Posts Tagged ‘Mirka Andolfo’

Women & NB Creators at DC Comics Watch, January 2018 Solicits: 24 Creators on 25 Books

November 6, 2017

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I’ll say this for DC Comics: They’ve become very consistent in their female and non-binary creator representation. The numbers aren’t particularly strong, situated in the mid-20s when the publisher has been well into the 30s in the past. But relative to months previous and to Marvel’s output, DC’s not been especially low or especially high for the past several rounds of solicits. They’re right in the middle with unremarkable numbers, not bottoming out but not progressing either. Let’s take a look at who’s doing what at DC in January:

  • Alisa Kwitney: Mystik U #2 (writer)
  • Amanda Conner: Harley Quinn #35 (cover), Harley Quinn #36 (cover), The Jetsons #3 (cover)
  • Colleen Doran: Gotham City Garage #8 (interior art)
  • Diana Egea: Detective Comics #972 (inker)
  • Emanuela Lupacchino: Bombshells United #9 (cover), Superwoman #18 (variant cover), Wonder Woman #38 (interior art), Wonder Woman #39 (interior art)
  • Gail Simone: Wonder Woman/Conan #5 (writer)
  • Hope Larson: Batgirl #19 (writer)
  • Jenny Frison: Harley & Ivy Meet Betty & Veronica #4 (cover), Wonder Woman #38 (variant cover), Wonder Woman #39 (variant cover)
  • Jody Houser: Supergirl #17 (co-writer)
  • Joelle Jones: Batman #38 (interior art), Batman #39 (interior art, cover)
  • Julie Benson: Batgirl and the Birds of Prey #18 (co-writer)
  • K. Perkins: Batwoman #11 (writer), Superwoman #18 (writer)
  • Kamome Shirahama: Batgirl and the Birds of Prey #18 (variant cover)
  • Laura Braga: Harley & Ivy Meet Betty & Veronica #4 (interior art)
  • Marguerite Bennett: Bombshells United #10 (writer), Bombshells United #9 (writer)
  • Mariko Tamaki: New Super-Man #19 (writer)
  • Michelle Delecki: Deathstroke #27 (variant cover)
  • Mirka Andolfo: Bombshells United #10 (interior art)
  • Rachel Dodson: Bombshells United #10 (cover), Justice League of America #22 (cover), Justice League of America #23 (cover)
  • Rachael Stott: Motherlands #1 (interior art)
  • Sandra Hope: The Silencer #2 (inker)
  • Shawna Benson: Batgirl and the Birds of Prey #18 (co-writer)
  • Siya Oum: Bombshells United #9 (interior art)
  • Tula Lotay: Gotham City Garage #8 (cover)

All together, there are 24 different female creators set to work on 25 different comic book in January, 1 more female creator than in December and the same number of books. As best I can tell, there are no non-binary creators in DC’s January solicits. It’s a modest gain that keeps the publisher on their middle of the road streak. It could be better, it could be worse. What’s clear is that DC isn’t committed to expanding their ranks of women and non-binary creators. While they hit about the same level each month, growth has been minimal as of late.

To this point, there aren’t very many new names in the mix this month. Rachael Stott had one short gig at DC a few months back, and now it looks like she’s got a regular job with the new Vertigo series Motherlands. She’s been doing a lot of work on the IDW Doctor Who books, and it’s good to see that DC’s brought her in. We’ve also got a couple of returning favourites, though I don’t know for how long. Colleen Doran is doing some pages for Gotham City Garage in what looks to be a one-time gig. We’ve also got Mariko Tamaki writing New Super-Man this month, and I’m not sure if she’s taking over the book or it’s just a one-off job.

In terms of female characters, we’ve got a few new books with female leads in the mix. The new team book The Terrifics includes Phantom Girl, though she’s only one woman in a team of five. The one-shot Dark Knights Rising: The Wild Hunt features Raven, but again she’s one female character in a team of men. But Raven has new showcase all to herself with the new mini-series Raven: Daughter of Darkness. While I’m glad to see Raven getting some attention, having Marv Wolfman write her yet again seems like a bit of an odd choice. He’s done several Raven mini-series over the past several years, none of which were very successful. Also, there are no female creators involved with the book, which is disappointing.

