Posts Tagged ‘Jenny Frison’

Women & NB Creators at DC Comics Watch, January 2018 Solicits: 24 Creators on 25 Books

November 6, 2017

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I’ll say this for DC Comics: They’ve become very consistent in their female and non-binary creator representation. The numbers aren’t particularly strong, situated in the mid-20s when the publisher has been well into the 30s in the past. But relative to months previous and to Marvel’s output, DC’s not been especially low or especially high for the past several rounds of solicits. They’re right in the middle with unremarkable numbers, not bottoming out but not progressing either. Let’s take a look at who’s doing what at DC in January:

  • Alisa Kwitney: Mystik U #2 (writer)
  • Amanda Conner: Harley Quinn #35 (cover), Harley Quinn #36 (cover), The Jetsons #3 (cover)
  • Colleen Doran: Gotham City Garage #8 (interior art)
  • Diana Egea: Detective Comics #972 (inker)
  • Emanuela Lupacchino: Bombshells United #9 (cover), Superwoman #18 (variant cover), Wonder Woman #38 (interior art), Wonder Woman #39 (interior art)
  • Gail Simone: Wonder Woman/Conan #5 (writer)
  • Hope Larson: Batgirl #19 (writer)
  • Jenny Frison: Harley & Ivy Meet Betty & Veronica #4 (cover), Wonder Woman #38 (variant cover), Wonder Woman #39 (variant cover)
  • Jody Houser: Supergirl #17 (co-writer)
  • Joelle Jones: Batman #38 (interior art), Batman #39 (interior art, cover)
  • Julie Benson: Batgirl and the Birds of Prey #18 (co-writer)
  • K. Perkins: Batwoman #11 (writer), Superwoman #18 (writer)
  • Kamome Shirahama: Batgirl and the Birds of Prey #18 (variant cover)
  • Laura Braga: Harley & Ivy Meet Betty & Veronica #4 (interior art)
  • Marguerite Bennett: Bombshells United #10 (writer), Bombshells United #9 (writer)
  • Mariko Tamaki: New Super-Man #19 (writer)
  • Michelle Delecki: Deathstroke #27 (variant cover)
  • Mirka Andolfo: Bombshells United #10 (interior art)
  • Rachel Dodson: Bombshells United #10 (cover), Justice League of America #22 (cover), Justice League of America #23 (cover)
  • Rachael Stott: Motherlands #1 (interior art)
  • Sandra Hope: The Silencer #2 (inker)
  • Shawna Benson: Batgirl and the Birds of Prey #18 (co-writer)
  • Siya Oum: Bombshells United #9 (interior art)
  • Tula Lotay: Gotham City Garage #8 (cover)

All together, there are 24 different female creators set to work on 25 different comic book in January, 1 more female creator than in December and the same number of books. As best I can tell, there are no non-binary creators in DC’s January solicits. It’s a modest gain that keeps the publisher on their middle of the road streak. It could be better, it could be worse. What’s clear is that DC isn’t committed to expanding their ranks of women and non-binary creators. While they hit about the same level each month, growth has been minimal as of late.

To this point, there aren’t very many new names in the mix this month. Rachael Stott had one short gig at DC a few months back, and now it looks like she’s got a regular job with the new Vertigo series Motherlands. She’s been doing a lot of work on the IDW Doctor Who books, and it’s good to see that DC’s brought her in. We’ve also got a couple of returning favourites, though I don’t know for how long. Colleen Doran is doing some pages for Gotham City Garage in what looks to be a one-time gig. We’ve also got Mariko Tamaki writing New Super-Man this month, and I’m not sure if she’s taking over the book or it’s just a one-off job.

In terms of female characters, we’ve got a few new books with female leads in the mix. The new team book The Terrifics includes Phantom Girl, though she’s only one woman in a team of five. The one-shot Dark Knights Rising: The Wild Hunt features Raven, but again she’s one female character in a team of men. But Raven has new showcase all to herself with the new mini-series Raven: Daughter of Darkness. While I’m glad to see Raven getting some attention, having Marv Wolfman write her yet again seems like a bit of an odd choice. He’s done several Raven mini-series over the past several years, none of which were very successful. Also, there are no female creators involved with the book, which is disappointing.

All together, it looks like nothing much is going to change in terms of female and non-binary creator representation at DC Comics as the New Year begins. January’s not that different from December, which wasn’t that different from November, which wasn’t that different from October. The publisher seems committed to mediocre numbers right now, and that’s going to continue into 2018.

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Women and NB Creators at DC Comics Watch, December 2017 Solicits, 23 Creators on 25 Books

October 18, 2017

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As you may recall, DC’s November 2017 solicits featured their lowest total of female and non-binary creators in some time. While things have shifted around somewhat with the December solicits, with some past creators gone and some new creators added, the numbers have turned out exactly the same. It says a lot about representation at DC Comics that after posting their smallest numbers in some time, well below their recent highs, they do the exact same thing the following month. Let’s take a look at who’s doing what at DC this December:

  • Amanda Conner: Harley Quinn #33 (co-writer, cover), Harley Quinn #34 (co-writer, cover), The Jetsons #2 (cover)
  • Bilquis Evely: DC Universe Holiday Special 2017 #1 (interior art), Scooby Apocalypse #20 (variant cover)
  • Carmen Carnero: Gotham City Garage #5 (interior art), Gotham City Garage #6 (interior art)
  • Eleanora Carlini: Suicide Squad #32 (interior art)
  • Emanuela Lupacchino: Bombshells United #7 (cover), Superwoman #17 (variant cover)
  • Gail Simone: The Kamandi Challenge #12 (co-writer), Wonder Woman/Conan #4 (writer)
  • Hope Larson: Batgirl #18 (writer)
  • Jenny Frison: Wonder Woman #36 (variant cover), Wonder Woman #37 (variant cover)
  • Jody Houser: Supergirl #16 (co-writer)
  • Julie Benson: Batgirl and the Birds of Prey #17 (co-writer)
  • K. Perkins: Superwoman #17 (writer)
  • Kamome Shirahama: Batgirl and the Birds of Prey #17 (variant cover)
  • Laura Braga: Harley & Ivy Meet Betty & Veronica #3 (interior art)
  • Lea Hernandez: Teen Titans Go! #25 (interior art, cover)
  • Marguerite Bennett: Batwoman #10 (writer), Bombshells United #7 (writer), Bombshells United #8 (writer)
  • Michelle Delecki: Deathstroke #26 (variant cover)
  • Mirka Andolfo: Bombshells United #8 (interior art), Harley Quinn #33 (interior art)
  • Rachel Dodson: Bombshells United #8 (cover)
  • Sandra Hope: The Silencer #1 (inker)
  • Shawna Benson: Batgirl and the Birds of Prey #17 (co-writer)
  • Shea Fontana: DC Universe Holiday Special 2017 #1 (co-writer)
  • Stephanie Hans: Harley & Ivy Meet Betty & Veronica #3 (variant cover)
  • Yasmine Putri: Gotham City Garage #6 (cover), Nightwing #35 (cover), The Hellblazer #17 (variant cover)

All together, there are 23 different women set to work on 25 different books at DC in December, replicating the November totals precisely; as best I can tell, there are no non-binary creators on the schedule at DC this month. That DC’s held steady at these lows is a bit of a surprise. They’d been comfortably in the mid-20s for a while, even jumping into the low 30s occasionally, but now they’ve leveled out into an ongoing lull.

Part of this may be due to a lack of new faces. We’ve seen every single creator listed above at DC before, if not last month than in the past few months. It’s an amazing list of creators to be sure, but all of them are mainstays at the publisher. The numbers can only grow if more creators are brought in, and that will require new and different people. This month, DC did not seem inclined to seek them out.

In terms of fictional characters, there’s only one new book with a female lead: The Silencer. The book is part of DC’s high profile artist-centric line in which their top artists are paired with writers to create new characters. Perhaps unsurprisingly, almost every creator involved is a man. But The Silencer features Sandra Hope inking, and it stars Honor Guest, a retired assassin who retired at the top of her game but is getting dragged back into the business. Technically the book’s not out until January; it’s an advanced solicit, for some reason. But hey, it’s on the list! And while DC only has a handful of other new titles scheduled for December, they all have male leads.

Ultimately, December looks like it’s going to be another subpar month for female and non-binary creator representation at DC Comics. On the plus side, the numbers holding steady means that the publisher’s downward trend over the past few months has come to an end. On the negative side, the skid’s landed them far from the considerably higher numbers they’d been posting only a year ago, when they had 10 more women and non-binary creators in the mix! DC’s capable of far better representation than they have right now.

Women & NB Creators at Marvel Comics Watch, November 2017 Solicits: 24 Creators on 22 Books

October 12, 2017

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Marvel’s been very up and down with their female and non-binary creator representation over the past several months, but after the October solicits marked the publisher’s lowest numbers for the year thus far, the November solicits saw a solid gain. While Marvel still remains well off their previous highs, a sizeable jump is a welcome sight. The question now is, can they maintain or even increase the numbers moving forward? Let’s take a look at who’s doing what at Marvel this November:

  • Annapaola Martello: Marvel’s Black Panther Prelude #2 (interior art)
  • Ashley Witter: Star Wars: Doctor Aphra #14 (cover), Star Wars: Poe Dameron #21 (variant cover)
  • Carla Speed McNeil: The Unbeatable Squirrel Girl #26 (interior art)
  • Christa Faust: Silver Sable and the Wild Pack #36 (writer)
  • Christina Strain: Generation X #8 (writer), Generation X #9 (writer)
  • Devin Grayson: Power Pack #63 (writer)
  • Elizabeth Torque: Daredevil #595 (variant cover)
  • Erica Henderson: The Unbeatable Squirrel Girl #26 (co-writer, cover)
  • G. Willow Wilson: Ms. Marvel #24 (writer)
  • Gabby Rivera: America #9 (writer)
  • Gurihiru: Gwenpool, The Unbelievable #22 (cover), Not Brand Echh #14 (interior art)
  • Irene Strychalski: Gwenpool, The Unbelievable #22 (interior art)
  • Jenny Frison: Black Panther #167 (variant cover)
  • Jody Houser: Amazing Spider-Man: Renew Your Vows #13 (writer)
  • June Brigman: Power Pack #63 (variant cover)
  • Kelly Thompson: Hawkeye #12 (writer)
  • Margaret Stohl: Captain Marvel #126 (writer)
  • Marika Cresta: Power Pack #63 (interior art)
  • Mariko Tamaki: She-Hulk #159 (writer)
  • Natacha Bustos: Moon Girl and Devil Dinosaur #25 (interior art, cover)
  • Rainbow Rowell: Runaways #3 (writer)
  • Sana Takeda: Master of Kung Fu #126 (variant cover)
  • Sara Pichelli: Spider-Men II #5 (interior art, cover)

All together, there are 24 different female creators set to work on 22 different books at Marvel this November, 4 more creators and 1 more book than in October (as far as I can tell, there are no non-binary creators scheduled to work at Marvel in November). This is a large jump; essentially, Marvel’s got 20% more women writing and drawing their comics than they did last month, and that’s a considerable gain. At the same time, though, the October numbers were abnormally low and a rebound was to be expected. And, as always lately, Marvel remains far behind their previous highs; there were 37 women working at Marvel just eight months ago.

There are several new names and returning favourites in the mix this month, including a new cover artist for the Star Wars line in Ashley Witter, a new writer in Christa Faust on Silver Sable and the Wild Pack, and a new artist in Marika Cresta on Power Pack. The latter issue also marks the return of Devin Grayson, who we haven’t seen at the Big Two in a little while.

The only trouble is, Silver Sable and the Wild Pack and Power Pack are both one-shot specials, and so the four different women who worked on both of those books probably won’t be back at Marvel next month. Seeing as the solicits as a whole only jumped by four women, it looks like that gain will be washed out straight away in December. In terms of new female characters, both of those books are short-lived, and She-Hulk is the only title with a female lead that’s taking on the Marvel Legacy renumbering and hype in November. Meanwhile, at least seven different books with male leads are set to jump into Marvel Legacy and, perhaps unsurprisingly, none of them feature female creators either apart from a variant cover or two.

Overall, it’s good to see Marvel rebound somewhat after the lows they hit in October, but it appears that the rebound isn’t going to last. One-shots are fun and all, and an excellent foot in the door that could lead to future work for everyone involved, but the core, ongoing Marvel Legacy books are short on women across the board thus far, both real and fictional. The creative shifts of this event/relaunch haven’t gone great for female and non-binary creators thus far, and it will be interesting to see if December brings anything new as Marvel Legacy continues to roll out.

Women & NB Creators at DC Comics Watch – November 2017 Solicits, 23 Creators on 25 Books

October 10, 2017

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I’m not sure what’s going on at either of the Big Two superhero publishers right now, but both DC and Marvel are well off their recent highs when it comes to the representation of female and non-binary creators. At DC, the solicits for November mark their lowest total in well over a year, and this is in the midst of the launch of several new series, ongoing and mini, across their line. DC’s output has been shifting and expanding over the fall, and this current cycle of change appears to include far fewer women and non-binary creators. Let’s take a look at who’s doing what at DC in November:

  • Alisa Kwitney: Mystik U #1 (writer)
  • Amanda Conner: Harley Quinn #31 (co-writer, cover), Harley Quinn #32 (co-writer, cover), Harley Quinn: Be Careful What You Wish For Special Edition #1 (co-writer, interior art, cover), The Jetsons #1 (cover)
  • Aneke: Gotham City Garage #3 (interior art), Gotham City Garage #4 (interior art)
  • DesirĂ©e Proctor: New Talent Showcase 2017 #1 (co-writer)
  • Eleanora Carlini: Green Arrow Annual #1 (interior art), Suicide Squad #29 (interior art)
  • Emanuela Lupacchino: Bombshells United #5 (cover), Harley & Ivy Meet Betty & Veronica #2 (cover), Wonder Woman #35 (interior art)
  • Erica Harrell: New Talent Showcase 2017 #1 (co-writer)
  • Gail Simone: Wonder Woman/Conan #3 (writer)
  • Hope Larson: Batgirl #17 (writer)
  • Jenny Frison: Wonder Woman #35 (variant cover)
  • Jody Houser: Supergirl #15 (co-writer)
  • Joelle Jones: Batman #34 (interior art, cover), Batman #35 (interior art, cover)
  • Julie Benson: Batgirl and the Birds of Prey #16 (co-writer)
  • K. Perkins: Superwoman #16 (writer)
  • Kamome Shirahama: Batgirl and the Birds of Prey #16 (variant cover)
  • Laura Braga: Harley & Ivy Meet Betty & Veronica #2 (interior art)
  • Lynne Yoshii: New Talent Showcase 2017 #1 (interior art)
  • Marguerite Bennett: Batwoman #9 (writer), Bombshells United #5 (writer), Bombshells United #6 (writer)
  • Michelle Delecki: Deathstroke #25 (variant cover)
  • Rachel Dodson: Wonder Woman #34 (variant cover)
  • Shawna Benson: Batgirl and the Birds of Prey #16 (co-writer)
  • Siya Oum: Bombshells United #5 (interior art), New Talent Showcase 2017 #1 (interior art)
  • Yasmine Putri: The Hellblazer #16 (variant cover)

All together, there are 23 different female creators set to work on 25 different books at DC in November, 2 fewer creators than in October though 4 more books (as best I can tell, there are no non-binary creators scheduled to work at DC in November). A dip of 2 creators is fairly minor, though not inconsiderable given how few women there were to start with at DC, but it does take the publisher to its lowest total of female creators since August 2016.

It’s an odd month at DC all around. Some of the drop can be explained by an absence of “Young Animal” titles, a line that features an array of female creators. But DC is also set to release their New Talent Showcase, which includes a variety of women writing and drawing. Typically, an anthology issue like that with such solid representation boosts the monthly numbers considerably, but not this time. We’ve also got Mystik U, a new series with a female writer in Alisa Kwitney, plus a Harley Quinn special with Amanda Conner all over it, and still the numbers drop. The list of new names is great to see, particularly in the New Talent Showcase, but it hasn’t added up to a strong month for female representation at the publisher overall.

In terms of female characters, the aforementioned Mystik U stars a teen Zatanna, so that should be fun, and Enchantress is in the mix. Everything else has dudes in the lead, including new books for Black Lighting, The Demon, and Hawkman. And the “Metal” tie-ins continue to roll out, the bulk of which feature male leads and male creative teams.

So November is a mixed bag for DC. There are lots of new female creators in the mix, many of them making their first ever appearance at the publisher. But across the line, the numbers remain down. While I suppose we can take an optimistic angle and hope that all of these new creators become mainstays at DC moving forward, it doesn’t change the fact that DC’s female and non-binary representation has been trending downward for a while now. It’s a very noticeable slump, with no end in sight as of yet.

Wonder Woman #29 Review: A Bountiful Battle and a Bold Decision

August 30, 2017

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The first year of Wonder Woman in the “Rebirth” era was a major undertaking, with the creative team trying to reorient the character after a five year run that failed to capture the classic, empowering core of Diana and the Amazons. While they told a great story in the process, it was a huge, sprawling, universe altering tale that was all in service of establishing a new status quo for Wonder Woman that was more in line with who the character is and what she’s meant for decades. And they succeeded beautifully! Now, with all of that heavy lifting done, we can enjoy good Wonder Woman stories again. “Heart of the Amazon” hasn’t been as momentous or world shattering as the year of stories that preceded it, but that was the point of that year, to get Wonder Woman on a solid footing moving forward. Shea Fontana and her team of artists have made the most of this solid footing and the arc has been tremendously fun and well-crafted thus far. It’s captured everything good about the restored Wonder Woman while telling a great story and adding new depths to the characters. “Heart of the Amazon” was exactly what I was hoping for following Diana’s reorientation, and it’s been a blast to see the creative team do stellar work with each issue. Today’s penultimate outing is a particularly well-crafted book, and it sets us up for a very intriguing finale. We’ll dig into it all, but first:

SPOILER ALERT!!

I am about to reveal major plot points from this issue!

Look away if you haven’t read it yet!

Also, go read it! It’s very good!

Now, before we get to the excellent insides of the book, let’s talk about the cover. I’ve been harping on these covers with every issue lately, but they’re just not good. This one at least offers a look at what’s going on inside the issue instead of the generic posing we’ve seen before. The problem is, it’s a bad cover. The art is kind of a mess, and if I saw this on a shelf I wouldn’t be tempted to pick it up at all. These covers just aren’t working, and I don’t understand why DC hasn’t promoted Jenny Frison to be the primary cover artist for this run because her variants have been stellar. Covers are how you advertise comic books; it’s kind of important that they look good and not like jumbled masses that fail to entice anyone.

Luckily, the story inside is super good. I was surprised to see that Inaki Miranda drew the issue, though! When David Messina took over with the last issue, I assumed that he’d be there for the rest of the arc, but not so much. And now, I have no idea who’ll be drawing the next issue. While I usually don’t like multiple artists on an arc and prefer a more consistent look, all three artists on “Heart of the Amazon” have been good, and despite their different styles I think it will come together well in the collected edition.

When we last left Diana, five assassins were after her, and Fontana and Miranda’s handling of the opening pages is very well done. Fontana’s given us all female villains, which is a fun touch, but she’s also made each of them distinct, starting with the last issue. Originally, we had a sniper. Now the five new assassins each have different specialities: Cat Eye is allegedly some sort of cat warrior goddess, Cheshire is a classic assassin, Abolith is a super soldier, Plastique is a bomber, and Baundo is a teleporter. It’s a unique assortment of villains that allows Miranda to showcase his skills as he depicts their varying personalities and power sets. The fight is nicely choreographed as well, very legibly laid out and easy to follow, which is always good to see. Plus they’ve got Etta Candy right in the middle of the action, fighting alongside Wonder Woman and taking out a few of the villains totally on her own.

Miranda does a solid job throughout the issue. First, he brought back the curl in Etta’s hair, which I’m very glad to see. Mirka Andolfo’s redesign of Etta was amazing, and Miranda seems to be embracing it here. While Miranda’s characters aren’t as expressive as Andolfo’s, his subtler approach works nicely for the seriousness of the story being told in this issue and he captures the emotions of each. His work is particularly strong in the flashback to young Diana on Themyscira, with the child wanting her mother to be proud of her and Hippolyta affirming how much she loves her. It’s a sweet, touching scene that everyone knocked out of the park. Romulo Fajardo Jr.’s coloring has remained an artistic constant throughout this run, and he again does stellar work here adjusting to a new artist. There are some nice touches with fine colored lines and textures that add a lot to Miranda’s more sparse approach to linework. They make for a fine pairing.

While the fight that starts the issue is nicely done, it’s the ending that is the most compelling. When Wonder Woman learns that a biomedical researcher is behind the plot to kill her, hoping to use her divine/Amazon physiology to cure a wide array of diseases, she willingly submits to the researcher, not caring for his methods but nonetheless willing to help as many people as she can. It’s a sacrifice that is classic Wonder Woman, but also very fitting for this arc. “Heart of the Amazon” began with Wonder Woman admitting that she took on every problem, every hurt, every horror herself because she was the only one able to bear it all. Now she takes on the monumental task of curing diseases with a very sketchy researcher behind it all. I’m curious to see if this proves to be too much for Diana to handle all on her own. If it is, luckily she’s got some excellent friends who will have her back.

All together, this was another wonderful issue. Great action, great story, even great romance with Steve finally returning to the book, though only after Wonder Woman and Etta had taken out all of the assassins, of course. I’m sad to see this arc end, but I’m looking forward to finding out how it all comes together in two weeks’ time, as well as discovering who will be drawing the book this time around! So many mysteries to be solved.

Women & NB Creators at Marvel Comics Watch, October 2017 Solicits: 20 Creators on 21 Books

August 22, 2017

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The numbers aren’t looking great for female and non-binary creators scheduled to work on Marvel’s comics in October. After setting a record high in March of this year, the publisher’s numbers crashed precipitously in April and have been crawling up again bit by bit since then. Until now. The October solicits are a massive step down for representation at Marvel that takes them to their lowest total of female and non-binary creators in over a year and half. Let’s take a look at who is doing what at Marvel this October:

  • Becky Cloonan: The Punisher #17 (writer)
  • Christina Strain: Generation X #7 (writer)
  • Elizabeth Torque: Falcon #1 (variant cover), Venomverse #5 (variant cover)
  • Elsa Charretier: Journey to Star Wars: The Last Jedi – Captain Phasma #4 (variant cover)
  • Erica Henderson: The Unbeatable Squirrel Girl #25 (interior art, cover)
  • G. Willow Wilson: Ms. Marvel #23 (writer)
  • Gabby Rivera: America #8 (writer)
  • Irene Strychalski: Gwenpool, The Unbelievable #21 (interior art)
  • Jen Bartel: America #8 (variant cover)
  • Jenny Frison: Black Panther #166 (variant cover)
  • Kamome Shirahama: Star Wars: Doctor Aphra #12 (cover)
  • Kelly Thompson: Hawkeye #11 (writer), Journey to Star Wars: The Last Jedi – Captain Phasma #3 (writer), Journey to Star Wars: The Last Jedi – Captain Phasma #4 (writer)
  • Margaret Stohl: Captain Marvel #125 (writer)
  • Mariko Tamaki: Hulk #11 (writer)
  • Natacha Bustos: Moon Girl and Devil Dinosaur #24 (interior art, cover)
  • Paulina Ganucheau: Gwenpool, The Unbelievable #21 (cover)
  • Rainbow Rowell: Runaways #2 (writer)
  • Sara Pichelli: Spider-Men II #4 (interior art, cover)
  • Stephanie Hans: Inhumans: Once and Future Kings #3 (variant cover), Mighty Thor #700 (variant cover)
  • Yusaku Komiyama: Zombies Assemble 2 #3 (writer, interior art)

All together, there are 20 different female creators set to work on 21 different comics books at Marvel this October, 8 fewer creators than in the September solicits and 5 fewer books. As best as I can tell, there are no non-binary creators listed in the October solicits. A drop of more than a quarter of the publisher’s female writers and artists in just one month is a huge step down, and one that stems not from one big change but a sequence of smaller ones. With so few women to start with, a few creative shifts here and there, a book or two wrapping up, and a couple less variant cover gigs can add up pretty quick, and that looks like what is happening here. Ultimately, it’s resulted in Marvel’s lowest total since February 2016.

Perhaps unsurprisingly given this big drop, there aren’t any new female or non-binary creators in the mix for October. Everyone involved is someone we’ve seen recently, if not last month than a couple of months back. Jenny Frison may be new-ish, I suppose; she’s been a mainstay at DC lately with her Wonder Woman variants and it’s been a little while since we’ve seen her at Marvel. Regardless, a drop in numbers without a concurrent increase in new creators is not a great recipe for representation at a publisher, as these solicits demonstrate.

On the female character front, as Marvel’s “Legacy” continues to unfold this fall, there aren’t any new books with female leads either. A few existing books are continuing with new numbering, but in terms of brand new titles, there are just a handful and they’re all led by dudes. It does look like there’s a lady in the new Spirits of Vengeance book at least, some gal in a ridiculous red outfit with white hair and horns. Apart from that, the fellows are the focus this month.

Overall, October looks to be quite a poor month for female and non-binary creator representation at Marvel. Such a massive drop is disconcerting, especially in the middle of a major publishing event that’s bringing in lots of new creative teams. It’s never a good look when there’s a relaunch/reboot and you have fewer women in the mix, and that’s exactly what’s happening here. Perhaps November will increase the numbers with some more creators on some new books, but Marvel’s certainly dug themselves into a deep hole with this showing.

 

Women & NB Creators at DC Comics Watch, October 2017 Solicits: 25 Creators on 24 Books

August 18, 2017

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DC’s female and non-binary creator representation has been drifting downward over the last few months, sliding a bit after a relatively strong spring, and with the October solicits, DC’s numbers are set to fall to their lowest level since last March. Things are pretty quiet at DC this fall; there are a few events and a couple of new books, but not enough to make any huge changes to the line. Yet the numbers appear to be in decline. Let’s take a look at who’s doing what at DC this October:

  • Amanda Conner: Harley & Ivy Meet Betty & Veronica #1 (cover), Harley Quinn #29 (co-writer, cover), Harley Quinn #30 (co-writer, cover)
  • Bilquis Evely: DC House of Horror #1 (interior art)
  • Diana Conesa: Nightwing #30 (interior art), Nightwing #31 (interior art)
  • Emanuela Lupacchino: Bombshells United #4 (cover), Dastardly and Muttley #2 (variant cover), Wonder Woman #33 (interior art)
  • Gail Simone: Wonder Woman/Conan #2 (writer)
  • Heather Nuhfer: Teen Titans Go! #24 (co-writer)
  • Hope Larson: Batgirl #16 (writer)
  • Jenny Frison: Gotham City Garage #2 (cover), Wonder Woman #32 (variant cover), Wonder Woman #33 (variant cover)
  • Jill Thompson: Future Quest Presents #3 (variant cover)
  • Jody Houser: Mother Panic #12 (writer)
  • Joelle Jones: Batman #33 (interior art, cover), Mother Panic #12 (variant cover)
  • Julie Benson: Batgirl and the Birds of Prey #15 (co-writer)
  • K. Perkins: Superwoman #15 (writer)
  • Kamome Shirahama: Batgirl and the Birds of Prey #15 (variant cover)
  • Laura Braga: Harley & Ivy Meet Betty & Veronica #1 (interior art)
  • Lynne Yoshii: Gotham City Garage #2 (interior art)
  • Marguerite Bennett: Batwoman #8 (writer), Bombshells United #3 (writer), Bombshells United #4 (writer)
  • Marguerite Sauvage: Bombshells United #4 (interior art)
  • Mary Sangiovanni: DC House of Horror #1 (co-writer)
  • Michelle Delecki: Deathstroke #24 (variant cover)
  • Mirka Andolfo: Teen Titans #13 (interior art)
  • Rachel Dodson: Bombshells United #3 (cover)
  • Shawna Benson: Batgirl and the Birds of Prey #15 (co-writer)
  • Siya Oum: Bombshells United #3 (interior art)
  • Yasmine Putri: The Hellblazer #15 (cover)

All together, there are 25 female creators set to work on 24 books at DC this October, 2 fewer than in September though they’re working on 3 more books (to the best of my knowledge, there are no non-binary creators in the mix this month). While 2 fewer creators isn’t a massive change, 3 of the past 4 months have featured a drop of 2 or more, and it’s starting to add up. As mentioned at the beginning, not a whole lot has changed at DC over the past little while, so this is just an organic drift downward. A few books got cancelled, a few new books began, and that’s about it. There wasn’t another relaunch cycle or any substantial creator upheaval. So this decline is just a gradual decrease caused by small changes here and there, and little has been done to remedy this drop.

We do have a few new female creators in the mix, though, which is always nice to see. Diana Conesa is going to be working on interior art for Nightwing, and I think she’s making her DC debut there. We’ve also got Lynne Yoshii, again on interior art, on the new Gotham City Garage, which we’ll discuss momentarily. Another new book, the anthology oneshot DC House of Horror, features a story by writer Mary Sangiovanni.

The oneshot is one of just a handful of new books at DC in October, and it’s got a few female creators in the mix as well as some stories starring female characters, including unique choices like Martha Kent and an Amazon warrior. DC’s Metal event continues, still with no female creators in the mix and seemingly few female characters, but we’ve got two new books with female leads. The aforementioned Gotham City Garage is based on DC’s statue line of their heroines as bikers, and features a reimagined DC universe centered on biker ladies. I feel like this could go either way, really. It’s reminiscent of DC Comics Bombshells, another comic line based on popular merchandise, but while Marguerite Bennett helmed that book and turned it into a queer feminist masterpiece, I’m not terribly familiar with the two dudes writing this one. Fingers crossed it’s similarly cool. We’ve also got an unusual team up with Harley & Ivy Meet Betty & Veronica, a crossover with Archie that introduces these two famous duos for the first time. A lot of creators from the regular Harley Quinn book are on board, so expect a similar tone and sensibility.

All together, there are some new names and a couple of potentially fun titles on the horizon for October, but overall the numbers keep falling. If DC continues at this pace, they’ll be back in the teens again before long, and it’s getting to the point where it feels like some intentional effort needs to be made internally to buoy their dragging representation.


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