Posts Tagged ‘Nicola Scott’

Wonder Woman’s October 2016 Covers and Solicits

July 19, 2016

There’s some cool stuff on the way for Wonder Woman this October, from her regular bi-monthly series to a fun special to some intriguing collections. Between Wonder Woman’s 75th anniversary and the upcoming film, the character’s profile is sky high and we’ve been getting a pretty nice selection of Wonder Woman products announced each month. It’s an exciting (and often expensive!) time to be a Wonder Woman fan.

So let’s see what Wonder Woman is up to in October, starting with her regular series:


Written by GREG RUCKA • Art and cover by NICOLA SCOTT • Variant covers by JENNY FRISON • “Year One” part four! The world is finally introduced to Wonder Woman, and adversaries—both ancient and new—take note.
On sale OCTOBER 12 • 32 pg, FC, $2.99 US • RATED T

Written by GREG RUCKA • Art and cover by LIAM SHARP • Variant covers by JENNY FRISON • “THE LIES” part five! Diana takes another step closer to discovering the truth…and the mysterious Godwatch responds!
On sale OCTOBER 26 • 32 pg, FC, $2.99 US • RATED T

As usual, we’re only getting one of the covers, and this month it’s the Sharp one. I don’t love it, to be honest. Is it just me, or does Steve sort of look like a creep here? He’s weirding me out a little.

But, in fun news, Frank Cho is no longer doing the variant covers, and in his place we’ve got Jenny Frison, which is a huge upgrade. Cho’s covers weren’t terrible, but Cho’s a twit who seems to love to stir up sexist anger among his followers, so I’m not sad to see him go. His brand wasn’t a good fit for the book. And Frison is an amazing cover artist, so this should be very cool!

As for the insides, Rucka sure does love vague solicits. Wonder Woman is set to meet the world for the first time in “Year One”, while in “The Lies” Wonder Woman is moving slightly closer to the truth. Not a lot of information, but the series has been solid so far so I’m looking forward to it all nonetheless.

Next up, the second issue of the gorgeous looking team up, Trinity:


Written by FRANCIS MANAPUL • Art and cover by FRANCIS MANAPUL • Variant cover by FRANK CHO
“BETTER TOGETHER” part two! Superman, Wonder Woman and Batman have uncovered a window into their very souls: and the power of temptation proves to be stronger than any villain they could battle! The bonds of friendship and trust between the most formidable heroes on the planet will be tested to their breaking point, with the lives of innocents hanging in the balance!
On sale OCTOBER 19 • 32 pg, FC, $2.99 US • RATED T

I mean, look at that cover! I am going to buy this book based on the cover alone; it’s just so pretty. And Manapul’s doing the insides too! It’s going to look so nice. The story sounds weird in ways that could be cool. I like that the book focuses on their friendship and testing them all together; it’s a premise I can get behind. I’m keen for this book to start.

Hilariously, Frank Cho seems to have landed here with a new variant cover gig. We can’t catch a dang break! But really, who’s going to want a Cho cover when they can get that Manapul cover? It’s just too good.

We’ve also got an exciting special:


Story and art by various • Cover by JIM LEE • Variant cover by NICOLA SCOTT • Variant cover by LIAM SHARP
An immense special issue celebrating seventy-five years of the Amazing Amazon, through phenomenal new stories, art, and stand-alone illustrations! Featuring a roster of incredible creators—some who’ve laid down legendary runs with the character, and some who’ve never drawn her before—including Rafael Albuquerque, Brian Azzarello, Cliff Chiang, Renae De Liz, Brenden Fletcher, Adam Hughes, Karl Kerschl, Gail Simone, and many, many more to be announced!
On sale OCTOBER 26 • 80 pg, FC, $7.99 US • RATED T

Eighty pages of Wonder Woman fun, by some killer creative teams! I’m particularly excited for Fletcher and Kerschl to do a Wonder Woman story, though more Renae De Liz is super awesome, and Adam Hughes always does a great Diana. Plus Cliff Chiang! I love Cliff Chiang so much. I’m curious to see who else gets announced; it’d be great to see some more women in the mix here. I think this book could be a blast, and I’m really looking forward to it.

Now to some collections, including a fancy absolute edition:


In these tales from the start of DC—The New 52, Wonder Woman learns that Queen Hippolyta has kept a secret from her daughter all her life—and when Diana learns who her father is, her life will shatter like brittle clay. The only one more shocked than Diana by this revelation? Bloodthirsty Hera—so why is her sinister daughter, Strife, so eager for the truth to be told? This Absolute edition collects WONDER WOMAN #1-18 and #0.
On sale FEBRUARY 1 • 484 pg, FC, 8.25” x 12.5”, $125.00 US

I have mixed feelings on this. While the first six issues of this run are AMAZING, it does go downhill somewhat after that. I’d say that about 90% of my affection for this era of Wonder Woman is tied directly to Cliff Chiang’s spectacular art, and seeing it oversized like this would be so fun, but there were a lot of fill ins too that were often only just passable. I’m not sure whether I’ll pick this up or not, especially at such a steep price. But I might; I just love Chiang too much, you guys.

Finally, the collection we’ve all been waiting for:


Written by RENAE DE LIZ
Art and cover by RENAE DE LIZ and RAY DILLON
The new WONDER WOMAN 9-issue miniseries written and pencilled by Renae De Liz is collected here! In the beginning there was only chaos. But Hippolyta, Queen of the Amazons, saw a better future—and eventually her daughter would be destined to bring that new world to life! Before her ultimate fate unfolds though, Diana of Themyscira must learn the important lessons of an Amazonian childhood!
On sale DECEMBER 7 • 288 pg, FC, $29.99 US

BEST OF WONDER WOMANS!! If for some reason you were crazy enough to not read this digitally and THEN not read this in single issues, pull yourself together and mark December 7, 2016, on your calendar because you need to get this book. It’s the best Wonder Woman story I’ve read in ages; it’s gorgeous and fun, and simultaneously classic and fresh. It’s just ridiculously good on every level. You’ve got to check it out, and if you’ve got the single issues already, get some of these for your friends. I mean, talk about a perfect holiday gift!

So October should be a lot of fun for single issues, and the collections that come out further down the road are looking cool too. Remember a few months back when all we got was the Finches on Wonder Woman and a terrible Superman/Wonder Woman series? We are living the high life now, gang!

Wonder Woman #2 Review: A New Yet Iconic Origin

July 14, 2016


Sometimes a comic book just feels right. It taps into what you love about a character and captures a sense of her and her world in a way that fits perfectly with your view of both. We’ve gotten lots of different versions of Wonder Woman over years in lots of different continuities and, like most fans, my vision of the character isn’t connected to any particular incarnation but is rather an amalgam of aspects of many of them; a little Marston, a little Perez, a hint of Simone and Jimenez. A bit of Lynda Carter and a bit of Susan Eisenberg. It all adds up in my mind to something that doesn’t exist in full form in the real world, yet is THE Wonder Woman in my head. Wonder Woman #2 captured a lot of that for me. This felt like Paradise Island, the women captured who I think the Amazons are, and Diana was who I always want her to be. It was a great start to this “Year One” story that I’ve been very much looking forward too, and we’ll discuss it all momentarily but first:


I am about to reveal many of the major plot elements in this comic book!

Look away if you haven’t read it yet!

And go buy it; it’s great!

This isn’t like the old days when Wonder Woman sucked and it was easier to just read a review than subject yourself to a crappy comic each month!

Go read it and enjoy it!

I liked Wonder Woman #1, but it was good not great for me. It got the ball rolling on a bunch of things, but it was a pretty laid back, spacious first issue. While Wonder Woman #2 isn’t particularly jam packed either, there’s a lot more going on even if it a lot of it might not be particularly plot based. What happened can be summed up pretty quickly: Diana’s a princess of the Amazons, she wants to see the outside world, and one night Steve Trevor crash lands on Paradise Island. It’s all fairly standard Wonder Woman origin stuff. But the world building and character building behind it all is what makes this comic great.

