Posts Tagged ‘Dr. Poison’

Wonder Woman #15 Review: “The Truth” Is Out There

January 25, 2017

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Today marks the beginning of “The Truth,” a new arc of Wonder Woman that picks up where “The Lies” left off and finds all of our heroes in various sorts of predicaments. Between the revelation that Diana’s memories of Paradise Island were false and Godwatch’s attack on the Picket, everything’s a mess for everyone right now. Add in the fact that Godwatch is a league of some of Wonder Woman’s most fearsome adversaries, and yeah, things are bad. Wonder Woman #15 sets the table for what Wonder Woman and her friends will be facing going forward, and it looks like it’s going to be quite the adventure. Let’s dig into it all, but first:

SPOILER ALERT!!

I am about to discuss key plot points from this issue!

Look away if you haven’t read it yet!

Also, go read it! It’s good!

So this issue starts with Wonder Woman out of commission, housed in an asylum in England after the revelations about her memory shattered her psyche. Steve, Etta, and Barbara are on the lam after Picket was compromised and destroyed by Godwatch. No one’s in a good spot, and things go from bad to worse over the course of this issue, which was an interesting read that has me excited about where things are going moving forward.

There are dangers in so many areas right now. First, there’s a clear supernatural component going on. Diana’s mental fragility appears to be tied to her snake bite from way back in Wonder Woman #2, as underlined by both her vision/hallucination of a snake coming out of her arm and talking to her and the reappearance of the ominous tree that housed the snake on Themyscira. Something especially sinister is at work, as Hippolyta’s reaction to the tree shows. She was so alarmed that it had me wondering if she knew more about the tree and the snake then she’s letting on. It might just be that it’s the tree that nearly killed her daughter and so she’s being extra cautious, but Hippolyta’s been around for a long time, she knows a lot of things, and she’s been through a lot of stuff. There might be something deeper at play here, perhaps connected to the history of the Amazons.

Back home in America, Godwatch is after Steve, Etta, and Barbara. I love that the story is picking up on the romance between Etta and Barbara that we saw in “Year One” now that Barbara has left the Cheetah behind. They are super cute together. But that fun didn’t last for long. Barbara revealed a past link to Godwatch, and gave herself up to its soldiers to be taken in. She did so in order to allow Steve and Etta to escape and also presumably to get inside the organization and learn what she can about their plans. Etta trusts her, but Steve clearly doesn’t. We don’t yet know her connection to Godwatch, and after years of villainy he seems to be unwilling to put his faith in her yet. But I’m with Etta. Etta’s a good judge of character, and if she thinks Barbara’s on the up and up then I’ll have faith as well.

Speaking of Godwatch, it seems to not just be a team of Wonder Woman’s greatest foes, but a team of Wonder Woman’s greatest female foes. We’ve got Veronica Cale, Colonel Maru and Poison, Dr. Cyber, and hints that the Cheetah and Circe (I assume that’s who they meant when they mentioned “the witch”) are or have been a part of the group. It’s so much fun. I mean, not fun for Wonder Woman. She’s having a terrible time of it. But as a reader, Wonder Woman facing off against her most fearsome female foes is going to be a blast.

Adding even more fun to the book, the last page of the issue appears to be show the return of an old friend, Ferdinand. He’s a minotaur who worked at the Themysciran embassy during Rucka’s first run on Wonder Woman; he was the chef, and quickly became a fan favourite character, but he’s been benched since Rucka left. If it truly is Ferdinand, he’s either fallen on hard times or is laying low intentionally. Either way, there’s a story to be told here, and it’s going to be advantageous to the team to have a minotaur on board. There’s really no situation not improved by having a minotaur on your side, unless perhaps you have to maneuver through a tightly packed china shop.

Greg Rucka pulls together a lot of the strings he introduced in “The Lies” and “Year One” in this issue, picking up on plot points from each and uniting the two arcs into this new story moving forward. Liam Sharp returns after his work on “The Lies,” and his use of different styles mirrors this unification. On Themyscira, he’s clearly aiming for a Nicola Scott vibe, and while his art isn’t quite as lush and gorgeous as Nicola Scott’s, it’s a decent facsimile. With Diana, he continues his style from “The Lies,” and largely does the same with the villains, though there’s a harshness and lack of detail in those pages that makes it the weakest section of the book, visually. With Steve, Etta, and Barbara on the lam, Sharp goes grittier, with a scratchy feel and heavier shadows that creates a moody atmosphere. Laura Martin colors these distinct looks well, adapting her palette and the texture of her colors to fit each situation. The different styles work well and make for a more interesting read, which each reflecting its setting well.

Overall, this was a very solid first issue. “The Lies” was ultimately only okay for, a bit dragged out and underwhelming compared to the spectacular “Year One.” Here, “The Truth” is off to a roaring start with several balls in the air from the get-go, all of them entertaining and exciting. I’m looking forward to seeing where it all goes, and I’m extremely curious to find out how the dual arcs are going to work moving forward. We’ll find out in two weeks when Bilquis Evely joins the team for “Godwatch;” should be fun!

Wonder Woman #13 Review: A Steve Trevor Interlude Between “The Lies” and “The Truth”

December 28, 2016

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While the end of Greg Rucka and Liam Sharp’s “The Lies” arc didn’t end with a big surprise for readers, it was certainly a shock for Wonder Woman. By that point in the run, it was quite clear that the New 52 Paradise Island was being retconned as a fiction, given how drastically different everything about the Amazons was in Rucka and Nicola Scott’s “Year One,” so the reveal at the end of Wonder Woman #11 was somewhat obvious. But not for Wonder Woman. The knowledge that her memories of her home and her interactions with the Amazons over the past few years were all a lie and the realization that she’s never been back home since she left the first time seems to have shattered her. So with Wonder Woman out of commission, Steve Trevor takes over the narrative lead in this standalone issue that bridges “The Lies” and “The Truth.” We’ll dig into it momentarily, but first:

SPOILER ALERT!!

I am about to tell you EVERYTHING that happens in this issue!

Look away if you haven’t read it yet!

Get yourself a post-Christmas treat and go pick it up!

I’ve read a lot of Wonder Woman comic books and very few of them put the focus on Steve Trevor, largely because he’s always been a tricky character to make interesting. Part of the problem is that he’s usually next to Wonder Woman and she’s the best; it’s hard for any dude to look cool when compared to the amazingness of Wonder Woman. Steve’s not a bad character by any means, just a little generic and better in small doses. There’s no strong, compelling characterization of him, no real hook for readers to latch onto other than that he loves Wonder Woman. We all love Wonder Woman too so I suppose we’re all on the same page as Steve, but compared to other non-superhero romantic interests, like Lois Lane for example, he’s not so exciting.

Rucka and guest artist Renato Guedes’ solution to this problem is to make Steve Trevor a total bad ass, and it works pretty well. We’ve seen a tougher Steve throughout the New 52 era, leading special ops teams and whatnot, but much like his Wonder Woman adventures, he was often overshadowed by his superhero companions. Wonder Woman #13 is wholly without superheroes; Wonder Woman’s on the fritz, and it’s just Steve versus a revamped Dr. Poison leading an assault team to nab Diana. These are enemies that Steve can handle, and he does with aplomb.

The issue is nicely put together. Steve is stuck on a barren island in the middle of nowhere with no way to get off it (Wonder Woman was his ride home), and the Picket is compromised and Etta Candy’s on the run, so support from the mainland isn’t coming any time soon. He’s got to use what little he has to fight a well-trained assault troop, making use of his environment and his combat skills to do so. Rucka and Guedes give Steve some clever solutions out of these limited options, and watching him set up and execute his plan makes for a fun read. We’re often told that Steve is a good soldier, but Wonder Woman usually ends up doing most of the heavy lifting, so it’s cool to see how well he can handle things when he’s on his own.

It’s also great to see a new take on Dr. Poison. Her doctorate isn’t specified, but Marina Maru is clearly connected to the classic Golden Age character in some way, and she’s a pleasant change from the horrible take on the character we got during the Finches’ run on Wonder Woman. And with the reference to Maru poison in Wonder Woman #12, it seems that the Maru(s?) are set to play a key role in the story moving forward. Rucka is slyly assembling a team of Wonder Woman’s classic villains, and it should make for some good times as these new arcs begin.

Renato Guedes is a good fit for the story, and he illustrates the action well. There’s a lot more show than tell in Steve’s plans to fight the incoming soldiers, so instead of the text telling us what Steve is up to, Guedes draws it all and does an excellent job communicating what he’s getting up to. The subsequent action is clearly rendered and easy to follow, and his work makes for an enjoyable issue all around. Guedes’ artwork isn’t as lovely as Nicola Scott or Bilquis Evely’s, but his sharper lines and sharper tone are a good fit for a Steve Trevor story in the same way Scott and Evely match well with Wonder Woman.

All together, this was a fun outing, and puts us in an interesting spot to start “The Truth.” Wonder Woman is shut down, housed in a hospital in London, while Steve is set to track down Etta. “The Lies” was a slow, somewhat unexciting arc, not bad by any means but not great either. I’m curious to see what we get out of “The Truth,” and I’m hopeful that Rucka and Sharp will a) make the book more fun and compelling and b) actually give us some answers this time around. This interlude was a positive start, and I’m looking forward to where things go from here.


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