Posts Tagged ‘Nicola Scott’

Wonder Woman ’77 #12 Review: “Celsia 451, Part 3” by Marc Andreyko and Cat Staggs

October 1, 2015


The second arc of this new round of Wonder Woman ’77 wrapped up today, concluding what has been the book’s best storyline so far. It’s like the whole team got together and decided to fix some of the issues that held back previous arcs. Instead of starting a story with one issue of fantastic arc and then closing out with two issues that weren’t as good, this arc brought in Cat Staggs to draw every issue and she provided consistent, great artwork throughout. Rather than relying on a formulaic three act structure of intro, small fight, big fight, writer Marc Andreyko took a new tack, throwing in the Atomic Knights at the end of last week’s issue for a fun twist that really mixed things up. Plus they kept the one thing that’s always worked like gangbusters: Nicola Scott’s’ fantastic covers.

The end result was a very enjoyable storyline, and a solid final issue this week. With the Atomic Knights in the mix, there was a lot going on. Wonder Woman was trying to capture Celsia, Celsia was trying to kill a senator, and the Atomic Knights were supposed to kill Wonder Woman AND Celsia. But the Atomic Knights weren’t monolithic; one of them had a conscience and refused to attack Wonder Woman. So there were a variety of players with different motivations, all fighting it out. It made for a much better read than a typical, simple Wonder Woman brawling with a bad guy finale. Andreyko had a lot of balls in the air, but made it all work.

I also enjoyed how everything was resolved. Wonder Woman is a hero who knows the difference between a real criminal and a misguided person who’s been wronged and is lashing out. I always like when Wonder Woman takes the time to understand the latter instead of just punching them out and carting them off to prison. Celsia did end up in prison, put on a much better path now that Wonder Woman ensured she would get justice for everyone harmed in the nuclear meltdown. It’s not hard to imagine a future where Wonder Woman stayed in touch with Celsia, and perhaps even sponsored her parole down the road and helped Celsia use her powers for good.

Another fun bit was Steve Trevor showing up only after Wonder Woman had sorted out everything. Friggin’ Steve Trevor. That guy is comically useless.

Cat Staggs finished the arc with yet another lovely issue. She had a lot to balance with so many players involved in the final battle, but she laid out everything with clarity and style. It was fun to see more of the Atomic Knights, too. I really like their design. Plus there was some laser deflecting from Wonder Woman with her bracelets! You know it’s a fun time when Wonder Woman is using her bracelets to deflect shots. Staggs has done fantastic work over this arc, and it was great to have an artist of her caliber onboard for the full story.

The previous Wonder Woman ’77 arcs weren’t bad by any means, but they were a little generic. “Celsia 451” broke out of the formula, and had consistently strong art to boot, leading to the book’s best storyline yet. Both of the last two arcs are collected in print in Wonder Woman ’77 Special #2, which came out yesterday. The special also includes a Halloween one-shot drawn by Jason Badower, which will be released digitally next week. Sensation Comics returns after that, unfortunately with its final storyline. It should be great though, with Trina Robbins writing! We’re set for an excellent few weeks on Wonder Woman digital fun, but that might be it for a while.

Wonder Woman ’77 #8 Review: “The Cat Came Back, Part 2” by Marc Andreyko and Richard Ortiz

September 3, 2015


Wonder Woman’s confrontation with the new Cheetah, Barbara Minerva, continues with this week’s issue of Wonder Woman ’77, but it’s a somewhat underwhelming outing. The story goes as we all expected it would after the first issue: the Cheetah attacks Wonder Woman, they fight, and then there’s a cliffhanger ending promising more fighting in the finale next week. The problem is, we’ve seen this before, and I’m not just talking about the formulaic three act structure.

This week’s issue ended with the Cheetah calling on her goddess Mafdet to create a cheetah army for her, and scores of attendees at the museum’s Wonder Woman exhibit got turned into angry cheetah creatures just like Barbara who came after Wonder Woman in the cliffhanger ending. It’s not a bad cliffhanger, really, except for the fact that this is exactly how the second issue of the FIRST arc of Wonder Woman ’77 ended. The Silver Swan mind-controlled the innocent civilians at the disco and sent them after Wonder Woman, just like the Cheetah’s army swarmed her here. The Silver Swan outing was only six issues ago, and it’s disappointing to see Andreyko repeating himself so soon. It all feels a little uninspired.

It’s a pity about the copycat ending, because the issue up until then had been decent enough. Wonder Woman’s speech at her exhibit wasn’t much of a stirring piece of writing, I suppose, but I liked a lot of the Cheetah fight. I particularly enjoyed the moment after Wonder Woman lassoed the Cheetah and she just ran around a pillar a few times, wrapping the lasso around it, and pulled it down, causing Wonder Woman to go stop the building from collapsing while the Cheetah bounded off. That was a nice use of the lasso and a good display of the Cheetah’s nefariousness. But then the ending ruined the whole book for me.

The art didn’t help a lot either. Richard Ortiz had some good moments in this issue, and his Cheetah was fairly decent, but for most of the issue his Wonder Woman didn’t look a whole lot like Lynda Carter. I really don’t understand how DC structures these arcs, because every first issue of a storyline in Wonder Woman ’77 has begun with beautiful, detailed art that allows for rich colours and an overall delightful reading experience. Then the next two have more basic linework, the colours are simpler, the characters look less like the actors, and the whole thing makes for a less enjoyable read. During the last arc a while back, I speculated that perhaps the original artist fell behind schedule and they had to replace him for the next two, but I heard from Jason Badower, the artist of Wonder Woman ’77 #4 who did a spectacular job with that first issue, and he told me that he had only been contracted for that one issue. Why isn’t DC hiring people to draw the full arc? Drew Johnson’s work last week was gorgeous, and this issue suffers by comparison. It seems like an absolutely bizarre way to run things to me.

Overall, this issue was a series of disappointments, really. The few strong moments were countered by a blatantly recycled plotline and a substantial drop off in the quality of the art. I was very excited for this week’s issue after the arc’s solid debut last week, and now after this I’m not particularly looking forward to next week’s conclusion at all. I feel like editorial should have been much sharper here, both in terms of catching the story duplicate and in ensuring consistent art through the arc. A lot of balls were dropped by everyone involved when it came to this issue, it seems. It’s a shame, because this should be such a fun comic book.

Wonder Woman ’77 #7 Review: “The Cat Came Back, Part 1” by Marc Andreyko and Drew Johnson

August 27, 2015


No new digital issue of Sensation Comics featuring Wonder Woman this week can only mean one thing: Wonder Woman ’77 is back! Apparently DC can’t run two digital Wonder Woman titles simultaneously, but whatever. We’ve got more Lynda Carter inspired fun and that’s delightful. I’ve been waiting for these digital issues to start since DC announced a double sized collected print issue for the end of September. I actually expected these to start a lot sooner. We may get six straight weeks of Wonder Woman ’77 now to try to beat the print book, and still the final digital installment would come out after the book’s print date.

Wonder Woman ’77 #7 continues the series’ tradition of bringing Wonder Woman’s classic comic book villains into the world of the television show. Silver Swan and Dr. Psycho were the big bads for the first two arcs, and now we’ve got the Cheetah, arguably Wonder Woman’s most iconic villain. I was a little bit surprised when the book began with Barbara Minerva, because she’s a more modern Cheetah that post-dates the show by a decade or so. Then I remembered that the last arc of Wonder Woman ’77 had Wonder Woman facing hallucinations of several of her villains, including the original Cheetah, Priscilla Rich. A display at a museum’s Wonder Woman event in this issue also included Priscilla Rich’s costume. It seems that in the continuity of this television show inspired universe, Priscilla was the Cheetah originally, before the comic began, and now Barbara is the new Cheetah. Which is cool. The continuity works and they explained it all fairly well. Barbara even exclaimed “Time for a new Cheetah!” after her transformation at the end of the issue.

The book was a fun read, setting up the major conflict that should play out over the next two issues. The most dangerous thing Wonder Woman faces here is a couple of dopey thieves trying to make off with some paintings, and she subdues them quickly with a little lasso work. The bulk of the issue is dedicated to Barbara Minerva, who’s forced to close her museum exhibit to make room for a new Wonder Woman display. She’s irked by this, and when she accidentally pricks herself with an African artifact her anger turns to full on rage as the knife’s magical properties transform her into the Cheetah. Presumably, she and Wonder Woman will duke it out over the next two weeks now.

As far as introductory issues go, this was one was decent. I’m starting to notice a formula for three issue arcs in digital books that’s getting a little bit old, though: introduction issue, build to fight issue, full on fight issue. It’s a formula that works, clearly, but it’s getting stale. The first step is executed well here, and Andreyko has displayed a better feel for writing digital installments with each arc. I just would have liked to see the formula shaken up a bit.

The enjoyable if standard opening was elevated by excellent artwork from Drew Johnson. The issue is really lovely, and Johnson captures Lynda Carter’s Wonder Woman beautifully. That’s the key for any issue of this series; everything else is secondary after getting Lynda Carter right. Johnson does a nice job with the Cheetah as well. His page layouts with Barbara’s panels are distinctive, interspersed with African artifacts and cheetahs. He also utilizes some smart techniques to save the full reveal of Barbara’s transformation, which takes place over several pages, until the final page. By zooming in very close on some panels and pulling out wide on others, we get a good sense of what’s happening to her and her progress through the museum, but the final panel unveils the Cheetah in all her glory. And quite nicely too; she looks ferocious.

The book was coloured by Romulo Fajardo Jr., who has a wonderful way with colours. His faces are especially impressive; his colouring almost seems heavy handed, with a lot of different shades and colours in the mix, but he blends everything beautifully and the end result is very striking. This panel in particular, the first appearance of Wonder Woman, is a good example of both Johnson and Fajardo’s fine work:


He’s great with texture as well, especially with the old stone of the museum. There’s a lot of great, often subtle stuff going on with the colours throughout the book that combine to make for an enjoyable, immersive reading experience.

All together, this was a very nice first issue to a new arc of Wonder Woman ’77 and I’m excited for more over the next couple of weeks. Plus it’s got a killer Nicola Scott cover, and that’s always a treat. The print issue is scheduled for September 30, so mark your calendars for that if you’re waiting to pick it up on paper.

Women At DC Comics Watch – October 2015 Solicits: 27 Different Female Creators On 22 Different Books

July 16, 2015


DC’s track record with female creators since their #DCYou mini-relaunch has been odd. On the one hand, they’ve topped Marvel every month thus far, but on the other hand they’ve been far below their pre-#DCYou numbers for female creators for four straight months, and by a considerable margin. It’s not been an impressive run; going backwards is never good, and hiring more women than Marvel really isn’t that hard to do. But now, finally, five months into their mini-relaunch, DC has a list of female creators that that is comparable to where they were for the first half of 2015. Let’s see who’s doing what in October:

  • Amanda Conner: All-Star Section Eight #5 (cover), Harley Quinn #21 (co-writer, cover), Harley Quinn and Power Girl #5 (co-writer, cover), Starfire #5 (co-writer, cover)
  • Annie Wu: Black Canary #5 (cover)
  • Asher Powell: Vertigo SFX #3 (unspecified)
  • Babs Tarr: Batgirl #45 (interior art, cover)
  • Becky Cloonan: Gotham Academy #11 (co-writer)
  • Carla Speed McNeil: Sensation Comics #15 (writer, interior art)
  • Cat Staggs: Wonder Woman ’77 Special #2 (interior art)
  • Chrissie Zullo: Fables: The Wolf Among Us #10 (cover)
  • Claire Wendling: Wonder Woman #45 (variant cover)
  • Corin Howell: Bat-Mite #5 (interior art, cover)
  • Emanuela Lupacchino: Starfire #5 (interior art)
  • Gail Simone: Clean Room #1 (writer), Secret Six #7 (writer)
  • Genevieve Valentine: Catwoman #45 (writer)
  • Jen Wang: Vertigo SFX #3 (unspecified)
  • Jenny Frison: Clean Room #1 (cover), Grayson #13 (variant cover), Sensation Comics #15 (cover)
  • Kate Leth: DC Comics Bombshells #3 (variant cover)
  • Laura Braga: DC Comics Bombshells #3 (interior art)
  • Lauren Beukes: Survivors Club #1 (co-writer)
  • Lea Hernandez: Teen Titans Go! #12 (interior art)
  • Marguerite Bennett: DC Comics Bombshells #3 (writer)
  • Marguerite Sauvage: DC Comics Bombshells #3 (interior art)
  • Meredith Finch: Wonder Woman #45 (writer)
  • Ming Doyle: Constantine: The Hellblazer #5 (co-writer, interior art), Vertigo SFX #3 (unspecified)
  • Nicola Scott: Wonder Woman ’77 Special #2 (cover)
  • Pia Guerra: Black Canary #5 (interior art)
  • Ricken: Teen Titans #13 (interior art)
  • Vanesa Del Rey: Constantine: The Hellblazer #5 (interior art)

All together, there are 27 different female creators set to work on 22 different comics in October, a big jump from September’s 19 and 16 and DC’s best month for female creator representation since April. It’s a huge improvement for DC, though still below their best. As always, there remains lots of room for growth.

Plus, there are a lot of one-time gigs here. I’d estimate that at least 7 of these women aren’t likely to be back next month. It doesn’t change the fact that it’s fantastic they’re getting work in October; it just means that DC’s going to have to step it up to keep their numbers from nosediving in November.

However, there are a lot of new names, and that’s always encouraging. I don’t think I’ve seen Asher Powell or Jen Wang at DC before; they’re both on a Vertigo special. This might be Claire Wendling’s first DC gig as well. My pal Kate Leth is doing a variant cover for DC Comics Bombshells, so that’s all kinds of rad! And Jenny Frison and Nicola Scott are back at DC to drop some fun cover art.

In terms of female characters, a few are starring in new books. Cassandra Cain is coming back in Batman and Robin Eternal, there look to be a few gals in the new Titans Hunt series, and an alternate universe Lois Lane headlines Superman: Lois & Clark, though DC is still hurting for a kick ass Lois Lane solo series. I mean, seriously. Get on that, DC. There are also scores of other new books that don’t feature women at all, real or fictional, including six “Darkseid War” one-shots all starring male characters written and drawn by male creators. So that’s not great.

Ultimately, October is looking decent for female creators in what is hopefully a return to form for a slumping DC. November will tell us whether this is an aberration or a new trend, but for now it’s nice to see DC well out of the teens again with a plethora of great female creators across their titles. Things could be a bit better for female characters, but there’s something at least. Here’s hoping for continued growth next month.

Wonder Woman’s October 2015 Covers and Solicits, Plus Monster Variants

July 15, 2015

October is looking like another busy month for our favourite Amazon, with all of the usual fun plus a returning special I’m very much looking forward to. DC is also doing monster themed variants for many of their titles, just like they did in October last year. It’s good Halloween fun, and two of Wonder Woman’s titles will be part of the line. So let’s see what Wonder Woman will be up to in October!

First up, Wonder Woman #45:



Monsters Variant cover by CLAIRE WENDLING
On sale OCTOBER 21 • 32 pg, FC, $3.99 US • RATED T
With the Fates dead and Donna Troy still on the run, Wonder Woman must confront the sins of her past and a new, growing threat that’s closing in on the Queen of the Amazons!

I don’t imagine that the Finch cover is actually the final cover, but you never know. It just looks like a panel, and those blue bars don’t look great. I’m not sure whether Claire Wendling’s variant is the final cover or just a sketch either, but I’m super into it. I hope it is the final cover; I like the rougher aspects of it.

Anyway, the Finches carry on with their uninspired tenure on Wonder Woman. Apparently the Fates are dead. Thanks for the spoiler alert, because they haven’t even shown up in the comic yet. Also, Donna Troy hasn’t broken out of prison in the comics that have been published so far, but several solicits have told us she’s going to. You almost don’t have to read the comics, really. Just follow along with the solicits and you’ll get all the highlights.

Next up, Superman/Wonder Woman #22:



Written by PETER J. TOMASI
Cover by CARY NORD
Monsters variant cover by J.P. LEON
On sale OCTOBER 21 • 32 pg, FC, $3.99 US • RATED T
Following a shocking betrayal, Kal has lost faith in justice. Now, he’s embarking on a dangerous quest to restore his powers, while Wonder Woman makes unexpected allies of Lois Lane and Lana Lang.

The insides of this series have never done anything for me, but what I do love is it’s proud tradition of excellent variant covers. This one by John Paul Leon is fantastic. It’s a great idea for the monster theme, and is just all sorts of gorgeous. I’ll be glad to put this with my collection of Superman/Wonder Woman issues I’ll never read again but I keep to enjoy the lovely covers.

Man, Superman is really out of sorts, eh? Losing his faith in justice?! That’s a third of what he stands for! In theory I’m excited for a Wonder Woman/Lois/Lana team up, but being familiar with the quality of this book I’m not overly optimistic that it will go well.

We’ve also got Sensation Comics featuring Wonder Woman #15:


On sale OCTOBER 7 • 40 pg, FC, $3.99 US • RATED T • DIGITAL FIRST
In “Our Little Dance,” when the well-meaning members of Debbi Domaine’s family argue that Cheetah needs rehabilitation more than incarceration, Wonder Woman is dragged into court! And Diana teaches a young thug a lesson about how having a pet forces you to train “Both Ends of the Leash.”

To be honest with you all, I wasn’t a big fan of either of these stories when they came out digitally, but I do love this cover. It’s lovely work by Jenny Frison, and will look amazing on the stands. The stories inside are pretty average, but neither of them are bad. They’re also very different stories, so chances are you might find something you’ll like.

Finally, Lynda Carter’s Wonder Woman is back with Wonder Woman ’77 Special #2:


Get ready for three new stories based on the classic television series starring Lynda Carter! A scientist who is intensely jealous of Wonder Woman becomes empowered by an ancient artifact and Cheetah is born! A woman with the powers of both fire and ice seeks revenge against a corrupt politician. And, Halloween finds the princess up against an undead adversary.

So many stories! Plus the Cheetah and zombies, presumably. This should be a fun book. None of the stories have been released digitally yet, though I anticipate that they’ll be out soon. That’s a great lineup of artists, and Marc Andreyko did a fine job with the first few Wonder Woman ’77 stories so I’m glad to have him back. Nicola Scott’s cover looks fantastic as well. This will actually be out at the end of September instead of October, so keep your eyes peeled for that.

There’s a lot of Wonder Woman fun to be had this fall, and a lot of great covers. Remember to ask your local comic shop ahead of time if you’re keen to get a variant cover; they can go quickly.

Female Creator Representation Remains About The Same At The Latest Image Expo

July 2, 2015


Today was the latest Image Expo, a semi-annual event where Image Comics brings out their many creators to announce exciting new books and projects that will debut in the year to come. It’s always cool to see what new books are going to be coming out, and this year was no exception. Greg Rucka and Nicola Scott are launching a new series, and that’s an absolutely amazing duo no matter what the book is about (it’s a magical police thriller). Gail Simone and Cat Staggs have a new comic that’s Freaky Friday except with a hitman, so that sounds interesting. And Jason Aaron and R.M. Guera are going back to the Bible for a dark, grisly take on the days before the great flood, and I’m very excited to check that out. Plus so many more!

The past couple of Image Expos have had decent female creator representation, so let’s go through the list to see how this Expo compares. Here are all of the new titles and teams, minus reissues of previously printed work, as per Image’s own page:

  • Invincible: Reboot by Robert Kirkman, Ryan Ottley, Cliff Rathburn, and Jean-Francois Beaulieu.
  • Codename Baboushka: The Conclave of Death by Antony Johnston, Shari Chankhamma, and Simon Bowland
  • Camp Midnight by Steven T. Seagle and Jason Adam Katzenstein
  • Blue Monday: Thieves Like Us by Chynna Clugston Flores
  • Scooter Girl by Chynna Clugston Flores
  • Throwaways by Caitlin Kittredge and Steve Sanders
  • Sunset Park by Ron Wimberley
  • Slave Punk: White Coal by Ron Wimberley
  • Cry Havoc by Simon Spurrier, Ryan Kelly, Lee Loughridge, Matt Wilson, and Simon Bowland
  • Black Magick by Greg Rucka and Nicola Scott
  • Crosswind by Gail Simone and Cat Staggs
  • The Goddamned by Jason Aaron, R.M. Guerra, and Giulia Brusco
  • Heartless by Warren Ellis and Tula Lotay
  • Huck by Mark Millar and Rafael Albuquerque
  • Private Eye: The Deluxe Hardcover by Brian K. Vaughan, Marcos Martin, and Muntsa Vicente
  • Snotgirl by Bryan Lee O’Malley, Leslie Hung, Mickey Quinn, and Mare Odomo
  • Virgil by Steve Orlando and JD Faith
  • Hadrian’s Wall by Kyle Higgins, Alec Siegel, and Rod Reis
  • Axcend by Shane Davis, Michelle Delecki, and Morry Horrowell
  • Faster Than Light by Brian Haberlin
  • Expired by Jimmie Robinson and Richard Pace
  • The One% by Kaare Kyle Andrews
  • Ringside by Joe Keatinge, Nick Barber, Simon Gough, and Ariana Maher

All together there are 12 different female creators named in this list of 51 different creators total, so women account for 23.5% of the creators announced at this year’s Image Expo. That’s down slightly from the last two Image Expos, which had 25.9% and 26.4% female creators. It’s not a huge drop, but it’s always more pleasant to see these numbers trending upward. This Expo was a small step back.

However, things are better in terms of representation per book. Of the 23 new titles announced, 12 feature at least one female creator. That’s more than the last Image Expo’s 10 of 24. So while there are fewer female creators overall, there are more women across the board.

Ultimately, female creator representation remains about the same. A little less in one area and a little more in another evens out to no real significant change. It’d be nice to have had Image wow us with a slew of female creators and blow us away with huge numbers, but at the same time it’s great to see a lot of new names in the mix here. Creators like Gail Simone, Nicola Scott, Cat Staggs, Caitlin Kittredge, and a few others have all been Big Two mainstays for a while, and good on Image for bringing them in to do their own, creator owned books. I’m still holding out hope for a huge number of female creators at the next Image Expo, though. Image likes to talk the talk when it comes to diversity, and I’d like to see a bit more of a commitment to walking the walk. Doing well with female representation doesn’t change the fact that there’s lots of room to do better.

Women At DC Comics Watch – May 2015 Solicits: 26 Different Female Creators On 25 Different Books

February 23, 2015


As the second and final month of “Convergence” wraps up, DC Comics’ female representation ticks down somewhat from the numbers in the April solicits to their second lowest total of the year thus far. Nonetheless, it’s still far better than where they were at any point in 2014, or several years previous. Let’s take a look at who’s doing what at DC Comics in May 2015:

  • Alisa Kwitney: Convergence: Batgirl #2 (writer)
  • Amanda Conner: Convergence #6 (variant cover), Convergence #7 (variant cover), Convergence: Action Comics #2 (cover)
  • Babs Tarr: Convergence: Superboy #2 (cover)
  • Becky Cloonan: Convergence: Aquaman #2 (cover), The Kitchen #7 (cover)
  • Caitlin Kittredge: Coffin Hill #18 (writer)
  • Celia Calle: The Names #9 (cover)
  • Chrissie Zullo: Fables: The Wolf Amoung Us #5 (cover)
  • Christy Marx: Convergence: Green Arrow #2 (writer)
  • Claire Wendling: Convergence: Catwoman #2 (cover)
  • Emanuela Lupacchino: Convergence: Titans #2 (cover)
  • Gail Simone: Convergence: Nightwing/Oracle #2 (writer)
  • Jan Duursema: Convergence: Nightwing/Oracle #2 (penciller)
  • Jill Thompson: Convergence #8 (variant cover), Convergence: Nightwing/Oracle #2 (cover)
  • June Brigman: Convergence: Superman – The Man of Steel #2 (penciller)
  • Kai Wu: The Flash Season Zero #8 (co-writer)
  • Keto Shimizu: Arrow Season 2.5 #8 (writer)
  • Lauren Ceto: The Flash Season Zero #8 (co-writer)
  • Louise Simonson: Convergence: Superman – The Man of Steel #2 (writer)
  • Marguerite Sauvage: Hinterkind #18 (cover)
  • Marley Zarcone: Effigy #5 (interior art)
  • Ming Doyle: The Kitchen #7 (interior art)
  • Nicola Scott: Convergence: New Teen Titans #2 (art and cover)
  • Pia Guerra: Convergence: Superboy and the Legion of Super-Heroes #2 (cover)
  • Sandra Hope: Convergence #5 (inker)
  • Sara Ryan: Sensation Comics featuring Wonder Woman #10 (writer)
  • Yishan Li: Convergence: Blue Beetle #2 (interior art)

All together, there are 26 different female creators scheduled to work on 25 different books, a drop from April’s 32 female creators but the same number of series. A big part of this drop was that the Vertigo quarterly special pumped up the April numbers, so without it the May numbers fell off a bit. Vertigo’s also got Strange Sports Stories #3 coming out, and while the second issue had two female creators listed last month, this month the only credits are “Various.” So things are about the same for the regular books.

Of course, all of these regular books will be gone next month, when “Convergence” ends and DC returns to its regular titles. June should be very interesting, seeing as DC is debuting 24 new series with some new creators in the mix. While several of the women who worked on “Convergence” probably won’t be back at DC in June, it looks like there are a lot of ladies set to take their place. I’m curious to see if DC can top their record total yet again; that would certainly be a good way to kick off a bold new direction for the publisher.

There’s not much new for female characters in May, seeing as it’s just more “Convergence”. The crossovers are starting to expand, though, so female characters from random universes will probably be showing up haphazardly across the line. I counted 5 or 6 different Wonder Womans in various titles, and she’s only headlining one book.

Overall, May isn’t a record breaking month for DC, but it’s a solid showing. I remain pleased to see so many women involved in an event like this; past events at DC, like their regular September stunts, usually result in a big drop for female creators, so it’s great that there are so many in the mix for “Convergence”. June’s going to be a whole new ball game, and I’m cautiously optimistic that DC will be up in the 30s again to launch their new direction.


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