Let’s start with Steve Trevor, for a change. I always find it hard to give a hoot about Steve Trevor, but Greg Rucka and Nicola Scott make him an instantly likeable character with just a few pages that flash through moments in the years leading up to his arrival on Paradise Island. The scenes go through Steve’s military training and his friendship with a fellow soldier named Nick, who actually gets a fuller arc; we see him on his first date with his future wife, then his wedding, then the birth of his first child, then his tragic death in the plane crash that brings Steve to Diana. Through Nick’s story, we get a sense of the man Steve is, a good friend, a good soldier, and an all around good man. He’s still not the most exciting guy in the world; I don’t think he ever could be, really. The man is doomed to be overshadowed by Wonder Woman, after all. But the story establishes that Steve is a guy worth rooting for.

With Diana, Rucka and Scott establish several of the hallmarks of the character. She’s kind and funny, a great warrior, and a wonderful daughter. She also wants to get the hell out of paradise, though not in a petulant, brooding way. Her entire existence has been confined to this island, while all of her sisters have spent time in the outside world before the Amazons departed it. She’s curious, and while she clearly loves her home and her sisters, she wants more.

We also get canonical acknowledgement of same-sex relationships on Paradise Island, particularly some involving Diana herself. It seems that she’s had a variety of paramours over the years, and that many of her fellow Amazons are interested in her; she’s the cool girl that everyone has a crush on. We’ve seen same-sex relationships among the Amazons before, most recently in Wonder Woman: Earth One and The Legend of Wonder Woman, but it’s good to see Diana in the mix too. And in a way that comes off well. There’s not much in the way of jealousy and strife among her would-be suitors, just earnest longing. It stands in stark contrast to Wonder Woman: Earth One, in which her relationship with Mala was a rather toxic and uncaring.

The most intriguing part of the issue for me was the mysterious snake that bites Diana and renders her ill, seemingly for some time. The snake appears in a bizarre tree that Diana has never seen before, and has glowing red eyes. Its bite knocks Diana unconscious, and her recovery takes a while. The snake and the tree aren’t discussed much, but it’s clear that they’ll play a role moving forward. Perhaps this may be one of the connections to the story in the odd-numbered issues that Rucka has hinted at, some sort of link to the lies that plague Diana in the present day.

But back in the past, she’s just a curious gal who wants to see the world. It’s understandable, even though Scott has built a spectacularly gorgeous world around her. Her rendering of the island feels like the platonic ideal of Paradise Island to me; it’s classic but unique, with a beautiful city area and lush surroundings. It’s everything I think of when I imagine the home of the Amazons.

Scott also does a phenomenal job with the island’s residents. While Scott has drawn Wonder Woman before, and did an excellent job when she did, her work is even better now. She’s definitely grown as an artist over the years, and I think it shows most in the clear yet subtle emotion she brings to her characters. Diana’s interactions with her mother demonstrate this particularly well; even without the dialogue, you can see the warmth and love they have for each other as clear as day, and the characters are expressive but not overly so. It feels natural and real, something that’s tricky to achieve in artwork.

The colors enhance the beauty of the book as well, and I’m so glad to see Romulo Fajardo Jr. will be coloring this half of the series. His work on Wonder Woman ’77 was phenomenal, and often brought the book to live, even when he didn’t have the best art to work with. Paired with Scott’s fantastic linework, Fajardo’s colors make the book sing. It’s a gorgeous issue from start to finish, and while I very much wanted to devour it to see what happens next, the artwork drew my attention and kept me poring over each page.

All together, this first issue of “Year One” was a great start. It could perhaps be called slow or even “decompressed”, but it was so in a way that I think it needed to be to establish a new tone for Paradise Island and the Amazons. The New 52 run diminished both considerably, degrading them and turning this noble group of women into a bunch of hateful rapists and murderers. Rucka and Scott bring joy and peace and kindness back to the Amazons here, and establish a new status quo that overwrites the errors of the past. We still don’t have much insight into how Wonder Woman remembers two pasts or who is behind “The Lies” that are being pursued in the odd-numbered arc, but we do have the classic Amazons back and that’s what I was hoping for above all else in this run.

Wonder Woman #2 Preview: Year One Begins!

July 12, 2016


I’ve been waiting for this book for years, ever since Greg Rucka revealed that he was originally tapped to write the Wonder Woman: Earth One graphic novel, with art by J.H. Williams III (DC changed their minds and gave it to Grant Morrison and Yanick Paquette instead). He’s mentioned a few story details over the years, and they all sounded amazing; Diana looking out at the horizon instead of up in the sky in this preview was one of those scenes. And now Rucka’s telling his Wonder Woman origin story, with Nicola Scott on art, and I can’t wait to read it!

The A.V. Club has posted a preview of the story, which debuts in Wonder Woman #2 and will run in every other issue of the series for the next six months, so let’s take a look:



It delights me to no end to see happy Amazons. We’ve had a long run of cold, vicious, awful Amazons, so seeing love and warmth on Paradise Island is a lovely change of pace. The final page of the preview, with Diana and her mother, warms my heart immeasurably, doubly so since Hippolyta’s been dead for several years now since the New 52 reboot. But, as we learned with Wonder Woman #1, Diana’s New 52 family was all a lie, the details of which are slowly unfolding in the odd numbered issues of the new series.

I’m so excited to pick this issue up tomorrow! I should have a review up at some point, though I’m going to be on a train all afternoon and my wifi might be spotty. But I’ll do my best to have my thoughts up then. If not, it’ll be up on Thursday. Be sure to hit your local comic shop or Comixology tomorrow to get this issue!

Women At DC Comics Watch – September 2016 Solicits, 28 Women on 21 Books

June 28, 2016


DC’s not had the best run with female creators over the course of their past few rounds of solicits. Since their “Rebirth” relaunch began in June, the numbers have been well below their usual level, and far off from their previous highs. It looks like September might mark the end of this skid, but I’m not entirely sure that this increase in female creators is going to last. We’ll discuss more, after we look at who’s doing what at DC Comics in September 2016:

  • Amanda Conner: Harley Quinn #3 (co-writer, cover), Harley Quinn #4 (co-writer, cover), Harley Quinn and her Gang of Harleys #6 (cover)
  • Amanda Deibert: Wonder Woman ’77 Special #4 (co-writer)
  • Amy Chu: Wonder Woman ’77 Special #4 (co-writer)
  • Babs Tarr: Doom Patrol #1 (variant cover)
  • Becky Cloonan: Gotham Academy: Second Semester #1 (co-writer)
  • Bilquis Evely: The Flintstones #3 (variant cover)
  • Carmen Carnero: Astro City #39 (interior art)
  • Cat Staggs: Wonder Woman ’77 Special #4 (cover)
  • Claire Roe: Batgirl and the Birds of Prey #2 (interior art)
  • Emanuela Lupacchino: Green Lanterns #6 (variant cover), Green Lanterns #7 (variant cover)
  • Fiona Staples: Gotham Academy: Second Semester #1 (variant cover)
  • Gail Simone: Clean Room #12 (writer)
  • Holly Black: Lucifer #10 (writer)
  • Hope Larson: Batgirl #3 (writer)
  • Jenny Frison: Clean Room #12 (cover)
  • Joelle Jones: American Vampire Anthology #2 (interior art)
  • Julie Benson: Batgirl and the Birds of Prey #2 (co-writer)
  • Kamome Shirahama: Batgirl and the Birds of Prey #2 (variant cover)
  • Marguerite Bennett: American Vampire Anthology #2 (writer), DC Comics Bombshells #17 (writer)
  • Meghan Hetrick: Red Thorn #11 (interior art)
  • Mirka Andolfo: DC Comics Bombshells #17 (interior art)
  • Nicola Scott: Wonder Woman #6 (interior art)
  • Rachel Dodson: Superwoman #2 (variant cover)
  • Sandra Hope: Cyborg: Rebirth #1 (inker), Gotham Academy: Second Semester #1 (inker)
  • Shawna Benson: Batgirl and the Birds of Prey #2 (co-writer)
  • Tess Fowler: Wonder Woman ’77 Special #4 (interior art)
  • Trina Robbins: Wonder Woman ’77 Special #4 (co-writer)
  • Tula Lotay: Everafter: From the Pages of Fables #1 (cover)

