Posts Tagged ‘Meredith Finch’

Women At DC Comics Watch – April 2016 Solicits, 25 Women On 22 Books

February 2, 2016

womenatdcAPRIL

DC’s April 2016 solicits mark the seventh straight month in which DC has had more than 20 different women working on their books, which is a pretty solid run. There’s been some fluctuation along the way, but things haven’t dipped into the teens. Nor have the numbers soared particularly high; we’re not seeing much in the way of growth, or a return to their past highs in the low 30s from a year ago. But things are relatively steady nonetheless. Let’s take a look at who’s doing what in April 2016:

  • Amanda Conner: Harley Quinn #27 (co-writer, cover), Harley Quinn and her Gang of Harleys #1 (cover), Harley’s Little Black Book #3 (co-writer, cover), Starfire #11 (co-writer, cover)
  • Amy Chu: Poison Ivy: Cycle of Life and Death #4 (writer)
  • Annie Wu: Black Canary #11 (cover)
  • Babs Tarr: Batgirl #51 (cover)
  • Bilquis Evely: Legends of Tomorrow #2 (interior art)
  • Chrissie Zullo: Fables: The Wolf Among Us #16 (cover)
  • Colleen Coover: Gotham Academy #17 (interior art)
  • Eleanor Carlini: Batgirl #51 (interior art)
  • Elizabeth Torque: DC Comics Bombshells #11 (interior art)
  • Elsa Charretier: Starfire #11 (interior art)
  • Faith Erin Hicks: Gotham Academy #17 (co-writer, art)
  • Gail Simone: Clean Room #7 (writer), Secret Six #13 (writer)
  • Heather Nuhfer: Teen Titans Go! #15 (co-writer)
  • Holly Black: Lucifer #5 (writer)
  • Jenny Frison: Clean Room #7 (cover)
  • Jill Thompson: Bloodlines #1 (variant cover)
  • Lauren Beukes: Survivors’ Club #7 (co-writer)
  • Marguerite Bennett: DC Comics Bombshells #11 (writer)
  • Meghan Hetrick: Red Thorn #6 (interior art)
  • Meredith Finch: Wonder Woman #51 (writer)
  • Ming Doyle: Constantine: The Hellblazer #11 (co-writer)
  • Mingjue Helen Chen: Gotham Academy #17 (cover)
  • Mirka Andolfo: DC Comics Bombshells #11 (interior art)
  • Renae De Liz: The Legend of Wonder Woman #4 (writer, penciller, cover)
  • Tula Lotay: Slash & Burn #6 (cover)

All together, there are 25 different women working on 22 different books, the same number of books as last month but a drop from March’s 28 different woman. It’s a slight decline, but numbers fluctuate. While three fewer women is more than you’d like to see, it’s not a massive drop by any means, and 25 is pretty par for the course at DC lately.

There aren’t a lot of new names in the mix for April, but I think that Eleanor Carlini might be new to DC. Plus, it’s always fun to have creators like Colleen Coover, Faith Erin Hicks, and Jill Thompson pop into DC to do some work. DC’s compiled a pretty solid group of women who work on their books each month now; there are lots of steady gigs in the mix here. Even without guest creators or fill-ins or variant covers, DC would be at around 20 different women each month with regular creators alone. Such a permanent stable of regularly working women is good to see.

For female characters, April looks to be Harley Quinn month at DC. She’s launching yet another spinoff, Harley Quinn and her Gang of Harleys, and will start in a Suicide Squad special drawn by Jim Lee. There’s not much else new for April, perhaps due to DC’s rumoured relaunch “Rebirth” this June. They might just be sticking with the books they have for now before unleashing a new slew of the over the summer.

Overall, April looks to be a fairly average month for women at DC. The number of women working on their books isn’t low, relative to past months, but nor is it particularly high. While DC’s hit on a fairly consistent range, an upward trajectory, however slight, would be much more encouraging, especially considering that 25 women still make up a very small minority of all of DC’s creators. Perhaps the “Rebirth” relaunch will shake up these numbers for the good.

Advertisements

Wonder Woman’s April 2016 Covers and Solicits

January 25, 2016

DC’s April 2016 solicits went up last week, and we’ve got the usual assortment of Wonder Woman fun plus a fairly surprising collection that’s due out in May. Of all the classic Wonder Woman runs that are currently out of print, I wasn’t expecting to see a spotlight shone on this one. We’ll get to that momentarily, but let’s start out with Wonder Woman #51:

aprilww51

WONDER WOMAN #51
Written by MEREDITH FINCH
Art by MIGUEL MENDONÇA
Cover by DAVID FINCH
Variant cover by JOHN ROMITA, JR. and SCOTT HANNA
On sale APRIL 20 • 32 pg, FC, $3.99 US • RATED T
Wonder Woman returns to Paradise Island and the Tartarus Pit in her quest to save baby Zeke. But as she betrays those she loves in her struggle to save Olympus, she slips closer to an abyss in which she may lose Wonder Woman entirely!

Sigh. Still the Finches. Though with the rumours of a DC relaunch in June making the internet rounds as of late, my hopes are up that we’ll see a new team on Wonder Woman soon. But for now, this Zeke story is still rolling along with the Finches at the helm.

I actually don’t mind the cover, if only because it promises a dragon or a basilisk or some such, and Finch is pretty good at drawing that sort of thing. If there’s a big dragon fight in this issue, I might be on board. We’ll see what happens.

Next up, Superman/Wonder Woman #28:

aprilsww28

SUPERMAN/WONDER WOMAN #28
Written by PETER J. TOMASI
Art by ED BENES
Cover by PAUL RENAUD
Variant cover by JOHN ROMITA, JR. and SCOTT HANNA
On sale APRIL 27 • 32 pg, FC, $3.99 US • RATED T
In part four of “Super League,” Wonder Woman and Superman encounter the being that was discovered in BATMAN/SUPERMAN #31. But will this person be Superman’s savior—or destroyer? And what is Ulysses’s role in all of this?

Hooboy, this sounds not great. Tomasi’s run on Superman/Wonder Woman has been rough stuff, and Superman is currently the WORST; he’s such a jerk right now. So an event written by Tomasi with Superman at the center does not make this sound like an issue I am keen to read. Plus, the fourth part of a crossover I’m not going to read the rest of is never a great time.

Also out in April, the fantastic Legend of Wonder Woman #4:

aprillegends4

THE LEGEND OF WONDER WOMAN #4
Written by RENAE DE LIZ
Art by RENAE DE LIZ and RAY DILLON
Cover by RENAE DE LIZ
On sale APRIL 13 • 40 pg, FC, 4 of 9, $3.99 US • RATED T • DIGITAL FIRST
The seas have extracted a harsh price for Diana’s rescue of the outsider, casting her adrift upon the shores of Man’s World! A kind woman introduces her to this strange new home, and a new friend bolsters her confidence, but throughout the early days of her adventure, strange dreams of violence plague her nights.

I love this book! The digital issues are way ahead of the print, so I’ve already read two of the three digital installments that will be included in this print issue. And they’re GREAT. Etta Candy is in it in all of her classic, Golden Age glory, and it’s so much fun. This title is the best Wonder Woman comic on the stands, and if you’re not reading it, you’re missing out.

And finally, the aforementioned surprising collection:

aprildeodato

WONDER WOMAN BY MIKE DEODATO TP
Written by WILLIAM MESSNER-LOEBS
Art and cover by MIKE DEODATO
On sale MAY 11 • 376 pg, FC, $24.99 US
Collecting Mike Deodato’s run on WONDER WOMAN from issues #85, 0 and 90-100! In her mother’s eyes, Diana has not lived up to the task of being Wonder Woman, and now the Queen of the Amazons sets in motion a contest where a new Wonder Woman will be crowned. But Diana sees things differently and decides take on any and all comers—until she is bested by Artemis!

This seems like an odd choice. There are so many other books I’d rather see new collections of. Maybe some of Rucka’s run, or Jimenez. But Deodato’s been a pretty hot artist at Marvel lately, so it makes sense that DC would reprint some of his early work. It’s not the best stuff, though. He’s pretty solid now, and I loved his recent Avengers work, but Deodato’s old Wonder Woman art makes me cringe. It’s the embodiment of 1990s hyper-sexualization, plus Wonder Woman ends up with a really dumb costume, even worse than that high collared thing she’s been sporting lately. It’s more an amusing relic than a classic run, though Artemis is kind of fun. Also, the page count seems very long for only 13 issues, so I’d expect a lot of extras with this one.

Look for all of these books this April (and May for the Deodato book) at comic shops everywhere!

Wonder Woman #48 Review OR A Boring, Whitewashed Revamp of Doctor Poison

January 20, 2016

ww48.jpg

I’ve been having a very nice but busy day so far. I’m still amped up from the Wonder Woman footage in last night’s “Dawn of the Justice League” special, and pleasantly surprised to have a bit of optimism about the film now. A couple of work things have come together in cool ways that I wasn’t expecting, with fun things working out on multiple fronts. Plus I had left over three cheese ravioli for lunch. Everything’s coming up Tim today.

So after that very busy morning and late lunch break, I sat down to read today’s Wonder Woman #48. Now, I never expect this book to be good. “Not actively unpleasant” would be a win when it comes to this run. But here, on this day that has been lovely thus far, Meredith and David Finch went and did the most boring, clichéd revamp of one of my favourite Wonder Woman characters. And now I’ve got to write about it! It’s killing my mood, gang, and I don’t appreciate it. Luckily, I didn’t get a chance to watch Agent Carter last night so my spirits will be rebuoyed soon enough when I dig into that. But for now, let’s chat about this issue after the requisite…

SPOILER ALERT!!!

I am about to reveal how the Finches turned a super cool character into something painfully dull!!

Look away if you haven’t read the book yet!!

Or if bad Wonder Woman comics make you sad!!

Let’s begin by jumping in the wayback machine for a quick history lesson about the original, Golden Age Dr. Poison. She first appeared in Sensation Comics #2, only the third Wonder Woman comic book ever made. The fiendish doctor was working with the Nazis, trying to poison American soldiers with the drug “Reverso” that made them do the opposite of what their officers commanded them. Doctor Poison wore a bulky green suit and a black mask, and was sort of grotesque. The villain’s creepy toothy grin was accompanied by bulged out eyeballs; it was a grim, unnerving countenance of a sinister man. Then, at the end of the issue, Wonder Woman ripped off the fiend’s costume and mask to reveal that Doctor Poison was actually the lovely Princess Maru, a chemical genius bent on destroying America:

doctor

This was awesome for a couple of reasons. First, she was essentially a crossdresser. The comics never dug too deep into the mind of Princess Maru so we don’t know whether her male identity was a simple disguise, a way to get ahead in a man’s world, or something that was a deeper part of her. She could certainly be read as one of the first trans characters in superhero comics, and at the very least the gender ambiguity of the character was unique and surprising for the time.

She was also Asian, a Japanese princess. The Japanese were fairly common in early Wonder Woman comics, but they were often oafish, racist caricatures. Princess Maru was different. She was both brilliant and beautiful, plus her villainous guise was a costume that turned her into a white man. The existence of Princess Maru doesn’t excuse William Moulton Marston and H.G. Peter for their awful depiction of Asian men, of course, but again she’s definitely an absolutely fascinating character, especially for 1942. A later version of Doctor Poison retained the gender ambiguity, as well as the grotesque appearance, in a handful of issues in the Modern Age.

So now let’s return to the present to look at Meredith and David Finch’s Doctor Poison. She’s a white woman, Russian instead of Japanese. She also dresses like a doctor; no fun, crossdressing costume or creepy mask, just a lab coat. She’s not a princess of anything either. Thanks to some clunky exposition, we learn that she was the daughter of Russians scientists who were branded as terrorists by the Russian government after American spies approached them to learn about their research. Take a moment to pause and think about the most clichéd, stereotypical thing that could happen to Russian scientists when the government is after them. Do you have it? Was it “They got sent to the gulag in Siberia and tortured and killed”? If you did, well done! And now, for some reason, Doctor Poison is mad at the Americans instead of the Russians and tries to kill the President at a G8 meeting in London. Wonder Woman stops her, of course.

This Doctor Poison is SO. VERY. BORING. The original Doctor Poison is bizarre and fascinating and has so many interesting things going on with her. Or him? It’s hard to say. That’s why she, or he, is so cool. This Doctor Poison is just tediously generic. We’ve seen villains just like this countless times. Plus the whitewashing isn’t cool either. Why swap a bad ass Japanese princess for yet another boring Russian? What is the story value in that? Simplifying a character so enjoyably complex is just the worst.

Plus, even her plan is lame. Poison the President? Whatever happened to rad drugs like Reverso? Make it complicated and fun. All Wonder Woman had to do was suppress Doctor Poison’s dumb drone and the President was saved. Easy peasy. Her escape plan was nothing fancy either. Doping up some civilians to turn them into violent zombies is yet another plotpoint we’ve seen several times, IN Wonder Woman comics, even. Wonder Woman ’77 did it twice already, just last year.

So yeah, not a great issue. What a dull revamp, and such a waste of a cool character. Furthermore, the story just seems to be filler. The book ends with a reveal that should form the backbone of the series for the next few issues, Zeke being ill, but that’s got nothing to do with Doctor Poison and the 18 pages of story before it. Unless Doctor Poison somehow got to Mount Olympus and poisoned Zeke. That seems unlikely. It would be fun, though; they should do something weird like that instead of whatever they’ve got planned. I’d be into it. Anyway, urgh. This book exhausts me.

Women at DC Comics Watch – March 2016 Solicits, 28 Women on 22 Books

January 4, 2016

womenatdcMARCH.png

I thought it would be fun to start off a new year of posts with some good news, so here’s what I’ve got: DC is poised to have a pretty decent March in terms of female creators, and their 2016 solicits thus far have been relatively strong.   The numbers aren’t as high as they were a year ago, when DC was busting up records left and right, but they’re considerably better than they were in the wake of last June’s #DCYou mini-relaunch. So yeah, things are looking up! I mean, women still constitute a tiny minority of DC’s overall creator total; things are better but not particularly good. Still, improvement! Let’s see who’s doing what at DC this March:

  • Amanda Conner: Harley Quinn #26 (co-writer, cover), Starfire #10 (co-writer, cover)
  • Amanda Deibert: Wonder Woman ’77 Special #3 (co-writer)
  • Amy Chu: Poison Ivy: Cycle of Life and Death #3 (writer)
  • Annie Wu: Black Canary #10 (art and cover)
  • Babs Tarr: Batgirl #50 (art and cover)
  • Becky Cloonan: Harley Quinn #26 (variant cover)
  • Bilquis Evely: Legends of Tomorrow #1 (interior art)
  • Cat Staggs: Wonder Woman ’77 Special #3 (interior art)
  • Chrissie Zullo: Fables: The Wolf Among Us #15 (cover)
  • Elsa Charretier: Starfire #10 (interior art)
  • Gail Simone: Clean Room #6 (writer), Secret Six #12 (writer)
  • Genevieve Valentine: Batman & Robin Eternal #22 (writer), Batman & Robin Eternal #23 (writer)
  • Holly Black: Lucifer #4 (writer)
  • Jenny Frison: Clean Room #6 (cover)
  • Laura Braga: DC Comics Bombshells #10 (interior art)
  • Lauren Beukes: Survivors’ Club #6 (co-writer)
  • Marguerite Bennett: DC Comics Bombshells #10 (writer)
  • Marguerite Sauvage: DC Comics Bombshells #10 (interior art)
  • Meghan Hetrick: Red Thorn #5 (interior art)
  • Meredith Finch: Wonder Woman #50 (writer)
  • Michelle Delecki Davis: Green Arrow #50 (cover)
  • Ming Doyle: Constantine: The Hellblazer #10 (co-writer)
  • Mingjue Helen Chen: Gotham Academy #16 (cover)
  • Nicola Scott: Wonder Woman ’77 Special #3 (cover)
  • Renae De Liz: The Legend of Wonder Woman #3 (writer, art, and cover)
  • Ruth Fletcher: Wonder Woman ’77 Special #3 (co-writer)
  • Trina Robbins: Wonder Woman ’77 Special #3 (co-writer)
  • Tula Lotay: Slash & Burn #5 (cover)

