Posts Tagged ‘Hippolyta’

Wonder Woman Movie Action Figures: Reviewing the Entire Fantastic Line!

June 22, 2017

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I don’t know how things are where you live, but here in Halifax it’s been hard to track down the DC Multiverse line of Wonder Woman movie action figures. Luckily, I have a sister who lives near the American border and was able to order the entire line up! And she brought them all last night (the picture above doesn’t include Hippolyta, because I was able to get that one earlier), so now I have the entire set. And they are GREAT. I’m hoping it’s just the beginning of the line because there are definitely a few missing characters I’d love to see, but it’s a fantastic start. As an action figure enthusiast, I’m really pleased with the quality of the work here. So let’s take a closer look at all of them!

We’ll start with the main Wonder Woman figure:

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Honestly, it’s kind of an odd figure with the cloak and all. I understand that the Multiverse line did a (not so great) Wonder Woman figure for Batman v Superman last year so they’d want to mix it up a bit here, but this one is hard to play with. Also, full disclosure, I am 100% a take it out of the package sort of dude, so playability is key for me. Still, it’s a pretty nice figure. She comes with her sword and her lasso (which is hidden under her cloak) and the costume underneath the cloak is very nicely done. The face sculpt is decent as well. It’d be a better figure if the cloak was removable, though. I know she wears it for a lot of the movie, but it’s hard to play with.

Luckily, there’s a Wonder Woman variant figure that’s a Toys R Us exclusive, and it’s awesome:

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It’s the Batman v Superman sculpt with brighter colours and a new face, and it’s a vast improvement on both that original figure and her cloaked counterpart in the Wonder Woman line. She looks a lot more like Gal Gadot, and she’s got a variety of points of articulation that make her easy to play with. Her accessories are rad too; while we’ve got the standard sword and lasso, the shield is the most impressive piece here. It’s a detailed, accurate recreation of the movie shield that will allow you to stage all kinds of fun poses from the film. If you want a good Wonder Woman figure, I suggest going to Toys R Us and tracking this one down.

We’ve got a third Diana, in her Themyscira outfit:

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She comes with the sword and lasso yet again, but everything else is new including an alternative head sculpt with a braid and of course an entirely different costume. The figure is very poseable, and looks good all around. It’s a great representation of her Themyscira look, and with some other Amazons in the line you can recreate some sparring scenes! It’s a simple figure, but a fun one.

Queen Hippolyta is slightly more ornate:

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They did a great job with the costume here, capturing all of the elements quite nicely. She’s got a cloak as well, which makes playing with her a little bit difficult, but it’s not as cumbersome as the black cloak on the main Wonder Woman figure. The figure also comes with a sword and a spear; all of the weapons in this line look good, plus they’re fairly sturdy and easy to put in the figure’s hands, which is always helpful. Hippolyta’s face sculpt makes her look a bit stern, but that’s in keeping with the character, really.

Our final Amazon is Menalippe:

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And honestly I have NO idea why she has a figure and Antiope doesn’t. That makes no sense at all. But it’s a super cool figure nonetheless! She comes with a spear as well, but I’ve got her in this awesome bow and arrow pose. The costume looks great, the weapons are cool, and she’s pretty good to play with despite some limitations due to the length of parts of her skirt. It’s a fun figure all around. I just don’t know why she’s not Antiope. Maybe we’ll get one in a future line!

Now onto the boys, starting with Steve Trevor:

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He’s fine. This was never going to be a super exciting figure, since he lacks the visual flair and cool weaponry of the Amazons. He’s got a gun and that’s about it. And that green jacket isn’t exactly a stunning outfit. But the textures aren’t bad and for the simple figure it is, it looks pretty decent and is good to pose and play with. He’ll look good running behind my Wonder Woman figure!

And finally, the Ares build-a-figure:

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So, I think the filmmakers changed their mind on how Ares should look during production because both this figure and the Lego Ares look like this, with old fashioned armor and a ram skull helmet and such, and his look in the movie is kind of different. The toys must have been developed so far that they couldn’t change things when the movie did, and so we get this figure that’s not terribly movie accurate. The good news is, I think the figure looks a lot cooler than the movie version! He’s kind of awesome. I’ve got him pictured with one of the fiery swords that come with Menalippe and the shield that comes with the Toys R Us exclusive Wonder Woman, but there’s another sword that comes with someone in the main line that’s fine as well. He was easy to build and very fun to put together. I’ve never collected a full line before, so I’ve never made a build-a-figure. It’s fun! And he’s bigger than everyone else, which is cool for a bad guy. Here’s a comparison shot:

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It’s a great Ares all around, and he’s a blast to play with.

There are a few figures I’d love to see in a hypothetical second line, Antiope first and foremost among them. It’s bizarre that she’s not in this line. It’d be fun to have an Etta as well; she was such a joy in the movie, and I’d love to pair her with one of my Wonder Women. Dr. Poison would be cool too, to give us another villain, and perhaps a Ludendorff for the same reasons. I’d also be okay with a Diana Prince figure, in her London garb, just to have another Wonder Woman in the line. Sameer, Charlie, and Chief I can take or leave. It’d be fun to have the team, but there are other characters that I think would be more fun. So hopefully there’s more coming! But if not, this line is great and there’s a lot of fantastic figures in the mix.

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Wonder Woman Film Review: A Movie Worthy of its Heroine

June 2, 2017

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Well it’s finally happened, gang. After decades of watching the boys get movie after movie, we’ve finally got a Wonder Woman solo film. And here’s the good news: It’s really, really good. Great even. Full of heart and action and excitement. It’s far and away the best film from the DC cinematic universe so far and, more importantly, it does Wonder Woman justice and captures the heart of the character well. Let’s dig into it all, first with some spoiler-free general thoughts, and then with full on spoilers after a jump so anyone who hasn’t seen it yet won’t have anything ruined for them.

So gosh, where to start? With Wonder Woman herself, probably. Gal Gadot is pretty much a perfect Wonder Woman. We got to see her for a few minutes in Batman v Superman and she totally stole the show, and now with a show all of her own, she absolutely shines. Gadot captures the heroism and compassion of Wonder Woman so well; she’s fierce when she needs to be, kind when she needs to be, and just has so much heart. She smiles a lot, which is a lovely contrast with the grim darkness that’s dominated other DC movies, and it’s the most earnest and charming smile. It’s Wonder Woman’s smile, really. It’s something that could easily turn corny, but Gadot makes it utterly genuine, sincere, and believable. And while Diana’s got an interesting journey throughout the film, a sort of loss of innocence as she leaves her utopian home and experiences the horrors of war, Gadot does a fantastic job playing this evolution and it’s darker, questioning moments without losing the heart of the character. She’s just so good. I want to see her continue to play Wonder Woman again and again and again.

Holding his own with such a stunning take on Wonder Woman was a tall order for Chris Pine, but his Steve Trevor was excellent. I’m steeped in Wonder Woman comics and very familiar with every incarnation of Steve Trevor, and this was my favourite version of him ever, by a considerable margin. He was written really well; it’s a sidekick/love interest role that keeps the focus squarely on Wonder Woman, and Pine plays it spot on. He’s a tough guy with some skills, but he very quickly realizes he’s no Wonder Woman and is totally okay with that, in part because he’s just kind of in awe of her. Gadot and Pine’s chemistry together is delightful, Pine’s got charm to spare and is also hilarious, and the two of them made for a really winning partnership.

The supporting cast is pretty solid, too. Connie Nielsen and Robin Wright do great work as Hippolyta and Antiope, guiding the film well through it’s early scenes with young Diana. Wonder Woman’s crew in Europe are all fun too, but Lucy Davis’ Etta Candy is a total scene stealer. She’s so funny and enjoyable, albeit underused. I could have done with a lot more Etta Candy! The bad guys were suitably evil, as they should be, if somewhat underdeveloped, but such is the case with most superhero films.

In terms of the directing, Patty Jenkins did a remarkable job. While Wonder Woman had a lot of the beats you expect from a superhero movie, it also had its own unique style and tone. The action was especially spectacular; I’ve never seen fighting like that in a superhero movie, particularly some of the amazing acrobatics we got from the Amazons. They were astonishingly good. I also loved the little touches throughout the film, like the gorgeous, sweeping establishing shots we got for Themyscira, London, and the front. There was a real flair to the film that set it apart from other superhero movies. Jenkins also¬†smoothly married the action¬†and stunning visuals with the emotional aspects of the film. All of the humourous, romantic, and quiet reflective moments rang true, and everything flowed together nicely.

It was just fun to look at, too. Themyscira was so epic and cool, uniquely ancient and breathtaking in its scenery. I want to go to there. A lot of the movie was spent in the cramped confines of London or on the front, all of which was nicely done, but there was a good amount of time spent outdoors in lovely, natural settings that were shot exquisitely. On top of the settings, the costumes were quite striking. Wonder Woman wore an updated version of her Batman v Superman outfit, one that actually had colour this time, and it looked fantastic. All of the Amazons got cool costumes, with everyone wearing something a little bit different but yet thematically similar to the each other. The costumes in the outside world were a little bit drab in comparison, of course, but all of the major supporting characters had their own special look that suited them well.

If I wanted to nitpick, there are a few things I would change. For me, the final fight scene wasn’t quite as cool as the earlier ones and got a bit messy with all of the fire and chaos and CGI. Also, some of the supporting characters got outshone by the leads. To be fair, Gadot and Pine were ridiculously good, but a few folks did fall a bit flat. And there were a few changes to the Wonder Woman mythos I didn’t love, but we’ll save that for the spoilers section.

All in all, though, it was a great movie. Well executed on every level, so much fun, and most importantly, true to who Wonder Woman is and what she means to so many fans. I loved it. Now, that being said, I’m not sure that this is the movie they should have made. Setting the film in World War I was a big change that made a lot of elements very different from what we usually get with Wonder Woman, and while it was all done well and a lot of those changes were interesting, I don’t think it was the best showcase for what is great about Wonder Woman. Don’t get me wrong, it was an excellent showcase for Wonder Woman, but in an intriguing alternate universe way rather than a relevant, modern way. An origin set in the present day could have been more resonant and more reflective of the character, her past, and what she means, especially in terms of tackling modern women’s issues rather than poking fun at sexist attitudes that are a century past. I get that the film is what it has to be given the existing framework of the DC cinematic universe, and it succeeds triumphantly at that, capturing the heart of the character beautifully. I just think that setting up Wonder Woman as this older, wise superhero who predates Batman and Superman limits her in certain ways, and I’d rather see this young, plucky Wonder Woman dealing with the modern world, rather than the more experienced, somewhat world-weary Wonder Woman we seem to be getting with Batman v Superman, the framing device of Wonder Woman, and what we’ve seen from Justice League thus far. But so long as Gal Gadot is Wonder Woman, it’s absolutely a Wonder Woman worth watching, and Patty Jenkins and the whole team did an amazing job making this new setting and backstory work for the character and stay true to who she is.

Let’s move on to some spoilers now, after the jump!

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More Wonder Woman Movie Toys Revealed, And They Look Super Fun

February 15, 2017

We got an illicit look at a couple of action figures from the upcoming Wonder Woman film a couple weeks back and they were intriguing, but now we’re getting some official images of upcoming Wonder Woman toys. And they’re kind of awesome! Mattel’s got a full line that looks to be a mix between and action figure and a Barbie; the figures are poseable and have the joints you’d expect from an action figure, but also have the hair and clothes you usually get with a doll. Entertainment Weekly had the first look at the toys, and let’s run through them now.

First up, we’ve got a fully armored Wonder Woman:

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I don’t know that the resemblance to Gal Gadot is spot on, but it kind of looks like her. And getting the full array of weaponry is very cool. I’m definitely interested in this one.

Next is Diana in her Themyscira garb:

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This one is fun as well. Also, I’m impressed with the braid; I hope it holds, because if it comes undone I have no idea how to rebraid it! The bow looks a little dinky in terms of scale, but arrow shooting action is pretty rad.

This one is a lot like the first one:

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But without all the extra stuff? It’s a cheaper, bare bones figure, I guess. It does retail for $5 less.

Next up we get Diana in her formal wear:

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This is from the scene in the trailer where she has the sword hidden in her dress, and apparently you can do the same with this figure. Glamorous AND dangerous!

Hey, there’s one with a majestic horse:

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It looks like the first figure, plus a cloak and a dang horse! This might be the best deal of the bunch, really. You get the Wonder Woman figure and all of the accessories as well as a cool horse for her to ride on. It’s only $29.99 too; that’s a deal. I proclaim this the bargain of the bunch!

Hipployta’s got a horse too:

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Hers is white, and also majestic. She’s also got her own unique weapons and armor, just like Connie Nielsen in the movie. This is pretty rad. I love that there are going to be Hippolyta toys! And even better, she looks really cool. I may end up getting the horse pair, really. Mother daughter horse adventures!

Finally, a two pack:

Photographer Dennis DiLaura Stylist Mary Jordan

Steve and Diana, in their island garb. Chris Pine’s even got a wool turtleneck. And it looks like the Diana figure is a version of that second figure, but with a cloth outfit, which is neat. I like this set.

Entertainment Weekly also lists a bunch of accessories you can get, like a sword, Nerf bow and arrow, and a tiara. They are probably kid sized instead of grown up sized, which is a bummer; the sword looks rad. But that’s how toys go. Dang kids, getting all the fun.

With Toy Far just around the corner, I expect we’ll see even more of the Wonder Woman toy line this weekend, including the rest of the action figure line we got a peek at two weeks back. I’m going to go broke, gang. There’s just too much cool stuff.

Wonder Woman #4 Review: This Comic Is So Dang Good I Want To Hug It

August 10, 2016

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Wonder Woman #4 is pretty much perfect. Greg Rucka and Nicola Scott retell a key moment of Diana’s history, the tournament that leads to her becoming Wonder Woman, and it’s iconic while making a few key changes to the classic narrative that add a lot to the story. The issue is well written and gorgeous and captures the heart of who the Amazons are in ways we haven’t seen in a long time. It’s just delightful from start to finish. We’ll dig into it all momentarily, but first:

SPOILER ALERT!!

If you haven’t read the issue yet, do yourself a personal favour and go buy it!

Then read the review AFTER you’ve read the comic!

Almost every version of the contest component of Wonder Woman’s origin has included a degree of conflict. In the classic 1940s origin, Queen Hippolyte forbids her daughter from participating in the contest, and this has been a common occurrence in most of the versions of it that we’ve seen since. There’s also been a lot of jealousy and rivalry, Amazons who are envious of Diana’s strengths, irked about past conflicts, or mad at her for leaving them. For a supposedly utopian society, the selection of Wonder Woman often comes with some strife.

Rucka and Scott retell the story without conflict, but not without intrigue. Hippolyta and her council of advisors debate what the arrival of Steve Trevor means, and while there are differing opinions in the room, they are respectful and all ultimately yield to the queen’s wisdom. Philippus, ever the general, fears that he is the forerunner of a military strike. Castalia, more in tune with the gods, notes that Steve can only be on the island through the will of the gods and that there must be a bigger plan. The discussions are well-written and fascinating; it’s cool to see the Amazons debate what Steve’s uniform insignias and weaponry mean from the perspective of total outsiders. It’s also great to see a multi-racial group, with every woman a different hue, representing a variety of different ethnicities.

Ultimately, Hippolyta decides that Steve must be here for a reason and should be returned by an Amazon, and decides that this champion will be chosen through a tournament. In other versions, goddesses appear to Hippolyta to tell her what to do, but here she carefully examines the evidence and decides her own course. It’s a smart change that illustrates the self-sufficiency of the Amazons. They don’t need deities to tell them what to do. They can figure out what signs mean for themselves, especially when they work together.

Instead of forbidding Diana to enter the contest, Hippolyta suggests to her daughter that if she’s still not fully recovered from the snake bite she got in the last issue, no one would fault her for sitting out the tournament. It’s a caring plea, delivered with futile hope, that illustrates Hippolyta’s love for her daughter in hoping she’ll stay but her respect for her daughter in knowing that she likely won’t. Nicola Scott’s depiction of this scene, and all of the Hippolyta/Diana scenes thus far, captures the love between them so well. You don’t even need the text to understand the warmth and depth of their relationship.

They hold the tournament and of course Diana wins, and Rucka goes the classic bullets and bracelets route with a fun twist. Usually writers have to come up with some convoluted reason why the Amazons have a gun in the first place; the Perez relaunch was particularly over the top with this and had a lengthy backstory that unfolded several issues later. Here, Hippolyta simply decides that if an Amazon is to go out in the world of men, she should be able to defend against the weapons men carry, and brings out Steve’s gun. It’s an elegant solution that works flawlessly within the story. A couple of other Amazons get shot before Diana deflects the bullets to win the day.

Diana’s debut as Wonder Woman is spectacularly done. It’s a full page spread beautifully rendered by Nicola Scott, with Romulo Fajardo Jr.’s colours really making it sing; I mean, his stonework alone is amazing. Scott draws a powerful, purposeful Diana, with maybe just the hint of something else in her eyes; sorrow, perhaps, or maybe a hint of trepidation before she leaves her home for good. She’s striding forward, embracing her destiny, but that note of something slightly melancholic on her face tells an interesting story that adds a lot of depth to the scene Scott has set. She draws the Amazons in celebration mode, raising their swords and throwing flowers, cheering on their champion. And the text is so good it made me tear up: Hippolyta declares, “Behold, our gift to the world!”

Alongside all of the fantastic Amazon stuff, Steve is well presented in this issue as well. His sorrow for his dead fallen soldiers says a lot about him, as does his appreciation to the Amazons at the end of the issue when they bring him their bodies so that he can take them home. It also makes an impression on Diana, who sees the same love in Steve’s sadness for his brothers that she feels for her Amazon sisters. Diana’s explanation of this to her mother is both touching and funny, because she can’t remember the word “brother” on account of the Amazons never having to use it. She calls it, “Like sisters but of men,” which cracked me up. Steve provides some comic relief through the issue as well. He has no clue what’s going on around him, but the tall women seem nice so he just rolls with it. The regular looks of bewilderment that Scott gives him are spot on.

I’ll say it again: this issue is pretty much perfect. It gets the Amazons so right, has Diana become Wonder Woman in a beautifully written and rendered manner, and showcases great character work for everyone involved. Rucka and Scott are doing an amazing job with “Year One,” and although I’m sad to leave the Amazons behind because they’ve been so well done, I’m excited to see what adventures Diana and Steve are about to get into in the world of men. My fingers are crossed for Etta Candy! For me, this storyline is the best of DC’s entire “Rebirth” line so far, and one of the best comic stories of the year, anywhere.

Wonder Woman #4 Preview: A Man? On Paradise Island? What?!

August 8, 2016

While I’ve been enjoying “The Lies,” Greg Rucka and Liam Sharp’s current story that’s running in the odd numbered issues of the newly relaunched Wonder Woman, “Year One” is the highlight of the book for me thus far, and of the entire “Rebirth” initiative. The first issue of Rucka and Nicola Scott’s retelling of Wonder Woman’s origin story was absolutely fantastic. For me, it was a perfect distillation of everything I love about the Amazons. It was also made doubly enjoyable by the fact that the Amazons have been so ill-treated at DC for years. Having them back in a classic, recognizable way was just delightful.

And now the second issue is coming out this week! Wonder Woman #4 is out this Wednesday, and Comics Alliance has posted a preview. Let’s take a look:

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I love all of this. I love Hippolyta carefully deliberating and assessing every angle of men crashing on Paradise Island and what their intention could be, I love a Steve Trevor who’s distraught over the loss of his fellow soldiers, I love Diana sympathizing with him even though a) he’s a man and b) she doesn’t even know him. The characterizations are so on point, across the board.

This is a very encouraging start to the second installment of this arc, and I can’t wait to read the rest on Wednesday. And to see where it all goes! I know we’ve got some iconic moments ahead of us, presumably a tournament to choose an Amazon champion and Diana donning her costume for the first time, but probably a lot of new stuff as well, especially once she leaves her home and goes to America. If Rucka and Scott can maintain the joy and beauty of the first issue of “Year One” through the whole run, this’ll be one of the best Wonder Woman stories of all time.

Wonder Woman #4 will be available in comic shops and online this Wednesday! Go pick it up; you won’t be sorry!

Wonder Woman #2 Review: A New Yet Iconic Origin

July 14, 2016

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Sometimes a comic book just feels right. It taps into what you love about a character and captures a sense of her and her world in a way that fits perfectly with your view of both. We’ve gotten lots of different versions of Wonder Woman over years in lots of different continuities and, like most fans, my vision of the character isn’t connected to any particular incarnation but is rather an amalgam of aspects of many of them; a little Marston, a little Perez, a hint of Simone and Jimenez. A bit of Lynda Carter and a bit of Susan Eisenberg. It all adds up in my mind to something that doesn’t exist in full form in the real world, yet is THE Wonder Woman in my head. Wonder Woman #2 captured a lot of that for me. This felt like Paradise Island, the women captured who I think the Amazons are, and Diana was who I always want her to be. It was a great start to this “Year One” story that I’ve been very much looking forward too, and we’ll discuss it all momentarily but first:

SPOILER ALERT!!

I am about to reveal many of the major plot elements in this comic book!

Look away if you haven’t read it yet!

And go buy it; it’s great!

This isn’t like the old days when Wonder Woman sucked and it was easier to just read a review than subject yourself to a crappy comic each month!

Go read it and enjoy it!

I liked Wonder Woman #1, but it was good not great for me. It got the ball rolling on a bunch of things, but it was a pretty laid back, spacious first issue. While Wonder Woman #2 isn’t particularly jam packed either, there’s a lot more going on even if it a lot of it might not be particularly plot based. What happened can be summed up pretty quickly: Diana’s a princess of the Amazons, she wants to see the outside world, and one night Steve Trevor crash lands on Paradise Island. It’s all fairly standard Wonder Woman origin stuff. But the world building and character building behind it all is what makes this comic great.

Let’s start with Steve Trevor, for a change. I always find it hard to give a hoot about Steve Trevor, but Greg Rucka and Nicola Scott make him an instantly likeable character with just a few pages that flash through moments in the years leading up to his arrival on Paradise Island. The scenes go through Steve’s military training and his friendship with a fellow soldier named Nick, who actually gets a fuller arc; we see him on his first date with his future wife, then his wedding, then the birth of his first child, then his tragic death in the plane crash that brings Steve to Diana. Through Nick’s story, we get a sense of the man Steve is, a good friend, a good soldier, and an all around good man. He’s still not the most exciting guy in the world; I don’t think he ever could be, really. The man is doomed to be overshadowed by Wonder Woman, after all. But the story establishes that Steve is a guy worth rooting for.

With Diana, Rucka and Scott establish several of the hallmarks of the character. She’s kind and funny, a great warrior, and a wonderful daughter. She also wants to get the hell out of paradise, though not in a petulant, brooding way. Her entire existence has been confined to this island, while all of her sisters have spent time in the outside world before the Amazons departed it. She’s curious, and while she clearly loves her home and her sisters, she wants more.

We also get canonical acknowledgement of same-sex relationships on Paradise Island, particularly some involving Diana herself. It seems that she’s had a variety of paramours over the years, and that many of her fellow Amazons are interested in her; she’s the cool girl that everyone has a crush on. We’ve seen same-sex relationships among the Amazons before, most recently in Wonder Woman: Earth One and The Legend of Wonder Woman, but it’s good to see Diana in the mix too. And in a way that comes off well. There’s not much in the way of jealousy and strife among her would-be suitors, just earnest longing. It stands in stark contrast to Wonder Woman: Earth One, in which her relationship with Mala was a rather toxic and uncaring.

The most intriguing part of the issue for me was the mysterious snake that bites Diana and renders her ill, seemingly for some time. The snake appears in a bizarre tree that Diana has never seen before, and has glowing red eyes. Its bite knocks Diana unconscious, and her recovery takes a while. The snake and the tree aren’t discussed much, but it’s clear that they’ll play a role moving forward. Perhaps this may be one of the connections to the story in the odd-numbered issues that Rucka has hinted at, some sort of link to the lies that plague Diana in the present day.

But back in the past, she’s just a curious gal who wants to see the world. It’s understandable, even though Scott has built a spectacularly gorgeous world around her. Her rendering of the island feels like the platonic ideal of Paradise Island to me; it’s classic but unique, with a beautiful city area and lush surroundings. It’s everything I think of when I imagine the home of the Amazons.

Scott also does a phenomenal job with the island’s residents. While Scott has drawn Wonder Woman before, and did an excellent job when she did, her work is even better now. She’s definitely grown as an artist over the years, and I think it shows most in the clear yet subtle emotion she brings to her characters. Diana’s interactions with her mother demonstrate this particularly well; even without the dialogue, you can see the warmth and love they have for each other as clear as day, and the characters are expressive but not overly so. It feels natural and real, something that’s tricky to achieve in artwork.

The colors enhance the beauty of the book as well, and I’m so glad to see Romulo Fajardo Jr. will be coloring this half of the series. His work on Wonder Woman ’77 was phenomenal, and often brought the book to live, even when he didn’t have the best art to work with. Paired with Scott’s fantastic linework, Fajardo’s colors make the book sing. It’s a gorgeous issue from start to finish, and while I very much wanted to devour it to see what happens next, the artwork drew my attention and kept me poring over each page.

All together, this first issue of “Year One” was a great start. It could perhaps be called slow or even “decompressed”, but it was so in a way that I think it needed to be to establish a new tone for Paradise Island and the Amazons. The New 52 run diminished both considerably, degrading them and turning this noble group of women into a bunch of hateful rapists and murderers. Rucka and Scott bring joy and peace and kindness back to the Amazons here, and establish a new status quo that overwrites the errors of the past. We still don’t have much insight into how Wonder Woman remembers two pasts or who is behind “The Lies” that are being pursued in the odd-numbered arc, but we do have the classic Amazons back and that’s what I was hoping for above all else in this run.

Wonder Woman #2 Preview: Year One Begins!

July 12, 2016

I. AM. SO. EXCITED. FOR. THIS.

I’ve been waiting for this book for years, ever since Greg Rucka revealed that he was originally tapped to write the Wonder Woman: Earth One graphic novel, with art by J.H. Williams III (DC changed their minds and gave it to Grant Morrison and Yanick Paquette instead). He’s mentioned a few story details over the years, and they all sounded amazing; Diana looking out at the horizon instead of up in the sky in this preview was one of those scenes. And now Rucka’s telling his Wonder Woman origin story, with Nicola Scott on art, and I can’t wait to read it!

The A.V. Club has posted a preview of the story, which debuts in Wonder Woman #2 and will run in every other issue of the series for the next six months, so let’s take a look:

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It delights me to no end to see happy Amazons. We’ve had a long run of cold, vicious, awful Amazons, so seeing love and warmth on Paradise Island is a lovely change of pace. The final page of the preview, with Diana and her mother, warms my heart immeasurably, doubly so since Hippolyta’s been dead for several years now since the New 52 reboot. But, as we learned with Wonder Woman #1, Diana’s New 52 family was all a lie, the details of which are slowly unfolding in the odd numbered issues of the new series.

I’m so excited to pick this issue up tomorrow! I should have a review up at some point, though I’m going to be on a train all afternoon and my wifi might be spotty. But I’ll do my best to have my thoughts up then. If not, it’ll be up on Thursday. Be sure to hit your local comic shop or Comixology tomorrow to get this issue!


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