All together, it looks like nothing much is going to change in terms of female and non-binary creator representation at DC Comics as the New Year begins. January’s not that different from December, which wasn’t that different from November, which wasn’t that different from October. The publisher seems committed to mediocre numbers right now, and that’s going to continue into 2018.

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Women and NB Creators at DC Comics Watch, December 2017 Solicits, 23 Creators on 25 Books

October 18, 2017

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As you may recall, DC’s November 2017 solicits featured their lowest total of female and non-binary creators in some time. While things have shifted around somewhat with the December solicits, with some past creators gone and some new creators added, the numbers have turned out exactly the same. It says a lot about representation at DC Comics that after posting their smallest numbers in some time, well below their recent highs, they do the exact same thing the following month. Let’s take a look at who’s doing what at DC this December:

  • Amanda Conner: Harley Quinn #33 (co-writer, cover), Harley Quinn #34 (co-writer, cover), The Jetsons #2 (cover)
  • Bilquis Evely: DC Universe Holiday Special 2017 #1 (interior art), Scooby Apocalypse #20 (variant cover)
  • Carmen Carnero: Gotham City Garage #5 (interior art), Gotham City Garage #6 (interior art)
  • Eleanora Carlini: Suicide Squad #32 (interior art)
  • Emanuela Lupacchino: Bombshells United #7 (cover), Superwoman #17 (variant cover)
  • Gail Simone: The Kamandi Challenge #12 (co-writer), Wonder Woman/Conan #4 (writer)
  • Hope Larson: Batgirl #18 (writer)
  • Jenny Frison: Wonder Woman #36 (variant cover), Wonder Woman #37 (variant cover)
  • Jody Houser: Supergirl #16 (co-writer)
  • Julie Benson: Batgirl and the Birds of Prey #17 (co-writer)
  • K. Perkins: Superwoman #17 (writer)
  • Kamome Shirahama: Batgirl and the Birds of Prey #17 (variant cover)
  • Laura Braga: Harley & Ivy Meet Betty & Veronica #3 (interior art)
  • Lea Hernandez: Teen Titans Go! #25 (interior art, cover)
  • Marguerite Bennett: Batwoman #10 (writer), Bombshells United #7 (writer), Bombshells United #8 (writer)
  • Michelle Delecki: Deathstroke #26 (variant cover)
  • Mirka Andolfo: Bombshells United #8 (interior art), Harley Quinn #33 (interior art)
  • Rachel Dodson: Bombshells United #8 (cover)
  • Sandra Hope: The Silencer #1 (inker)
  • Shawna Benson: Batgirl and the Birds of Prey #17 (co-writer)
  • Shea Fontana: DC Universe Holiday Special 2017 #1 (co-writer)
  • Stephanie Hans: Harley & Ivy Meet Betty & Veronica #3 (variant cover)
  • Yasmine Putri: Gotham City Garage #6 (cover), Nightwing #35 (cover), The Hellblazer #17 (variant cover)

All together, there are 23 different women set to work on 25 different books at DC in December, replicating the November totals precisely; as best I can tell, there are no non-binary creators on the schedule at DC this month. That DC’s held steady at these lows is a bit of a surprise. They’d been comfortably in the mid-20s for a while, even jumping into the low 30s occasionally, but now they’ve leveled out into an ongoing lull.

Part of this may be due to a lack of new faces. We’ve seen every single creator listed above at DC before, if not last month than in the past few months. It’s an amazing list of creators to be sure, but all of them are mainstays at the publisher. The numbers can only grow if more creators are brought in, and that will require new and different people. This month, DC did not seem inclined to seek them out.

In terms of fictional characters, there’s only one new book with a female lead: The Silencer. The book is part of DC’s high profile artist-centric line in which their top artists are paired with writers to create new characters. Perhaps unsurprisingly, almost every creator involved is a man. But The Silencer features Sandra Hope inking, and it stars Honor Guest, a retired assassin who retired at the top of her game but is getting dragged back into the business. Technically the book’s not out until January; it’s an advanced solicit, for some reason. But hey, it’s on the list! And while DC only has a handful of other new titles scheduled for December, they all have male leads.

Ultimately, December looks like it’s going to be another subpar month for female and non-binary creator representation at DC Comics. On the plus side, the numbers holding steady means that the publisher’s downward trend over the past few months has come to an end. On the negative side, the skid’s landed them far from the considerably higher numbers they’d been posting only a year ago, when they had 10 more women and non-binary creators in the mix! DC’s capable of far better representation than they have right now.

Women & NB Creators at DC Comics Watch, October 2017 Solicits: 25 Creators on 24 Books

August 18, 2017

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DC’s female and non-binary creator representation has been drifting downward over the last few months, sliding a bit after a relatively strong spring, and with the October solicits, DC’s numbers are set to fall to their lowest level since last March. Things are pretty quiet at DC this fall; there are a few events and a couple of new books, but not enough to make any huge changes to the line. Yet the numbers appear to be in decline. Let’s take a look at who’s doing what at DC this October:

  • Amanda Conner: Harley & Ivy Meet Betty & Veronica #1 (cover), Harley Quinn #29 (co-writer, cover), Harley Quinn #30 (co-writer, cover)
  • Bilquis Evely: DC House of Horror #1 (interior art)
  • Diana Conesa: Nightwing #30 (interior art), Nightwing #31 (interior art)
  • Emanuela Lupacchino: Bombshells United #4 (cover), Dastardly and Muttley #2 (variant cover), Wonder Woman #33 (interior art)
  • Gail Simone: Wonder Woman/Conan #2 (writer)
  • Heather Nuhfer: Teen Titans Go! #24 (co-writer)
  • Hope Larson: Batgirl #16 (writer)
  • Jenny Frison: Gotham City Garage #2 (cover), Wonder Woman #32 (variant cover), Wonder Woman #33 (variant cover)
  • Jill Thompson: Future Quest Presents #3 (variant cover)
  • Jody Houser: Mother Panic #12 (writer)
  • Joelle Jones: Batman #33 (interior art, cover), Mother Panic #12 (variant cover)
  • Julie Benson: Batgirl and the Birds of Prey #15 (co-writer)
  • K. Perkins: Superwoman #15 (writer)
  • Kamome Shirahama: Batgirl and the Birds of Prey #15 (variant cover)
  • Laura Braga: Harley & Ivy Meet Betty & Veronica #1 (interior art)
  • Lynne Yoshii: Gotham City Garage #2 (interior art)
  • Marguerite Bennett: Batwoman #8 (writer), Bombshells United #3 (writer), Bombshells United #4 (writer)
  • Marguerite Sauvage: Bombshells United #4 (interior art)
  • Mary Sangiovanni: DC House of Horror #1 (co-writer)
  • Michelle Delecki: Deathstroke #24 (variant cover)
  • Mirka Andolfo: Teen Titans #13 (interior art)
  • Rachel Dodson: Bombshells United #3 (cover)
  • Shawna Benson: Batgirl and the Birds of Prey #15 (co-writer)
  • Siya Oum: Bombshells United #3 (interior art)
  • Yasmine Putri: The Hellblazer #15 (cover)

All together, there are 25 female creators set to work on 24 books at DC this October, 2 fewer than in September though they’re working on 3 more books (to the best of my knowledge, there are no non-binary creators in the mix this month). While 2 fewer creators isn’t a massive change, 3 of the past 4 months have featured a drop of 2 or more, and it’s starting to add up. As mentioned at the beginning, not a whole lot has changed at DC over the past little while, so this is just an organic drift downward. A few books got cancelled, a few new books began, and that’s about it. There wasn’t another relaunch cycle or any substantial creator upheaval. So this decline is just a gradual decrease caused by small changes here and there, and little has been done to remedy this drop.

