Posts Tagged ‘Meredith Finch’

Women & NB Creators at Marvel Comics Watch, August 2019 Solicits: 37 Creators on 28 Books

July 26, 2019

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August is a big month for Marvel, with a “landmark” thousandth issue from a massive team of creators set to hit comic shops. The numbering is completely arbitrary, and it’s not even a real series. Marvel saw the success DC had with its legitimate Action Comics #1000 and Detective Comics #1000 and, since there are no Marvel books anywhere close to a thousand issues yet, just decided to make something up and have their own Marvel Comics #1000. It’s a goofy gimmick that will sell a ton of copies because that’s how the comics business works, and it’s set to feature a bunch of female creators, as you can see below. Let’s take a look at who’s doing what at Marvel this August:

  • Alexandra Petri: She-Hulk Annual #1 (writer)
  • Alitha E. Martinez: Moon Girl and Devil Dinosaur #46 (interior art)
  • Amanda Conner: Gwenpool Strikes Back #1 (variant cover), Invisible Woman #2 (variant cover)
  • Aneke: Age of Conan: Valeria #1 (interio art)
  • Anna Rud: Marvel Team-Up #5 (cover)
  • Ashley Witter: Star Wars: Doctor Aphra #1 (cover)
  • Becky Cloonan: Marvel Monsters #1 (interior art)
  • Carmen Carnero: Captain Marvel #9 (interior art)
  • Claire Roe: Fearless #2 (interior art)
  • Dana Schwartz: Deadpool Annual #1 (writer)
  • Elsa Charretier: Power Pack: Grow Up! #1 (variant cover)
  • Emanuela Lupacchino: Absolute Carnage: Mile Morales #1 (variant cover), Gwenpool Strikes Back #1 (variant cover)
  • Erica Henderson: The Unbeatable Squirrel Girl #47 (cover)
  • Eve L. Ewing: Ironheart #9 (writer), Marvel Comics #1000 (creator)
  • Gail Simone: Marvel Comics #1000 (creator)
  • Gurihiru: Gwenpool Strikes Back #1 (variant cover), Power Pack: Grow Up! #1 (interior art)
  • Irene Koh: Marvel Comics #1000 (creator)
  • Irina Nordsol: Doctor Strange #18 (cover)
  • Jen Bartel: Black Cat #3 (variant cover), Marvel Comics #1000 (creator), Marvel Tales: X-Men #1 (cover)
  • Jenny Frison: Fearless #2 (variant cover)
  • Jody Houser: Star Wars: Tie Fighter #5 (writer)
  • June Brigman: Power Pack: Grow Up! #1 (interior art, cover)
  • Karla Pacheco: Fearless #2 (co-writer)
  • Kathryn Immonen: Marvel Comics #1000 (creator)
  • Kei Zama: Death’s Head #2 (interior art)
  • Kelly Sue DeConnick: Marvel Comics #1000 (creator)
  • Kelly Thompson: Captain Marvel #9 (writer), Marvel Comics #1000 (creator)
  • Leah Williams: Gwenpool Strikes Back #1 (writer)
  • Louise Simonson: Power Pack: Grow Up! #1 (writer)
  • Meredith Finch: Age of Conan: Valeria #1 (writer)
  • Mirka Andolfo: She-Hulk Annual #1 (cover)
  • Rainbow Rowell: Marvel Comics #1000 (creator), Runaways #24 (writer)
  • Sara Pichelli: House of X #2 (variant cover), House of X #3 (variant cover)
  • Seanan McGuire: Fearless #2 (co-writer), Ghost-Spider #1 (writer)
  • Tini Howard: Death’s Head #2 (writer), Marvel Comics #1000 (creator), Thanos #5 (writer)
  • Yasmine Putri: Absolute Carnage: Lethal Projectors #1 (variant cover), Fearless #2 (cover), House of X #2 (variant cover), Powers of X #2 (variant cover), Star Wars: Tie Fighter #5 (variant cover)

Altogether, there are 37 different female creators set to work on 28 different books in August, one fewer creator than in July on two fewer books. As best I can tell, there are no non-binary creators listed in this round of solicits. It’s a slight drop in both counts, but Marvel’s putting out fewer books this month so we’re in the same ballpark as before as the publisher continues to maintain its high level of female creators. Marvel is on quite a run right now.

We’re still seeing the concentration of female creators we had last month, though. Marvel’s set to put out 85 books in August, and with women working on 28 of them that means the publisher has female creators on 33% of the line. This is a slight step up from July’s 32%, but still below the 40% they posted in June. While the number of female creators remains high, they’re not spread out as much across the line right now.

There are some new names in the mix in August. We’ve got two new female writers with Alexandra Petri and Dana Schwartz, adding an already strong lineup. There are a lot of returning favourites, as well, including legends like June Brigman and Louise Simonson, and it’s been a while since we’ve seen Kathryn Immonen.

For new books, Marvel Comics #1000 is obviously the big one, and it’s set to feature darn near every Marvel character ever, so there’ll certainly be some ladies in the mix. For new books, we’ve got a Gwenpool mini-series and a relaunched Gwen Stacy book, Ghost-Spider, that’s basically just the same book and creative team with a slightly different title and new numbering. There are also team books like Agents of Atlas, Future Foundation, and Power Pack: Grow Up! that have female characters involved.

All together, it’s another solid outing for Marvel. With so many books coming out each month, the jobs are plentiful and they’re filling them with a lot of female creators. Proportionally, it’s not the best numbers we’ve ever seen because Marvel’s been at a comparable level before with much fewer books. But still, this is a relatively strong run, and it’s great to see so many wonderful female creators doing excellent work each month.

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Women & NB Creators at Marvel Comics Watch, June 2019 Solicits: 35 Creators on 36 Books

May 16, 2019

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On the one hand, Marvel will have nearly twice as many female and non-binary creators as DC this June. On the other hand, Marvel is also putting out nearly twice as many books as DC this June. It’s hard to compare the two publishers directly these days, but what’s undoubtedly true is that while DC’s got a core group of female creators in their solicits each month, Marvel’s got a wide ranging assortment of women and non-binary creators month in, month out, some well established on regular gigs and others breaking into the industry on smaller jobs. The breadth of the line means more opportunity, finally. So let’s take a look at the long list of who is doing what at Marvel this June:

  • Alitha E. Martinez: Moon Girl and Devil Dinosaur #44 (interior art), Miles Morales: Spider-Man #7 (interior art)
  • Amanda Conner: Captain Marvel #6 (cover), Captain Marvel #7 (cover)
  • Annapaola Martello: Captain Marvel #6 (interior art), Captain Marvel #7 (interior art)
  • Annie Wu: War of the Realms: New Agents of Atlas #3 (variant cover)
  • Ashley Witter: Star Wars: Doctor Aphra #33 (cover)
  • Audrey Mok: Marvel Rising #4 (cover)
  • Becky Cloonan: Wolverine: Exit Wounds #1 (variant cover)
  • Charlie Jane Anders: War of the Realms: War Scrolls #3 (co-writer)
  • Elizabeth Torque: Black Cat #1 (variant cover)
  • Emanuela Lupacchino: Immortal Hulk #19 (variant cover)
  • Erica Henderson: The Unbeatable Squirrel Girl #45 (cover)
  • Eve L. Ewing: Ironheart #7 (writer), Marvel Team-Up #3 (writer)
  • Gail Simone: Domino: Hotshots #4 (writer), Tony Stark: Iron Man #13 (writer)
  • Gurihiru: The Unstoppable Wasp #9 (interior art)
  • Irina Nordsol: War of the Realms #6 (variant cover)
  • Jen Bartel: Guardians of the Galaxy Annual #1 (variant cover), Marvel Tales: Spider-Man #1 (cover), War of the Realms: Journey Into Mystery #4 (variant cover)
  • Jody Houser: Star Wars: Tie Fighter #3 (writer)
  • Kate Niemczyk: Age of Conan: Belit #4 (interior art)
  • Kelly Thompson: Captain Marvel #6 (writer), Captain Marvel #7 (writer), Mr. and Mrs. X #12 (writer)
  • Kirbi Fagan: Shuri #9 (cover)
  • Leah Williams: Age of X-Man: X-Tremists #5 (writer), Giant-Man #3 (writer)
  • Meredith Finch: Savage Sword of Conan #6 (writer)
  • Nilah Magruder: Marvel Rising #4 (writer)
  • Nnedi Okorafor: Shuri #9 (writer)
  • Rachael Stott: Shuri #9 (interior art)
  • Rachel Dodson: Star Wars: Age of Rebellion – Darth Vader #1 (cover), Star Wars: Age of Rebellion – Luke Skywalker #1 (cover)
  • Rainbow Rowell: Runaways #22 (writer)
  • Sana Takeda: Age of Conan: Belit #4 (cover)
  • Seanan McGuire: Age of X-Man: The Amazing Nightcrawler #5 (writer), Spider-Gwen: Ghost-Spider #9 (writer)
  • Stacey Lee: The Unstoppable Wasp #9 (cover)
  • Tini Howard: Age of Conan: Belit #4 (writer), Guardians of the Galaxy Annual #1 (co-writer), Thanos #3 (writer)
  • Vanesa Del Rey: Miles Morales: Spider-Man #7 (interior art)
  • Vita Ayala: Age of X-Man: Prisoner X #4 (writer)
  • Yasmine Putri: Thor #14 (variant cover)

All together, there are 35 different female and non-binary creators scheduled to work on 36 Marvel comic books in June, two more creators and one more book than in May. These are big numbers. Again, yes, Marvel is putting out a lot of books right now. But having a commensurate increase in female and non-binary creators while they do so is a pleasant surprise. The Big Two have not been good at that at all. Like, ever.

Speaking of the massive output, Marvel is planning to release 91 new issues in June. With female and non-binary creators working on 36 of them, that’s representation across 40% of the line, an increase of 5% from May. In comparison, DC is at 33%, so Marvel’s a bit ahead, if not starkly so.

It looks like we’ve got a few new creators in the mix as well. As best I can tell, Charlie Jane Anders is doing her first writing for Marvel in War of the Realms: War Scrolls #3, and while Meredith Finch had a long and quite frankly terrible run on Wonder Woman at DC, her gig on Savage Sword of Conan #6 appears to be a Marvel first, too. We’ve also got Russian artist Irina Nordsol doing a variant cover for War of the Realms #6. There are some returning favourites in the mix as well. We haven’t seen Alitha E. Martinez in a little while, it’s been even longer for Annapaola Martello, and it’s always good to see Annie Wu, Gurihiru, and Vanesa Del Rey back at Marvel.

June is a quiet month for new books, with War of the Realms winding down. Things should pick up over the summer, though, and I’m very curious to see what the X-Men relaunch and the cancellation/relaunch of the entire X-line will do to the numbers. But for now, we’ve got one female character on a new title, with Felicia Hardy taking center stage in a Black Cat ongoing series.

Overall, Marvel’s rolling along with relatively strong numbers for female and non-binary creators. As much as there’s always room to grow, the year thus far has shown nothing but sustained representation for writers and artists. I will note that the full numbers haven’t exactly followed suit. When you take into account the full credits, like I do quarterly in my women in comics statistics reports, Marvel’s numbers become a bit underwhelming. But here in the solicits, which are what sell the books, female and non-binary creators have been a solid constant this year.

Women at DC Comics Watch – November 2016 Solicits, 33 Women on 22 Books

September 7, 2016

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After a slow start to their “Rebirth” initiative, with weak numbers for female creators for the first three months of the new books over the summer, DC’s numbers have picked up considerably throughout their fall solicits. November continues this trend and takes things a step further: The November 2016 solicits have the highest number of female creators we’ve seen at DC since we started keeping track several years ago. So let’s take a look at who is doing what:

  • Amanda Conner: Harley Quinn #7 (co-writer, cover), Harley Quinn #8 (co-writer, cover)
  • Annie Wu: Raven #3 (cover)
  • Becky Cloonan: Gotham Academy: Second Semester #3 (co-writer), Shade, the Changing Girl #2 (cover)
  • Cecil Castellucci: Shade, the Changing Girl #2 (writer)
  • Chynna Clugston Flores: Shade, the Changing Girl #2 (variant cover)
  • Claire Roe: Batgirl and the Birds of Prey #4 (interior art)
  • Elena Casagrande: Vigilante: Southland #2 (interior art)
  • Emanuela Lupacchino: Green Lanterns #10 (variant cover), Green Lanterns #11 (variant cover), Superwoman #4 (interior art, cover)
  • Emma Beeby: New Talent Showcase #1 (co-writer)
  • Erica Schultz: New Talent Showcase #1 (co-writer)
  • Fiona Staples: Gotham Academy: Second Semester #3 (variant cover)
  • Gail Simone: Clean Room #14 (writer)
  • Hena Khan: New Talent Showcase #1 (co-writer)
  • Holly Black: Lucifer #12 (writer)
  • Hope Larson: Batgirl #5 (writer)
  • Jenny Frison: Clean Room #14 (cover), Wonder Woman #10 (variant cover), Wonder Woman #11 (variant cover)
  • Jody Houser: Mother Panic #1 (writer)
  • Joelle Jones: New Talent Showcase #1 (co-writer)
  • Julie Benson: Batgirl and the Birds of Prey #4 (co-writer)
  • Kamome Shirahama: Batgirl and the Birds of Prey #4 (variant cover)
  • Laura Braga: DC Comics Bombshells #19 (interior art)
  • Marguerite Bennett: DC Comics Bombshells #19 (writer)
  • Marley Zarcone: Shade, the Changing Girl #2 (interior art)
  • Meghan Hetrick: Red Thorn #13 (interior art)
  • Meredith Finch: Catwoman: Election Night #1 (co-writer)
  • Mirka Andolfo: DC Comics Bombshells #19 (interior art)
  • Msassyk: Gotham Academy: Second Semester #3 (interior art)
  • Nicola Scott: Wonder Woman #10 (interior art, cover)
  • Sandra Hope: Gotham Academy: Second Semester #3 (inker)
  • Shawna Benson: Batgirl and the Birds of Prey #4 (co-writer)
  • Tula Lotay: Everafter: From the Pages of Fables #3 (cover)
  • Vita Ayala: New Talent Showcase #1 (co-writer)
  • Yasmine Putri: The Hellblazer #4 (variant cover)

All together, there are 33 different female creators scheduled to work on 22 different books at DC in November 2016, 5 more women than in the October solicits though 2 fewer books. These are big numbers for DC, a high that the publisher had come close to but never hit before in all of their ups and downs over the past few years. “Rebirth” has been slow for female creators, and still isn’t doing particularly well; a lot of the credits here come from outside of the mainline series. Still, as a whole, representation across DC’s whole publishing line has gone up considerably over the past three rounds of solicits.

The high may be fleeting, though. As part of DC’s writer’s workshop, they’re putting out a New Talent Showcase issue with a variety of new writers, several of whom are women. It appears to be a oneshot, so I doubt they’ll be back next month, but I wouldn’t be surprised to see these women working on future projects at DC. While the December numbers might drop, things may go up in the long term. There are also some other oneshots and one-off variant cover gigs that don’t equal sustainable work either. DC will need to follow their strong November with a lot of new jobs in December to make up the deficit, and I’ll be pleasantly surprised if they’re able to do so.

In terms of female characters, Mother Panic is set to premiere in November as part of DC’s “Young Animal” line. It’s a got a female lead and a female writer, so double the fun there. The same is truth of the Catwoman: Election Night one-shot, which honestly sounds kind of terrible but hey, anything to get Catwoman back in the mix. And the New Talent Showcase features stories about Wonder Woman, Hawkgirl, Carol Ferris, and more.

Overall, November looks like it’s going to be a strong month for female creators at DC. It’s always a good time when a publisher breaks a record, though the real trick is doing it again the next month. Representation at the Big Two is typically a two steps forward, one step back situation, so we’ll have to see what the December solicits bring. But for now, it’s a very good month.

Wonder Woman #52 Review: Finally, It’s Over

May 18, 2016

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It’s finally here, you guys. We made it to the end. This is the Finches’ last issue of Wonder Woman, and Greg Rucka, Liam Sharp, and Nicola Scott are waiting in the wings to relaunch the title. Arguably the worst run in the history of Wonder Woman is now over, and we can move on, embrace the new creative team, and never ever speak of this era again. Not just the Finches, but any of it, really. Wonder Woman’s romance with Superman, her becoming the god of war, the rapist and murderous Amazons, the death of Hippolyta; all signs point to these horrible story choices going out in the window in favour of a new run much more in keeping with a traditional, heroic, inspiring Wonder Woman.

For those of you who, like me, stuck it out through all 52 issues of this series, what were we thinking? Why did we do this to ourselves? It’s been awful. The first few years of Wonder Woman were decent overall, largely because Cliff Chiang is like unto a god, but there were some ROUGH moments. Plus Wonder Woman was not well written anywhere else in the DC universe (RIP Superman/Wonder Woman, mercifully ending today as well, thank goodness). And then Meredith and David Finch took over Wonder Woman and turned the series into one of the worst comics on the stand for the past year and a half. Why did we keep reading it? I know I write about Wonder Woman professionally so I probably needed to keep abreast of current events, but I could’ve just waited, got trades from the library, and just not supported a book that I loathed reading each month. Valuable lesson learned, I suppose. If you don’t like a book, don’t read it even if it’s your very favourite character. That’s how I’m going to roll from now on. I predict a far happier life for myself moving forward.

However, since I’ve made it through this hellacious marathon all the way to the very last issue, I suppose I should say a few words about it. But first:

SPOILER ALERT!!!

I am about to reveal everything that happened in this grand finale!

None of it is particularly good and/or interesting!

But still, if you don’t want it spoiled for you, look away!

So, this issue was a mess. It leaves everyone in an unpleasant spot, and undoes some of the good things about this era. First, shocking twist, Hera is the actual big bad. She’s been the one trying to kill Zeke, wanting to off him before he grows up to become Zeus again so that she can remain the Queen of Olympus and keep all of her new power. Hera’s evolution was one of the best things about the Azzarello/Chiang era; her friendship with Zola helped her grow as a person and learn compassion, and she went from the book’s villain to a key ally for Wonder Woman. It was all really beautifully done, an impressively orchestrated turn around that took three years of solid writing and art. And now that’s totally undone and Hera’s the bad guy again, so that’s irksome.

This made Hecate only a semi-villain, and her motivations were cringeworthy. She hooked up with Zeus way back and he’s the only one who saw the beauty beneath her frightening exterior, blah blah blah, so she tried to kidnap Zeke and return him to his original form so that they could be together again. It was all very clichéd and lame, and rather juvenile, “He’s the only one who understands me!” is a pretty weak motivation for a powerful witch and goddess who’s been around for millennia. Give the gal some depth, please.

The very best part of the early years of the new Wonder Woman was Zola, the gal who got caught up in the chaos of the gods after Zeus seduced her and essentially impregnated her with himself. She was hilarious and fun and tough, and always called everyone on their foolishness. Zola was a great character to have in the midst of all of these powerful beings. During the Finches’ tenure, she’s barely been featured, and as the book ends she’s still alive (last issue’s ending was a fake out) but ultimately devastated by the loss of her baby after Zeus returns, a move that snuffs out the light of what had been the series’ brightest character for some time.

As for Wonder Woman, well, she got duped again. This has been the hallmark of the New 52 era; Wonder Woman will fall for anyone’s lies and go along with any dumb plan that plays on her heart strings, and then have to deal with the fallout when she is inevitably betrayed. She’s been a wholly reactive, passive character for five years now, bounced around by the whims and machinations of others instead of driving the action herself. And this finale is no different. Hecate betrayed her a couple issues back, and Hera betrays her in this one, leaving her to protect Zeke all by herself as a temple comes crashing down around her. Plus, in the end she doesn’t save Zeke; Zeke turns into Zeus and saves her, because the power of her love or whatever causes him to return to his original form and save her from the rubble.

The issue ends with Wonder Woman weeping over the loss of Zeke, who she calls “the closest I may come to a child of my own.” First, why? If she wants to have kids, she can have kids. Right now she’s focusing on her superhero career, but if she decides that she wants to be a mother at some point there’s no reason that she can’t do so. Second, ugh. Another dang cliché. To slot Wonder Woman into this maternal role when she’s basically just been a Cool Aunt feels so forced. I get her loving the kid, but this whole baby she’ll never have angle is both dumb and hacky.

And so it ends. Zeus is back on the throne of Olympus, order is restored, and please dear god let us move on from all of this with the greatest of haste. I’m hoping that the upcoming “Rebirth” special explains how and why everything is about to take a sharp left turn, and when Wonder Woman relaunches a couple of weeks later we can just jump right in with some cool new stories. The sooner we forget this era, the better. All I want to remember from the past five years is the pretty Cliff Chiang art, how rad Hermes looked, and maybe keep Zola around because she’s delightful. Pitch the rest of it and move on, please.

Wonder Woman #51 Review: It’s Almost Over, Gang

April 20, 2016

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“Rebirth” is so close now. Today’s Wonder Woman #51 is the penultimate issue of the series. The Finches will wrap up their run next month, and then Greg Rucka’s coming in with Liam Sharp and Nicola Scott to relaunch the book and hopefully make it not terrible anymore. Yes, another relaunch is sort of ridiculous, but I’m very much looking forward to it because a) Rucka knows how to write comics, b) Sharp and Scott are great artists, and c) there’s no way that they could make a worse Wonder Woman than what we’ve been getting over the past year and a half.

Case in point, this month’s issue. It serves as both a tour through the unpleasant missteps DC’s made with Wonder Woman throughout the New 52 era and as just a bad comic that’s part of a dumb arc. Wonder Woman’s in Tartarus because Hecate sent her there through a variety of painfully obvious lies and manipulations that sailed right over Diana’s head, and so she’s stuck dealing with some troubling manifestations of her subconscious mind or whatever. It’s not great stuff. We’ll discuss it all for as long as I can handle it (you’ll notice I didn’t even review last month’s issue; I was out of town visiting family and just couldn’t muster the energy to engage with the fiftieth issue “special”), but first:

SPOILER ALERT!!

I am about to tell you ALL OF THE THINGS that happen in this issue!

Look away if you haven’t read it yet!

Or don’t! Whatever! I don’t care anymore!

So Wonder Woman is in Tartarus because she’s an idiot, basically. Or rather, because she’s being written as such. Everything about Hecate screams “SHE’S A VILLAIN!”, from the spiky horns coming out of her head to her telling Diana that she needed to steal from her friends and not tell anyone what she was doing or who she was working with. I mean, come on now. Those are some red flags. This is the issue where Wonder Woman figures out that she’s been duped, but it’s several issues too late. She should have put the pieces together on this one as soon as she met Hecate, just like every reader did.

The attempted emotional reveal of Wonder Woman realizing the mistakes she’s made falls completely flat. Having Wonder Woman look stupid never makes for a fun read. Furthermore, this astoundingly poor characterization of Wonder Woman takes you right out of the story. Instead of engaging with what’s going on, the reader is left wondering why Diana is even in this situation in the first place, and why a writer would do this to the character, and how an editor could possibly let this story be published.

While in Tartarus, Wonder Woman has some visions related to her past. First, we get her Amazon foe Aleka making fun of a young Diana, a reminder of how the Amazons have been the worst in the New 52. It was really interesting to hear Greg Rucka talk about the Amazons on the Word Balloon podcast after his return to Wonder Woman was announced, because he made the point that the Amazons are all about love, support, and trust. Jealousy and bitterness just aren’t how the Amazons should roll, yet that’s been the core of the Amazons since the New 52 relaunch. Rucka didn’t call out any of the New 52 books specifically because he’s a classy dude, but you got the sense that he saw the current depiction of the Amazons as a big misstep by DC.

Wonder Woman also has a vision of Superman, another of the New 52’s poorest choices. Their relationship never made much sense, nor did they have a lick of chemistry. Several writers took a stab at it too, across a variety of books, but it never landed in any real way. In fact, most of the time it was poorly handled and offputting. So this conversation, in which Diana talks about how she thought about settling down and starting a family with Clark, is an unpleasant reminder of their ill-fated relationship as well as not particularly believable. Their entire relationship was DC telling us they love each other without ever showing it or selling it, and this was more of the same.

Then Hera shows up and she and Wonder Woman fight, and Wonder Woman realizes that she was dumb to trust Hecate. After making up, they escape Tartarus and head back to Olympus to check on Zola’s baby Zeke, whose illness was the genesis of all of this foolish subterfuge. We don’t learn what’s up with Zeke but, shocking twist, it looks like Zola is dead.

This had better be a fake out, because Zola has been a great character and one of the consistent bright spots in what’s been a very up and down five years for Wonder Woman. I like Zola a lot, even though the Finches never seemed to get her right at all; she was so much fun during Azzarello and Chiang’s tenure, and I like what she adds to the Wonder Woman mythos. She’s sort of a charming, redneck Etta Candy, and serves the important role of keeping Diana grounded with a human friend. So if she’s actually dead, I’m going to be pretty upset.

I suppose we’ll find out next month with the series finale. Given the entirety of what’s preceded it during the Finches’ run, I have no hope that it will be good, but it will be the end. And then “Rebirth”! One issue to go, gang. We can do it.

Women at DC Comics Watch – May 2016 Solicits, 23 Women on 20 Books

March 2, 2016

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In the last month before DC Comics relaunches their superhero line yet again, the publisher’s female creator representation is set to be on the low end of their current average range. Thus far in 2016, DC has had at least 20 different women writing and drawing their comics each month, and this May is no exception, but the numbers have ticked down slightly from the two months previous. Let’s take a look at who’s doing what at DC in May 2016:

  • Amanda Conner: Harley Quinn #28 (cover, co-writer), Harley Quinn and her Gang of Harleys #2 (cover), Starfire #12 (co-writer, cover)
  • Amy Chu: Poison Ivy: Cycle of Life and Death #5 (writer)
  • Annie Wu: Black Canary #12 (art and cover), Gotham Academy #18 (interior art)
  • Babs Tarr: Batgirl #52 (cover)
  • Bilquis Evely: Legends of Tomorrow #3 (interior art)
  • Eleonora Carlini: Batgirl #52 (interior art)
  • Elsa Charretier: Starfire #12 (interior art)
  • Faith Erin Hicks: Gotham Academy #18 (writer, interior art)
  • Gail Simone: Clean Room #8 (writer), Secret Six #14 (writer)
  • Helen Mingjue Chen: Gotham Academy #18 (cover)
  • Holly Black: Lucifer #6 (writer)
  • Jenny Frison: Clean Room #8 (cover)
  • Joelle Jones: Scooby Apocalypse #1 (variant cover)
  • Laura Braga: DC Comics Bombshells #12 (interior art)
  • Lauren Beukes: Survivors’ Club #8 (co-writer)
  • Marguerite Bennett: DC Comics Bombshells #12 (writer), DC Comics Bombshells #13 (writer)
  • Marguerite Sauvage: Unfollow #7 (interior art)
  • Meredith Finch: Wonder Woman #52 (writer)
  • Ming Doyle: Constantine: The Hellblazer #12 (co-writer)
  • Mirka Andolfo: DC Comics Bombshells #12 (interior art), DC Comics Bombshells #13 (interior art)
  • Natasha Alterici: Gotham Academy #18 (writer, interior art)
  • Renae De Liz: The Legend of Wonder Woman #5 (writer, penciller, cover), The Legend of Wonder Woman #6 (writer, penciller, cover)
  • Stephanie Hans: Lucifer #6 (interior art)

All together, there are 23 different female creators set to work on 20 different books in May, a double drop from April’s 25 women and 22 books. It’s not much of a tumble, more of a slight shift that we can chalk up to the vagaries of comic book publishing; things fluctuate. It is, however, DC’s second month in a row of lowered numbers, and the total of female creators is a fair bit off from the year’s high of 31 in January. So not disastrous, but certainly below what DC is capable of.

By and large, the women working at DC in May are the usual suspects, and it’s good to see so many female creators getting steady work at DC. For new creators, I don’t think Natasha Alterici has done anything at DC before, and while Stephanie Hans has done a ton of work for Marvel, her art on Lucifer might be her first DC gig, which is very cool.

For female characters, with a relaunch just around the corner there wasn’t anything new on the superhero front, but DC is set to begin their Hanna Barbara relaunch in May. There aren’t any female creators in the mix thus far, apart from a Joelle Jones variant cover, and the number of female characters involved doesn’t seem too high, at least in terms of lead characters. Daphne and Velma will be part of the new Scooby-Doo Apocalypse, and there look to be a handful of women on the cover of Future Quest #1, but the leads all seem to be guys.

So May looks to be a slightly low month for women at DC, but within their average range. June is where things will get really interesting, with scores of new books and special set to debut as part of the “Rebirth” initiative. Hopefully that will be a jump in the number of female creators; we know what books are coming, but we’ve got no official confirmation on any of the creators yet. A number of books will be double shipping moving forward as well, which will probably mean rotating art teams and thus more opportunities for work. It’ll be interesting to see who nabs those opportunities. As well as which books don’t make the cut for the relaunch, and where the female creators working on those books end up. It can’t be worse than the New 52 relaunch, I suppose. Surely there’ll be more than two women in the mix.

Wonder Woman’s May 2016 Covers and Solicits

February 23, 2016

May is going to be another busy month for Wonder Woman, and will mark the end of her two mainline series. Wonder Woman is set to relaunch in June with a new #1 issue, while Superman/Wonder Woman will be done forever, thank goodness; that book never even got close to decent, despite three years of trying. But that’s June. In May, both series are wrapping up, plus Wonder Woman’s got a few other things in the mix, including a very cool surprise. Let’s take a look at what she’ll be up to in May, starting with Wonder Woman #52 and its two covers:

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WONDER WOMAN #52
Written by MEREDITH FINCH
Art by MIGUEL MENDOÇA
Cover by YANICK PAQUETTE
Variant cover by DAVID FINCH and MATT BANNING
On sale MAY 18 • 32 pg, FC, $3.99 US • RATED T
Hecate’s true motivations are revealed and Wonder Woman’s dream of a happy ending is called into question by the Amazon warrior herself. You can’t afford to miss the epic conclusion of the quest to save baby Zeke and the Olympians.

While we don’t have official confirmation on the new Wonder Woman creative team, all signs point to this being the last issue for Meredith and David Finch. And there was much rejoicing throughout the land. Their final outing wraps up the storyline of Zeke’s illness, and it sounds like Hecate might be up to no good. Really? The creepy looking witch goddess with the spikes coming out her head doesn’t have the purest of intentions? I did not see that coming (I actually did, in my review of the start of this arc last week. I think I was sarcastic about her then, too. That sounds like me).

Anyway, the Finches will be done and maybe the series will be good for a change from now on. Here’s hoping!

Onto Superman/Wonder Woman #29:

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SUPERMAN/WONDER WOMAN #29
Written by PETER J. TOMASI
Art by DOUG MAHNKE and JAIME MENDOZA
Cover by KARL KERSCHL
On sale MAY 18 • 32 pg, FC, $3.99 US • RATED T
It’s the penultimate chapter of “Super League”! When all the Supermen have fallen, it’s Supergirl to the rescue! But can Kara and Wonder Woman stop a villain who wants to end Clark’s hope for future Supermen?

This is a whole big crossover scene with all of the other Super-books, and seeing as I don’t buy any of those than I’m guessing this issue won’t make a lick of sense to me. But it’s a Wonder Woman/Supergirl team-up, and that could be fun. Plus a Karl Kerschl cover! This issue has some stuff going for it, certainly. Though it also sounds like a fitting end to this series that has consistently focused on Superman over Wonder Woman, with a Super-crossover that’s yet again all about the Man of Steel.

We’ve also got a double shipping Legend of Wonder Woman in May:

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THE LEGEND OF WONDER WOMAN #5
Written by RENAE DE LIZ
Art by RENAE DE LIZ and RAY DILLON
Cover by RENAE DE LIZ
On sale MAY 4 • 40 pg, FC, 5 of 9, $3.99 US • RATED T • DIGITAL FIRST
Double shipping in May! In issue #5, the Holliday Girls are off to Boston! But while the girls go shopping, Etta and Diana have more dangerous errands to run. Diana visits the newspaper that published tales of the Duke of Deception…and discovers a new mission—perhaps she can save Themyscira by saving the people of Man’s World from him!

THE LEGEND OF WONDER WOMAN #6
Written by RENAE DE LIZ
Art by RENAE DE LIZ and RAY DILLON
Cover by RENAE DE LIZ
On sale MAY 18 • 40 pg, FC, 6 of 9, $3.99 US • RATED T • DIGITAL FIRST
Double shipping in May! There’s a war devastating the outside world, and while Diana tries not to care, she cannot help but want to protect the many who are suffering. As she finally confronts the Duke of Deception and his minions, she must decide whether to chase her answers of home, or use her new strengths to defend the outsiders.

Double the shipping, double the fun! Two issues of the Legend of Wonder Woman sounds like a good deal to me. This book is so good, I’d gladly pay for it twice in one month. It’s the best Wonder Woman comic in years, by a considerable margin. We’ve seen the contents of the fifth issue already in digital form, and it’s super good; Diana and Etta hijinks are the best. And the next issue will finally have Diana going off to the war to battle the Duke of Deception, which should be an excellent time. It’s the best comic, gang. Buy it!

Finally, a fun surprise: A Wonder Woman coloring book!

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COLORING DC: WONDER WOMAN TP
Art by GEORGE PEREZ, PHIL JIMENEZ, DAVID FINCH and others
Cover by EMANUELA LUPACCHINO
On sale JUNE 29 • 96 pg, B&W, $15.99 US
DC’s Amazon princess stars in a new coloring book focusing on her greatest covers, splash pages and more by some of comics’ top artists!

This sounds SO cool. Wonder Woman art by her classic artists will be so much fun to color, plus the book is 96 pages long! That’s a lot of coloring bang for your buck. I’m excited to see what pages and covers they include in the book, and I’m definitely going to pick this one up.

The solicits also listed several new Wonder Woman figures. We’ve discussed most of them before elsewhere on the site, but here are the details of when you can get them:

  • The DC Comics Icons Wonder Woman figure designed by Ivan Reis is out in September 2016 for $28 US.
  • The DC Designer Series: Greg Capullo line Wonder Woman figure is also out in September 2016 and also sells for $28 US.
  • The September 2016 fun continues with a Wonder Woman 3-pack of figures that includes her first Golden Age appearance, the Terry Dodson figure, and the New 52 figure. It sells for a surprisingly steep $75US.

Look for all of the comics in May, the coloring book in June, and the figures in September. Also, maybe start saving your pennies now because that’s a lot of things to buy!


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