Posts Tagged ‘Carmen Carnero’

Wonder Woman #40 Review: Still With This Foolishness?

February 14, 2018

ww40

There’s a line in today’s issue of Wonder Woman that perfectly captures the quality of writing we’ve been dealing with for the past several months. The woefully underdeveloped villain Silver Swan is flying through the night sky, stinging from her recent battle with Wonder Woman, and as she sees the moon shining she notes, “The moon reflects the cold silver of my dead heart.” Friends, I laughed out loud. The unfortunate thing is, I don’t think writer James Robinson was trying to be funny here. He’s constructed what he must imagine is a serious villain, given the swath of bodies left in her wake, yet her internal monologue reads like a bad goth parody. And, unsurprisingly given how poor this run has been, the rest of the writing in this issue is not much better. I remain flabbergasted that DC Comics is allowing such a terrible story for one of their marquee characters. We’ll get into it all, but first:

SPOILER ALERT!!

Do not read this review unless you want to know all of the big reveals from this issue!

I mean, most of these reveals are very dumb!

And badly written!

But still!

Reviewing this series lately just feels like making a list of complaints, which is something I do not care for. And yet, here we are again. I’d much rather be celebrating a fine comic book than criticizing a bad one, but this book just keeps finding new ways to be unpleasant every other week. It’s like compounded interest, except with terribleness instead of money. And I’m not at all shocked to see a new array of dumb decisions in this issue, on top of the already asinine storyline.

Let’s start with the art. It was fairly solid, as always. Emanuela Lupacchino and Carmen Carnero are quite good at their craft, and there was a lot of nice work in this outing. Throughout this run, the art has been the one decent thing we can count on, even when these fine artists are drawing the dumbest of stories. However, there was an odd choice that I didn’t much like. Lupacchino drew Jason towering over Diana, making him a full head taller than her in several panels. She often looked like a little pixie when next to his imposing frame. First, this is new. Jason was drawn only slightly taller than Diana initially. And second, Wonder Woman is tall. She is an imposing figure herself. To make her look small, you have to be a dang giant, or at the very least some sort of basketball star.

Moreover, the juxtaposition made her look not weak, but lesser, to a degree. There’s nothing at all wrong with being shorter, of course. Strength is not relative to size. But Diana and Jason are twins, and I think it’s a poor choice to make the male twin so much bigger. Especially in a genre where the men are typically behemoths and the women are tiny. They should be equals, and they’ve not been drawn as such here.

We’ve also got a condescending Steve Trevor moment in this issue that felt very out of character. If you’re not writing Steve Trevor as a good dude, you’re not writing him well. He is a fundamentally decent, respectful person, especially when it comes to women. So I found it a bit during when, during his battle with the Furies, he patronizingly called Lashina “sweetheart.” It’s a small thing, to be sure. But it’s a small thing that’s indicative of a writer who’s just doesn’t seem that interested in getting the characters right. That’s not something Steve would say. And since he’s only in two pages this issue, and has been an afterthought for a lot of this run, such a glaring error stands out especially sharply.

This outing also sees the introduction of another villain, and I’m not excited about it. Why would DC give Robinson the chance to screw up another classic Wonder Woman villain? It’s mind boggling. The revelation comes near the end of the issue, when a reflection reveals that the kindly Dr. Edward Carne looks to in fact be Dr. Psycho. Now, I’m not great at predicting plots and twists, in part because I don’t like to. I’d rather just follow along with where the story’s going. But the second the book introduced a short, friendly doctor talking about “the power of the mind,” my immediate thought was “well, that’s probably Dr. Pyscho then.” I was very amused when the next page revealed just that. It’s a weak twist, and I really don’t want Robinson to screw up this character too. Haven’t we been subjected to enough already? I have zero faith that he’ll do something interesting with him.

Elsewhere, the arc continued in its usual underwhelming way. Diana and Jason argued about proper heroing. There was another fight with the Silver Swan, and ultimately Wonder Woman captured here. Then Jason decided to run away because he’s so bad at being a superhero. Except that when he went to leave, he was swept up in some type of malevolent purple force. My fingers are crossed that he’d dead and gone, but that seems unlikely. Chances are, Grail and Darkseid have him now and we’ll see him again sooner than later.

So the overarching story is still plodding along. The Silver Swan tale is done for now, and it sounds like we’ve got Darkseid vs. the Amazons coming up next. And then, hopefully, a new creative team that knows what they’re doing. But after all of this complaining, let’s take a moment to recognize something amazing about this series. Jenny Frison has been doing variant covers for Wonder Woman for well over a year now, and they are consistently fantastic. I usually put up the main cover at the start of my review, but DANG did Frison outdo herself this week and I had to post that instead. That cover is stunning, and one of her best yet. I don’t know why DC isn’t making her covers the main ones, because they are gorgeous. Though really, I don’t know why DC isn’t doing a lot of things differently with Wonder Woman these days. Nonetheless, what a stellar piece of art. She’s been doing phenomenal work.

Advertisements

Wonder Woman #39 Review: Let’s Talk About The One Good Thing This Book Has Going For It

January 24, 2018

ww39

It’s tough to come up with new and creative ways to say a comic book is terribly written every two weeks, and James Robinson is doing me no favours by continually churning out one of the worst Wonder Woman runs in recent memory. And that’s saying something. Remember the Finches? This might be even worse than that. Point being, I can only talk about this horrendous storyline so much before I lose my mind. It’s just too terrible. So today, let’s turn a negative into a positive. Yes, today’s new issue of Wonder Woman is still hot garbage and everyone at DC should feel bad about themselves for putting out such a bad book. However, today is also Colorist Appreciation Day, when comic book fans take to social media to celebrate the pivotally important, criminally overlooked artists who make the comics look good (#ColoristAppreciationDay). So let’s do that instead! But first:

SPOILER ALERT!!

I’m gonna run through the stupid contents of this issue real quick first!

But then I’m going to tell you how rad Romulo Fajardo Jr.’s coloring is!

So basically, Wonder Woman is still fighting Silver Swan, the most underdeveloped villain in the history of villains. Apparently there’s some sort of nanobot situation behind her transformation? Anyway, she’s evil and angry and spending most of her time rehashing literally everything we learned last issue, in typical Robinson fashion. Also, Darkseid and Grail are hanging out in the Amazon rain forest, and Darkseid sends the Female Furies after Steve Trevor and his knockoff Howling Commandos. Oh, and Jason tries to get into the fighting mix and uses some dumb wind power or something. Surprising no one, it proves ineffective. So yeah, it’s all very bad.

Apart from the art! Before I get to the colorist, I should again praise the fine work of Emanuela Lupacchino and Ray McCarthy, who are making some horrible writing at least nice to look at. This week they’re joined by Carmen Carnero, who does some fine work as well. It’s a good looking book. You’d be better served to look at the pretty pictures and make up your own story and dialogue, really.

The lovely art is, of course, brought to life by the marvelous coloring of Romulo Fajardo Jr. He’s been the only real constant on Wonder Woman since it’s “Rebirth” relaunch, and has been doing great work on the title for over a year and a half now. After sharing duties with Laura Martin, who colored Liam Sharp’s art, for the first year, he’s been the sole colorist since. It’s been a remarkable run for several reasons.

First, by my count, he’s worked with over eleven different line art teams during that span. That’s a lot of change, and with each new artist he’s adapted his style to fit their artwork. Fajardo Jr. could have just colored them all exactly the same, but he doesn’t. When the art is more realistic, his colors are more subtle and textured to bring out the realism. When the art is more cartoonish, he goes a bit brighter and bolder and sells the style. There’s definite consistency throughout his work, too. The man’s blending in his shading, especially with skin tones, is impeccable, and the dude does amazing work with different textures. His ability to adapt to his artists while putting out high quality work is impressive, and it gives the series a cohesiveness that counters the constant upheaval of the line art changes.

Second, it’s hard to be a colorist under the best of circumstances. If a script is late or the artist gets behind, the colorist is the last line of defense to ensure that the book comes out on time. This often involves working on crazy deadlines to pick up the slack for everyone else. It’s a thankless, high pressure job, and is doubly so on a bi-weekly series like Wonder Woman. The book is coming out every two weeks come hell or high water, and Romulo Fajardo Jr. is the person that has to carry the baton for the final stretch of the race with each and every issue. And he nails it! Every two weeks, we get a gorgeously colored comic book. No matter who’s writing or drawing it, the coloring is smooth and uniform and pulls the whole issue together.

With every issue of Wonder Woman, whether I’m engrossed in the story and devouring it or appalled at the story and trudging my way through, there’s always at least one moment where I stop and marvel at something Fajardo Jr. has done. Often it’s something small, like the texture of a rock. An inconsequential bit that you could slap a bit of grey on and be fine, saving your time to make sure Wonder Woman herself looks good and fancy. But he always adds a little something to it to make it feel a bit more real, to make the comic book reading experience more immersive. I mean, look at this splash page from the last issue:

ww38a

The linework is gorgeous, but he takes it to new heights. The smooth skin tones, the shine on the metal armor, the glow of the lasso, the texture in the stone, the grit on the girl trapped in the rubble. Everything pops. The man’s got an epic arsenal of skills at his disposal, and he uses them with aplomb. His attention to detail adds so much to the book.

Romulo Fajardo Jr. has been a key part of Wonder Woman’s comic book adventures for years now, not just with Wonder Woman itself but dating back to Wonder Woman ’77 as well. His coloring really brought Lynda Carter to life in the early issues of that series, and it’s been exciting to follow his career since then. I’m glad he’s remained part of the Wonder Woman family, and it’s been so fun to see him color some of my favourite artists, including Mirka Andolfo, Bilquis Evely, Emanuela Lupacchino, and Nicola Scott. The man is going to go down in history for “Year One” alone; Scott killed it, obviously, but his colors paired with her linework beautifully, and that collection is going to be a classic for as long as comic books exist. So my thanks go out to Romulo Fajardo Jr., the MVP of Wonder Woman! I hope he gets to color her and her adventures for years to come!

Women and NB Creators at DC Comics Watch, December 2017 Solicits, 23 Creators on 25 Books

October 18, 2017

womenatdcDEC.png

As you may recall, DC’s November 2017 solicits featured their lowest total of female and non-binary creators in some time. While things have shifted around somewhat with the December solicits, with some past creators gone and some new creators added, the numbers have turned out exactly the same. It says a lot about representation at DC Comics that after posting their smallest numbers in some time, well below their recent highs, they do the exact same thing the following month. Let’s take a look at who’s doing what at DC this December:

  • Amanda Conner: Harley Quinn #33 (co-writer, cover), Harley Quinn #34 (co-writer, cover), The Jetsons #2 (cover)
  • Bilquis Evely: DC Universe Holiday Special 2017 #1 (interior art), Scooby Apocalypse #20 (variant cover)
  • Carmen Carnero: Gotham City Garage #5 (interior art), Gotham City Garage #6 (interior art)
  • Eleanora Carlini: Suicide Squad #32 (interior art)
  • Emanuela Lupacchino: Bombshells United #7 (cover), Superwoman #17 (variant cover)
  • Gail Simone: The Kamandi Challenge #12 (co-writer), Wonder Woman/Conan #4 (writer)
  • Hope Larson: Batgirl #18 (writer)
  • Jenny Frison: Wonder Woman #36 (variant cover), Wonder Woman #37 (variant cover)
  • Jody Houser: Supergirl #16 (co-writer)
  • Julie Benson: Batgirl and the Birds of Prey #17 (co-writer)
  • K. Perkins: Superwoman #17 (writer)
  • Kamome Shirahama: Batgirl and the Birds of Prey #17 (variant cover)
  • Laura Braga: Harley & Ivy Meet Betty & Veronica #3 (interior art)
  • Lea Hernandez: Teen Titans Go! #25 (interior art, cover)
  • Marguerite Bennett: Batwoman #10 (writer), Bombshells United #7 (writer), Bombshells United #8 (writer)
  • Michelle Delecki: Deathstroke #26 (variant cover)
  • Mirka Andolfo: Bombshells United #8 (interior art), Harley Quinn #33 (interior art)
  • Rachel Dodson: Bombshells United #8 (cover)
  • Sandra Hope: The Silencer #1 (inker)
  • Shawna Benson: Batgirl and the Birds of Prey #17 (co-writer)
  • Shea Fontana: DC Universe Holiday Special 2017 #1 (co-writer)
  • Stephanie Hans: Harley & Ivy Meet Betty & Veronica #3 (variant cover)
  • Yasmine Putri: Gotham City Garage #6 (cover), Nightwing #35 (cover), The Hellblazer #17 (variant cover)

All together, there are 23 different women set to work on 25 different books at DC in December, replicating the November totals precisely; as best I can tell, there are no non-binary creators on the schedule at DC this month. That DC’s held steady at these lows is a bit of a surprise. They’d been comfortably in the mid-20s for a while, even jumping into the low 30s occasionally, but now they’ve leveled out into an ongoing lull.

Part of this may be due to a lack of new faces. We’ve seen every single creator listed above at DC before, if not last month than in the past few months. It’s an amazing list of creators to be sure, but all of them are mainstays at the publisher. The numbers can only grow if more creators are brought in, and that will require new and different people. This month, DC did not seem inclined to seek them out.

In terms of fictional characters, there’s only one new book with a female lead: The Silencer. The book is part of DC’s high profile artist-centric line in which their top artists are paired with writers to create new characters. Perhaps unsurprisingly, almost every creator involved is a man. But The Silencer features Sandra Hope inking, and it stars Honor Guest, a retired assassin who retired at the top of her game but is getting dragged back into the business. Technically the book’s not out until January; it’s an advanced solicit, for some reason. But hey, it’s on the list! And while DC only has a handful of other new titles scheduled for December, they all have male leads.

Ultimately, December looks like it’s going to be another subpar month for female and non-binary creator representation at DC Comics. On the plus side, the numbers holding steady means that the publisher’s downward trend over the past few months has come to an end. On the negative side, the skid’s landed them far from the considerably higher numbers they’d been posting only a year ago, when they had 10 more women and non-binary creators in the mix! DC’s capable of far better representation than they have right now.

Women & NB Creators at DC Comics Watch, September 2017 Solicits: 27 Creators on 21 Books

July 21, 2017

womenatdcSEPT

After a series of fairly solid rounds of solicits in terms of female and non-binary creator representation across the summer months, DC looks to be starting the fall towards the lower end of that range with their September solicits. A few new books have increased the ranks, while DC’s major autumn event seems to be entirely dude-centric thus far, and things have almost evened out. Let’s take a look at who’s doing what at DC this September:

  • Amanda Conner: Harley Quinn #27 (co-writer, cover), Harley Quinn #28 (co-writer, cover), Harley Quinn 25th Anniversary Special #1 (co-writer, interior art, cover)
  • Babs Tarr: Bombshells United #1 (variant cover)
  • Becky Cloonan: Shade, The Changing Girl #12 (cover)
  • Carmen Carnero: Detective Comics #964 (interior art)
  • Cecil Castellucci: Shade, The Changing Girl #12 (writer)
  • Eleanora Carlini: Suicide Squad #25 (interior art)
  • Gail Simone: Wonder Woman/Conan #1 (writer)
  • Hope Larson: Batgirl #15 (writer)
  • Jenny Frison: Wonder Woman #30 (variant cover), Wonder Woman #31 (variant cover)
  • Jody Houser: Mother Panic #11 (writer)
  • Julie Benson: Batgirl and the Birds of Prey #14 (co-writer)
  • K. Perkins: Superwoman #14 (writer)
  • Kamome Shirahama: Batgirl and the Birds of Prey #14 (variant cover)
  • Katie Jones: Shade, The Changing Girl #12 (backup story)
  • Marguerite Bennett: Batwoman #7 (writer), Bombshells United #1 (writer), Bombshells United #2 (writer)
  • Marguerite Sauvage: Bombshells United #1 (interior art), Bombshells United #2 (interior art)
  • Marley Zarcone: Shade, The Changing Girl #12 (interior art)
  • Mirka Andolfo: Teen Titans #12 (interior art)
  • Rachel Dodson: Bombshells United #1 (cover)
  • Rosemary Valero-O’Connell: Cave Carson Has A Cybernetic Eye #12 (variant cover)
  • Shawna Benson: Batgirl and the Birds of Prey #14 (co-writer)
  • Shea Fontana: Wonder Woman #30 (writer)
  • Siya Oum: Batman Beyond #12 (interior art)
  • Stephanie Hans: Bombshells United #2 (cover)
  • Tula Lotay: Doom Patrol #9 (variant cover)
  • Vita Ayala: Batman Beyond #12 (co-writer)
  • Yasmine Putri: The Hellblazer #14 (variant cover)

All together, there are 27 different female and non-binary creators set to work on 21 different books in September, 2 fewer creators than in August and 1 fewer book. This is hardly a major change, and could very well just be normal shuffling around. We don’t expect the numbers to stay the same everything month, and a things going a little lower or higher is common. Small changes like this are only significant when it’s part of a larger trend. If DC lost 2 women/NB creators after posting losses in a couple of months previous, that would be disconcerting. This slight drop, though, after a decent August, is nothing too worrisome yet. Of course, we’ll see how the rest of the fall solicits unfold.

Before we dig into things more, here’s a quick note on the change in terminology. We’ve been keeping track of female creators at DC for several years now, but I recently learned that writer Vita Ayala, who I’ve categorized as female in the past, identifies as non-binary. Since the purpose of this project is to showcase creators who disrupt the typical male hegemony of the superhero industry, changing the title and the terminology to be more inclusive seemed like the right way to go. We’ve always listed women who are transgender, of course, but that didn’t necessitate a shift in nomenclature. This does, I think. If there are other creators whose identity lies outside of the male/female binary, I’d be glad to know about them and will include them on the list moving forward; let me know in the comments.

We’ve mostly got returning favourites this month, but there are a couple of new names in the mix. Katie Jones is doing a backup story in Shade, The Changing Girl #12, while Rosemary Valero-O’Connell drew a variant cover for Cave Carson Has A Cybernetic Eye #12. The “Young Animal” line has certainly been a solid outlet for representation at DC each month since it began, and these additions carry that on well.

In terms of new books, DC’s Dark Nights: Metal event and its various tie-ins continue to be male-dominated, both in terms of characters and creators. But in exciting news, the Bombshells are back! The superhero ladies will continue fighting the Second World War in Bombshells United, which will double ship with double Marguerites in September. Wonder Woman’s also got a new mini-series that teams her with Conan the Barbarian, and Harley Quinn will star in a special 25th anniversary issue.

So overall, September looks to be an average month for female and non-binary creators at DC. The numbers are firmly in the middle of the publisher’s range across 2017 thus far; DC’s stayed within a fairly narrow window. So things are relatively steady, but that also means that the numbers aren’t growing. It’d be nice to see things improve in the months to come; with ComicCon this weekend, perhaps we’ll get some exciting announcements to that effect.

Women at DC Comics Watch – August 2017 Solicits, 29 Women on 22 Books

June 13, 2017

womenatdcAUGUST.png

Despite a lack of female creators in several new series, mini-series and one-shots set to premiere in August, representation for women at DC Comics remained relatively strong across their wider range of books. Growth throughout the spring has led to a solid plateau at the publisher, though some changes are on the way that may soon change that this fall. Let’s take a look at who’s doing what at DC this August:

  • Amanda Conner: Harley Quinn #25 (co-writer, cover), Harley Quinn #26 (co-writer, cover)
  • Aneke: DC Comics Bombshells #32 (interior art)
  • Becky Cloonan: Gotham Academy: Second Semester #12 (co-writer), Shade, the Changing Girl #11 (cover)
  • Carmen Carnero: Detective Comics #963 (interior art)
  • Cecil Castellucci: Shade, the Changing Girl #11 (writer)
  • Eleanora Carlini: Green Arrow Annual #1 (interior art)
  • Emanuela Lupacchino: Scooby Apocalypse #16 (variant cover)
  • Hope Larson: Batgirl #14 (writer)
  • Jenny Frison: Wonder Woman #28 (variant cover), Wonder Woman #29 (variant cover)
  • Jody Houser: Mother Panic #10 (writer)
  • Julie Benson: Batgirl and the Birds of Prey #13 (co-writer)
  • K. Perkins: Superwoman #13 (writer)
  • Kamome Shirahama: Batgirl and the Birds of Prey #13 (variant cover)
  • Laura Braga: DC Comics Bombshells #32 (interior art), DC Comics Bombshells #33 (interior art)
  • Lea Hernandez: Teen Titans Go! #23 (interior art)
  • Leslie Hung: Shade, the Changing Girl #11 (variant cover)
  • Lilah Sturges: Everafter: From the Pages of Fables #12 (co-writer)
  • Marguerite Bennett: Batwoman #6 (co-writer), DC Comics Bombshells #32 (writer), DC Comics Bombshells #33 (writer)
  • Marguerite Sauvage: Shade, the Changing Girl #11 (interior art)
  • Marley Zarcone: Shade, the Changing Girl #11 (interior art)
  • Michelle Delecki: Deathstroke #22 (variant cover), The New Gods Special #1 (interior art, cover)
  • Mirka Andolfo: DC Comics Bombshells #32 (interior art, cover), DC Comics Bombshells #33 (interior art)
  • Msassyk: Gotham Academy: Second Semester #12 (interior art)
  • Sana Takeda: Mother Panic #10 (variant cover)
  • Sandra Hope: Gotham Academy: Second Semester #12 (inker)
  • Shawna Benson: Batgirl and the Birds of Prey #13 (co-writer)
  • Shea Fontana: Wonder Woman #28 (writer), Wonder Woman #29 (writer)
  • Tula Lotay: Everafter: From the Pages of Fables #12 (cover)
  • Yasmine Putri: The Hellblazer #13 (variant cover)

All together, there are 29 different female creators set to work on 22 different books in August, 2 more women than in July though 1 less book. DC’s hit a decent level as of late, with the number of women on their books ranging from 27 to 31 over the past four months. In terms of both their own past performances and the numbers from their main competitor, this is a relatively good plateau.

It’s not a huge month for new names, though. Leslie Hung and Sana Takeda are the only two here, both of them on variant covers. We haven’t seen Michelle Delecki in a while either, but everyone else has been around recently. This lack of new women, and of new gigs generally, is somewhat odd given how many different series, mini-series and one-shots are scheduled for August. There are 11 new #1 issues, only one of which features a female creator, so that’s a rather dispiriting ratio.

Female characters aren’t a huge part of these new books either. Where they do appear, it’s in group settings; Wonder Woman looks to have a role in Dark Nights: Metal, and Suicide Squad Black Files seems to include Enchantress and Katana. We’ve got a new Mister Miracle book as well that should feature a lot of Big Barda, but her name’s not in the title. There’s also six one-shots that celebrate Jack Kirby, none of which star a female character.

Overall, August looks to be relatively solid for women at DC, but change may be around the corner. One key difference moving forward will be the end of Gotham Academy: Second Semester, which ships its final issue in August. That book has been a bastion for female creators at DC, and we may see its loss reflected in the numbers. The fall could bring even more new books as well, and given how few women are involved with August’s new offerings, that may not be great for the numbers either. We’ll see what the solicits bring. But for now, August is looking relatively strong for female representation at DC, at least.

Women at DC Comics Watch – July 2017 Solicits, 27 Women on 23 Books

May 9, 2017

womenatdcJULY.png

July looks to be a bit of a drop for female creator representation at DC, though not a particularly steep one. The June solicits had their strongest numbers of 2017 thus far, so a decline is hardly unexpected. Growth is rarely a steady thing in the comic book world. Plus DC’s totals for July are in the upper end of their range as of late, which is encouraging despite the drop. Let’s take a look at who is scheduled to do what at DC in July 2017:

  • Amanda Conner: Harley Quinn #23 (co-writer, cover), Harley Quinn #24 (co-writer, cover)
  • Aneke: DC Comics Bombshells #30 (interior art), DC Comics Bombshells #31 (interior art)
  • Becky Cloonan: Gotham Academy: Second Semester #11 (co-writer), Shade, the Changing Girl #10 (cover)
  • Carmen Carnero: DC Comics Bombshells #30 (interior art), DC Comics Bombshells #31 (interior art)
  • Cecil Castellucci: Shade, the Changing Girl #10 (writer)
  • Emanuela Lupacchino: Green Lanterns #26 (variant cover), Green Lanterns #27 (variant cover)
  • Hope Larson: Batgirl #13 (writer)
  • Jan Duursema: Scooby Apocalypse #15 (interior art)
  • Jenny Frison: Wonder Woman #26 (variant cover), Wonder Woman #27 (variant cover)
  • Jill Thompson: Scooby Apocalypse #15 (variant cover), Shade, the Changing Girl #10 (variant cover)
  • Jody Houser: Mother Panic #9 (writer)
  • Julie Benson: Batgirl and the Birds of Prey #12 (co-writer)
  • K. Perkins: Superwoman #12 (writer)
  • Kamome Shirahama: Batgirl and the Birds of Prey #12 (variant cover)
  • Laura Braga: DC Comics Bombshells #30 (cover), DC Comics Bombshells #31 (interior art)
  • Leila Del Duca: Shade, the Changing Girl #10 (interior art)
  • Lilah Sturges: Everafter: From the Pages of Fables #11 (co-writer)
  • Marguerite Bennett: Batwoman #5 (co-writer), DC Comics Bombshells #30 (writer), DC Comics Bombshells #31 (writer), The Kamandi Challenge #7 (writer)
  • Marley Zarcone: Shade, the Changing Girl #10 (interior art)
  • Mirka Andolfo: Wonder Woman #26 (interior art), Wonder Woman #27 (interior art)
  • Msassyk: Gotham Academy: Second Semester #11 (interior art)
  • Sandra Hope: Gotham Academy: Second Semester #11 (inker)
  • Shawna Benson: Batgirl and the Birds of Prey #12 (co-writer)
  • Shea Fontana: Wonder Woman #26 (writer), Wonder Woman #27 (writer)
  • Stephanie Hans: Batwoman #5 (interior art, cover)
  • Tula Lotay: Everafter: From the Pages of Fables #11 (cover), The Hellblazer #12 (cover)
  • Yasmine Putri: Detective Comics #960 (cover), Detective Comics #961 (cover), Nightwing #24 (variant cover), Nightwing #25 (variant cover), The Hellblazer #12 (variant cover)

All together, there are 27 different female creators set to work on 23 different book at DC this July, 4 fewer women than last month though 1 more book. While the decline in creators isn’t great to see, the high 20s is a fairly solid showing for DC relative to their past performances, and is slightly above par for the course for the year thus far. And having women on more books despite the decline in creators is nice; it’s good to see female creators being spread through the ranks more. Publishers often group women together on a few select titles, so any growth in representation throughout the line itself is encouraging.

Speaking of the line, it looks like it’s going to stay stagnant yet again in July. The only new books recently are preludes to DC’s big Metal event and the print version of a new digital first mini-series, Batman ’66/Legion of Superheroes; the latter has a couple of ladies in the Legion, at least. Apart from some shifting here and there as a few bi-monthly series switch to monthly, things remain steady. I expect some new books will be on the way sooner than later, perhaps some sort of push in the fall, but things are quiet right now.

Despite the constant line, however, we’ve got some new names in the mix. Shea Fontana is taking over the writing duties on Wonder Woman, and Mirka Andolfo, who we know from DC Comics Bombshells, is joining her on art. We’ve also got Leila Del Duca on some interior art for Shade, the Changing Girl, Stephanie Hans pitching in on art duties for Batwoman, and Jill Thompson is back to do a couple variant covers, which is always a good time.

Overall, July looks to be a pretty average month for female representation at DC Comics. They’re capable of higher, as they showed last month and even more so at times last year, but they’ll be near the upper range of their numbers in July. An influx of new books and new creators seems a bit off yet, so it’ll be interesting to see if DC maintains this level through the summer.

Women at DC Comics Watch – June 2017 Solicits, 31 Women on 22 Books

April 20, 2017

womenatdcJUNE.png

I’ve gotten behind on my creator counting this month! The July solicits are already up, and I’ve yet to post about the June ones. Blame a rash of traveling and general forgetfulness. But nonetheless, here we are now, checking in on female creator representation at DC Comics according to their June 2017 solicits. And it looks to be a pretty solid month, with DC posting their highest number of different female creators for the year thus far, bringing them into the 30s for the first time since last December. Let’s take a look at who’s doing what at DC in June:

  • Amanda Conner: Harley Quinn #21 (co-writer, cover), Harley Quinn #22 (co-writer, cover)
  • Ana Dittmann: The Fall and Rise of Captain Atom #6 (cover)
  • Aneke: DC Comics Bombshells #28 (interior art)
  • Becky Cloonan: Gotham Academy: Second Semester #10 (co-writer), Shade, the Changing Girl #9 (cover)
  • Bilquis Evely: Wonder Woman #24 (interior art, cover), Wonder Woman #25 (interior art)
  • Brittney Williams: Shade, the Changing Girl #9 (interior art, variant cover)
  • Carmen Carnero: DC Comics Bombshells #29 (interior art)
  • Cecil Castellucci: Shade, the Changing Girl #9 (writer)
  • Eleanora Carlini: Batgirl #12 (interior art)
  • Emanuela Lupacchino: Green Lanterns #24 (variant cover), Green Lanterns #25 (variant cover), Mother Panic #8 (variant cover)
  • Heather Nuhfer: Teen Titans Go! #22 (co-writer)
  • Hope Larson: Batgirl #12 (writer)
  • Jan Duursema: Scooby Apocalypse #14 (interior art)
  • Jenny Frison: Wonder Woman #24 (variant cover), Wonder Woman #25 (variant cover)
  • Jody Houser: Mother Panic #8 (writer)
  • Joelle Jones: Supergirl: Being Super #4 (interior art, cover)
  • Julie Benson: Batgirl and the Birds of Prey #11 (co-writer)
  • K. Perkins: Superwoman #11 (writer)
  • Kamome Shirahama: Batgirl and the Birds of Prey #11 (variant cover)
  • Laura Braga: DC Comics Bombshells #28 (interior art)
  • Lilah Sturges: Everafter: From the Pages of Fables #10 (co-writer)
  • Marguerite Bennett: Batwoman #4 (co-writer), DC Comics Bombshells #28 (writer), DC Comics Bombshells #29 (writer)
  • Marguerite Sauvage: DC Comics Bombshells #29 (cover)
  • Mariko Tamaki: Supergirl: Being Super #4 (writer)
  • Marley Zarcone: Shade, the Changing Girl #9 (interior art)
  • Mirka Andolfo: DC Comics Bombshells #29 (interior art)
  • Msassyk: Gotham Academy: Second Semester #10 (interior art)
  • Sandra Hope: Gotham Academy: Second Semester #10 (inker)
  • Shawna Benson: Batgirl and the Birds of Prey #11 (co-writer)
  • Tula Lotay: Everafter: From the Pages of Fables #10 (cover), The Hellblazer #11 (cover)
  • Yasmine Putri: Detective Comics #959 (cover), The Hellblazer #11 (variant cover)

All together, there are 31 different female creators set to work on 22 different books in June, 3 more women than in May and 1 more book. It’s small growth, but growth nonetheless. And the number of women is relatively strong for DC, even though the number of books is fairly middle of the road. Female creator behemoths like Gotham Academy: Second Semester, Shade, the Changing Girl, and a double shipping DC Comics Bombshells are carrying a lot of the weight this month rather than the work being more spread through DC’s line. Still, this looks to be a solid showing for the publisher, and a long awaited return to the thirties after a good run there last fall.

In terms of new faces, I think the cover of The Fall and Rise of Captain Atom might be Ana Dittmann’s first DC work, which is very cool. We’ve also got Brittney Williams, who we’ve seen at DC before a while back; she’s coming off a fantastic run on Patsy Walker, a.k.a. Hellcat! at Marvel, and it would be rad to see more DC work from her moving forward. Eleanora Carlini’s been doing some Green Arrow work lately but now she’s moving to Batgirl, which should be fun. And Jan Duursema is back with a backup story in Scooby Apocalypse! We haven’t seen her around these parts for several months now.

The new books are light on women, however. DC’s set to premiere the prelude to their big summer event Dark Nights: Metal with Dark Days: The Forge, and while the event will encompass the whole DC universe, Batman seems to be the focus here. There are also a series of Looney Tunes superhero crossover specials, but Wonder Woman’s the only solo female character in the mix. Also, somewhat oddly, there’s a Steve Trevor special set for June. Wonder Woman will be in it, I’m sure, but focusing on him seems like a bizarre focus during a month when her first big screen solo outing is set to debut.

Overall, June is looking decent for female creators at DC. There aren’t many new books in the mix so the ranks are fairly stagnant, but things have ticked up slightly for the third straight month and DC is in the ballpark of its past highs. A lot of this is powered by just a handful of books, though, so it’ll be interesting to see how things unfold in the coming months; more growth across the board would help make this current mini-surge more sustainable.


%d bloggers like this: