Posts Tagged ‘Nicola Scott’

Women at DC Comics Watch – April 2017 Solicits, 26 Female Creators on 24 Books

February 17, 2017

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Female creator representation in DC’s April 2017 solicits is about par for the course for the year thus far. DC’s been hovering around the mid-20s for months, an okay level but noticeably below their recent highs last fall and Marvel’s current highs. Given the progress both major superhero publishers have made in expanding their female creator ranks over the past few years, DC’s run in 2017 thus far is slightly underwhelming. Let’s take a look at who’s doing what at DC in April 2017:

  • Afua Richardson: All Star Batman #9 (interior art and cover)
  • Amanda Conner: Harley Quinn #17 (co-writer, cover), Harley Quinn #18 (co-writer, cover)
  • Aneke: DC Comics Bombshells #25 (interior art)
  • Becky Cloonan: Gotham Academy: Second Semester #8 (co-writer), Shade, the Changing Girl #7 (cover)
  • Bilquis Evely: Wonder Woman #20 (interior art, cover)
  • Cecil Castellucci: Shade, the Changing Girl #7 (writer)
  • Eleanora Carlini: Green Arrow #20 (interior art)
  • Emanuela Lupacchino: Green Lanterns #20 (variant cover), Green Lanterns #21 (variant cover), Supergirl #8 (cover), Trinity #8 (interior art)
  • Gail Simone: Clean Room #18 (writer)
  • Hope Larson: Batgirl #10 (writer)
  • Jenny Frison: Clean Room #18 (cover), Wonder Woman #20 (variant cover), Wonder Woman #21 (variant cover)
  • Jody Houser: Mother Panic #6 (writer)
  • Joelle Jones: Supergirl: Being Super #3 (interior art)
  • Julie Benson: Batgirl and the Birds of Prey #9 (co-writer)
  • K. Perkins: Superwoman #8 (writer)
  • Kamome Shirahama: Batgirl and the Birds of Prey #9 (variant cover)
  • Lilah Sturges: Everafter: From the Pages of Fables #8 (co-writer)
  • Marguerite Bennett: Batwoman #2 (co-writer), DC Comics Bombshells #25 (writer)
  • Marguerite Sauvage: Shade, the Changing Girl #7 (interior art, cover)
  • Mariko Tamaki: Supergirl: Being Super #3 (writer)
  • Msassyk: Gotham Academy: Second Semester #8 (interior art)
  • Nicola Scott: Red Hood and the Outlaws #9 (cover), The Flintstones #10 (variant cover)
  • Sandra Hope: Gotham Academy: Second Semester #8 (inker)
  • Shawna Benson: Batgirl and the Birds of Prey #9 (co-writer)
  • Tula Lotay: Everafter: From the Pages of Fables #8 (cover)
  • Yasmine Putri: The Hellblazer #9 (variant cover)

All together, there are 26 different female creators set to work on 24 different books, 2 more women than last month though 3 fewer books. DC’s now settled into their “Rebirth” lineup, and there’s not a huge amount of change from month to month, so most of the women above tend to have steady gigs, but the ranks don’t seem to be growing much. The numbers are stable, but below what DC has shown they’re capable of.

In terms of new names, Aneke is someone I don’t think we’ve seen at DC before; she’ll be drawing an issue of DC Comics Bombshells that brings back the universe’s Suicide Squad, so that should be a blast. K. Perkins is back too, though I don’t know if her writing gig on Superwoman is a onetime thing or she’ll be there moving forward. Finally, it’s very cool to welcome Lilah Sturges to the list! She’s been working on Everafter for a while now, but she’s recently transitioned to living openly as a woman and this is the first batch of solicits that reflects this change.

There aren’t any new series set to debut in April. As I said above, DC’s lineup is pretty set right now. We’ve got a new book or two since 2017 began, but not much else. I’m guessing they’ll be a new wave of “Rebirth” titles at some point soon, but for now things are pretty steady and uneventful.

Overall, April doesn’t look to be a bad month for women at DC, but it’s another average outing that doesn’t near their past highs. Nonetheless, it’s an impressive group of creators doing great work. The ranks are just leveled out right now. I wouldn’t expect much change until DC launches some new books or has a major creative overhaul.

Wonder Woman’s April 2017 Covers and Solicits

January 24, 2017

DC’s solicits were a little bit late this month, but when they finally arrived yesterday they brought a bevy of new Wonder Woman comic books for us to look forward to this April. So let’s take a look at what Wonder Woman will be up to in a few months’ time, starting with her own series:

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WONDER WOMAN #20
Written by GREG RUCKA • Art and cover by BILQUIS EVELY • Variant cover by JENNY FRISON
“Godwatch” part three! Cale launches a desperate gambit to take control of Godwatch, but her plan hinges on two factors she cannot control: the witch Circe, and Wonder Woman!
On sale APRIL 12 • 32 pg, FC, $2.99 US • RATED T

WONDER WOMAN #21
Written by GREG RUCKA • Art and cover by LIAM SHARP • Variant cover by JENNY FRISON
“The Truth” part four! As the reality of Themyscira is revealed, Wonder Woman is forced to make a decision: defy the will of the gods or betray her Amazon sisters to Godwatch!
On sale APRIL 26 • 32 pg, FC, $2.99 US • RATED T

The dual narrative continues this April, with Wonder Woman facing off against Godwatch in the even numbered issues and learning the truth about Themyscira in the odd books. Circe’s going to be in Wonder Woman #20, which should be a lot of fun. After her poor portrayal in Superman/Wonder Woman a couple of years back, I’m looking forward to what can only be a better spin on her from Rucka and Evely.

Now onto Trinity:

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TRINITY #8
Written by CULLEN BUNN • Art by EMANUELA LUPACCHINO and RAY McCARTHY • Cover by CLAY MANN • Variant cover by BILL SIENKIEWICZ
A “Superman: Reborn Aftermath” tie-in! In this essential chapter of the “Superman Reborn Aftermath” epic, Kal-El reveals to Batman and Wonder Woman what had happened to him—and how they all may be in danger!
On sale APRIL 19 • 32 pg, FC, $3.99 US • RATED T

I’ve been enjoying Trinity, but honestly I’m picking it up for the amazing Francis Manapul art and there just hasn’t been much of it. Now eight issues in, it looks like he’ll have drawn half of them at most, and we’re getting a tie-in issue with a Superman event? Not what I’m looking for. Hopefully Manapul is back in full force in May, because otherwise I might be ready to move on, especially with the $1 price hike.

Next up, some Amazon fun:

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THE ODYSSEY OF THE AMAZONS #4
Written by KEVIN GREVIOUX
Art by RYAN BENJAMIN and RICHARD FRIEND
Cover by RYAN BENJAMIN
The Amazons are taken to Valhalla, heavenly home of warriors who have fallen in combat. Hessia learns where the Amazons originated and why their numbers have come to be spread throughout the world. But she’s also determined to find a way back to Earth, to rescue her comrades who have been taken by the Storm Giants. As for the Giants, they are getting ready to go to war.
On sale APRIL 19 • 32 pg, FC, 4 of 6, $3.99 US • RATED T+

This series starts TOMORROW, so we’ll know pretty soon if this is going to be worth picking up in April. While the buzz for it seems to be minimal/non-existent, a lot of great titles fly under the radar so we’ll see what happens. It still just sounds like a Thor book to me, but I’m curious to see what Grievoux, Benjamin, and Friend do. I’ll be checking out the first issue tomorrow and will report back if I have anything interesting to say about it.

Now some classic TV fun:

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BATMAN ’66 MEETS WONDER WOMAN ’77 #4
Written by MARC ANDREYKO and JEFF PARKER • Art by DAVID HAHN and KARL KESEL • Cover by MICHAEL ALLRED
Ra’s al Ghul has discovered the Amazons’ Elysian Well…better known to Man’s World as a Lazarus Pit! Wonder Woman takes Batman and Robin (and Catwoman!) to confront him, but strange creatures live in the same maze, which the Amazons have used for centuries as a prison!
On sale APRIL 26 • 32 pg, FC, 4 of 6, $3.99 US • RATED E • DIGITAL FIRST

I’m so down for Catwoman on Paradise Island. You had me there, and you don’t have to sell me on anything else, DC. I’m super on board.

We’ve also got a few Wonder Woman collections announced. They include:

  • WONDER WOMAN VOL. 2: YEAR ONE TP: Collects WONDER WOMAN #2, 4, 6, 8, 10, 12 and 14. On sale MAY 3 • 168 pg, FC, $16.99 US. If you didn’t read this in single issues, BUY THIS. It’s phenomenal. Greg Rucka and Nicola Scott hit this one out of the park.
  • WONDER WOMAN BY JOHN BYRNE BOOK ONE HC: Collects WONDER WOMAN #101-114. On sale MAY 24 • 328 pg, FC, $39.99 US. A nice big collection of Byrne’s work on Wonder Woman, which I found moderately enjoyable when I read it. It’s Byrne before he went full on Internet wacko, which is usually worth checking out.
  • WONDER WOMAN: THE GOLDEN AGE OMNIBUS VOL. 2 HC: Collects COMIC CAVALCADE #6-13, SENSATION COMICS #25-48 and WONDER WOMAN #8-15. On sale JULY 5 • 768 pg, FC, $75.00 US. Early Marston/Peter Wonder Woman comics are always a good choice, and this HUGE new collection comes with a gorgeous Darwyn Cooke cover.

So we’ve got a nice selection of books to choose from this April, and some fine collections on the way as well. Should be fun!

Wonder Woman #14 Review: The Grand Finale of “Year One”

January 11, 2017

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It’s been so long since we’ve had an in-continuity Wonder Woman story that was this good. Outside of continuity, there have been some great Wonder Woman tales over the past few years; The Legend of Wonder Woman was amazing, while there were some absolutely stellar issues of Sensation Comics over the course of its run. But in terms of the proper mainline Wonder Woman title itself, things haven’t been great for a while now. There were cool moments here and there, but the book has lacked a sustained start to finish arc that tells a good story and captures the essence of who Wonder Woman is, what she means, and why she’s important. Greg Rucka and Nicola Scott have given us such a tale, and it’s been a joy to read each issue. Today’s finale was a fitting close to the arc, one that stands on its own as a distillation of the heart of the character while also tying into everything else going on in “The Lies,” “The Truth,” and “Godwatch.” Let’s dig into it all, but first:

SPOILER ALERT!!

I am about to reveal all of the details in this exciting conclusion!

Look away if you haven’t read it yet!

Also, go read it! It’s really good!

When we last left our intrepid heroine, the god of war had appeared at the military installation where Wonder Woman was staying, and he seemed to be in a bad mood. His poor attitude wasn’t terribly surprising; Ares is known to have a rather foul disposition. But now we know what he was after: He wanted the location of the home of the Amazons, and he was going to take it by force if he had to.

Wonder Woman wasn’t interested in force, however. She battered Ares around a bit initially, but then took a different tack, and the scene that ensued captured everything I love about Rucka and Scott’s approach to Wonder Woman. First, she realized that fighting the god of war WITH war, i.e. confronting him directly and violently, wasn’t going to end well for anyone. He’s war incarnate, after all. He’s very good at it. So instead, she decided to talk to him, and supplicated herself before him.

Second, she then appealed to what is best in Ares. She didn’t insult him or try some kind of trickery. Instead, she gave him an honourable out when she told him, “Show us thine courage in mercy.” Wonder Woman recognized his power and offered him a way to use it that would make him look good while avoiding any bloodshed. It was a tactical move on her part, to be sure, but it also showed how Wonder Woman sees the best in everyone, understands their potential for good, and tries to help them achieve that. She met Ares on his own terms, and tried to turn him onto a path that would be for the good of all, himself included. And she was willing to humble herself to do so.

Third, Wonder Woman gave herself up for her friends. Kneeling before Ares is kind of a terrible idea. Exposing herself to the god of war, defenseless, could easily have taken a grisly turn. But she was willing to take that risk, put herself on the line, and trade whatever she could in order to find a peaceful solution to what could have been a violent conflict that endangered her friends. Her new friends, at that, and beyond. She barely knew Steve, Etta, and Barbara, and she’d been exposed to the evils of this outside world, and still she was willing to give herself up to keep them, and the wider world, safe.

Fourth, when all else failed and Ares didn’t get what he wanted, Wonder Woman knew how and where to hit him. She didn’t punch him, thus avoiding playing the game on his terms. Instead, she wrapped him in the lasso of truth and used its power to defeat him. Interestingly, while the lasso has retained its classic truth revealing elements in this incarnation of Wonder Woman, its added something new: Understanding. Wrapping themselves in the lasso is how Diana, Steve, Etta, and Barbara overcame their language barrier. It united them in a manner that allowed them to understand each other perfectly, despite their many differences. It may seem a little corny, but I absolutely love a story in which truth and understanding is the weapon the hero uses to defeat hate and war.

The rest of the issue was fun as well. Athena stepped in and revealed Ares’ fiendish master plan, so Wonder Woman and Steve went off and took care of that with ease. This resulted in another great scene for Diana; she was overcome with anger while fighting a group of terrorists and almost gave into a murderous impulse, but then she wrapped herself in her own lasso and the truth steeled her against the power of Ares’ lies. The fun continued in other ways as well, with the Etta/Barbara romantic subplot developing nicely, and for readers interested in some male eye candy, Nicola Scott had a lot of shirtless Steve Trevor in this issue. There was something for everyone, really. And the issue ended with a nice nod to Wonder Woman’s past, with an array of newspapers naming her “Wonder Woman” using different fonts that harkened back to the scripts used on the covers of Wonder Woman over the course of the series’ history.

All together, it was an excellent conclusion to a fantastic run that will go down as one of the best Wonder Woman stories of all time. It was well written and absolutely gorgeous, and it set the tone for who Wonder Woman is and what she means in today’s world. With such a good beginning, I can’t wait to see what’s next. Bilquis Evely, who drew the wonderful Barbara Ann Minerva standalone issue, is taking over the art for Scott on the new arc, “Godwatch,” a transition so perfect that it lessens the blow of Scott’s departure considerably. Wonder Woman‘s going to be good for a while, gang. It’s exciting times.

Wonder Woman #12 Review: The Penultimate Issue of “Year One”

December 14, 2016

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Unsurprisingly, “Year One” continues to be a joy to read. Between the four previous main issues and the special Barbara Ann Minerva outing, this storyline has resulted in one of the best Wonder Woman runs in recent memory, and perhaps of all time. Greg Rucka and Nicola Scott are in top form, and they’ve captured something in Diana that’s been missing for several years, even before the New 52 relaunch. While Wonder Woman #12 is perhaps the least exciting or interesting issue of “Year One” thus far, that’s only because it’s been preceded by such amazing issues; it’s still extremely good. Let’s dig into it, but first:

SPOILER ALERT!!

I am about to reveal all of the things that happened in this issue!

Go read it first!

You’ll like it!

Let’s start with how this issue didn’t work as well as past outings for me. It was chock full of discussions of the Sear Group, what their objective might be, and who is behind them. Like, in depth. It took up most of the issue. Wonder Woman even interrogated the terrorists with her lasso to find the real truth of what was going on. It was all fine, but it was also a lengthy, involved set up. Then the book ended with the reveal that Ares and his destructive ways were behind it all. The thing is, of course he was. Dudes are wantonly killing innocent people in a Wonder Woman origin comic book? It’s going to be Ares.

Also, and more annoyingly, he’s on the cover. That’s what you call a dead giveaway. I don’t mind the cover revealing who the issue’s villain is going to be; it’s nice to know who your hero will be facing off against. But when you’ve got 19 pages of your characters wringing their hands over who this villain could possibly be and then you set up you final page like it’s some kind of shocking reveal, maybe don’t put the bad guy on the cover. Because when you put him on the cover, the issue’s investigation becomes less of a compelling putting together of the puzzle pieces and more of a “Dang, when are these dopes going to figure this out. We already know it’s Ares.” Devoting an entire issue to characters figuring out something the reader already knows and making it seem like this is a rad cliffhanger is not the best storytelling.

But despite the anticlimactic conclusion, this was still a good, enjoyable issue. I mean, it’s as gorgeous as ever. Nicola Scott is doing the best work of her career, and Romulo Fajardo Jr.’s color work is just spectacular. I’ve enjoyed his work for years; he brings such texture and depth to the page. And with this detailed coloring on top of Scott’s fantastic, clean linework, the pages just sing. In particular, the double page spread of Wonder Woman flying, lifting tanks, and deflecting bullets is so joyous and lovely. It all looks amazing.

Scott excels at expression as well, especially in subtle moments. There’s a scene in which Barbara Minerva and Etta Candy discuss the poetry of Sappho, an ancient Greek poet from the island of Lesbos who is the root of the terms “sapphic” and “lesbian.” When Etta mentions that she’s “quite familiar” with this poetry, there’s a glance between the woman that is small but so telling. There’s a sense of a secret being communicated between them, along with a hint of flirtation. The text suggests it, but the looks we get from Etta really sell it.

Also, I think we’ve got a queer Etta Candy? How fantastic! And perhaps a queer Barbara Minerva, if her flustered response to Etta’s flirtation is any indication. But a queer Etta seems pretty clear here. Which is very cool, and fitting for the character. If you go way back to the Golden Age, Etta was the head of a bondage-heavy sorority that, given William Moulton Marston’s association of bondage with sexual pleasure, had queer implications between the lines. She was straigt throughout the Modern Age, and was with Steve Trevor for most of it, but the New 52 Etta is a completely different character and they seem to be taking her in a new direction.

We also get a confirmation of Wonder Woman’s queerness that was very good to see. Much has been made of the article in which Greg Rucka confirmed that his Wonder Woman was queer, but many fans, myself included, noted that while it’s great to publicly say so, it needs to be in the text as well. If it’s not canon, it can easily be ignored or undone. This issue gives us that canonical confirmation when Steve asks Diana if she left anyone “special” behind when she left her home, and Diana responded that she’d left someone named Kasia. It’s not the bold confirmation that some folks were hoping for, but the implication is pretty clear. Still, great as this is, I hope that Rucka continues to keep Wonder Woman’s queerness part of her story. Something a bit more direct wouldn’t hurt to help cement this aspect of her character.

Overall, this was an enjoyable outing that, while not perfectly executed, was still a delight to look at and a fun read despite its overly telegraphed conclusion. It also sets the arc up for what should be an exciting finale next month. Ares seems to be spoiling for a fight, and Wonder Woman’s been exploring her powers with Steve, so this could be quite a battle. I’m curious to see what form as takes. As much as the issue dug through the Sear Group and what they were up to, we still don’t know much about Ares other than that he doesn’t care for Amazons. Perhaps there’s something larger at play that will tie into “The Lies” and “The Truth” or perhaps the dude’s just a straight up hater and Wonder Woman will punch him out. Whatever the case, we’ll find out next month!

Wonder Woman #10 Review: The Heroine We Need When the World is Dark and Full of Terrors

November 9, 2016

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The world is a much more troubling place than it was yesterday. I was looking forward to reviewing the new Wonder Woman comic the day after Hillary Clinton became the first female president in American history; it would have been joyous. But that didn’t happen. The pollsters were wrong, white America is a callous, cowardly group, and Donald Trump is going to be the next President of the United States. Even though I watched it happen last night in real time, it still felt unfathomable when I woke up this morning. I’m lucky to live in Canada, where we’ve got a government that respects and supports all of its citizens, but I’m worried for all of my  American friends, especially the people of colour, LGBTQ+ folks, members of different religions, and those who need access to solid healthcare. They’re frightened, and rightfully so. The next four years could be very difficult for them.

It is, oddly enough, even more appropriate to read the new Wonder Woman today, in this dark environment. We need heroes to inspire us, and a queer immigrant woman who fights tirelessly on behalf of others is exactly the kind of heroine this day calls for. For those likely to face persecution and the revocation of their rights, Wonder Woman’s resilience and strength can be a beacon of hope. For those who might be broadly unaffected but want to stand with, support, and fight for those who are, Wonder Woman’s relentless compassion for others is an ideal model. Wonder Woman is the hero we need right now. America, if you can’t have a Wonder Woman in the Oval Office, at least you can have a legion of Wonder Women in the streets standing up for what’s right.

Greg Rucka and Nicola Scott have delivered a delightful issue that highlights the unique heroism of Wonder Woman, and I’m excited to talk about it, but first:

SPOILER ALERT!!

I am about to reveal everything that happens in this issue!

Do yourself a personal favour and go read it first!

It will cheer you up! It’s so dang good!

When last we left “Year One” way back in September, Wonder Woman was given powers from the gods and easily busted her way out of the military brig she was being held in. Now, with the military’s inability to hold her obvious to all, Steve Trevor talks his boss into letting her go out for a day trip. Diana, Steve, Etta Candy, and Barbara Ann Minerva go to the mall to expose Diana to the wider world. She is shocked by the noise and the crowds and how the air tastes different, but she loves it all. Diana even makes some new young friends, despite her limited language capabilities. It’s all very cute and enjoyable.

Just when the gang discovers that they’re all able to communicate with Diana if they hold the golden lasso, their fun day out gets interrupted by a shooting at the mall. This is the scene that we need most today: Wonder Woman’s powers are new to her, and she doesn’t actually know what they are, but she leaps into action nonetheless, without a thought for her own safety. In a moment spectacularly illustrated by Scott, she sees a terrorist about to shoot at her new, young friends and she rushes toward them. With speed she didn’t know she had, she arrives just in time to stop the bullets, deflecting them with her bracelets in a gorgeous double page spread.

Now, we can’t deflect bullets. We’re not superheroes, nor are we blessed with powers from the gods. But when we see something bad happening, when we see someone threatened, we can step in and try to help. And, just like Wonder Woman, when we do, we might discover powers and abilities that we never knew we had. We don’t know what we can do until we try, until we put our beliefs and our values and our heart to the test, and the next several years might require a lot of that.

The action continues for the rest of the issue, with Wonder Woman and Steve stopping the attackers and ending their assault. We also get an interesting reveal at the end of the issue: The terrorists are part of the Sear Group, which Steve has been tracking, and they are marked with the black tree that poisoned Diana back on Themyscira in Wonder Woman #2 and that Barbara saw on her travels last month in Wonder Woman #8. Something bigger is clearly afoot, and it ties into the Amazons and perhaps the gods. It seems that Steve’s arrival on Themyscira and Diana’s journey to the world of men was not just a chance turn of events.

As the issue closes, we’ve got a mystery to be solved over the next two issues, and I’m curious to see who is behind all of this. Even better than that, the story gave us a break from the world around us, hopefully one that encourages and fortifies its readers. Things look bad today and they feel even worse, and reading a comic book might seem like a silly thing to do when the world is on fire. But there’s a reason superheroes have been around for 75 years. There’s a reason Captain America punched Hitler in the face and Wonder Woman left Paradise Island to battle the Axis before America even declared war on Germany. Superheroes can do the things that we can’t, and they inspire us to do the things that we can. Stand up for yourself and for those around you, work together to stay safe, and believe that the future can be better if you fight to make it so. Don’t stand on the sidelines. Be a Wonder Woman.

Women at DC Comics Watch – January 2017 Solicits, 26 Women on 24 Books

November 1, 2016

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After a strong run to close the year, female representation at DC Comics looks to be taking a bit of a step back to start 2017. The January solicits have DC’s lowest number of female creators since last August, a disappointing start to the year after the publisher posted some of its best numbers ever in November and December. Let’s take a look at who’s doing what at DC Comics in January 2017:

  • Amanda Conner: Harley Quinn #11 (cover, co-writer), Harley Quinn #12 (cover, co-writer)
  • Becky Cloonan: Gotham Academy: Second Semester #5 (co-writer), Shade, the Changing Girl #4 (cover)
  • Cecil Castellucci: Shade, the Changing Girl #4 (writer)
  • Elena Casagrande: Vigilante: Southland #4 (interior art)
  • Emanuela Lupacchino: Green Lanterns #14 (variant cover), Green Lanterns #15 (variant cover)
  • Hope Larson: Batgirl #7 (writer)
  • Jenny Frison: Wonder Woman #14 (variant cover), Wonder Woman #15 (variant cover)
  • Jody Houser: Justice League of America: Killer Frost Rebirth #1 (co-writer), Justice League of America: Vixen Rebirth #1 (co-writer), Mother Panic #3 (writer)
  • Joelle Jones: Shade, the Changing Girl #4 (variant cover)
  • Julie Benson: Batgirl and the Birds of Prey #6 (co-writer)
  • Kamome Shirahama: Batgirl and the Birds of Prey #6 (variant cover)
  • Laura Braga: DC Comics Bombshells #21 (interior art)
  • Marguerite Bennett: DC Comics Bombshells #21 (writer), Detective Comics #948 (co-writer), Detective Comics #949 (co-writer)
  • Marguerite Sauvage: DC Comics Bombshells #21 (cover), Justice League/Power Rangers #1 (variant cover)
  • Marley Zarcone: Shade, the Changing Girl #4 (interior art)
  • Mingjue Helen Chen: Mother Panic #3 (variant cover)
  • Mirka Andolfo: DC Comics Bombshells #21 (interior art)
  • Msassyk: Gotham Academy: Second Semester #5 (interior art)
  • Nicola Scott: Wonder Woman #14 (cover, interior art)
  • Pia Guerra: The Hellblazer #6 (interior art)
  • Sandra Hope: Gotham Academy: Second Semester #5 (inker)
  • Shawna Benson: Batgirl and the Birds of Prey #6 (co-writer)
  • Stephanie Hans: Batman #14 (cover and interior art), Raven #5 (cover)
  • Tula Lotay: Everafter: From the Pages of Fables #5 (cover)
  • Vita Ayala: Suicide Squad Most Wanted: El Diablo and Amanda Waller #6 (co-writer)
  • Yasmine Putri: Justice League/Power Rangers #1 (variant cover), The Hellblazer #6 (variant cover), The Odyssey of the Amazons #1 (variant cover)

All together, there are 26 different female creators set to work on 24 different books at DC this January, 7 fewer women than in December though 1 more book. It’s a dispiriting drop, though not wholly unexpected. A string of strong months is inevitably followed by a drop. If we’ve learned anything in tracking these numbers it’s that it’s an up and down game. And while 26 women is low relative to the past four months, it’s higher than several of the months before that, and above DC’s abysmal start to their “Rebirth” relaunch in which they could barely muster 20 women a month. So it’s a big drop, to be sure, but the end result is a performance that’s fairly middle of the road for DC in terms of the past year.

Part of the reason for this drop is a lack of new faces. Everyone above is someone we’ve seen recently at DC, most of them in the same gig as last month, and while it’s wonderful that they’re all back, the numbers grow best when there are new people in the mix in new places. We’re also missing a few books in January; Vertigo’s offerings are pretty slim, including no Clean Room, and Mariko Tamaki and Joelle Jones’ new Supergirl series seems to be taking a month off already. December was also bolstered by a oneshot holiday special, and there are no such festive celebrations scheduled for January.

However, we do have a couple of oneshots with female characters and a female co-writer. Killer Frost and Vixen are both set to be part of the new Justice League of America, and they’re getting special introductory issues co-written by Jody Houser. The rest of the new books are fairly light on female characters, though Wonder Woman is co-starring in Batman ’66 Meets Wonder Woman ’77, which should be a blast, and she’ll be a part of the Justice League/Power Rangers crossover comic, along with a couple of other female members on both teams.

Overall, DC looks to be starting 2017 in a rather run of the mill way. They’re down from their 2016 highs but up from their 2016 lows, a decidedly average beginning to the New Year. Hopefully the numbers will continue to grow as the year progresses. The January solicits were pretty quiet, and with a second round of “Rebirth” on the way we might see some shake ups in the creator ranks very soon.

Wonder Woman’s January 2017 Covers and Solicits

October 18, 2016

The New Year is set to begin with a variety of comic books and collections starring Wonder Woman and, in one new series, a group of her fellow Amazons. With the Wonder Woman film on the horizon, DC seems to be putting a bit of extra effort into their Wonder Woman offerings and featuring the character more prominently across the line. So let’s take a look at where Wonder Woman is scheduled to be in the January 2017 solicits, starting with her own series:

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WONDER WOMAN #14
Written by GREG RUCKA
Art and cover by NICOLA SCOTT
Variant cover by JENNY FRISON
“YEAR ONE” conclusion! With Steve Trevor by her side, Diana faces the God of War and embraces her destiny as Wonder Woman!
On sale JANUARY 11 • 32 pg, FC, $2.99 US • RATED T

WONDER WOMAN #15
Written by GREG RUCKA
Art and cover by LIAM SHARP
Variant cover by JENNY FRISON
“THE TRUTH” part one! Diana has finally seen the full scope of how her life and history have been transformed…unfortunately, the knowledge has driven her completely insane!
On sale JANUARY 25 • Each 32 pg, FC, $2.99 US • RATED T

The cover is Liam Sharp’s, presumably showing an insane Wonder Woman rocked by the revelations of “The Lies.” I like that “The Lies” are going to be followed by “The Truth,” even though it means that it may be a while yet until we get some answers about what’s up with Wonder Woman and her multiple pasts.

Meanwhile, “Year One” is set to conclude with Wonder Woman vs. the God of War, further cementing the fact that Ares will be the “big bad” of the arc as past solicits have hinted. It’s been done before with Wonder Woman origin stories, but it’s also a classic way to go and Rucka and Scott have been doing amazing work thus far.

Onto Trinity #5:

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TRINITY #5
Written by FRANCIS MANAPUL
Art and cover by FRANCIS MANAPUL
Variant cover by BILL SIENKIEWICZ
“BETTER TOGETHER” part five! Batman, Superman and Wonder Woman must battle for their lives against their greatest foes in an arena of their own making! And the fight won’t be done until they confront each other in this deadly match. The mastermind behind this attack has revealed himself at last: Mongul is back!
On sale JANUARY 18 • 32 pg, FC, $2.99 US • RATED T

I absolutely LOVED the first issue of Trinity last month. It was gorgeous and fun and just delightful from start to finish, and I’m excited to see where the book goes. January promises our heroic trio facing off against Mongul and Poison Ivy, which is a pairing I don’t think I’ve ever seen before. I’m intrigued!

We’ve also got the print edition of Batman ’66 Meets Wonder Woman ’77 #1:

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BATMAN ’66 MEETS WONDER WOMAN ’77 #1
Written by JEFF PARKER and MARC ANDREYKO
Art by DAVID HAHN and KARL KESEL
Cover by MICHAEL ALLRED
Variant cover by ALEX ROSS
What mysteries are hidden in the book Ra’s al Ghul hired Catwoman to steal? And why does this caper lead Batman down memory lane—to his childhood fight against actual Nazis? Witness the Caped Crusader’s first encounter with one of the greatest heroes the world has ever known: Wonder Woman!
This epic team-up is brought to you by writers Marc Andreyko (WONDER WOMAN ’77) and Jeff Parker (BATMAN ’66), with fantastic artists David Hahn and Karl Kesel (BATMAN ’66 Meets the Man from U.N.C.L.E.). It’s a time- and space-spanning adventure unlike anything you’ve seen before!
On sale JANUARY 18 • 32 pg, FC, 1 of 6, $2.99 US • RATED E • Digital first

This looks like it should be a blast. Both Batman ’66 and Wonder Woman ’77 are enjoyable series, and combining the two just seems logical. I’m curious to see how much interaction the heroes will have; Lynda Carter’s Wonder Woman vs. Julie Newmar’s Catwoman would be the coolest too.

Onto a new series starring the Amazons:

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THE ODYSSEY OF THE AMAZONS #1
Written by KEVIN GREVIOUX
Art and cover by RYAN BENJAMIN
Variant cover by YASMINE PUTRI
Don’t miss the start of this new miniseries set in the world of Wonder Woman from writer/actor Kevin Grevioux (New Warriors, Underworld). Years before the birth of Princess Diana, a group of Amazons set out on a globe-spanning quest to find others of their kind, encountering legendary creatures and beings along the way. But their journey soon turns into a rescue mission as two of their own are captured by the legendary Storm Giants of Norse mythology. It’s up to their leader, the stalwart Hessia, to keep them together through the many trials that lie ahead.
On sale JANUARY 18 • 32 pg, FC, 1 of 6, $3.99 US • RATED T

I still don’t love this cover. They don’t look like Nicola Scott’s Amazons at all and the crotch shots are rather unnecessary. But a miniseries starring a group of Amazons could be very fun, and I’m hoping for the best here.

Wonder Woman is also front and center on DC’s free guide to their graphic novels:

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DC ESSENTIAL GRAPHIC NOVELS 2017
Cover by TONY S. DANIEL and SANDU FLOREA
Now anyone can experience DC from the best starting points possible with 25 graphic novels vital to anyone’s collection. From there, move on to your favorite characters: Batman, Superman, Wonder Woman, Justice League and more, with listings of the most important books to understanding those particular characters. The DC ESSENTIAL GRAPHIC NOVELS 2017 catalog makes it easy to find the perfect story for everyone!
On sale JANUARY 11 • 96 pg, FC, FREE

I just really like that cover. And hopefully, with so much new Wonder Woman material out lately, Wonder Woman will have a larger presence in this year’s book than she’s had in past editions.

Wonder Woman’s starring in some new collections as well, including this one:

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WONDER WOMAN: HER GREATEST BATTLES TP
Written by GEORGE PEREZ, JOHN BYRNE, GREG RUCKA, GAIL SIMONE, GEOFF JOHNS and BRIAN AZZARELLO
Art by GEORGE PEREZ, JOHN BYRNE, JIM LEE, CLIFF CHIANG and others
Cover by FRANK CHO
This new collection brings together the biggest and most unforgettable battles in Wonder Woman’s history as a DC Comics superhero, as she battles Ares, Cheetah, Medusa and more!
On sale FEBRUARY 8 • 168 pg, FC, $9.99 US

Ugh on the Frank Cho cover, and I’m definitely side-eying DC’s choice to focus on the warrior aspect of Wonder Woman. But that a great group of creators so I’m sure some excellent stories will be reprinted in this one. Plus it’s only $10, which is rad. There were a variety of other Wonder Woman collections in the January 2017 solicits as well, including the trade paperback collection of “The Lies,” the trade of the Finches’ last run on Wonder Woman, and another volume of Wonder Woman ’77.

Finally, Wonder Woman’s got some toys on the go, too, including this fancy figure:

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DC BLUELINE WONDER WOMAN ACTION FIGURE BY JIM LEE
Inspired by the art of Jim Lee, this new black-and-white action figure captures Wonder Woman in all her Amazonian glory!
Measures Approximately 6.75” Tall
$40.00 US • On Sale MAY 2017

While $40 is a lot for an action figure, she does look pretty cool. I’ve seen some other figures from this “Blueline” run and they’re kind of neat. The solicits also listed the Wonder Woman movie statues I mentioned last week, which are lovely and very, very expensive.

So it was a busy round of solicits for Wonder Woman! With the movie on the way, we Wonder Woman enthusiasts may find ourselves going broke to keep up with all of the fun new comics, collections, and collectibles. It’s a fun problem to have.


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