All  together, there are 28 different female creators set to work on 21 different comic books, an impressive gain from August’s 20 and 21, respectively. September also marks DC’s best total since March, quite a lull for the publisher, though as I mentioned at the top, the numbers are still far from their past highs.

And also probably fleeting. Between a couple of anthology books (Wonder Woman ’77 Special #4 and the resolicited American Vampire Anthology #2) and variant covers, at least a third of the gigs listed above are unlikely to be back in October; they’re one-shot jobs. It’s great that these books are loaded with female creators and that so many women are getting cool variant cover gigs, but it’s not a stable position like writing or interior art tends to be. Next month could drop off quite a bit.

Though there are some new, more stable gigs in the mix. Gotham Academy: Second Semester returns with regular jobs for co-writer Becky Cloonan and inker Sandra Hope, while the new Everafter: From the Pages of Fables could prove to be a consistent cover position for Tula Lotay. Three more regulars is good news.

In terms of female characters, Supergirl is officially launching her new title in September, the return of Gotham Academy means more fun adventures for Olive and Maps, and there’s also a Raven mini-series. In new team books, Wonder Woman will be a key player in Trinity, while Raven and Starfire will be part of the new Teen Titans. So it’s a pretty solid month across the board for fictional women too, and a great month if you happen to be a Raven enthusiast.

Overall, September looks to be a strong month for women at DC, but I’m not sure that it will last. Gerard Way’s Doom Patrol is set to premiere then, though, which may mean that the rest of his line is rolling out soon; that would be good news, because several female characters have been attached to those projects. It’ll take several new books to keep these numbers up in October, and we’ll find out in a month or so if DC is up to the task.

Wonder Woman’s September 2016 Covers and Solicits

June 21, 2016

DC Comics’ solicits for September were released yesterday, and it looks like Wonder Woman’s got some fun adventures ahead of her, as well as a new series in which she co-stars. How lovely it is to be looking forward to all of the Wonder Woman comics coming out in a given month; it’s been so long since that’s been the case. So let’s see what Wonder Woman will be up to in September, starting with her eponymous series:


Written by GREG RUCKA
Art and cover by NICOLA SCOTT
Variant cover by FRANK CHO
“WONDER WOMAN YEAR ONE” part 3! Diana brings Steve back home, but the reception is not what either of them expected. Amid suspicion and a looming threat, the Patrons pay a visit, and new friendships are forged.
On sale SEPTEMBER 14 • 32 pg, FC, $2.99 US • RATED T

Written by GREG RUCKA
Art and cover by LIAM SHARP
Variant cover by TBD
“THE LIES” part 4! One god down—how many more to go? Diana takes another step closer to the truth, and Steve Trevor confronts his past!
On sale SEPTEMBER 28 • 32 pg, FC, $2.99 US • RATED T

The cover this month (we’re still only getting one of the two for some reason) is by Nicola Scott, and it’s fun to see Wonder Woman with her animal pals. Perhaps they’re planning an adorable prison escape? I’d be down for that. It sounds like the Amazons don’t love that Wonder Woman has brought Steve to their home, seeing as she’s in jail and all. But the world’s cutest jail break is on the way.

In the present, well, the solicit is very vague. It sounds like a bad time for the gods, since one of them is down and all, but we don’t know in what capacity they are down. Or if they’re even the real gods, I suppose. Everything is in question! Nothing is true! The gods sit on a throne of lies! It’s all very mysterious, but it should be a lot of fun.

Wonder Woman is co-starring in a new book, too:


Art and cover by FRANCIS MANAPUL
Variant cover by TBD
“BETTER TOGETHER” part 1! Together again for the first time! Batman, Superman and Wonder Woman. The core of the World’s Greatest Heroes…but with a new Man of Steel, the bonds these three share will be tested and redefined by super-star writer/artist Francis Manapul. In this premiere issue, see the trio travel from Metropolis to Gotham City and beyond to learn what forces launched their heroic careers. But how will this journey of discovery lead them to a new threat?
On sale SEPTEMBER 21 • 32 pg, FC, $2.99 US • RATED T

Team up! It’s just like Batman v Superman, but hopefully not so terrible. With Francis Manapul at the helm, it could be pretty cool. It’ll be gorgeous for sure, at least. His art is always spectacular. Plus we’ve got the good Superman back now since the New 52 Superman is dead; I’m optimistic, and I’m going to have to check this one out. We’ve got another pretty vague solicit here, but “superheroes teaming up for an adventure” is something I can always get behind if it looks bright and fun.

Finally, we’ve got another Wonder Woman ’77 special, though no cover yet:

After narrowly escaping Wonder Woman (and the law) once before, Gault (actually his disembodied brain!) plots revenge…and seeks a new body to house his evil! Plus, “Worlds Collide” when a tape full of government secrets gets swapped for some excellent Super Funk! We peek at “The Man Behind the Curtain” when a dictator tries to fulfill his daughter’s final wish. And in “Seeing Stars,” Wonder Woman proves herself not a just the protector of Earth…but of the universe.
On sale SEPTEMBER 21 • 80 pg, FC, $7.99 US RATED E • DIGITAL FIRST

Just look at this line up of creators! There are so many amazing people in the mix here, both writers and artists. It should be a fantastic issue. Plus with that last story, “Seeing Stars”, is Wonder Woman going to space? That would be rad. Lynda Carter in space sounds like an exciting time, and exactly what the series is for, i.e. cool things the show could never have afforded to do. Looking forward to this one.

Be sure to pick up all of these books in September! It looks like it’s going to be a great month for Wonder Woman.

Wonder Woman: Rebirth #1 Review: A Tale of Two Wonder Women?

June 8, 2016


It’s finally here, gang. A much needed new direction for Wonder Woman. The New 52 version of the book had its ups and downs, but it’s been mostly downs lately. And it looks like Greg Rucka knows this. His first issue back writing Diana, with artists Matthew Clark and Liam Sharp, serves as a definite turnaround from what’s been going on for the past few years. What exactly is going on is a bit murky right now; the issue is more a tease of what’s to come than a statement of a new status quo. But it’s certainly very intriguing, and suggests that a lot of the past might not be quite what we thought it was. We’ll dig into it all momentarily, but first:


Look away if you don’t want to know what happens in this issue!

Wonder Woman is good again so go actually read it first before you read this review!

This “Rebirth” special presents two possible narratives for Wonder Woman’s history: The New 52 origin with a blonde Hippolyta hooking up with Zeus and terrible Amazons, and a brunette Hippolyta who crafted Diana out of clay and happy Amazons, which seems to be rooted in the pre-New 52 DC universe. DC’s big “Rebirth” introductory issue a couple of weeks back revealed that the New 52 universe isn’t actually a different world, but rather the previous universe with some tweaks and a lot of lost time. Wonder Woman seems to be realizing this here, and is confused by the dual memories she now has.

To sort out what’s really going on, Wonder Woman uses the lasso of truth to interrogate herself. It’s a clever move by Rucka, and a cool way to get at the heart of what’s happening. She doesn’t know exactly what’s up, but she does know that she’s been deceived, though she’s unsure who is behind it. When she smashes her mirror in frustration, we see a variety of scenes from her past, some of the New 52 and some of the previous universe, including the Medusa storyline from Rucka’s first run.

Wonder Woman then goes to Olympus for answers, but realizes it’s not the true Olympus. Hephaestus’ automatones attack her, and everything begins to break up in whirlpools of destruction around her. This might mark some massive changes for Wonder Woman moving forward. If Olympus, and thus perhaps the gods themselves, aren’t real, that’s a rather epic level of deception. And if the blonde Hippolyta and the New 52 Amazons aren’t her true family, where are her mother and the real Amazons? The creative team has certainly set themselves up with a lot to work through when the book officially launches in two weeks.

So right now, it looks like the entirety of her adventures in the New 52 Wonder Woman were with impostors and that something resembling the old DC universe is her true past. If this is how things play out, that’s a really smart way to bring back classic elements of the Wonder Woman mythos and return her to a more iconic depiction without invalidating the past five years. It seems that everything that happened to her has happened to her; they are events and people that she remembers. Wonder Woman lived it, but everything around her was a facade.

Presumably everything we saw outside of Wonder Woman took place as well, including her romantic relationship with Superman. He is, rather conveniently, dead now, allowing for a clean break from that part of her past. I’m curious to see how this might play out, whether Diana will grieve the loss or if uncovering the lies that surround her may lead her to reject the entirety of her recent years and start over fresh. Perhaps there’ll be a bit of both.

While this issue was mostly a tease for what’s to come, there was one moment that appeared to be a mission statement for this new run, a reassertion of who Wonder Woman really is. As Diana pondered over her true history, she picked up her God of War helmet and crushed it in her hands, almost absentmindedly. Of all of the elements of her New 52 origin to destroy, her status as the God of War is a telling, symbolic choice. It suggests a renunciation of the past few years, and all of the violence and darkness that’s come with it. Wonder Woman is a warrior, yes, but that’s just part of who she is. In his first comments on Wonder Woman after landing the gig, Rucka pointed out several times that his Wonder Woman will smile more, and undoing her role as the God of War further suggests that a more joyful path lies ahead.

Plus, it’s going to look great. Matthew Clark does a fine job on the bulk of the story, but Liam Sharp, who will be one of the regular artists on the book moving forward, takes over for the last few pages, and it’s lovely stuff. His Wonder Woman is powerful and regal, his linework is detailed and expressive, and he’s got some killer hair in the mix too. Laura Martin’s coloring is excellent as well, and I particularly loved the little sparkle that she put in Wonder Woman’s eyes on the final page. It’s little things like that that make me optimistic about this run.

So, things are in a state of flux right now. Wonder Woman’s New 52 life might’ve just been a series of lies, and the old Wonder Woman might be coming back. Or rather, her old world might be coming back, and it may be up to Wonder Woman herself to navigate what aspects of her new self to keep and what to leave behind should it return in full force. It’s a fascinating premise, and if it’s executed well it could be an interesting counterpart to the more typical cycle of full on reboots we’ve seen in superhero comics as of late.

I’m excited to find out what happens next, and luckily we won’t have to wait too long! Wonder Woman #1 comes out in two weeks with “The Lies”; drawn by Liam Sharp and set in the present, it examines the deceptions mentioned in this “Rebirth” special. Then on July 13 we’ve got Wonder Woman #2 and the start of “Year One”; drawn by Nicola Scott, it’s set in the past and digs into Wonder Woman’s early days and her true origins. The storylines will alternate from there. I’m really looking forward to it, and boy is it nice to be excited about Wonder Woman again!

Women at DC Comics Watch – August 2016 Solicits: Rebirth Still Low, 20 Women on 21 Books

May 24, 2016


DC Comics’ big “Rebirth” initiative has not been great for women thus far. Even though they’re adding new series every month, the numbers aren’t really changing for female creators at DC, plus the current level is far below where DC was before “Rebirth.” I don’t know what it is with DC and big events, but anytime they do a new publishing initiative, they do so with considerably fewer women than they had beforehand. It’s a troubling trend. Let’s see who is doing what at DC in August:

  • Amanda Conner: Harley Quinn #1 (co-writer, cover), Harley Quinn #2 (co-writer, cover), Harley Quinn and her Gang of Harleys #5 (cover), Harley’s Little Black Book #5 (co-writer, variant cover), Suicide Squad: Rebirth #1 (variant cover), The Flintstones #2 (cover)
  • Becky Cloonan: Gotham Academy Annual #1 (co-writer)
  • Bilquis Evely: Legends of Tomorrow #6 (interior art)
  • Claire Roe: Batgirl and the Birds of Prey #1 (interior art)
  • Elsa Charretier: DC Comics Bombshells Annual #1 (interior art)
  • Emanuela Lupacchino: Green Lanterns #4 (variant cover), Green Lanterns #5 (variant cover), Supergirl: Rebirth #1 (art and cover), The Flintstones #2 (variant cover)
  • Gail Simone: Clean Room #11 (writer)
  • Holly Black: Lucifer #9 (writer)
  • Hope Larson: Batgirl #2 (writer)
  • Jenny Frison: Clean Room #11 (cover)
  • Julie Benson: Batgirl and the Birds of Prey #1 (co-writer)
  • Kamome Shirahama: Batgirl and the Birds of Prey #1 (variant cover)
  • Laura Braga: DC Comics Bombshells #16 (interior art)
  • Marguerite Bennett: DC Comics Bombshells #16 (writer), DC Comics Bombshells Annual #1 (writer)
  • Meghan Hetrick: Red Thorn #10 (interior art)
  • Mirka Andolfo: DC Comics Bombshells #16 (interior art)
  • Nicola Scott: Wonder Woman #4 (art and cover)
  • Rachel Dodson: DC Comics Bombshells Annual #1 (cover), Superwoman #1 (variant cover)
  • Renae De Liz: The Legend of Wonder Woman #9 (writer, art, and cover)
  • Shawna Benson: Batgirl and the Birds of Prey #1 (co-writer)

All together, there are 20 different female creators scheduled to work on 21 different books in August, more books and the same number of women as July’s 20 and 17, respectively. In the “Rebirth” era thus far, we’ve got female creator totals of 19, 20, and 20, far lower than earlier in the year when DC was consistently in the mid-20s and even topped 30 different women on occasion. These numbers aren’t great.

We’re also seeing a lot of grouping. There are two DC Comics Bombshells books in August, and they make up a full quarter of the women working at DC. I love the Bombshells comic and that it’s such a fantastic outlet for female creators, but it’s sad that DC has so few women working for them that two books can account for so much. Also, Amanda Conner makes up 6 of the 21 different issues listed above, almost a third. Amanda Conner is amazing, but it again speaks to how poor DC is at distributing work to women that one woman accounts for such a huge number of books.

On the character side of things, Batgirl and the Birds of Prey officially launches in August after their “Rebirth” special in July, and the new Superwoman, starring a superpowered Lois Lane, debuts as well. A new Harley Quinn book will be hitting shops as well, but it appears to be just a relaunch of the current series without much in the way of changes or revamps; why mess with a good thing? We’ve also got some fun annuals, including a DC Comics Bombshells Annual that introduces Barbara Gordon to this alternate universe and a Gotham Academy Annual that should be a blast because that book is always a good time.

So “Rebirth” has been rather underwhelming so far. I was hoping that the numbers would grow as more books came out, but that does not seem to be the case.  Things are steady and low, with few signs that this will change on the superhero front. The fall should tick up, with Gerard Way’s new line starting up, but that may be a couple of months off yet, and that will do little to address DC’s mainline superhero problem. Put more women on your books, DC! It’s not hard.


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