Posts Tagged ‘Nicola Scott’

Women at DC Comics Watch – March 2016 Solicits, 28 Women on 22 Books

January 4, 2016

womenatdcMARCH.png

I thought it would be fun to start off a new year of posts with some good news, so here’s what I’ve got: DC is poised to have a pretty decent March in terms of female creators, and their 2016 solicits thus far have been relatively strong.   The numbers aren’t as high as they were a year ago, when DC was busting up records left and right, but they’re considerably better than they were in the wake of last June’s #DCYou mini-relaunch. So yeah, things are looking up! I mean, women still constitute a tiny minority of DC’s overall creator total; things are better but not particularly good. Still, improvement! Let’s see who’s doing what at DC this March:

  • Amanda Conner: Harley Quinn #26 (co-writer, cover), Starfire #10 (co-writer, cover)
  • Amanda Deibert: Wonder Woman ’77 Special #3 (co-writer)
  • Amy Chu: Poison Ivy: Cycle of Life and Death #3 (writer)
  • Annie Wu: Black Canary #10 (art and cover)
  • Babs Tarr: Batgirl #50 (art and cover)
  • Becky Cloonan: Harley Quinn #26 (variant cover)
  • Bilquis Evely: Legends of Tomorrow #1 (interior art)
  • Cat Staggs: Wonder Woman ’77 Special #3 (interior art)
  • Chrissie Zullo: Fables: The Wolf Among Us #15 (cover)
  • Elsa Charretier: Starfire #10 (interior art)
  • Gail Simone: Clean Room #6 (writer), Secret Six #12 (writer)
  • Genevieve Valentine: Batman & Robin Eternal #22 (writer), Batman & Robin Eternal #23 (writer)
  • Holly Black: Lucifer #4 (writer)
  • Jenny Frison: Clean Room #6 (cover)
  • Laura Braga: DC Comics Bombshells #10 (interior art)
  • Lauren Beukes: Survivors’ Club #6 (co-writer)
  • Marguerite Bennett: DC Comics Bombshells #10 (writer)
  • Marguerite Sauvage: DC Comics Bombshells #10 (interior art)
  • Meghan Hetrick: Red Thorn #5 (interior art)
  • Meredith Finch: Wonder Woman #50 (writer)
  • Michelle Delecki Davis: Green Arrow #50 (cover)
  • Ming Doyle: Constantine: The Hellblazer #10 (co-writer)
  • Mingjue Helen Chen: Gotham Academy #16 (cover)
  • Nicola Scott: Wonder Woman ’77 Special #3 (cover)
  • Renae De Liz: The Legend of Wonder Woman #3 (writer, art, and cover)
  • Ruth Fletcher: Wonder Woman ’77 Special #3 (co-writer)
  • Trina Robbins: Wonder Woman ’77 Special #3 (co-writer)
  • Tula Lotay: Slash & Burn #5 (cover)

All together, there are 28 different women set to work on 22 different comic books this March, solid gains from February’s 21 and 19. Furthermore, the schedule for 2016 thus far is 31 different women in January, 21 in February, and 28 in March; it’s a bit up and down, but the numbers are decent relative to DC’s second half of 2015. While inconsistent, the numbers appear to be trending in a positive direction, and hopefully DC will soon be in record setting territory (for them) again.

We’ve also got a couple new names in the mix, which is always good to see. Elsa Charretier is drawing Starfire, and Ruth Fletcher is writing a story in the Wonder Woman ’77 Special #3. We’ve got some returning favourites in new places as well, with Bilquis Evely drawing the “Sugar and Spike” story in the new Legends of Tomorrow, and a bunch of folks taking part in that Wonder Woman ’77 Special, including Amanda Deibert, Cat Staggs, Nicola Scott, and Trina Robbins.

The Wonder Woman ’77 special is just a one-time deal, though, which may not bode well for the April numbers. Of the 28 different women working at DC in March, 5 of them are on this special and likely won’t be back next month. Ideally, they may show up somewhere else or there’ll be new people on other books, but we need to take overall numbers bolstered by one-shots with a grain of salt.

For new female characters, it’s a fairly quiet month for new books across the board apart from the Legends of Tomorrow anthology. The only female character in the mix there is half of “Sugar and Spike”; the rest are all men.

Overall, March looks to be a solid month for women making comics at DC as 2016 continues to improve on DC’s recent performances. There’s still massive amounts of room to grow, of course, and with so many names tied up in a one-shot, a decline in April seems likely. But we’ll see what April brings. Let’s start 2016 on an optimistic note and hope for continued growth.

Wonder Woman’s March 2016 Covers and Solicits

December 15, 2015

DC’s March 2016 solicits went up yesterday, and we’ve got the usual Wonder Woman fun plus a cool and somewhat unexpected surprise. Let’s take a look at what Wonder Woman will be up to this March, starting with Wonder Woman #50:

marchww50

WONDER WOMAN #50
Written by MEREDITH FINCH
Art by DAVID FINCH and SCOTT HANNA
Polybagged variant cover by MASSIMO CARNEVALE
On sale MARCH 23 • 48 pg, FC, $4.99 US • RATED T
It’s a special super-sized 50th issue! Wonder Woman continues her quest to save Zeke and Olympus, but is she prepared for what she might find? Long-buried secrets suddenly brought to light will call into question everything she thought she knew about those she loves and trusts the most.

I’m pretty sure that this is the cover from last month’s solicits, so now I don’t know which book the cover will go on. I’m guessing it’ll be on the February issue, since the rest of this month’s 50th issues have snazzy, more iconic covers while this one has more gods than Wonder Woman. We’ll find out either way come February, I guess.

Anyway, the new Wonder Woman has made it to fifty issues! The last batch of which have not been great, but so it goes. I’m mildly interested in this issue because in a recent issue Meredith Finch revealed that they’re doing a backup story like they did earlier this year in the annual, and that back-up story was probably the best thing in the book since the Finches took over. I mean, it wasn’t good but it wasn’t terrible, so I’m glad for them to revisit that.

Up next, Superman/Wonder Woman #27:

marchsww27

SUPERMAN/WONDER WOMAN #27
Written by PETER J. TOMASI
Art by DOUG MAHNKE and JAIME MENDOZA
Cover by ED BENES
Polybagged variant cover by CHARLIE ADLARD
On sale MARCH 16 • 32 pg, FC, $3.99 US • RATED T
“Savage Dawn” continues from this month’s ACTION COMICS #50! A comet drawn by Vandal Savage to Earth is wreaking havoc across the globe—and empowering his children in the most dangerous way possible!

True story: I bought the latest issue of this series the day it came out and forgot to read it, remembered that I had forgotten the next day, and didn’t bother to read it for about a week. Turns out, I wasn’t missing anything. I find that this book lacks a purpose. Their relationship is all out of whack, everything seems tangential to bigger plots going on in other Super-books, and the entire dynamic is just unpleasant. It feels unnecessary all around. And with that ringing endorsement, keep your eyes peeled for this issue in March!

Now to a book I love: The Legend of Wonder Woman #3:

marchlegend3

THE LEGEND OF WONDER WOMAN #3
Written by RENAE DE LIZ
Art by RENAE DE LIZ and RAY DILLON
Cover by RENAE DE LIZ
On sale MARCH 9 • 40 pg, FC, 3 of 9, $3.99 US • RATED T • DIGITAL FIRST
Themyscira comes alive with the sounds of Amazons on the hunt. Will they find their prey before Diana has a chance to rescue the outsider who fell from the sky? Hippolyta stands against her foes, and announces a tournament that will change Themyscira forever as the fate of the mysterious stranger hangs in the balance.

You’re going to want to be picking up this series, gang. The first issue is out in January, so GET ON IT. You’ll love it. It’s so much fun, and such a fresh but iconic take on Wonder Woman and the Amazons. This third issue seems to be getting to the Steve Trevor part of the story, which should be fun. Plus the tournament! I love the tournament in every incarnation; one of my favourite things in the mythos is that any Amazon could have been Wonder Woman and Diana is just the best of the best. But yeah, buy this book!

And finally, we’re getting more Lynda Carter fun in Wonder Woman ’77 Special #3:

marchwwspecial

WONDER WOMAN ‘77 SPECIAL #3
Written by MARC ANDREYKO, CHRISTOS N. GAGE, RUTH FLETCHER, AMANDA DEIBERT and TRINA ROBBINS
Art by RICHARD ORTIZ, STAZ JOHNSON, CAT STAGGS and others
Cover by NICOLA SCOTT
On sale MARCH 30 • 80 pg, FC, $7.99 US • RATED E • DIGITAL FIRST
In “Claymates,” when Clayface finds himself crumbling and drying up, he seeks a cure by any means necessary! Can Wonder Woman stop him before he enslaves Paradise Island? Then, Diana and Steve go undercover in “Oceans,” where a diplomat crucial to the Panama Canal negotiations has dangerous plans! After a battle with smugglers at home, Wonder Woman is surprised to find a warehouse full of ivory. In Africa, she teams up with the local IADC to track “Orion the Hunter.” Finally, Federal Agent Diana Prince joins a Congressman and his aides to investigate a cult. “Reverend Mike Loves You,” but can you trust his plans for the future?

This sounds really cool, and I’m excited to see that they’re mixing it up with a lot of different creative teams this time around. The longer arcs in past runs got a little bit formulaic, so it should be fun to just enjoy a bunch of short stories. There are some killer creators involved too. For digital readers, I’m guessing we’ll see these stories starting in February or so? The Legend of Wonder Woman is pretty far ahead of the print schedule, so maybe they’ll do a hiatus like they used to do with Sensation Comics.

Wonder Woman’s also involved in Teen Titans #18 and Titans Hunt #6, as well as the continuing saga of the “Darkseid War” in Justice League, so check those out as well if you’re interested. It could be a fun month all around; we’re certainly getting great stuff from the digital-first division, and maybe even the main series won’t be as bad as usual? Here’s hoping!

 

Wonder Woman ’77 #12 Review: “Celsia 451, Part 3” by Marc Andreyko and Cat Staggs

October 1, 2015

ww7712

The second arc of this new round of Wonder Woman ’77 wrapped up today, concluding what has been the book’s best storyline so far. It’s like the whole team got together and decided to fix some of the issues that held back previous arcs. Instead of starting a story with one issue of fantastic arc and then closing out with two issues that weren’t as good, this arc brought in Cat Staggs to draw every issue and she provided consistent, great artwork throughout. Rather than relying on a formulaic three act structure of intro, small fight, big fight, writer Marc Andreyko took a new tack, throwing in the Atomic Knights at the end of last week’s issue for a fun twist that really mixed things up. Plus they kept the one thing that’s always worked like gangbusters: Nicola Scott’s’ fantastic covers.

The end result was a very enjoyable storyline, and a solid final issue this week. With the Atomic Knights in the mix, there was a lot going on. Wonder Woman was trying to capture Celsia, Celsia was trying to kill a senator, and the Atomic Knights were supposed to kill Wonder Woman AND Celsia. But the Atomic Knights weren’t monolithic; one of them had a conscience and refused to attack Wonder Woman. So there were a variety of players with different motivations, all fighting it out. It made for a much better read than a typical, simple Wonder Woman brawling with a bad guy finale. Andreyko had a lot of balls in the air, but made it all work.

I also enjoyed how everything was resolved. Wonder Woman is a hero who knows the difference between a real criminal and a misguided person who’s been wronged and is lashing out. I always like when Wonder Woman takes the time to understand the latter instead of just punching them out and carting them off to prison. Celsia did end up in prison, put on a much better path now that Wonder Woman ensured she would get justice for everyone harmed in the nuclear meltdown. It’s not hard to imagine a future where Wonder Woman stayed in touch with Celsia, and perhaps even sponsored her parole down the road and helped Celsia use her powers for good.

Another fun bit was Steve Trevor showing up only after Wonder Woman had sorted out everything. Friggin’ Steve Trevor. That guy is comically useless.

Cat Staggs finished the arc with yet another lovely issue. She had a lot to balance with so many players involved in the final battle, but she laid out everything with clarity and style. It was fun to see more of the Atomic Knights, too. I really like their design. Plus there was some laser deflecting from Wonder Woman with her bracelets! You know it’s a fun time when Wonder Woman is using her bracelets to deflect shots. Staggs has done fantastic work over this arc, and it was great to have an artist of her caliber onboard for the full story.

The previous Wonder Woman ’77 arcs weren’t bad by any means, but they were a little generic. “Celsia 451” broke out of the formula, and had consistently strong art to boot, leading to the book’s best storyline yet. Both of the last two arcs are collected in print in Wonder Woman ’77 Special #2, which came out yesterday. The special also includes a Halloween one-shot drawn by Jason Badower, which will be released digitally next week. Sensation Comics returns after that, unfortunately with its final storyline. It should be great though, with Trina Robbins writing! We’re set for an excellent few weeks on Wonder Woman digital fun, but that might be it for a while.

Wonder Woman ’77 #8 Review: “The Cat Came Back, Part 2” by Marc Andreyko and Richard Ortiz

September 3, 2015

ww778

Wonder Woman’s confrontation with the new Cheetah, Barbara Minerva, continues with this week’s issue of Wonder Woman ’77, but it’s a somewhat underwhelming outing. The story goes as we all expected it would after the first issue: the Cheetah attacks Wonder Woman, they fight, and then there’s a cliffhanger ending promising more fighting in the finale next week. The problem is, we’ve seen this before, and I’m not just talking about the formulaic three act structure.

This week’s issue ended with the Cheetah calling on her goddess Mafdet to create a cheetah army for her, and scores of attendees at the museum’s Wonder Woman exhibit got turned into angry cheetah creatures just like Barbara who came after Wonder Woman in the cliffhanger ending. It’s not a bad cliffhanger, really, except for the fact that this is exactly how the second issue of the FIRST arc of Wonder Woman ’77 ended. The Silver Swan mind-controlled the innocent civilians at the disco and sent them after Wonder Woman, just like the Cheetah’s army swarmed her here. The Silver Swan outing was only six issues ago, and it’s disappointing to see Andreyko repeating himself so soon. It all feels a little uninspired.

It’s a pity about the copycat ending, because the issue up until then had been decent enough. Wonder Woman’s speech at her exhibit wasn’t much of a stirring piece of writing, I suppose, but I liked a lot of the Cheetah fight. I particularly enjoyed the moment after Wonder Woman lassoed the Cheetah and she just ran around a pillar a few times, wrapping the lasso around it, and pulled it down, causing Wonder Woman to go stop the building from collapsing while the Cheetah bounded off. That was a nice use of the lasso and a good display of the Cheetah’s nefariousness. But then the ending ruined the whole book for me.

The art didn’t help a lot either. Richard Ortiz had some good moments in this issue, and his Cheetah was fairly decent, but for most of the issue his Wonder Woman didn’t look a whole lot like Lynda Carter. I really don’t understand how DC structures these arcs, because every first issue of a storyline in Wonder Woman ’77 has begun with beautiful, detailed art that allows for rich colours and an overall delightful reading experience. Then the next two have more basic linework, the colours are simpler, the characters look less like the actors, and the whole thing makes for a less enjoyable read. During the last arc a while back, I speculated that perhaps the original artist fell behind schedule and they had to replace him for the next two, but I heard from Jason Badower, the artist of Wonder Woman ’77 #4 who did a spectacular job with that first issue, and he told me that he had only been contracted for that one issue. Why isn’t DC hiring people to draw the full arc? Drew Johnson’s work last week was gorgeous, and this issue suffers by comparison. It seems like an absolutely bizarre way to run things to me.

Overall, this issue was a series of disappointments, really. The few strong moments were countered by a blatantly recycled plotline and a substantial drop off in the quality of the art. I was very excited for this week’s issue after the arc’s solid debut last week, and now after this I’m not particularly looking forward to next week’s conclusion at all. I feel like editorial should have been much sharper here, both in terms of catching the story duplicate and in ensuring consistent art through the arc. A lot of balls were dropped by everyone involved when it came to this issue, it seems. It’s a shame, because this should be such a fun comic book.

Wonder Woman ’77 #7 Review: “The Cat Came Back, Part 1” by Marc Andreyko and Drew Johnson

August 27, 2015

ww777

No new digital issue of Sensation Comics featuring Wonder Woman this week can only mean one thing: Wonder Woman ’77 is back! Apparently DC can’t run two digital Wonder Woman titles simultaneously, but whatever. We’ve got more Lynda Carter inspired fun and that’s delightful. I’ve been waiting for these digital issues to start since DC announced a double sized collected print issue for the end of September. I actually expected these to start a lot sooner. We may get six straight weeks of Wonder Woman ’77 now to try to beat the print book, and still the final digital installment would come out after the book’s print date.