All together, there are 28 different women set to work on 22 different comic books this March, solid gains from February’s 21 and 19. Furthermore, the schedule for 2016 thus far is 31 different women in January, 21 in February, and 28 in March; it’s a bit up and down, but the numbers are decent relative to DC’s second half of 2015. While inconsistent, the numbers appear to be trending in a positive direction, and hopefully DC will soon be in record setting territory (for them) again.

We’ve also got a couple new names in the mix, which is always good to see. Elsa Charretier is drawing Starfire, and Ruth Fletcher is writing a story in the Wonder Woman ’77 Special #3. We’ve got some returning favourites in new places as well, with Bilquis Evely drawing the “Sugar and Spike” story in the new Legends of Tomorrow, and a bunch of folks taking part in that Wonder Woman ’77 Special, including Amanda Deibert, Cat Staggs, Nicola Scott, and Trina Robbins.

The Wonder Woman ’77 special is just a one-time deal, though, which may not bode well for the April numbers. Of the 28 different women working at DC in March, 5 of them are on this special and likely won’t be back next month. Ideally, they may show up somewhere else or there’ll be new people on other books, but we need to take overall numbers bolstered by one-shots with a grain of salt.

For new female characters, it’s a fairly quiet month for new books across the board apart from the Legends of Tomorrow anthology. The only female character in the mix there is half of “Sugar and Spike”; the rest are all men.

Overall, March looks to be a solid month for women making comics at DC as 2016 continues to improve on DC’s recent performances. There’s still massive amounts of room to grow, of course, and with so many names tied up in a one-shot, a decline in April seems likely. But we’ll see what April brings. Let’s start 2016 on an optimistic note and hope for continued growth.

Wonder Woman #47 Review OR The Cheetah Never Prospers

December 30, 2015

ww47.jpg

We’ll close out the year properly tomorrow on a high note, with a review of the latest two issues of The Legend of Wonder Woman, far and away the best Wonder Woman series being produced currently. But for now, we’ll spend the penultimate day of the year in the doldrums of Wonder Woman’s mainline continuity, pondering what deities we must have offended to continue to be subjected to this series. Meredith and David Finch have been on Wonder Woman for over a year, with several months to come yet, at least, and the book continues to be mediocre comic booking. I’m starting to run out of ways to say “This book is bad.” I’ll try to come up with some more for today’s issue, but first:

SPOILER ALERT!!!

I am about to reveal every plot point in this issue!

Look away if you haven’t read it yet!

Not that this story has any real consequence, but still!

No one likes to be spoiled!

Many recent issues of Wonder Woman haven’t had much going on in the way of a plot. There’s a lot of conversation and a fight or two, but the story doesn’t move forward in any real way; by the issue’s end, we’re no further ahead with things than we were a month ago. This is a book that likes to tread water and then have a million things happen at once. Last month’s comic was such an issue, and that flurry of revelations has been followed by a meandering tale that seems to add nothing to the overarching plot in any sort of story or character way. Ares and Apollo returned and Donna Troy is now the Fates personified, so Wonder Woman has a lot of balls in the air right now, but none of that played much of a role in today’s issue.

Instead, we get an entirely inconsequential Cheetah story. The Cheetah came to Paradise Island to steal the Eye of Antiope, a jewel that’s key to the Amazons’ immortality. Wonder Woman goes to stop her, they fight for a couple of pages, the ghost of Hippolyta tells Wonder Woman she can’t enter the temple of Hera because she’s the god of war and Hera would be offended, Cheetah gets the jewel from the temple but then has to throw it back because the deity who is the source of her powers is offended and was starting to take them back. None of this is terrible, really. It’s not particularly compelling or well-written, either. It’s just bland, and sort of pointless, a limp heist story for no good reason.

Furthermore, it doesn’t even take up the full page count. The story gets fleshed out with bits meant to make Wonder Woman feel bad, because constantly highlighting Wonder Woman’s failings has been a hallmark of this series since the dawn of the New 52. First, an Amazon named Dessa tells Wonder Woman that her mood affects the whole island because the Amazons are all linked, and so Wonder Woman worries that her internal discord over being the god of war may have infected her sisters and led them to follow Donna Troy and kill all of the male Amazons. Then, while running through the jungle to find Cheetah, she comes across the last surviving Manazon, battered and furious, who blames her for the attack and yells at her for not saving the men. It’s a real morale boost all around for our heroine.

It’s also done in Meredith Finch’s tell and not show fashion, with lengthy conversations explaining the ins and outs of every plot point in detail. Were you wondering about the Eye of Antiope and the specific benefits and limits of its powers? Fear not, because the book spends two full pages running through ALL of that. Were you wondering how Cheetah knew where to find the Eye of Antiope? Look no further than this poetic dialogue: “According to this old map I stole from A.R.G.U.S. before I left, I’m almost at the temple, and then the Eye of Antiope, and the key to Amazon immortality will be mine!” What a handy reminder of the information we learned in the earlier Eye of Antiope report, too.

Finch then hammered home the moral of the story as blatantly as possible, as if this were a comic book for a five year old. It was hardly anything deep; the Cheetah showed that getting what you want can come with a price, in a very obvious fashion. Nonetheless, the book ended with Wonder Woman underscoring the moral just in case as she declared, “Sometimes getting what we want comes at the price of sacrificing who and what we really are. Today, that’s a price even Cheetah wasn’t willing to pay.” This series would be at least 20% better if Finch realized that the readers can fill in some of the blanks and don’t need every little thing spoon fed to us.

The other half of the Finches, artist David Finch, was off this month, which may explain the issue’s inconsequential feel. It may have been written to serve as a fill-in issue, and the main story will continue next month when David returns. Replacement penciller Miguel Mendonça was fine, if fairly straight forward. Everything looked okay and the story read well enough, but the art felt a bit static and lacked much in the way of unique style or pizzazz. It was all very middle of the road for me. The old costume is back, though! I was glad for that. The new costume they’re trying to make work is just god awful. Hopefully the change here marks the end of the outfit, and wasn’t just a miscommunication.

Overall, this issue wasn’t terribly good, which isn’t much of a surprise at this point. I suppose we can be glad that it wasn’t actively bad, because we’ve certainly been there before. There’s nothing here to get upset or offended about, so much as it’s just a very bland, kind of pointless issue. Actually, all of the blaming and shaming Wonder Woman stuff was sort of terrible; that’s worth getting bothered. This book needs to cool it with constantly trying to tear her down. But the main plot was all just boringly below average, which is disappointing because the Cheetah can be cool when done well. But not today.

Wonder Woman’s March 2016 Covers and Solicits

December 15, 2015

DC’s March 2016 solicits went up yesterday, and we’ve got the usual Wonder Woman fun plus a cool and somewhat unexpected surprise. Let’s take a look at what Wonder Woman will be up to this March, starting with Wonder Woman #50:

marchww50

WONDER WOMAN #50
Written by MEREDITH FINCH
Art by DAVID FINCH and SCOTT HANNA
Polybagged variant cover by MASSIMO CARNEVALE
On sale MARCH 23 • 48 pg, FC, $4.99 US • RATED T
It’s a special super-sized 50th issue! Wonder Woman continues her quest to save Zeke and Olympus, but is she prepared for what she might find? Long-buried secrets suddenly brought to light will call into question everything she thought she knew about those she loves and trusts the most.

I’m pretty sure that this is the cover from last month’s solicits, so now I don’t know which book the cover will go on. I’m guessing it’ll be on the February issue, since the rest of this month’s 50th issues have snazzy, more iconic covers while this one has more gods than Wonder Woman. We’ll find out either way come February, I guess.

Anyway, the new Wonder Woman has made it to fifty issues! The last batch of which have not been great, but so it goes. I’m mildly interested in this issue because in a recent issue Meredith Finch revealed that they’re doing a backup story like they did earlier this year in the annual, and that back-up story was probably the best thing in the book since the Finches took over. I mean, it wasn’t good but it wasn’t terrible, so I’m glad for them to revisit that.

Up next, Superman/Wonder Woman #27:

marchsww27

SUPERMAN/WONDER WOMAN #27
Written by PETER J. TOMASI
Art by DOUG MAHNKE and JAIME MENDOZA
Cover by ED BENES
Polybagged variant cover by CHARLIE ADLARD
On sale MARCH 16 • 32 pg, FC, $3.99 US • RATED T
“Savage Dawn” continues from this month’s ACTION COMICS #50! A comet drawn by Vandal Savage to Earth is wreaking havoc across the globe—and empowering his children in the most dangerous way possible!

True story: I bought the latest issue of this series the day it came out and forgot to read it, remembered that I had forgotten the next day, and didn’t bother to read it for about a week. Turns out, I wasn’t missing anything. I find that this book lacks a purpose. Their relationship is all out of whack, everything seems tangential to bigger plots going on in other Super-books, and the entire dynamic is just unpleasant. It feels unnecessary all around. And with that ringing endorsement, keep your eyes peeled for this issue in March!

Now to a book I love: The Legend of Wonder Woman #3:

marchlegend3

THE LEGEND OF WONDER WOMAN #3
Written by RENAE DE LIZ
Art by RENAE DE LIZ and RAY DILLON
Cover by RENAE DE LIZ
On sale MARCH 9 • 40 pg, FC, 3 of 9, $3.99 US • RATED T • DIGITAL FIRST
Themyscira comes alive with the sounds of Amazons on the hunt. Will they find their prey before Diana has a chance to rescue the outsider who fell from the sky? Hippolyta stands against her foes, and announces a tournament that will change Themyscira forever as the fate of the mysterious stranger hangs in the balance.

You’re going to want to be picking up this series, gang. The first issue is out in January, so GET ON IT. You’ll love it. It’s so much fun, and such a fresh but iconic take on Wonder Woman and the Amazons. This third issue seems to be getting to the Steve Trevor part of the story, which should be fun. Plus the tournament! I love the tournament in every incarnation; one of my favourite things in the mythos is that any Amazon could have been Wonder Woman and Diana is just the best of the best. But yeah, buy this book!

And finally, we’re getting more Lynda Carter fun in Wonder Woman ’77 Special #3:

marchwwspecial

WONDER WOMAN ‘77 SPECIAL #3
Written by MARC ANDREYKO, CHRISTOS N. GAGE, RUTH FLETCHER, AMANDA DEIBERT and TRINA ROBBINS
Art by RICHARD ORTIZ, STAZ JOHNSON, CAT STAGGS and others
Cover by NICOLA SCOTT
On sale MARCH 30 • 80 pg, FC, $7.99 US • RATED E • DIGITAL FIRST
In “Claymates,” when Clayface finds himself crumbling and drying up, he seeks a cure by any means necessary! Can Wonder Woman stop him before he enslaves Paradise Island? Then, Diana and Steve go undercover in “Oceans,” where a diplomat crucial to the Panama Canal negotiations has dangerous plans! After a battle with smugglers at home, Wonder Woman is surprised to find a warehouse full of ivory. In Africa, she teams up with the local IADC to track “Orion the Hunter.” Finally, Federal Agent Diana Prince joins a Congressman and his aides to investigate a cult. “Reverend Mike Loves You,” but can you trust his plans for the future?

This sounds really cool, and I’m excited to see that they’re mixing it up with a lot of different creative teams this time around. The longer arcs in past runs got a little bit formulaic, so it should be fun to just enjoy a bunch of short stories. There are some killer creators involved too. For digital readers, I’m guessing we’ll see these stories starting in February or so? The Legend of Wonder Woman is pretty far ahead of the print schedule, so maybe they’ll do a hiatus like they used to do with Sensation Comics.

Wonder Woman’s also involved in Teen Titans #18 and Titans Hunt #6, as well as the continuing saga of the “Darkseid War” in Justice League, so check those out as well if you’re interested. It could be a fun month all around; we’re certainly getting great stuff from the digital-first division, and maybe even the main series won’t be as bad as usual? Here’s hoping!

 

Women At DC Comics Watch – February 2016 Solicits, 21 Women On 19 Books

December 2, 2015

womenatdcFEB

The solicits for January promise a big month for female creators at DC, but February isn’t looking nearly as good. Like, down a third. Last spring, DC was topping 30 different female creators a month fairly regularly, and now it’s a rarity. I’m not sure what changed within DC, but their numbers just aren’t what they used to be. So let’s take a look at who’s doing what at DC in February 2016:

  • Amanda Conner: Harley Quinn #25 (co-writer, cover), Harley’s Little Black Book #2 (co-writer, cover), Starfire #8 (co-writer, cover)
  • Amy Chu: Poison Ivy: Cycle of Life and Death #2 (writer)
  • Annie Wu: Black Canary #9 (art and cover)
  • Babs Tarr: Batgirl #49 (art and cover)
  • Becky Cloonan: Gotham Academy #15 (co-writer)
  • Chrissie Zullo: Fables: The Wolf Among Us #14 (cover)
  • Colleen Coover: Gotham Academy #15 (interior art)
  • Elizabeth Torque: DC Comics Bombshells #9 (interior art)
  • Gail Simone: Clean Room #5 (writer), Secret Six #11 (writer)
  • Helen Mingjue Chen: Gotham Academy #15 (art and cover)
  • Holly Black: Lucifer #3 (writer)
  • Jenny Frison: Clean Room #5 (cover)
  • Lauren Beukes: Survivors’ Club #5 (co-writer)
  • Lea Hernandez: Teen Titans Go! #14 (interior art)
  • Marguerite Bennett: DC Comics Bombshells #9 (writer)
  • Maria Laura Sanapo: DC Comics Bombshells #9 (interior art)
  • Meghan Hetrick: Red Thorn #4 (interior art)
  • Meredith Finch: Wonder Woman #49 (writer)
  • Ming Doyle: Constantine: The Hellblazer #9 (co-writer)
  • Renae De Liz: The Legend of Wonder Woman #2 (writer, art, and cover)
  • Tula Lotay: Slash & Burn #4 (cover)

All together, there are 21 different female creators set to work on 19 books in February, a big drop from January’s 31 and 20, respectively. Well, a big drop for creators; the book numbers are about the same. January’s numbers were buoyed by a Vertigo anthology and a variety of women appearing in books that already featured female creators. No anthology in February accounts for a good deal of the creator drop, and a lot of the books that had an extra artist or fun variant cover last month just don’t this month, to the tune of DC’s female creator numbers falling more than 30%.

Also, at least a third of the women listed above are on Vertigo books. Which is cool; it’s great that Vertigo is doing so well with female creators as of late. But Vertigo’s output pales in comparison to the rest of DC’s line; all of the other books outnumber Vertigo by about 4 to 1, while with female creators the rest of the line only tops Vertigo by 2 to 1. It’d be nice to see DC’s non-Vertigo books up their game and match their output in proportionate fashion.

For female characters, not much is going on in February for new books in general. There’s a Dark Knight III one-shot that promises some Selina Kyle, but given how Frank Miller has treated Selina Kyle over the years, that probably won’t be great. Neal Adams is also launching a new Superman mini-series called Superman: The Coming of the Supermen; maybe Lois will be in it some? If this book is anything like Adams’ recent Batman Odyssey series, perhaps we should hope that Lois stays as far away as possible.

Overall, DC took quite a tumble in February, continuing their inability to regain their stride following the big female creator drop of last June’s mini-relaunch. DC’s been inconsistent and well below their previous highs since then. It’s disappointing to see, but also par for the course when it comes to the Big Two. Progress is always followed by a step back in superhero comics; you just have to cross your fingers and hope they start stepping forward again.


%d bloggers like this: