imprisonment of the Amazons is what led Hippolyta to leave the world of men and take her warriors to Paradise Island to live in an all-female utopia. For William Moulton Marston, Hercules represented the worst of men’s aggression and dominance, and most incarnations of the character have followed suit. We don’t know what, if any, role Hercules played in this modern version of the Amazons; all of the New 52 stuff is up in the air after “The Lies” and “The Truth,” and our knowledge of the true Amazons is limited. But introducing Hercules as a dude who’s done some good stuff and some bad stuff, and who admired Diana, largely ignores what he’s represented in past incarnations of Wonder Woman. I don’t hate that he’s sorry for his past mistakes, since it’s always good to show how people can change. It’s more that Hercules carries a lot of baggage in terms of the history of the Amazons, and his depiction in this arc doesn’t acknowledge this in the least. He’s kind of a loaded character, and they’ve ignored that entirely.

Second, this issue introduces the Oddfellows, Steve’s tactical team that is comprised of modern versions of his associated from the Wonder Woman movie. We’ve got Sameer, Charlie, and Chief, all written much like their film counterparts, just jumped ahead a century and given some heavier artillery. This annoyed me, in part because this arc has been so bad thus far that I hate to see these characters that I quite enjoyed on the big screen put to such poor use here. I also found it very telling that the creative team borrowed a bunch of the fellows from the Wonder Woman film, and yet Etta Candy has been absent from both issues of this new arc. I mean, come on now.

So, I did not particularly care for this issue, and I am not enjoying the specter of five more months of this that lies ahead. It all feels fundamentally flawed across the board, like the creative team and the editors just don’t understand what a Wonder Woman comic should be. We’re only two in, of course, and it may well pick up eventually. But thus far, this arc has done nothing but confirm all of my worst fears from when the storyline was first announced.


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