We do have a few new female creators in the mix, though, which is always nice to see. Diana Conesa is going to be working on interior art for Nightwing, and I think she’s making her DC debut there. We’ve also got Lynne Yoshii, again on interior art, on the new Gotham City Garage, which we’ll discuss momentarily. Another new book, the anthology oneshot DC House of Horror, features a story by writer Mary Sangiovanni.

The oneshot is one of just a handful of new books at DC in October, and it’s got a few female creators in the mix as well as some stories starring female characters, including unique choices like Martha Kent and an Amazon warrior. DC’s Metal event continues, still with no female creators in the mix and seemingly few female characters, but we’ve got two new books with female leads. The aforementioned Gotham City Garage is based on DC’s statue line of their heroines as bikers, and features a reimagined DC universe centered on biker ladies. I feel like this could go either way, really. It’s reminiscent of DC Comics Bombshells, another comic line based on popular merchandise, but while Marguerite Bennett helmed that book and turned it into a queer feminist masterpiece, I’m not terribly familiar with the two dudes writing this one. Fingers crossed it’s similarly cool. We’ve also got an unusual team up with Harley & Ivy Meet Betty & Veronica, a crossover with Archie that introduces these two famous duos for the first time. A lot of creators from the regular Harley Quinn book are on board, so expect a similar tone and sensibility.

All together, there are some new names and a couple of potentially fun titles on the horizon for October, but overall the numbers keep falling. If DC continues at this pace, they’ll be back in the teens again before long, and it’s getting to the point where it feels like some intentional effort needs to be made internally to buoy their dragging representation.

Wonder Woman #27 Review: The One With The Doctor Brawl

July 26, 2017

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When we last left Wonder Woman, she was attending the wedding reception of Etta Candy’s brother and found a bomb hidden under one of the tables. Things looked very ominous, and this week’s Wonder Woman #27 picks up right after the blast. Then the story takes an unexpected turn into a sort of side conflict. It’s not a bad turn by any means, but the result is that the issue didn’t follow up on key parts of what Shea Fontana and Mirka Andolfo set up two weeks ago. While I enjoyed the issue, I’m now very much looking forward to the next outing to see if they’ll pick up on the threads from the first issue now that this side battle is all sorted. We’ll dig into it all, but first:

SPOILER ALERT!!

I am about to delve into details from this issue!

Look away if you haven’t read it yet!

So the bomb situation was quickly resolved with Wonder Woman absorbing most of the blast. Etta gut hurt in what looked like it could be a very serious injury, but she’s going to be fine. Apart from the blast at the beginning and the last page of the issue, not much attention was paid to who’s coming after Wonder Woman. Instead, the coughing doctor we were introduced to two weeks ago took a dark turn, resulting in a conflict that occupied the bulk of the story.

It was an interesting fight; Dr. Crawford was dying from a syndrome that targeted both her body and mind, and after spending her life on research to help others, she decided to help herself by grafting Wonder Woman’s DNA into her own in hopes that it would cure her disease. It’s a cool premise that plays out as expected, in that it does not go well. Her new super strength charged her aggression and paranoia as well, leading to a battle with Wonder Woman that she ultimately lost, of course. If you’re fighting Wonder Woman with her own powers, she’s going to beat you. She knows them better.

I really liked the end of the fight, with its clever use of the lasso. Wonder Woman’s powers come from the gods, as does the lasso, and so when Wonder Woman tied Dr. Crawford in the lasso, like recognized like. The divine lasso recognized that the divine powers of Dr. Crawford were not her truth, and expunged them from her DNA, returning her to her previous form. I’m all for unique uses of the lasso, and this was a particularly good one. I doubt it would work on every artificially powered supervillain; I suspect that the divine connection is what did the trick here, so the application is limited. Still, it’s another fun use of the lasso to add to the arsenal and a fun, outside the box idea from Fontana, which is always good to see.

Throughout the encounter, though, I couldn’t help but want to see a bit more of what was set up in the first issue. I was really intrigued with the idea of Wonder Woman seeing herself as a warrior who could handle anything, and perhaps neglecting her mental health for fear of unloading the burden of her many intense, frightening experiences on others. I thought that was fascinating, and this issue didn’t provide many developments on that front apart from adding a few more harrowing experiences to Wonder Woman’s psyche. Maybe Dr. Crawford absorbing Wonder Woman’s DNA and getting overwhelmed with anger and paranoia to such a degree that she lashed out violently speaks to what Diana has to wrangle within herself, but that’s about it.

I also loved the flashback to young Diana on Themyscira in the first issue, and while we got a bit of that again this week, it was very brief. You can never go wrong with cute little Diana, especially in that rad outfit she was rocking during her training session in this outing, and I hope that she plays a bigger role moving forward.

The art continued to shine in this issue, with Mirka Andolfo killing it yet again. She’s just so good. Her artwork is unique and expressive and stylish and fun, and I love everything she brings to Wonder Woman and her world. Especially her Etta! Every DC artist should study Adolfo’s Etta and draw her accordingly moving forward. Unfortunately, this will likely be the last we see of Andolfo on Wonder Woman. David Messina is scheduled to finish the rest of the arc, and while I quite like his stuff, he’s got a tough act to follow. DC’s got Andolfo all over the place in the months to come, with guest spots here and there across the line. It’s cool to see her profile rise and to have her do many different things, but I think that Andolfo deserves more of a permanent showcase. Maybe a run on Batgirl or Supergirl where she can really dig into the characters, design fun stuff, and leave her signature mark on a hero and their world. Though I’ve also got my fingers crossed that she’ll be back for the new Bombshells United! So basically, I’d like Andolfo to draw everything, please. And with Romulo Fajardo Jr. coloring, too! He did an amazing job here yet again, and I hope he’s sticking around next month to color Messina as well.

So, next month we’ve got a new artist and a new villain on Wonder Woman’s trail, as the book’s final page suggests. I don’t recognize her at first glance, but she looks super cool. I love a good helmet design. And her rifle appears rather dangerous. I expect that Wonder Woman’s bracelets will be getting quite a work out in two weeks time!

Women & NB Creators at DC Comics Watch, September 2017 Solicits: 27 Creators on 21 Books

July 21, 2017

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After a series of fairly solid rounds of solicits in terms of female and non-binary creator representation across the summer months, DC looks to be starting the fall towards the lower end of that range with their September solicits. A few new books have increased the ranks, while DC’s major autumn event seems to be entirely dude-centric thus far, and things have almost evened out. Let’s take a look at who’s doing what at DC this September:

  • Amanda Conner: Harley Quinn #27 (co-writer, cover), Harley Quinn #28 (co-writer, cover), Harley Quinn 25th Anniversary Special #1 (co-writer, interior art, cover)
  • Babs Tarr: Bombshells United #1 (variant cover)
  • Becky Cloonan: Shade, The Changing Girl #12 (cover)
  • Carmen Carnero: Detective Comics #964 (interior art)
  • Cecil Castellucci: Shade, The Changing Girl #12 (writer)
  • Eleanora Carlini: Suicide Squad #25 (interior art)
  • Gail Simone: Wonder Woman/Conan #1 (writer)
  • Hope Larson: Batgirl #15 (writer)
  • Jenny Frison: Wonder Woman #30 (variant cover), Wonder Woman #31 (variant cover)
  • Jody Houser: Mother Panic #11 (writer)
  • Julie Benson: Batgirl and the Birds of Prey #14 (co-writer)
  • K. Perkins: Superwoman #14 (writer)
  • Kamome Shirahama: Batgirl and the Birds of Prey #14 (variant cover)
  • Katie Jones: Shade, The Changing Girl #12 (backup story)
  • Marguerite Bennett: Batwoman #7 (writer), Bombshells United #1 (writer), Bombshells United #2 (writer)
  • Marguerite Sauvage: Bombshells United #1 (interior art), Bombshells United #2 (interior art)
  • Marley Zarcone: Shade, The Changing Girl #12 (interior art)
  • Mirka Andolfo: Teen Titans #12 (interior art)
  • Rachel Dodson: Bombshells United #1 (cover)
  • Rosemary Valero-O’Connell: Cave Carson Has A Cybernetic Eye #12 (variant cover)
  • Shawna Benson: Batgirl and the Birds of Prey #14 (co-writer)
  • Shea Fontana: Wonder Woman #30 (writer)
  • Siya Oum: Batman Beyond #12 (interior art)
  • Stephanie Hans: Bombshells United #2 (cover)
  • Tula Lotay: Doom Patrol #9 (variant cover)
  • Vita Ayala: Batman Beyond #12 (co-writer)
  • Yasmine Putri: The Hellblazer #14 (variant cover)

All together, there are 27 different female and non-binary creators set to work on 21 different books in September, 2 fewer creators than in August and 1 fewer book. This is hardly a major change, and could very well just be normal shuffling around. We don’t expect the numbers to stay the same everything month, and a things going a little lower or higher is common. Small changes like this are only significant when it’s part of a larger trend. If DC lost 2 women/NB creators after posting losses in a couple of months previous, that would be disconcerting. This slight drop, though, after a decent August, is nothing too worrisome yet. Of course, we’ll see how the rest of the fall solicits unfold.

Before we dig into things more, here’s a quick note on the change in terminology. We’ve been keeping track of female creators at DC for several years now, but I recently learned that writer Vita Ayala, who I’ve categorized as female in the past, identifies as non-binary. Since the purpose of this project is to showcase creators who disrupt the typical male hegemony of the superhero industry, changing the title and the terminology to be more inclusive seemed like the right way to go. We’ve always listed women who are transgender, of course, but that didn’t necessitate a shift in nomenclature. This does, I think. If there are other creators whose identity lies outside of the male/female binary, I’d be glad to know about them and will include them on the list moving forward; let me know in the comments.

We’ve mostly got returning favourites this month, but there are a couple of new names in the mix. Katie Jones is doing a backup story in Shade, The Changing Girl #12, while Rosemary Valero-O’Connell drew a variant cover for Cave Carson Has A Cybernetic Eye #12. The “Young Animal” line has certainly been a solid outlet for representation at DC each month since it began, and these additions carry that on well.

In terms of new books, DC’s Dark Nights: Metal event and its various tie-ins continue to be male-dominated, both in terms of characters and creators. But in exciting news, the Bombshells are back! The superhero ladies will continue fighting the Second World War in Bombshells United, which will double ship with double Marguerites in September. Wonder Woman’s also got a new mini-series that teams her with Conan the Barbarian, and Harley Quinn will star in a special 25th anniversary issue.

So overall, September looks to be an average month for female and non-binary creators at DC. The numbers are firmly in the middle of the publisher’s range across 2017 thus far; DC’s stayed within a fairly narrow window. So things are relatively steady, but that also means that the numbers aren’t growing. It’d be nice to see things improve in the months to come; with ComicCon this weekend, perhaps we’ll get some exciting announcements to that effect.

Wonder Woman #26 Review: Diana Meets Her Destiny

July 12, 2017

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After a year of stellar comic books from Greg Rucka, Bilquis Evely, Nicola Scott, and Liam Sharp that restored Diana and the Amazons to their proper status in the DC universe, Wonder Woman‘s new creative team has some big shoes to fill. And I’m pleased to report that Shea Fontana and Mirka Andolfo are off to a fantastic start! I had a good feeling about this team; Fontana’s been doing great stuff with the DC Super Hero Girls comics, and I absolutely love Mirka Andolfo’s work on DC Comics Bombshells as well as her recent fill-in issue on Wonder Woman. Together they’ve crafted a story that moves Wonder Woman forward from all of the drama surrounding her origins and her past. That drama made for compelling comics, of course, but Rucka and co. wrapped it up perfectly and now it’s nice to see the new status quo carrying on in a new tale. We’ll dig into it all, but first:

SPOILER ALERT!!

Well, less spoilery than usual; more of a broad strokes overview!

Reading this probably won’t ruin the comic for you!

But regardless, go read the comic! It’s super good!

First off, before I get to how good this comic was, I’ve got to say that the cover is not great. Andolfo’s art has a stylized, cartoonish element that is so expressive and good, and pairing it with such generic, standard superhero art feels like a bad decision. It’s a poor advertisement for what’s inside the book, which is so much better. I don’t mind a book having different cover artist than interior artist, but the cover art should give some sort of indication of the tone and style of the interior. This does not, and I wish it had a fun, bad ass Andolfo cover instead.

That’s partly because Mirka Andolfo is GREAT and I’m never not excited to see more of her art. She’s got a style that’s clearly her own; I always know that I’m reading an Andolfo book from page one. Her work is gorgeous, and captures the characters wonderfully, almost exaggeratedly. There aren’t a lot of subtle emotions here. Instead, every feeling is displayed across each character’s face clearly, and I find their expressiveness so compelling and fun. Andolfo’s also got an amazing eye for style, and Diana and Etta’s outfits when they attend a wedding at the end of this issue are so darn good. Her work always feels fresh and modern to me, and I love when Wonder Woman has that sensibility.

Plus, here’s some amazing news: While the bulk of Wonder Woman‘s creative team over the past year has moved on, colorist Romulo Fajardo Jr. is still on board! This dude is a wizard. He adds depth and texture to every panel in a way that brings so much to every page without overwhelming the line work at all. I’m so glad he’s still on Wonder Woman. He’s one of the best colorists in the game today, and his stuff just gets better and better. He pairs well with Andolfo, too, highlighting her character work beautifully.

In terms of the story itself, this issue hits a lot of the elements that will make me love a Wonder Woman book. We’ve got Wonder Woman helping those who need it most, here dealing with an attack at a UN refugee camp in Greece. It always feels right to see Wonder Woman dealing with international issues, and never more so than when they are timely topics. We’ve also got young Diana on Themyscira, which I’m a sucker for. It feels like Fontana is drawing from the opening of the Wonder Woman film a bit here, and I’m all for it. Little Diana is so entertaining. We’ve got Etta Candy as well, i.e. Wonder Woman’s greatest supporting character of all time. And even better, we’ve got them hanging out at a wedding. I love Diana as a superhero, of course, but it’s also nice to see her having a life beyond that, hanging out with her friends outside of the costume. The costume is such a powerful symbol that it’s always interesting to see Diana away from it, partly because the gal deserves a break and partly because she can’t help but still be Wonder Woman to some degree, regardless of what she’s wearing, as her adventure with Destiny, a little girl at the wedding, shows.

So all of these elements are great, but I also really like what Fontana seems to be digging into in terms of the psychological cost of being a superhero. The flashback to Themyscira gives us a good look at Diana’s mindset, as her younger self tearfully locks away her beloved doll to toughen herself up and become the warrior that Amazons are supposed to be. Wonder Woman is very well adjusted as far as superheroes go, but the story effectively points out that she has to deal with seeing so many terrible things, all the time. Moreover, it suggests that this could be taking a toll on her mental health, despite her insistence that she can handle it all. There’s a scene where she says that she doesn’t want to put the burden of her experiences on someone else, and I think that’s going to be key moving forward. That’s a very heroic, self-sacrificing notion, but while Wonder Woman can handle a lot, much more than most, trying to deal with everything on your own can only work for so long. I’m curious to see how Fontana explores this with Wonder Woman as the story continues.

Also, there’s a big crazy cliffhanger at the end! That’s just fun comic booking. It’s a bit of a doozy, too, that leaves Wonder Woman in a very difficult spot. I know she’s Wonder Woman and all, but she’s really up against it with this one. It’s going to be hard to get out of it without any collateral damage. We’ll find out what she does in two weeks time, and I can’t wait! This was an excellent, gorgeous first issue for this new creative team, and I’m very excited for more.

Women at DC Comics Watch – August 2017 Solicits, 29 Women on 22 Books

June 13, 2017

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Despite a lack of female creators in several new series, mini-series and one-shots set to premiere in August, representation for women at DC Comics remained relatively strong across their wider range of books. Growth throughout the spring has led to a solid plateau at the publisher, though some changes are on the way that may soon change that this fall. Let’s take a look at who’s doing what at DC this August:

  • Amanda Conner: Harley Quinn #25 (co-writer, cover), Harley Quinn #26 (co-writer, cover)
  • Aneke: DC Comics Bombshells #32 (interior art)
  • Becky Cloonan: Gotham Academy: Second Semester #12 (co-writer), Shade, the Changing Girl #11 (cover)
  • Carmen Carnero: Detective Comics #963 (interior art)
  • Cecil Castellucci: Shade, the Changing Girl #11 (writer)
  • Eleanora Carlini: Green Arrow Annual #1 (interior art)
  • Emanuela Lupacchino: Scooby Apocalypse #16 (variant cover)
  • Hope Larson: Batgirl #14 (writer)
  • Jenny Frison: Wonder Woman #28 (variant cover), Wonder Woman #29 (variant cover)
  • Jody Houser: Mother Panic #10 (writer)
  • Julie Benson: Batgirl and the Birds of Prey #13 (co-writer)
  • K. Perkins: Superwoman #13 (writer)
  • Kamome Shirahama: Batgirl and the Birds of Prey #13 (variant cover)
  • Laura Braga: DC Comics Bombshells #32 (interior art), DC Comics Bombshells #33 (interior art)
  • Lea Hernandez: Teen Titans Go! #23 (interior art)
  • Leslie Hung: Shade, the Changing Girl #11 (variant cover)
  • Lilah Sturges: Everafter: From the Pages of Fables #12 (co-writer)
  • Marguerite Bennett: Batwoman #6 (co-writer), DC Comics Bombshells #32 (writer), DC Comics Bombshells #33 (writer)
  • Marguerite Sauvage: Shade, the Changing Girl #11 (interior art)
  • Marley Zarcone: Shade, the Changing Girl #11 (interior art)
  • Michelle Delecki: Deathstroke #22 (variant cover), The New Gods Special #1 (interior art, cover)
  • Mirka Andolfo: DC Comics Bombshells #32 (interior art, cover), DC Comics Bombshells #33 (interior art)
  • Msassyk: Gotham Academy: Second Semester #12 (interior art)
  • Sana Takeda: Mother Panic #10 (variant cover)
  • Sandra Hope: Gotham Academy: Second Semester #12 (inker)
  • Shawna Benson: Batgirl and the Birds of Prey #13 (co-writer)
  • Shea Fontana: Wonder Woman #28 (writer), Wonder Woman #29 (writer)
  • Tula Lotay: Everafter: From the Pages of Fables #12 (cover)
  • Yasmine Putri: The Hellblazer #13 (variant cover)

All together, there are 29 different female creators set to work on 22 different books in August, 2 more women than in July though 1 less book. DC’s hit a decent level as of late, with the number of women on their books ranging from 27 to 31 over the past four months. In terms of both their own past performances and the numbers from their main competitor, this is a relatively good plateau.

It’s not a huge month for new names, though. Leslie Hung and Sana Takeda are the only two here, both of them on variant covers. We haven’t seen Michelle Delecki in a while either, but everyone else has been around recently. This lack of new women, and of new gigs generally, is somewhat odd given how many different series, mini-series and one-shots are scheduled for August. There are 11 new #1 issues, only one of which features a female creator, so that’s a rather dispiriting ratio.

Female characters aren’t a huge part of these new books either. Where they do appear, it’s in group settings; Wonder Woman looks to have a role in Dark Nights: Metal, and Suicide Squad Black Files seems to include Enchantress and Katana. We’ve got a new Mister Miracle book as well that should feature a lot of Big Barda, but her name’s not in the title. There’s also six one-shots that celebrate Jack Kirby, none of which star a female character.

Overall, August looks to be relatively solid for women at DC, but change may be around the corner. One key difference moving forward will be the end of Gotham Academy: Second Semester, which ships its final issue in August. That book has been a bastion for female creators at DC, and we may see its loss reflected in the numbers. The fall could bring even more new books as well, and given how few women are involved with August’s new offerings, that may not be great for the numbers either. We’ll see what the solicits bring. But for now, August is looking relatively strong for female representation at DC, at least.


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