Posts Tagged ‘Bilquis Evely’

Women & NB Creators at DC Comics Watch, October 2018 Solicits: 21 Creators on 20 Books

August 15, 2018

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After a dismal round of solicits for September, female creator representation is on the rise at DC Comics this October. Not to any impressive levels, though. September’s numbers were terrible and thus does October look much better, but October’s numbers in and of themselves are nothing to crow about. DC remains well below their recent highs, continuing what has become a disappointing year for the publisher in terms of female and non-binary creators. Any potential for growth we saw in the winter months has fizzled out into a long stretch of under achievement. Let’s take a look at who is doing what at DC this October:

  • Adriana Melo: Plastic Man #5 (interior art)
  • Amanda Conner: Old Lady Harley #1 (variant cover), Supergirl #23 (variant cover)
  • Becky Cloonan: Cursed Comics Cavalcade #1 (co-writer, interior art)
  • Bilquis Evely: The Dreaming #2 (interior art)
  • Cheryl Lynn Eaton: Batman Secret Files #1 (co-writer)
  • Elena Casagrande: Batman Secret Files #1 (interior art)
  • Emanuela Lupacchino: Superman/Top Cat Special #1 (variant cover), The Terrifics Annual #1 (cover), Wonder Woman #56 (interior art), Wonder Woman #57 (interior art)
  • Gail Simone: Plastic Man #5 (writer)
  • Jenny Frison: Hex Wives #1 (variant cover), Wonder Woman #56 (variant cover), Wonder Woman #57 (variant cover)
  • Joelle Jones: Hex Wives #1 (cover), Catwoman #4 (writer, cover)
  • Jordie Bellaire: Batman Secret Files #1 (co-writer)
  • Julie Benson: Green Arrow #45 (co-writer)
  • Kat Howard: The Books of Magic #1 (writer)
  • Mairghread Scott: Batgirl #28 (writer)
  • Mirka Andolfo: Hex Wives #1 (interior art)
  • Nalo Hopkinson: House of Whispers #2 (writer)
  • Rachel Dodson: Justice League Odyssey #2 (variant cover)
  • Sandra Hope: Sideways Annual #1 (cover)
  • Shawna Benson: Green Arrow #45 (co-writer)
  • Tess Fowler: Plastic Man #5 (cover)
  • Yasmine Putri: Green Lantern/Huckleberry Hound Special #1 (variant cover), Red Hood and the Outlaws #27 (variant cover), Wonder Woman #56 (cover),Wonder Woman #57 (cover)

All together, there are 21 different female creators set to work on 20 different comic books at DC in October, 6 more creators and 6 more books than in September. As best I can tell, there are no non-binary creators scheduled for this month. The gains are good, of course. Being in the teens in this day and age is just embarrassing, what with the scores of talented women and non-binary creators working in comics now. But DC is barely out of the teens now, and that’s not a great look either. Creators lost in a string of recent cancellations have yet to come back elsewhere, and no new creators have taken their place. Thus this current unimpressive run.

Speaking of, we don’t have much in the way of new faces scheduled for October, but there are a few notable additions. Cheryl Lynn Eaton is brand new to DC, and she’s writing a story in the Batman Secret Files oneshot. Jordie Bellaire, who is a colorist by trade, is also penning a tale for the book, so that’s exciting to see. And Kat Howard is starting her Books of Magic series for the “Sandman Universe” line, and thus we should be seeing her for a while. In terms of returning favourites, we haven’t seen Tess Fowler in a while, or Elena Casagrande, and both are back this month with a cover and art for a short story respectively.

While representation for real women is somewhat lacking this month, fictional women have some things going on. Wonder Woman is the star of a crossover event that will see her regular series tie into Justice League Dark and a couple of special issues. We’ve also got the debut of Old Lady Harley, which I presume is a humorous take on Marvel’s Old Man Logan, and the debut of the new Vertigo series Hex Wives. There’s also a sort of Halloween special with Cursed Comics Cavalcade that will feature stories about Wonder Woman and Zatanna.

So there are two ways to look at DC’s October. First, it’s a lot better than September, so hooray for that. But second, it’s well below what the publisher is capable of achieving. If DC is trying to bring in female and non-binary creators, then they’re really struggling at it. And if they’re not trying, well that’s an even bigger problem. Whatever the case, the numbers remain weak.

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Women & NB Creators at DC Comics Watch, September 2018 Solicits: 15 Creators on 14 Books

July 17, 2018

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So, this is pretty terrible. DC’s female and non-binary creator numbers have been in the ballpark of the low 20s for a while, stable if noticeably below their past highs. But now, September marks a nosedive for the publisher. All of DC’s recent cancellations of female creator-led books have caught up with them, and they are set to post their lowest total in over than three years. Not good, DC Comics. Not good at all. Let’s take a look at who is doing what at DC this September:

  • Adriana Melo: Plastic Man #4 (interior art)
  • Amanda Conner: Harley Quinn #50 (cover), Supergirl #22 (variant cover)
  • Amanda Deibert: Teen Titans Go! #30 (co-writer)
  • Bilquis Evely: The Dreaming #1 (interior art)
  • Emanuela Lupacchino: Plastic Man #4 (cover)
  • Gail Simone: Plastic Man #4 (writer)
  • Jenny Frison: Wonder Woman #54 (variant cover), Wonder Woman #55 (variant cover)
  • Joelle Jones: Catwoman #3 (writer, interior art, cover)
  • Julie Benson: Green Arrow #44 (co-writer)
  • Mairghread Scott: Batgirl #27 (writer)
  • Nalo Hopkinson: House of Whispers #1 (writer)
  • Rachel Dodson: Justice League Odyssey #3 (variant cover), Supergirl #22 (cover)
  • Shawna Benson: Green Arrow #44 (co-writer)
  • Yasmine Putri: Red Hood and the Outlaws #26 (variant cover)
  • Zu Orzu: Cover #1 (variant cover)

All together, there are 15 different female creators set to work on 14 different comic books at DC this September, 10 fewer creators than in August and 5 fewer books. As best I can tell, there are no non-binary creators listed in DC’s solicits this month. So, this is quite a drop. Losing two fifths of your female work force in one month is not a good look. A lot of it can be chalked up the end of the “Young Animal” line, which was good for at least five female creators each month. And August’s numbers were ballooned by a variety of oneshots and special issues. With all of that gone, we’re left with some paltry numbers.

But some new faces, at least. We’ve not seen Zu Orzu before, and she’ll be providing a variant cover for the first issue of the series Cover. We’ve got a returning favourite as well with Amanda Deibert, and the launch of two of the new “Sandman Universe” line brings us Bilquis Evely and Nalo Hopkinson on a regular basis. The gains haven’t counter balanced the losses, clearly, but at least there were some gains, a couple of which we’ll be seeing a lot of moving forward.

In terms of female characters, we’ve got a few things going on. Harley Quinn and Wonder Woman were name checked in the solicit for the first issue of Heroes in Crisis, so they should be playing a part in that. Both of the new “Sandman Universe” books have female leads too, as does Cover. August’s endings took away a lot of female characters as well, so having a few new leads in the mix is nice.

Overall, despite these new characters and my great excitement for the “Sandman Universe,” September looks to be a rough month for female and non-binary characters at DC. Here’s a startling fact: There are only FIVE superhero titles this month that aren’t written or drawn entirely by men. That is very few indeed. Also, there are just TWO women doing interior art across the entirety of DC’s line. That is an embarrassingly low number. All of the lovely covers listed above will be grand, I’m sure, but it’s nice to have women drawing the insides of the book too. And the sad fact is, we’re going to need to see some big changes to the line to pull DC up out of the teens. Some books have been announced, and things should improve somewhat over the next couple months if everything else can remain steady, but the publisher has a lot of ground to make up now after digging themselves into such a hole.

Women + NB Creators at DC Comics Watch, August 2018 Solicits: 25 Creators on 19 Books

May 30, 2018

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August looks like it’s going to be a relatively decent month for female creators at DC Comics, with the publisher posting its highest numbers since March. It’s a welcome change after an underwhelming spring and start to the summer. However, August is also a month of transition, with some big beginnings, endings, and returns, so the sustainability of these numbers is very much up in the air. Let’s take a look at who’s doing what at DC Comics this August:

  • Adriana Melo: Plastic Man #3 (interior art)
  • Amanda Conner: Harley Quinn/Gossamer Special #1 (co-writer, cover), Supergirl #21 (variant cover)
  • Babs Tarr: Teen Titans #21 (variant cover)
  • Becky Cloonan: Shade, the Changing Woman #6 (cover)
  • Bilquis Evely: The Sandman Universe #1 (interior art)
  • Cecil Castellucci: Shade, the Changing Woman #6 (writer)
  • Elena Casagrande: Batgirl Annual #2 (interior art)
  • Emanuela Lupacchino: Batgirl Annual #2 (cover), Catwoman/Tweety and Sylvester Special #1 (cover)
  • Gail Simone: Catwoman/Tweety and Sylvester Special #1 (writer), Plastic Man #3 (writer)
  • Jenny Frison: Wonder Woman #52 (variant cover), Wonder Woman #53 (variant cover)
  • Jill Thompson: The Sandman Universe #1 (co-writer)
  • Jody Houser: Mother Panic: Gotham A.D. #6 (writer)
  • Joelle Jones: Catwoman #2 (writer, art, cover)
  • Julie Benson: Green Arrow #43 (co-writer)
  • Kat Howard: The Sandman Universe #1 (co-writer)
  • Magdalene Visaggio: Eternity Girl #6 (writer)
  • Mairghread Scott: Batgirl #26 (writer), Batgirl Annual #2 (writer)
  • Marguerite Bennett: Batwoman #18 (writer)
  • Marley Zarcone: Shade, the Changing Woman #6 (interior art)
  • Nalo Hopkinson: The Sandman Universe #1 (co-writer)
  • Rachel Dodson: Justice League Odyssey #2 (variant cover), Supergirl #21 (cover)
  • Sana Takeda: The Wild Storm #16 (variant cover)
  • Shawna Benson: Green Arrow #43 (co-writer)
  • Shea Fontana: Catwoman/Tweety and Sylvester Special #1 (writer, backup story)
  • Yasmine Putri: Scooby Apocalypse #28 (variant cover)

All together, there are 25 female creators scheduled to work on 19 different comics in August 2018, 4 more creators than in July and 3 more books. To the best of my knowledge, there are no non-binary creators set to work at DC Comics in August. Relative to the year thus far, this is a solid showing for female representation at DC. The numbers remain noticeably below the publisher’s past highs, but hitting the mid-20s is still a nice change after a consistent, lower stretch.

We’ve also got a major debut in August with The Sandman Universe #1. Not only is it more Sandman, which is always exciting, it’s also an introductory issue for four spinoff series that will begin this fall. The book has several female creators in the mix, including writers Kat Howard and Nalo Hopkinson, both new to DC, and artist Bilquis Evely, who you may remember from her excellent run on Wonder Woman. They’ll also be part of the spinoff books moving forward.

But we’ve got a lot of endings as well. Batwoman is drawing to a close after a very enjoyable run, and between that and the cancellation of Bombshells United I’ve got my fingers crossed that DC has something else lined up for Marguerite Bennett because she’s been doing fantastic work for them. August also marks the end of the “Young Animal” imprint, which will be a major blow to the numbers. “Young Animal” creators account for 5 of the 25 women listed above, and losing 20% of your female workforce in one fell swoop is not ideal. They’re all amazing creators, too, and I hope DC is wise enough to keep them in the fold with new work.

There are also a lot of oneshots and annuals in August, including a few Looney Tunes crossovers that sound amusing. These are one-off gigs, though, and combined those with a few random variant cover jobs and the cancellations I just mentioned, there are only 11 female creators in the list above that have long term jobs guaranteeing they’ll be back next month. Several of the 14 other women may return in some other capacity, but it’s no sure thing.

Overall, while August will be one of DC’s better months for representation so far this year, things are very much in flux right now. Barring a rash of one-shot gigs or major creative shake ups, reaching this level again in September could be tricky. Plus it’s not even that impressive a level to begin with. DC’s hired far more female and non-binary creators in the past. And they also hire about a couple hundred dudes each month, so women and non-binary creators remain a small minority regardless.

Women & NB Creators at DC Comics Watch, July 2018 Solicits: 21 Creators on 16 Books

May 1, 2018

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After some low numbers in the June solicits, DC’s underwhelming summer is set to continue into July. The publisher has a lot going on, what with the Brian Michael Bendis era beginning in Action Comics and Superman and new Justice League books debuting. However, few of the goings on seem to involve female or non-binary creators. The only exception is the upcoming Bat-Cat wedding, which will spin off into an exciting new title in July. But elsewhere, representation remains relatively poor. Let’s take a look at who’s doing what this July:

  • Adriana Melo: Plastic Man #2 (interior art)
  • Amanda Conner: DC Beach Blanket Bad Guys Special #1 (cover)
  • Babs Tarr: Teen Titans #20 (variant cover)
  • Becky Cloonan: Batman #50 (interior art), Shade, The Changing Woman #5 (cover)
  • Bilquis Evely: Plastic Man #2 (cover)
  • Cecil Castellucci: Shade, The Changing Woman #5 (writer)
  • Corinna Bechko: DC Beach Blanket Bad Guys Special #1 (co-writer)
  • Emanuela Lupacchino: Batgirl #25 (interior art)
  • Gail Simone: Plastic Man #2 (writer)
  • Jenny Frison: Wonder Woman #50 (variant cover), Wonder Woman #51 (variant cover)
  • Jody Houser: Mother Panic: Gotham A.D. #5 (writer)
  • Joelle Jones: Batman #50 (interior art), Catwoman #1 (writer, interior art, cover)
  • Laura Braga: Wonder Woman #51 (interior art)
  • Magdalene Visaggio: Eternity Girl #5 (writer)
  • Mairghread Scott: Batgirl #25 (co-writer), Green Arrow #42 (writer)
  • Marguerite Bennett: Batgirl #25 (co-writer), Batwoman #17 (writer)
  • Marley Zarcone: Shade, The Changing Woman #5 (interior art)
  • Nicola Scott: Mera, Queen of Atlantis #6 (cover)
  • Rachel Dodson: Justice League Odyssey #1 (variant cover)
  • Sandra Hope: The Terrifics #6 (interior art)
  • Shea Fontana: DC Beach Blanket Bad Guys Special #1 (co-writer)

All together, there are 21 different female creators set to work on 16 different books in July, 2 more creators than in June though 1 fewer book. As best as I can tell, there are no non-binary creators working at DC Comics in July. These ups and downs even out to the slightest of gains, but the numbers remain noticeably below the publisher’s spring totals and far off of their past highs. At this point, female and non-binary creator representation is at just two thirds of what DC has shown themselves to be capable of achieving.

The continuing low numbers can be attributed to a lack of new talent. While the creators listed above are fantastic, we’ve seen all of them before at DC in some capacity or another. It’s encouraging to have a group of women getting steady work here, for sure. That kind of consistency is important. But the numbers remain relatively low, and they aren’t growing.

In terms of fictional women, the big news is that we’re getting a new Catwoman book, written and drawn by the wonderful Joelle Jones. That’s going to be excellent. Apart from that, female characters will also have some decent representation in two new Justice League titles set to premiere in July. Wonder Woman and Zatanna are part of Justice League Dark, accounting for 2 of the 5 characters on the team, while Jessica Cruz and Starfire will be in Justice League Odyssey, making up 2 of the 4 characters on the team. The male majority on the flagship Justice League title is substantial, so these new additions to the line are a big step toward better representation.

Overall, there are some positive signs at DC. The female creator ranks are stable, and fictional representation has improved. However, the creator numbers remain low. There just doesn’t seem to be a commitment at the publisher to improving the ranks of female and non-binary creators. We’ve been seeing a similar lack of effort from Marvel as well, which has added up to a rather disappointing string of solicits as of late. DC has reached much higher totals in the past, and it doesn’t seem like they’ll be returning to those highs any time soon.

My Top 10 Superhero Comic Books of 2017

December 20, 2017

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It’s been an interesting year for superhero comic books. DC’s been trucking along with “Rebirth,” telling a lot of fun stories in the mix. Marvel’s been more split, with half the line spending a considerable part of the year embroiled in weird Nazi/Hydra antics while several of the titles that avoided Secret Empire put out some very enjoyable adventures. When I sat down to figure out my favourite superhero comics of the year, I was amused to see my list split down the middle, half DC and half Marvel! While I’d definitely say that DC had the better year overall, qualitywise, Marvel’s good books were VERY good.

Before we get to the list, though, I should point out that it’s been a great year for non-superhero comics, too. The cape books are my main focus here, of course, but I’ve been enjoying all sorts of other titles. More specifically, Bitch Planet: Triple Feature was excellent, as was the latest “season” of Sex Criminals from Matt Fraction and Chip Zdarsky. I’ve also been enjoying Goldie Vance by Hope Larson and Brittney Williams, the latest volume of George O’Connor’s Olympians was fantastic as always, and Paper Girls from Brian K. Vaughan and Cliff Chiang remains gorgeous if all over the place, storywise. I’m always down for Cliff Chiang art! There’s no lack of wonderful comics out there right now across all sorts of genres and styles.

But now, onto my favourite superhero comic books of the year! Check out the list, and let me know your favourites from the past year in the comments:

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10) Batman by Tom King, Mikel Janin, Joelle Jones, and more

I’m reading Batman in trade so I’m a little bit behind, but I’m enjoying the heck out of it. I was leery of it initially, since the premises didn’t grab me. Superpowered heroes in Gotham? More Bane shenanigans? I didn’t think it’d be for me. Then I read the books and was quickly proved wrong. King and his excellent array of artists make it all work beautifully. And of course, I love the prominent role that Catwoman has in the run. She’s become a major player here, and while she and Batman are bad ass and cool, as always, compassion seems to be the core of both characterizations. It’s good stuff, and often beautifully drawn.

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9) Unbeatable Squirrel Girl by Ryan North and Erica Henderson

This book has been amazing for a while now, and it showed no signs of slowing down on that front in 2017. Is Ryan North still writing it? Is Erica Henderson still drawing it? Is Squirrel Girl still eating nuts and kicking butts? Then it’s going to remain great. And it has! North and Henderson bring so much heart and humour to the comic. It’s just a joy to read, and served as a most welcome counter to the bleak storylines that took over a lot of Marvel books this year. If you like delightful things, then go start reading Unbeatable Squirrel Girl.

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8) Green Arrow by Benjamin Percy, Otto Schmidt, and more

I’ve enjoyed the stories in Green Arrow over the past year well enough, but I’ll be honest: The book made my Top 10 for Otto Schmidt alone. His art is SO GOOD. His pages just sing. The art isn’t terribly out there for a superhero book, but it’s absolutely unique and different and stands out from everything else on the stands right now. I think part of it is that he colors it himself, and everything on the page feels so cohesive and complimentary. It’s really remarkable stuff. Green Arrow cycles through a variety of artists, like most DC books right now, and while they’re all pretty solid, Schmidt’s work is just next level. I want him to draw every superhero now.

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7) All New Wolverine by Tom Taylor, Leonard Kirk, Nik Virella, and more

Step aside, old Wolverine. You were fun while you lasted, but the new Wolverine is so much better. She’s got everything we expect from a Wolverine: claws, ferocity, a propensity for going after anyone who threatens her friends with a berserker rage. But instead of being a mopey guy who’s been around forever, she’s a cantankerous yet endearing young woman. Plus she’s assembled a great supporting cast over the course of this run. It’s a fun, exciting book, and I’m completely fine with never seeing the old Wolverine again now.

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6) Detective Comics by James Tynion IV, Eddy Barrows, Marcio Takara, and more

Team books can be a tricky thing. There are a lot of characters to manage, and a few always end up taking a backseat while a handful come to the fore. Tynion and his rotating teams of artists have struck an impressive balance here, largely by backseating the character you’d expect to see more than anyone else: Batman. He’s a key figure, but doesn’t dominate the book. Instead, Batwoman leads the team and the spotlight gets shared by Azrael, Batwing, Clayface, Orphan, and Spoiler. The degree of attention ebbs and flows, but no one goes too long without a good storyline or an important role. The book also manages to tell its own stories while weaving in and out of the bigger events at DC over the past year. It’s a solid Bat-team book that I always find myself looking forward to.

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5) Mighty Thor by Jason Aaron, Russell Dauterman, and more

I’m a big fan of the classic Thor, but what Jason Aaron and Russell Dauterman have done with Jane Foster as Thor is far and away my favourite take on the character yet. It’s been a huge year for her, with an intergalactic war and darkness spreading through the nine realms, not to mention the return of Odinson and the emergence of the War Thor. But amid all of the epicness, the story of Jane battling cancer and sacrificing her well-being to be the hero the world, nay, the universe needs has been so beautifully told. The heart Aaron and Dauterman bring to their crazy action and adventure is what makes this one of the best books on the stands.

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4) Wonder Woman by Greg Rucka, Shea Fontana, Mirka Andolfo, Bilquis Evely, and more

Not right now, obviously. Wonder Woman has been garbage since James Robinson et al. took over a few months ago. But before that, the book was having a great year. The wrap up of the “Godwatch” and “The Truth” arcs was a powerful, well-executed conclusion to an excellent run that provided a much needed revitalization of Wonder Woman after a rough few years. Then we got “Heart of the Amazon,” which was an awesome team up between Diana and Etta Candy that pitted them against superpowered assassins and evil scientists. Now the book is about Wonder Woman and her brother and it suuuuuuuuuuuuuuucks, but up until then it was a really great year of stories.

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3) Mister Miracle by Tom King and Mitch Gerads

People were raving about this book before the first issue even came out, and with all of that buzz building and building, I came into this with high expectations. Mister Miracle beat those expectations with ease. The first issue especially is just masterful storytelling. It’s intentionally disorienting yet it pulls you along, and when you finally realize what’s happening it’s a gut punch that is heartbreaking yet so perfect for the character. Subsequent issues have been fascinating in their own right. It’s a unique, compelling book that is a worthy vehicle for Mister Miracle and Big Barda, two of Jack Kirby’s best creations.

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2) Ms. Marvel by G. Willow Wilson, Marco Failla, Takeshi Miyazawa, and more

Ms. Marvel has been stellar for years now. Introducing a Muslim, Pakistani-American, teen heroine was no mean feat, and yet the book has never taken a step wrong. And this year was no exception. Kamala went through a lot, both professionally and personally, and as the year went on the book began to echo a lot of the issues facing America as a whole in 2017. Ms. Marvel is grounded in our reality in a way most superhero books aren’t, and that led to some incisive storytelling that still paired beautifully with all of the usual fun and action we expect from the series.

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1) Hawkeye by Kelly Thompson, Leonardo Romero, Michael Walsh, and more

The Fraction/Aja/Wu era of Hawkeye is easily one of the best superhero runs of the past decade, and set a massively high bar for any and all Hawkeye stories moving forward. Thompson, Romero, and Walsh have reached that bar and more with Kate Bishop’s new solo series. The book is an absolute joy, from Thompson’s sharp and hilarious dialogue to Romero and Walsh doing an amazing job with all of the archery action and comedic beats packed into each issue. Plus there’s some serious heart and pathos beyond all of the fun, with Kate dealing with some heavy stuff. Things are rarely cool and chill for a Hawkeye, as much as they may pretend otherwise. The book is a dang delight, each and every month, and I love it to bits.

Women & NB Creators at Marvel Comics Watch, February 2018 Solicits: 20 Creators on 18 Books

November 30, 2017

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We’re two months into 2018 with Marvel’s comic book solicits, and it doesn’t look like the New Year is going to be great for female and non-binary creator representation at the publisher. While the numbers ticked up in February after a relatively terrible January, they didn’t tick up much; the new totals are definitely terrible adjacent, at least. Marvel’s female and non-binary creator numbers remain at roughly half of their recent highs, with few signs of any substantive improvement on the horizon. Let’s take a look at who is doing what at Marvel this February:

  • Anna Rud: Black Panther #170 (variant cover)
  • Ashley Witter: Star Wars: Doctor Aphra #1 (cover)
  • Bilquis Evely: Captain America #698 (variant cover)
  • Christina Strain: Generation X #87 (writer)
  • Erica Henderson: The Unbeatable Squirrel Girl #29 (interior art, cover)
  • G. Willow Wilson: Ms. Marvel #27 (writer)
  • Gabby Rivera: America #12 (writer)
  • Gurihiru: Gwenpool, The Unbelievable #25 (interior art, cover)
  • Jen Bartel: Gwenpool, The Unbelievable #25 (variant cover)
  • Jody Houser: Amazing Spider-Man: Renew Your Vows #16 (writer), Star Wars: Thrawn #1 (writer)
  • Kamome Shirahama: Gwenpool, The Unbelievable #25 (variant cover)
  • Kelly Thompson: Hawkeye #15 (writer), Rogue & Gambit #2 (writer)
  • Margaret Stohl: Captain Marvel #129 (writer)
  • Mariko Tamaki: She-Hulk #162 (writer)
  • Natacha Bustos: Moon Girl and Devil Dinosaur #28 (interior art, cover)
  • Rainbow Rowell: Runaways #6 (writer)
  • Stacey Lee: America #12 (interior art)
  • Stephanie Hans: X-Men: Blue #21 (variant cover)
  • Yasmine Putri: Tales of Suspense #102 (cover)

All together, there are 20 different female creators set to work on 18 different books at Marvel in February, 2 more creators than last month but the same number of books. As best I can tell, there are no non-binary creators scheduled at Marvel this month. A gain of 2 creators is better than nothing, of course, but January marked one of Marvel’s lowest months in recent memory, so a small gain from there still leaves the publisher quite low. Moreover, in 4 of the past 5 months they’ve failed to post more than 20 female creators. Marvel is in a rut right now, one they don’t seem particularly keen to get out of.

In terms of new names, there aren’t many. I’m pretty sure that February marks Anna Rud’s first Marvel gig, which is very cool, and I can’t recall if we’ve seen Bilquis Evely at Marvel yet; she’s usually doing stuff at DC. Both are doing variant covers, which brings up a larger point about the sustainability of the numbers. A quarter of the creators listed above are doing variant covers, and while they’re an excellent way to get a foot in the door at a publisher and showcase their talents, they are also onetime gigs. That means a quarter of the women listed above are unlikely to be back next month unless they land a new cover or interior art gig. There are maybe 12 or 13 people up there that I am confident will be back next month for sure. Everyone else is a maybe. Marvel needs more female and non-binary creators, and they need to get them on some long term jobs.

It’s a pretty quiet month for new books at Marvel, but we do have the debut of X-Men: Red, a new team book that’s set to feature a newly returned Jean Grey (in a really ugly costume, I have to say) and Wolverine (the Laura Kinney version, i.e. the far superior Wolverine). As always, the X-Men team books are pretty solid at having a few women in the mix, at least fictional ones. Everyone writing, drawing, or doing covers on X-Men: Red is a dude.

Overall, February looks like it’s going to be another poor month for female and non-binary creator representation at Marvel. This is just the norm at Marvel now, I guess. Maybe having a new editor-in-chief will change things, though given all the news about C.B. Cebulski lately we might just get male creators using female pseudonyms! I kid, but also, the publisher is a dang mess right now. They need to right the ship, and bringing in more women and non-binary creators would be a smart first step.

Women & NB Creators at DC Comics Watch, February 2018 Solicits: 26 Creators on 27 Books

November 28, 2017

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DC’s female creator representation is set to increase slightly in February, marking a second straight month of gains for the publisher. The growth is encouraging yet underwhelming; yes, things are moving in a positive direction, but it’s happening at a very slow rate and DC still remains well below their recent highs. Moreover, the publisher’s dips over the past year offer very little in the way of confidence that these gains won’t be erased in the months to come. Let’s take a look at who is doing what at DC Comics this February:

  • Alisa Kwitney: Young Monsters In Love #1 (co-writer)
  • Amanda Conner: Harley Quinn #37 (cover), Harley Quinn #38 (cover), The Jetsons #4 (cover)
  • Aneke: Gotham City Garage #10 (interior art)
  • Bilquis Evely: Harley & Ivy Meet Betty & Veronica #5 (variant cover)
  • Cecil Castellucci: Shade, The Changing Girl/Wonder Woman Special #1 (co-writer)
  • Emanuela Lupacchino: Wonder Woman #40 (interior art)
  • Gail Simone: Wonder Woman/Conan #6 (writer)
  • Hope Larson: Batgirl #20 (writer)
  • Jen Bartel: Harley & Ivy Meet Betty & Veronica #5 (cover)
  • Jenny Frison: Wonder Woman #40 (variant cover), Wonder Woman #41 (variant cover)
  • Jody Houser: Mother Panic/Batman Special #1 (co-writer), Supergirl #18 (co-writer)
  • Joelle Jones: Batman #40 (interior art, cover)
  • Julie Benson: Batgirl and the Birds of Prey #19 (co-writer)
  • Kamome Shirahama: Batgirl and the Birds of Prey #19 (variant cover)
  • Laura Braga: Harley & Ivy Meet Betty & Veronica #5 (interior art)
  • Lynne Yoshii: Gotham City Garage #9 (interior art)
  • Magdalene Visaggio: Cave Carson Has A Cybernetic Eye/Swamp Thing Special #1 (co-writer), JLA/Doom Patrol Special #1 (co-writer), Mother Panic/Batman Special #1 (co-writer), Shade, The Changing Girl/Wonder Woman Special #1 (co-writer)
  • Marguerite Bennett: Batwoman #12 (writer), Bombshells United #11 (writer), Bombshells United #12 (writer)
  • Michelle Delecki: Deathstroke #28 (variant cover)
  • Mirka Andolfo: Harley Quinn #37 (interior art), Harley Quinn #38 (interior art), Shade, The Changing Girl/Wonder Woman Special #1 (interior art)
  • Nicola Scott: Mera, Queen of Atlantis #1 (cover)
  • Rachael Stott: Motherlands #2 (interior art)
  • Rachel Dodson: Batgirl and the Birds of Prey #19 (cover), Bombshells United #11 (cover)
  • Sandra Hope: The Silencer #2 (inker, cover)
  • Shawna Benson: Batgirl and the Birds of Prey #19 (co-writer)
  • Yasmine Putri: Nightwing #38 (variant cover), Nightwing #39 (variant cover)

All together, there are 26 different female creators set to work on 27 different comic books this February, 2 more creators and 2 more books than in January. As best I can tell, there are no non-binary creators in the February solicits. This is a relatively solid gain after several months of stagnant numbers, but as I mentioned above, the totals are hardly impressive relative to DC’s past performances. The publisher has been mired in the low to mid-20s for some time now, well below the 30+ levels they’ve hit in the past, and while the February numbers are in the upper end of their recent range, there’s still enormous room to grow.

In terms of new female creators, this month is an array of returning favourites. There’s no one here that we haven’t seen at DC before. There are some solid showcases for emerging talents, though. Magdalene Visaggio in particular is set to have a huge month writing backup stories for a series of “Young Animal” specials. Mirka Andolfo continues her tour of the DC universe as well, with interior artwork on three different issues! She’s been in at least 6 or 7 different series in the past half year or so alone, doing wonderful work with each outing.

For female characters, there are a couple of new titles. Mera is launching her own six issue mini-series that marks her first ever solo outing. It’s long overdue, and will sport gorgeous covers by the always spectacular Nicola Scott. We’ve also got a new Wonder Woman book: She’ll be teaming up with the Dark Knight in The Brave and the Bold: Batman and Wonder Woman, which will be written and drawn by former Wonder Woman artist Liam Sharp. The “Young Animal” specials also feature several of the line’s female characters, as well as a guest appearance from Wonder Woman.

Overall, February looks to have slightly more female creator representation than we’ve seen from DC recently, but the numbers remain rather humdrum. The lack of new creators is disappointing as well; as wonderful as DC’s current female creator ranks are, one of the surest ways for the numbers to grow is adding new voices to the mix. The only problem is, editors have to go find them, and it doesn’t look like DC is putting a lot of effort into that right now.


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