Wonder Woman ’77 #7 continues the series’ tradition of bringing Wonder Woman’s classic comic book villains into the world of the television show. Silver Swan and Dr. Psycho were the big bads for the first two arcs, and now we’ve got the Cheetah, arguably Wonder Woman’s most iconic villain. I was a little bit surprised when the book began with Barbara Minerva, because she’s a more modern Cheetah that post-dates the show by a decade or so. Then I remembered that the last arc of Wonder Woman ’77 had Wonder Woman facing hallucinations of several of her villains, including the original Cheetah, Priscilla Rich. A display at a museum’s Wonder Woman event in this issue also included Priscilla Rich’s costume. It seems that in the continuity of this television show inspired universe, Priscilla was the Cheetah originally, before the comic began, and now Barbara is the new Cheetah. Which is cool. The continuity works and they explained it all fairly well. Barbara even exclaimed “Time for a new Cheetah!” after her transformation at the end of the issue.

The book was a fun read, setting up the major conflict that should play out over the next two issues. The most dangerous thing Wonder Woman faces here is a couple of dopey thieves trying to make off with some paintings, and she subdues them quickly with a little lasso work. The bulk of the issue is dedicated to Barbara Minerva, who’s forced to close her museum exhibit to make room for a new Wonder Woman display. She’s irked by this, and when she accidentally pricks herself with an African artifact her anger turns to full on rage as the knife’s magical properties transform her into the Cheetah. Presumably, she and Wonder Woman will duke it out over the next two weeks now.

As far as introductory issues go, this was one was decent. I’m starting to notice a formula for three issue arcs in digital books that’s getting a little bit old, though: introduction issue, build to fight issue, full on fight issue. It’s a formula that works, clearly, but it’s getting stale. The first step is executed well here, and Andreyko has displayed a better feel for writing digital installments with each arc. I just would have liked to see the formula shaken up a bit.

The enjoyable if standard opening was elevated by excellent artwork from Drew Johnson. The issue is really lovely, and Johnson captures Lynda Carter’s Wonder Woman beautifully. That’s the key for any issue of this series; everything else is secondary after getting Lynda Carter right. Johnson does a nice job with the Cheetah as well. His page layouts with Barbara’s panels are distinctive, interspersed with African artifacts and cheetahs. He also utilizes some smart techniques to save the full reveal of Barbara’s transformation, which takes place over several pages, until the final page. By zooming in very close on some panels and pulling out wide on others, we get a good sense of what’s happening to her and her progress through the museum, but the final panel unveils the Cheetah in all her glory. And quite nicely too; she looks ferocious.

The book was coloured by Romulo Fajardo Jr., who has a wonderful way with colours. His faces are especially impressive; his colouring almost seems heavy handed, with a lot of different shades and colours in the mix, but he blends everything beautifully and the end result is very striking. This panel in particular, the first appearance of Wonder Woman, is a good example of both Johnson and Fajardo’s fine work:

ww777a

He’s great with texture as well, especially with the old stone of the museum. There’s a lot of great, often subtle stuff going on with the colours throughout the book that combine to make for an enjoyable, immersive reading experience.

All together, this was a very nice first issue to a new arc of Wonder Woman ’77 and I’m excited for more over the next couple of weeks. Plus it’s got a killer Nicola Scott cover, and that’s always a treat. The print issue is scheduled for September 30, so mark your calendars for that if you’re waiting to pick it up on paper.

Women At DC Comics Watch – October 2015 Solicits: 27 Different Female Creators On 22 Different Books

July 16, 2015

womenatdcOCT

DC’s track record with female creators since their #DCYou mini-relaunch has been odd. On the one hand, they’ve topped Marvel every month thus far, but on the other hand they’ve been far below their pre-#DCYou numbers for female creators for four straight months, and by a considerable margin. It’s not been an impressive run; going backwards is never good, and hiring more women than Marvel really isn’t that hard to do. But now, finally, five months into their mini-relaunch, DC has a list of female creators that that is comparable to where they were for the first half of 2015. Let’s see who’s doing what in October:

  • Amanda Conner: All-Star Section Eight #5 (cover), Harley Quinn #21 (co-writer, cover), Harley Quinn and Power Girl #5 (co-writer, cover), Starfire #5 (co-writer, cover)
  • Annie Wu: Black Canary #5 (cover)
  • Asher Powell: Vertigo SFX #3 (unspecified)
  • Babs Tarr: Batgirl #45 (interior art, cover)
  • Becky Cloonan: Gotham Academy #11 (co-writer)
  • Carla Speed McNeil: Sensation Comics #15 (writer, interior art)
  • Cat Staggs: Wonder Woman ’77 Special #2 (interior art)
  • Chrissie Zullo: Fables: The Wolf Among Us #10 (cover)
  • Claire Wendling: Wonder Woman #45 (variant cover)
  • Corin Howell: Bat-Mite #5 (interior art, cover)
  • Emanuela Lupacchino: Starfire #5 (interior art)
  • Gail Simone: Clean Room #1 (writer), Secret Six #7 (writer)
  • Genevieve Valentine: Catwoman #45 (writer)
  • Jen Wang: Vertigo SFX #3 (unspecified)
  • Jenny Frison: Clean Room #1 (cover), Grayson #13 (variant cover), Sensation Comics #15 (cover)
  • Kate Leth: DC Comics Bombshells #3 (variant cover)
  • Laura Braga: DC Comics Bombshells #3 (interior art)
  • Lauren Beukes: Survivors Club #1 (co-writer)
  • Lea Hernandez: Teen Titans Go! #12 (interior art)
  • Marguerite Bennett: DC Comics Bombshells #3 (writer)
  • Marguerite Sauvage: DC Comics Bombshells #3 (interior art)
  • Meredith Finch: Wonder Woman #45 (writer)
  • Ming Doyle: Constantine: The Hellblazer #5 (co-writer, interior art), Vertigo SFX #3 (unspecified)
  • Nicola Scott: Wonder Woman ’77 Special #2 (cover)
  • Pia Guerra: Black Canary #5 (interior art)
  • Ricken: Teen Titans #13 (interior art)
  • Vanesa Del Rey: Constantine: The Hellblazer #5 (interior art)

All together, there are 27 different female creators set to work on 22 different comics in October, a big jump from September’s 19 and 16 and DC’s best month for female creator representation since April. It’s a huge improvement for DC, though still below their best. As always, there remains lots of room for growth.

Plus, there are a lot of one-time gigs here. I’d estimate that at least 7 of these women aren’t likely to be back next month. It doesn’t change the fact that it’s fantastic they’re getting work in October; it just means that DC’s going to have to step it up to keep their numbers from nosediving in November.

However, there are a lot of new names, and that’s always encouraging. I don’t think I’ve seen Asher Powell or Jen Wang at DC before; they’re both on a Vertigo special. This might be Claire Wendling’s first DC gig as well. My pal Kate Leth is doing a variant cover for DC Comics Bombshells, so that’s all kinds of rad! And Jenny Frison and Nicola Scott are back at DC to drop some fun cover art.

In terms of female characters, a few are starring in new books. Cassandra Cain is coming back in Batman and Robin Eternal, there look to be a few gals in the new Titans Hunt series, and an alternate universe Lois Lane headlines Superman: Lois & Clark, though DC is still hurting for a kick ass Lois Lane solo series. I mean, seriously. Get on that, DC. There are also scores of other new books that don’t feature women at all, real or fictional, including six “Darkseid War” one-shots all starring male characters written and drawn by male creators. So that’s not great.

Ultimately, October is looking decent for female creators in what is hopefully a return to form for a slumping DC. November will tell us whether this is an aberration or a new trend, but for now it’s nice to see DC well out of the teens again with a plethora of great female creators across their titles. Things could be a bit better for female characters, but there’s something at least. Here’s hoping for continued growth next month.

Wonder Woman’s October 2015 Covers and Solicits, Plus Monster Variants

July 15, 2015

October is looking like another busy month for our favourite Amazon, with all of the usual fun plus a returning special I’m very much looking forward to. DC is also doing monster themed variants for many of their titles, just like they did in October last year. It’s good Halloween fun, and two of Wonder Woman’s titles will be part of the line. So let’s see what Wonder Woman will be up to in October!

First up, Wonder Woman #45:

octww45a

octww45b

WONDER WOMAN #45
Written by MEREDITH FINCH
Art by DAVID FINCH and JONATHAN GLAPION
Cover by DAVID FINCH
Monsters Variant cover by CLAIRE WENDLING
On sale OCTOBER 21 • 32 pg, FC, $3.99 US • RATED T
With the Fates dead and Donna Troy still on the run, Wonder Woman must confront the sins of her past and a new, growing threat that’s closing in on the Queen of the Amazons!

I don’t imagine that the Finch cover is actually the final cover, but you never know. It just looks like a panel, and those blue bars don’t look great. I’m not sure whether Claire Wendling’s variant is the final cover or just a sketch either, but I’m super into it. I hope it is the final cover; I like the rougher aspects of it.

Anyway, the Finches carry on with their uninspired tenure on Wonder Woman. Apparently the Fates are dead. Thanks for the spoiler alert, because they haven’t even shown up in the comic yet. Also, Donna Troy hasn’t broken out of prison in the comics that have been published so far, but several solicits have told us she’s going to. You almost don’t have to read the comics, really. Just follow along with the solicits and you’ll get all the highlights.

Next up, Superman/Wonder Woman #22:

octswwa

octswwb

SUPERMAN/WONDER WOMAN #22
Written by PETER J. TOMASI
Art by DOUG MAHNKE and JAIME MENDOZA
Cover by CARY NORD
Monsters variant cover by J.P. LEON
On sale OCTOBER 21 • 32 pg, FC, $3.99 US • RATED T
Following a shocking betrayal, Kal has lost faith in justice. Now, he’s embarking on a dangerous quest to restore his powers, while Wonder Woman makes unexpected allies of Lois Lane and Lana Lang.

The insides of this series have never done anything for me, but what I do love is it’s proud tradition of excellent variant covers. This one by John Paul Leon is fantastic. It’s a great idea for the monster theme, and is just all sorts of gorgeous. I’ll be glad to put this with my collection of Superman/Wonder Woman issues I’ll never read again but I keep to enjoy the lovely covers.

Man, Superman is really out of sorts, eh? Losing his faith in justice?! That’s a third of what he stands for! In theory I’m excited for a Wonder Woman/Lois/Lana team up, but being familiar with the quality of this book I’m not overly optimistic that it will go well.

We’ve also got Sensation Comics featuring Wonder Woman #15:

octsensation15

SENSATION COMICS FEATURING WONDER WOMAN #15
Written by ADAM BEECHEN and CARLA SPEED McNEIL
Art by JOSE LUIS GARCIA-LOPEZ, KEVIN NOWLAN, SCOTT HANNA and CARLA SPEED McNEIL
Cover by JENNY FRISON
On sale OCTOBER 7 • 40 pg, FC, $3.99 US • RATED T • DIGITAL FIRST
In “Our Little Dance,” when the well-meaning members of Debbi Domaine’s family argue that Cheetah needs rehabilitation more than incarceration, Wonder Woman is dragged into court! And Diana teaches a young thug a lesson about how having a pet forces you to train “Both Ends of the Leash.”

To be honest with you all, I wasn’t a big fan of either of these stories when they came out digitally, but I do love this cover. It’s lovely work by Jenny Frison, and will look amazing on the stands. The stories inside are pretty average, but neither of them are bad. They’re also very different stories, so chances are you might find something you’ll like.

Finally, Lynda Carter’s Wonder Woman is back with Wonder Woman ’77 Special #2:

octwwspecial2

WONDER WOMAN ‘77 SPECIAL #2
Written by MARC ANDREYKO
Art by CAT STAGGS, RICHARD ORTIZ, DREW JOHNSON and JASON BADOWER
Cover by NICOLA SCOTT
RETROSOLICIT • On sale SEPTEMBER 30 • 80 pg, FC, $7.99 US • RATED T • DIGITAL FIRST
Get ready for three new stories based on the classic television series starring Lynda Carter! A scientist who is intensely jealous of Wonder Woman becomes empowered by an ancient artifact and Cheetah is born! A woman with the powers of both fire and ice seeks revenge against a corrupt politician. And, Halloween finds the princess up against an undead adversary.

So many stories! Plus the Cheetah and zombies, presumably. This should be a fun book. None of the stories have been released digitally yet, though I anticipate that they’ll be out soon. That’s a great lineup of artists, and Marc Andreyko did a fine job with the first few Wonder Woman ’77 stories so I’m glad to have him back. Nicola Scott’s cover looks fantastic as well. This will actually be out at the end of September instead of October, so keep your eyes peeled for that.

There’s a lot of Wonder Woman fun to be had this fall, and a lot of great covers. Remember to ask your local comic shop ahead of time if you’re keen to get a variant cover; they can go quickly.


Follow

Get every new post delivered to your Inbox.

Join 800 other followers

%d bloggers like this: