Posts Tagged ‘Hippolyta’

More Wonder Woman Movie Toys Revealed, And They Look Super Fun

February 15, 2017

We got an illicit look at a couple of action figures from the upcoming Wonder Woman film a couple weeks back and they were intriguing, but now we’re getting some official images of upcoming Wonder Woman toys. And they’re kind of awesome! Mattel’s got a full line that looks to be a mix between and action figure and a Barbie; the figures are poseable and have the joints you’d expect from an action figure, but also have the hair and clothes you usually get with a doll. Entertainment Weekly had the first look at the toys, and let’s run through them now.

First up, we’ve got a fully armored Wonder Woman:

Photographer Dennis DiLaura Stylist Mary Jordan

I don’t know that the resemblance to Gal Gadot is spot on, but it kind of looks like her. And getting the full array of weaponry is very cool. I’m definitely interested in this one.

Next is Diana in her Themyscira garb:

Photographer Dennis DiLaura Stylist Mary Jordan

This one is fun as well. Also, I’m impressed with the braid; I hope it holds, because if it comes undone I have no idea how to rebraid it! The bow looks a little dinky in terms of scale, but arrow shooting action is pretty rad.

This one is a lot like the first one:

Photographer Dennis DiLaura Stylist Mary Jordan

But without all the extra stuff? It’s a cheaper, bare bones figure, I guess. It does retail for $5 less.

Next up we get Diana in her formal wear:

Photographer Dennis DiLaura Stylist Mary Jordan

This is from the scene in the trailer where she has the sword hidden in her dress, and apparently you can do the same with this figure. Glamorous AND dangerous!

Hey, there’s one with a majestic horse:

Photographer Randel Urbauer Stylist Lin

It looks like the first figure, plus a cloak and a dang horse! This might be the best deal of the bunch, really. You get the Wonder Woman figure and all of the accessories as well as a cool horse for her to ride on. It’s only $29.99 too; that’s a deal. I proclaim this the bargain of the bunch!

Hipployta’s got a horse too:

Photographer Dennis DiLaura Stylist Mary Jordan

Hers is white, and also majestic. She’s also got her own unique weapons and armor, just like Connie Nielsen in the movie. This is pretty rad. I love that there are going to be Hippolyta toys! And even better, she looks really cool. I may end up getting the horse pair, really. Mother daughter horse adventures!

Finally, a two pack:

Photographer Dennis DiLaura Stylist Mary Jordan

Steve and Diana, in their island garb. Chris Pine’s even got a wool turtleneck. And it looks like the Diana figure is a version of that second figure, but with a cloth outfit, which is neat. I like this set.

Entertainment Weekly also lists a bunch of accessories you can get, like a sword, Nerf bow and arrow, and a tiara. They are probably kid sized instead of grown up sized, which is a bummer; the sword looks rad. But that’s how toys go. Dang kids, getting all the fun.

With Toy Far just around the corner, I expect we’ll see even more of the Wonder Woman toy line this weekend, including the rest of the action figure line we got a peek at two weeks back. I’m going to go broke, gang. There’s just too much cool stuff.

Wonder Woman #4 Review: This Comic Is So Dang Good I Want To Hug It

August 10, 2016


Wonder Woman #4 is pretty much perfect. Greg Rucka and Nicola Scott retell a key moment of Diana’s history, the tournament that leads to her becoming Wonder Woman, and it’s iconic while making a few key changes to the classic narrative that add a lot to the story. The issue is well written and gorgeous and captures the heart of who the Amazons are in ways we haven’t seen in a long time. It’s just delightful from start to finish. We’ll dig into it all momentarily, but first:


If you haven’t read the issue yet, do yourself a personal favour and go buy it!

Then read the review AFTER you’ve read the comic!

Almost every version of the contest component of Wonder Woman’s origin has included a degree of conflict. In the classic 1940s origin, Queen Hippolyte forbids her daughter from participating in the contest, and this has been a common occurrence in most of the versions of it that we’ve seen since. There’s also been a lot of jealousy and rivalry, Amazons who are envious of Diana’s strengths, irked about past conflicts, or mad at her for leaving them. For a supposedly utopian society, the selection of Wonder Woman often comes with some strife.

Rucka and Scott retell the story without conflict, but not without intrigue. Hippolyta and her council of advisors debate what the arrival of Steve Trevor means, and while there are differing opinions in the room, they are respectful and all ultimately yield to the queen’s wisdom. Philippus, ever the general, fears that he is the forerunner of a military strike. Castalia, more in tune with the gods, notes that Steve can only be on the island through the will of the gods and that there must be a bigger plan. The discussions are well-written and fascinating; it’s cool to see the Amazons debate what Steve’s uniform insignias and weaponry mean from the perspective of total outsiders. It’s also great to see a multi-racial group, with every woman a different hue, representing a variety of different ethnicities.

Ultimately, Hippolyta decides that Steve must be here for a reason and should be returned by an Amazon, and decides that this champion will be chosen through a tournament. In other versions, goddesses appear to Hippolyta to tell her what to do, but here she carefully examines the evidence and decides her own course. It’s a smart change that illustrates the self-sufficiency of the Amazons. They don’t need deities to tell them what to do. They can figure out what signs mean for themselves, especially when they work together.

Instead of forbidding Diana to enter the contest, Hippolyta suggests to her daughter that if she’s still not fully recovered from the snake bite she got in the last issue, no one would fault her for sitting out the tournament. It’s a caring plea, delivered with futile hope, that illustrates Hippolyta’s love for her daughter in hoping she’ll stay but her respect for her daughter in knowing that she likely won’t. Nicola Scott’s depiction of this scene, and all of the Hippolyta/Diana scenes thus far, captures the love between them so well. You don’t even need the text to understand the warmth and depth of their relationship.

They hold the tournament and of course Diana wins, and Rucka goes the classic bullets and bracelets route with a fun twist. Usually writers have to come up with some convoluted reason why the Amazons have a gun in the first place; the Perez relaunch was particularly over the top with this and had a lengthy backstory that unfolded several issues later. Here, Hippolyta simply decides that if an Amazon is to go out in the world of men, she should be able to defend against the weapons men carry, and brings out Steve’s gun. It’s an elegant solution that works flawlessly within the story. A couple of other Amazons get shot before Diana deflects the bullets to win the day.

Diana’s debut as Wonder Woman is spectacularly done. It’s a full page spread beautifully rendered by Nicola Scott, with Romulo Fajardo Jr.’s colours really making it sing; I mean, his stonework alone is amazing. Scott draws a powerful, purposeful Diana, with maybe just the hint of something else in her eyes; sorrow, perhaps, or maybe a hint of trepidation before she leaves her home for good. She’s striding forward, embracing her destiny, but that note of something slightly melancholic on her face tells an interesting story that adds a lot of depth to the scene Scott has set. She draws the Amazons in celebration mode, raising their swords and throwing flowers, cheering on their champion. And the text is so good it made me tear up: Hippolyta declares, “Behold, our gift to the world!”

Alongside all of the fantastic Amazon stuff, Steve is well presented in this issue as well. His sorrow for his dead fallen soldiers says a lot about him, as does his appreciation to the Amazons at the end of the issue when they bring him their bodies so that he can take them home. It also makes an impression on Diana, who sees the same love in Steve’s sadness for his brothers that she feels for her Amazon sisters. Diana’s explanation of this to her mother is both touching and funny, because she can’t remember the word “brother” on account of the Amazons never having to use it. She calls it, “Like sisters but of men,” which cracked me up. Steve provides some comic relief through the issue as well. He has no clue what’s going on around him, but the tall women seem nice so he just rolls with it. The regular looks of bewilderment that Scott gives him are spot on.

I’ll say it again: this issue is pretty much perfect. It gets the Amazons so right, has Diana become Wonder Woman in a beautifully written and rendered manner, and showcases great character work for everyone involved. Rucka and Scott are doing an amazing job with “Year One,” and although I’m sad to leave the Amazons behind because they’ve been so well done, I’m excited to see what adventures Diana and Steve are about to get into in the world of men. My fingers are crossed for Etta Candy! For me, this storyline is the best of DC’s entire “Rebirth” line so far, and one of the best comic stories of the year, anywhere.

Wonder Woman #4 Preview: A Man? On Paradise Island? What?!

August 8, 2016

While I’ve been enjoying “The Lies,” Greg Rucka and Liam Sharp’s current story that’s running in the odd numbered issues of the newly relaunched Wonder Woman, “Year One” is the highlight of the book for me thus far, and of the entire “Rebirth” initiative. The first issue of Rucka and Nicola Scott’s retelling of Wonder Woman’s origin story was absolutely fantastic. For me, it was a perfect distillation of everything I love about the Amazons. It was also made doubly enjoyable by the fact that the Amazons have been so ill-treated at DC for years. Having them back in a classic, recognizable way was just delightful.

And now the second issue is coming out this week! Wonder Woman #4 is out this Wednesday, and Comics Alliance has posted a preview. Let’s take a look:


I love all of this. I love Hippolyta carefully deliberating and assessing every angle of men crashing on Paradise Island and what their intention could be, I love a Steve Trevor who’s distraught over the loss of his fellow soldiers, I love Diana sympathizing with him even though a) he’s a man and b) she doesn’t even know him. The characterizations are so on point, across the board.

This is a very encouraging start to the second installment of this arc, and I can’t wait to read the rest on Wednesday. And to see where it all goes! I know we’ve got some iconic moments ahead of us, presumably a tournament to choose an Amazon champion and Diana donning her costume for the first time, but probably a lot of new stuff as well, especially once she leaves her home and goes to America. If Rucka and Scott can maintain the joy and beauty of the first issue of “Year One” through the whole run, this’ll be one of the best Wonder Woman stories of all time.

Wonder Woman #4 will be available in comic shops and online this Wednesday! Go pick it up; you won’t be sorry!

Wonder Woman #2 Review: A New Yet Iconic Origin

July 14, 2016


Sometimes a comic book just feels right. It taps into what you love about a character and captures a sense of her and her world in a way that fits perfectly with your view of both. We’ve gotten lots of different versions of Wonder Woman over years in lots of different continuities and, like most fans, my vision of the character isn’t connected to any particular incarnation but is rather an amalgam of aspects of many of them; a little Marston, a little Perez, a hint of Simone and Jimenez. A bit of Lynda Carter and a bit of Susan Eisenberg. It all adds up in my mind to something that doesn’t exist in full form in the real world, yet is THE Wonder Woman in my head. Wonder Woman #2 captured a lot of that for me. This felt like Paradise Island, the women captured who I think the Amazons are, and Diana was who I always want her to be. It was a great start to this “Year One” story that I’ve been very much looking forward too, and we’ll discuss it all momentarily but first:


I am about to reveal many of the major plot elements in this comic book!

Look away if you haven’t read it yet!

And go buy it; it’s great!

This isn’t like the old days when Wonder Woman sucked and it was easier to just read a review than subject yourself to a crappy comic each month!

Go read it and enjoy it!

I liked Wonder Woman #1, but it was good not great for me. It got the ball rolling on a bunch of things, but it was a pretty laid back, spacious first issue. While Wonder Woman #2 isn’t particularly jam packed either, there’s a lot more going on even if it a lot of it might not be particularly plot based. What happened can be summed up pretty quickly: Diana’s a princess of the Amazons, she wants to see the outside world, and one night Steve Trevor crash lands on Paradise Island. It’s all fairly standard Wonder Woman origin stuff. But the world building and character building behind it all is what makes this comic great.

Let’s start with Steve Trevor, for a change. I always find it hard to give a hoot about Steve Trevor, but Greg Rucka and Nicola Scott make him an instantly likeable character with just a few pages that flash through moments in the years leading up to his arrival on Paradise Island. The scenes go through Steve’s military training and his friendship with a fellow soldier named Nick, who actually gets a fuller arc; we see him on his first date with his future wife, then his wedding, then the birth of his first child, then his tragic death in the plane crash that brings Steve to Diana. Through Nick’s story, we get a sense of the man Steve is, a good friend, a good soldier, and an all around good man. He’s still not the most exciting guy in the world; I don’t think he ever could be, really. The man is doomed to be overshadowed by Wonder Woman, after all. But the story establishes that Steve is a guy worth rooting for.

With Diana, Rucka and Scott establish several of the hallmarks of the character. She’s kind and funny, a great warrior, and a wonderful daughter. She also wants to get the hell out of paradise, though not in a petulant, brooding way. Her entire existence has been confined to this island, while all of her sisters have spent time in the outside world before the Amazons departed it. She’s curious, and while she clearly loves her home and her sisters, she wants more.

We also get canonical acknowledgement of same-sex relationships on Paradise Island, particularly some involving Diana herself. It seems that she’s had a variety of paramours over the years, and that many of her fellow Amazons are interested in her; she’s the cool girl that everyone has a crush on. We’ve seen same-sex relationships among the Amazons before, most recently in Wonder Woman: Earth One and The Legend of Wonder Woman, but it’s good to see Diana in the mix too. And in a way that comes off well. There’s not much in the way of jealousy and strife among her would-be suitors, just earnest longing. It stands in stark contrast to Wonder Woman: Earth One, in which her relationship with Mala was a rather toxic and uncaring.

The most intriguing part of the issue for me was the mysterious snake that bites Diana and renders her ill, seemingly for some time. The snake appears in a bizarre tree that Diana has never seen before, and has glowing red eyes. Its bite knocks Diana unconscious, and her recovery takes a while. The snake and the tree aren’t discussed much, but it’s clear that they’ll play a role moving forward. Perhaps this may be one of the connections to the story in the odd-numbered issues that Rucka has hinted at, some sort of link to the lies that plague Diana in the present day.

But back in the past, she’s just a curious gal who wants to see the world. It’s understandable, even though Scott has built a spectacularly gorgeous world around her. Her rendering of the island feels like the platonic ideal of Paradise Island to me; it’s classic but unique, with a beautiful city area and lush surroundings. It’s everything I think of when I imagine the home of the Amazons.

Scott also does a phenomenal job with the island’s residents. While Scott has drawn Wonder Woman before, and did an excellent job when she did, her work is even better now. She’s definitely grown as an artist over the years, and I think it shows most in the clear yet subtle emotion she brings to her characters. Diana’s interactions with her mother demonstrate this particularly well; even without the dialogue, you can see the warmth and love they have for each other as clear as day, and the characters are expressive but not overly so. It feels natural and real, something that’s tricky to achieve in artwork.

The colors enhance the beauty of the book as well, and I’m so glad to see Romulo Fajardo Jr. will be coloring this half of the series. His work on Wonder Woman ’77 was phenomenal, and often brought the book to live, even when he didn’t have the best art to work with. Paired with Scott’s fantastic linework, Fajardo’s colors make the book sing. It’s a gorgeous issue from start to finish, and while I very much wanted to devour it to see what happens next, the artwork drew my attention and kept me poring over each page.

All together, this first issue of “Year One” was a great start. It could perhaps be called slow or even “decompressed”, but it was so in a way that I think it needed to be to establish a new tone for Paradise Island and the Amazons. The New 52 run diminished both considerably, degrading them and turning this noble group of women into a bunch of hateful rapists and murderers. Rucka and Scott bring joy and peace and kindness back to the Amazons here, and establish a new status quo that overwrites the errors of the past. We still don’t have much insight into how Wonder Woman remembers two pasts or who is behind “The Lies” that are being pursued in the odd-numbered arc, but we do have the classic Amazons back and that’s what I was hoping for above all else in this run.

Wonder Woman #2 Preview: Year One Begins!

July 12, 2016


I’ve been waiting for this book for years, ever since Greg Rucka revealed that he was originally tapped to write the Wonder Woman: Earth One graphic novel, with art by J.H. Williams III (DC changed their minds and gave it to Grant Morrison and Yanick Paquette instead). He’s mentioned a few story details over the years, and they all sounded amazing; Diana looking out at the horizon instead of up in the sky in this preview was one of those scenes. And now Rucka’s telling his Wonder Woman origin story, with Nicola Scott on art, and I can’t wait to read it!

The A.V. Club has posted a preview of the story, which debuts in Wonder Woman #2 and will run in every other issue of the series for the next six months, so let’s take a look:



It delights me to no end to see happy Amazons. We’ve had a long run of cold, vicious, awful Amazons, so seeing love and warmth on Paradise Island is a lovely change of pace. The final page of the preview, with Diana and her mother, warms my heart immeasurably, doubly so since Hippolyta’s been dead for several years now since the New 52 reboot. But, as we learned with Wonder Woman #1, Diana’s New 52 family was all a lie, the details of which are slowly unfolding in the odd numbered issues of the new series.

I’m so excited to pick this issue up tomorrow! I should have a review up at some point, though I’m going to be on a train all afternoon and my wifi might be spotty. But I’ll do my best to have my thoughts up then. If not, it’ll be up on Thursday. Be sure to hit your local comic shop or Comixology tomorrow to get this issue!

BvS Wonder Woman Barbie Available For Pre-order; Offers New Details on her Film Origins

February 3, 2016


We got a sneak peak at the Batman v Superman: Dawn of Justice Barbie doll of Gal Gadot as Wonder Woman last summer, and now the doll is available for pre-order at the Barbie Collection website. It’s not too pricey either, coming in at $39.95 US; it’s not cheap by any means, but it’s not overly expensive. It looks pretty cool, too! The colours are nice and bright, she’s got her lasso, sword, and shield, and it looks like there’s a lot of articulation on the doll. I haven’t played with Barbies in a long time, but if I correctly remember the ones my sister had, they were pretty stiff, and only moved at the shoulder and hip joints. This Wonder Woman doll appears to have elbow and knee joints, rotation in the upper arm, and perhaps even some hand turning articulation.

The Barbie Collection site offers a closer look at the doll; the photos are very detailed, and allow you to zoom in close to see the impressive detail. The leather in her sash, for example, is nicely textured, as is her skirt, and the shield is very detailed. It looks like they’ve done a lovely job with her. Also, if all of the dolls retain that hair flip, I’ll be super impressed. One thing I do remember from my sister’s Barbies is that their hair could go real wonky.

The official description for the Wonder Woman doll also provides some insight into her cinematic origins. It reads:

The wild card in Batman v Superman: Dawn of Justice™, Wonder Woman is the daughter of Zeus and an Amazonian princess! Sculpted and costumed just like the movie character, she’s fully articulated and ready to fight with her sword, shield, and her iconic “magic” lasso. Knee-high boots, armored bracelets, and a headdress complete her warrior’s attire.

So that’s another confirmation on the daughter of Zeus angle; it seems that the movies are definitely going with her New 52 origin, which is disappointing but expected. The real surprise is that they call Diana the daughter of “an Amazonian princess”, when in every incarnation of the character she’s the daughter of an Amazonian queen. It may just be a mistake, or a miscommunication, because Wonder Woman is the one who is the Amazon princess. Or perhaps, given that Wonder Woman is going to be 5,000 years old, maybe her mother Hippolyta WAS a princess when she had Diana and later ascended to become queen. Whatever this Barbie packaging may say, all of the coverage surrounding Connie Nielsen’s recent casting as Hippolyta referred to her as a queen, so that will likely be her role.

EDITED TO ADD: As Marty points out in the comments, the Amazonian princess bit may just be poor phrasing. So, instead of being the daughter of Zeus and the daughter of an Amazonian princess, Diana might be the daughter of Zeus AS WELL AS being an Amazonian princess, leaving Hippolyta out of it completely.  Which makes much more sense.

The Barbie Collection site says that the Wonder Woman doll will ship by March 1, so it should start hitting stores relatively soon. And I’m hearing word that Wonder Woman figures from Batman v Superman‘s other toy lines have been arriving on store shelves, though they’re selling out quickly. I’ve yet to see any at the major department stores here in Halifax, Nova Scotia, but I think we’re pretty low on the distribution chain. I hope you’ve saved your pennies for this onslaught of Wonder Woman merchandise! I try to practical with my money and all, but I’m probably going to end up buying every single Wonder Woman toy I see. Just wait until next year when she’s got her own movie toy line! I’m going to go broke.

The Legend of Wonder Woman #7 and #8 Review: Iconic Wonder Woman Mythos Moments

December 31, 2015


We’re doing a two-in-one review this week because last week’s issue of The Legend of Wonder Woman came out on Christmas Eve and I was busy prepping cornbread stuffing and sweet potato casserole for the next day’s big meal. I definitely took a break from the festive preparations to read the new issue, though, and it was great. As is this week’s outing! I really love this book, you guys. I’m sure lots of folks are buying it digitally, but if you can you should try to get the paper version when it starts in January too, just to let DC know that this book is fantastic and that we want more.

The past two issues have dealt with iconic elements of Wonder Woman’s origin, including the crash landing of Steve Trevor and the tournament to choose the Amazons’ champion. I’ll spare you a lengthy runthrough of the details, because no one likes a review that’s just plot summary. Instead, let’s talk about why this book works so well. I’ve been describing The Legend of Wonder Woman as a classic yet fresh take on the character, and I think these last two issues embody that perfectly. They honour what these huge, iconic moments of Wonder Woman’s mythos have been in the past, while adding something new to them. It’s less a revision of Wonder Woman’s history so much as an expansion with cool tweaks.

The first element is Steve Trevor crash landing on Paradise Island. We’ve seen this a bunch of ways over the decades, and usually very briefly; he crashes, the Amazons flip out, and then they decide to return him to America. Here, Renae De Liz takes her time with Steve, which allows her to do several things. First, we get to know him a bit. He’s not just “generic man” like he so often is in a lot of Wonder Woman comics. He’s inept but kind of charming, and friendly and kind. I liked him from the get-go, which is not something I can say of most versions of the character.

Second, by having Diana save and then hide Steve, De Liz delves into both how the Amazons approach men AND how Diana’s compassion leads her away from this path. To the Amazons, men are evil and destructive, and live in a fallen world. They are not to be trusted or helped. But to Diana, Steve was a person in need of assistance, and the impulse to help overcame the fear of the outside she’d been taught since she was a child. She was cautious with Steve, but she couldn’t help but care.

After Steve was captured, Hippolyta threw down some cool Zeus powers and declared a tournament to choose a champion who would decide his fate. The tournament is a classic Wonder Woman element, though the lead-in here was slightly different and De Liz made even more changes to the tournament itself. Usually the tournament is sort of lame, little more than a track and field event with a few sparring matches thrown in. De Liz turns it into something magical and dangerous, making it a straight up melee and bringing in mists to increase the difficulty as well as the peril. It’s a cool change that is ultimately true to the core of what the tournament should be: Diana entering it against her mother’s wishes and ultimately winning it. As she’s so ably done everywhere else thus far, De Liz captures what’s important while adding fun and compelling new tweaks. Plus it looks really rad.

So Diana is now the Amazons’ champion, and I’m excited to see Hippolyta’s reaction next week. Their relationship is so complex that I’m not entirely sure how it will play out; I’m sure Hippolyta will be proud on some level, but scared for her daughter on another what with so many rebellious Amazons set against her. There’s a lot of drama on the island right now, and I can’t wait to see what happens next, both at home and presumably when Diana soon leaves the island as Wonder Woman! Dang, this book is fun.

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