Posts Tagged ‘Nicola Scott’

Wonder Woman #25 Review: The Grand Finale for Rucka, Sharp, Evely, and the Rest!

June 28, 2017

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As someone who is absolutely steeped in Wonder Woman, who’s written a book about her and has read every single issue of Wonder Woman, you can take it to the bank when I say this: I don’t think there’s ever been a better 25 issue run of Wonder Woman than what we’ve been enjoying for the past year since the “Rebirth” relaunch. Wonder Woman has had some amazing runs over the years, and I could see arguments for other eras; the first two years of the Perez era, perhaps, or the fantastic bizarreness that was the Golden Age. But for me, what Greg Rucka, Bilquis Evely, Nicola Scott, and Liam Sharp have put together takes the top spot. This is in part because it’s amazing on its own, but even more so because it so successfully reoriented the character after her increasingly disastrous five year New 52 run. The team managed to fix a bad situation and tell an expansive, fantastic story at the same time. It’s really quite a remarkable feat. And now we’re at the end of it! We’ll discuss it all, but first:

SPOILER ALERT!!

I am about to reveal everything that happened in this issue!

Look away if you haven’t read it yet!

Also, go read it! It’s very, very, very good!

This finale brings together all of the elements from this entire run, tying up the loose ends on some while leaving other plotlines open ended for future creators to explore. There are lots of references to past issues, including Wonder Woman’s first meeting with Batman and Superman from the recent Wonder Woman Annual #1; what seemed at the time like a fun, inconsequential one-off tale came into play here at the end. It’s a good example of what Rucka’s writing has done over the past year. Small beats had big ramifications down the road, and what seemed like tangents all added up to something bigger. I remember being frustrated with “The Lies” early on because it focused so much on the Cheetah, a character I’d just assumed was included as a quick initial foe for Wonder Woman, and took it’s time getting to the actual lies. But it turned out, of course, that the Cheetah was a pivotal player in this book, and that the slow burn at the start of “The Lies” laid a lot of the groundwork for everything to come. The master plan became visible only months later.

So the finale begins with Wonder Woman in a bad mood, and understandably so. Her family remains lost to her, the Cheetah has escaped, her lasso is gone, and worst of all, her gods have been lying to her. She’s got some anger about it all, so much so that she’s punching villains extra hard and ignoring Steve. But some straight talk from her pals Batman and Superman sends her on a quest to find her gods, and they honour her anger. A speech from a mysterious woman who turns out to be Athena sets things right; she acknowledges that Diana is right to be angry, but that even with all of the manipulations of the gods, “The truth of you has never changed, Diana. Even the gods themselves could not take that away from you.” It fits in text, a nod to Wonder Woman’s steadfast heroism during the trials of the past 25 issues. But I think the moment stands as a larger statement about Wonder Woman, that no matter how many different incarnations of the character there are, some of them good and some of them bad, there is a core to her that shines through, an essential truth about her strength, compassion, and heroism that was imbued in her from her earliest days. The gods then return her lasso as a sign that they love her, and she leaves with a renewed belief in herself and her larger mission.

She then finds Steve Trevor, and amorous activities ensue. I could be wrong, but I think that this might be the first time they’ve actually hooked up in text? It’s been implied at various times, but I can’t recall seeing them in anything like the heartwarming last page of this issue, with them in each other’s arms in bed. There was their kiss and the implication of something more during that night in the village in the Wonder Woman movie, but in the comics they dated from the 40s through the 80s, when they couldn’t show anything like that, and then Steve wasn’t a romantic factor for the next 25 years. With the New 52 relaunch, the romance was back but past. Now they’re actively together again, in ways I think we’ve never seen before. It works as a lovely end to the book, as a much deserved moment of love and happiness for Diana. Plus, Steve shaved for the occasion, getting rid of that god awful goatee, so it was a good scene all around!

The finale leaves the rest of the cast in several interesting, open ended spots. Etta Candy, who’s been an absolute delight in this run, is going after the Cheetah, her former girlfriend Barbara turned crazed feline foe. This is a story I need to see. Their relationship was a background element that became increasingly important in terms of the Cheetah’s connection to her humanity. I hope that Etta getting Barbara back is a priority for a future creative team. The Cheetah’s a much more interesting character now as well, and I very much hope that DC stays true to Rucka and Sharp’s revamp of her in the future.

And finally, my evil favourite, Veronica Cale. She’s the worst and I love her. Her backstory was so well established that we totally understand her full embracing of villainy now, and as much as it’s sad that she didn’t turn away from it, damn she’s a good villain. I’m going to miss Bilquis Evely drawing her so much. She brought such heart to the character throughout “Godwatch” and really sold the story through her take on Veronica. And here, Evely’s depiction of Veronica’s confrontation with Wonder Woman is just perfect. Her sneer when she refuses to help Diana is spectacular. Veronica Cale could be an epic villain for years to come, and I hope that DC embraces that and does her justice in the future.

So we’ve reached the end of the run, and while I’m sad it’s over, I’m glad that Wonder Woman has been so well reoriented. I’m also sort of happy that Rucka and everyone decided to end things here. I’d have been down for more, but everything has wrapped up well and they’ve accomplished what they set out to do beautifully. Diana is in a good place, and is well positioned for new teams to tell exciting stories with her moving forward. I’m looking forward to Shea Fontana and Mirka Andolfo taking over the book for the next few issues, though I’m considerably less keen on James Robinson coming in after that. However, I’m optimistic that his run is just a bit of “Rebirth” housekeeping and that the New Year will bring a new team with a fresh perspective to the book. Rucka, Evely, Scott, and Sharp have demonstrated how amazing Wonder Woman can be, and it will be fun to see new voices picking up the baton from here on.

The Comic Books To Read After You See Wonder Woman This Weekend

June 1, 2017

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Wonder Woman is hitting theaters tomorrow, with early showings tonight (I’M GOING TO SEE IT TONIGHT AND I’M SO EXCITED I CAN’T EVEN DEAL WITH IT), and soon lots of new Wonder Woman fans are going to be wondering what to read next. While I definitely suggest my book Wonder Woman Unbound: The Curious History of the World’s Most Famous Heroine, I’ve also put together this list of comic collections that I think best capture the history and the spirit of the character. Start here, new Wonder Woman enthusiasts! You’ve got so many fun comic book adventures head of you.

Here is the list, in chronological order:

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The Wonder Woman Chronicles, Volume 1, written by William Moulton Marston, art by H.G. Peter

It’s always good to start at the very beginning. While Wonder Woman’s early outings are also collected in Archive and Omnibus formats, the Chronicles line is the cheapest option. Marston and Peter imbued Wonder Woman with a unique brand of feminism that was central to the character from day one, and a lot of the core cast and elements in these comics have remained key to Wonder Woman for more than 75 years. The stories are often wacky and fantastical, but that’s part of the charm.

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Wonder Woman by George Perez, Volume 1, written and drawn by George Perez with others

We’re jumping a few decades here, but while Wonder Woman comics were interesting at times in the Silver and Bronze Age, they’re more deeper cuts than Wonder Woman 101. Perez’s relaunch of the character, though, was hugely influential, and remains a touchstone today. Even though it was a total reboot, in many ways it was a modern update of the original Wonder Woman that stayed true to her feminist core. And with fantastic art by Perez, these stories still hold up thirty years later.

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Wonder Woman: Paradise Lost, written and drawn by Phil Jimenez with others

While there were lots of good arcs in Wonder Woman in the 1990s and 2000s, this collection is my personal favourite. The “Gods of Gotham” storyline is just good fun; Batman, the Joker, and Poison Ivy get taken over by gods and Wonder Woman has to sort things out. It’s great. “Paradise Lost” is strong as well, but “She’s a Wonder!” is the best of the bunch, teaming up Diana and Lois Lane in a story that highlights the strengths of each character and shows the respect DC’s two leading ladies have for each other.

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DC: The New Frontier, written and drawn by Darwyn Cooke

This isn’t a Wonder Woman comic specifically; pretty near everyone in the DC universe stars in this story, which is set in the 1950s and explores the dawn of a new era of heroism. But Wonder Woman’s scenes in the book are ALL spectacular. She confronts both Superman and President Eisenhower, assembles a female army in Vietnam, and comes back from a major injury to lead the charge against a foe that threatens the entire Earth. Every single moment with Wonder Woman is fantastic and the rest of the book isn’t too bad either.

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Sensation Comics featuring Wonder Woman, Volume 2, by too many folks to list but they’re all great

We’re getting into recent stuff now, because the past few years have been an embarrassment of riches in terms of great Wonder Woman stories. Any volume of Sensation Comics could be on this list, really. They’re all standalone stories by different creative teams, and the majority of them are great. But this volume is probably the best one. Standouts include James Tynion IV and Noelle Stevenson’s tale of a young Wonder Woman visiting the outside world for the first time, and Lauren Beukes and Mike Maihack’s adorable tale of make believe. They’re all pretty fun, though.

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DC Comics Bombshells, Volume 1: Enlisted, written by Marguerite Bennett, art by Marguerite Sauvage and more

This is another ensemble book, and it’s just so much fun. The series is a retelling of World War II with DC’s female superheroes fighting the evil magical forces of the Nazis. No male superheroes are involved at all, and heroines like Batwoman, Supergirl, and Wonder Woman take center stage. It’s empowering and action packed and true to the characters, especially Wonder Woman, while being something totally unique and different. It’s also super queer, in all of the best ways. Few books capture the spirit of Wonder Woman as well as this.

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The Legend of Wonder Woman, Volume 1: Origins, written and drawn by Renae De Liz with Ray Dillon

I’m doubling up on recent World War II retellings here, but it can’t be helped. Both are just too good to pick only one. And this one is all about Wonder Woman, starting with young Diana growing up on Paradise Island and following her as she eventually leaves the island to save the world. It spends a lot of time with the Amazons, which is always fun, plus Etta Candy is a key player in the book, too. Also, it’s absolutely stunning. The art is lush and gorgeous and perfect for the era and the story. Do yourself a favour and check out this outstanding book.

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Wonder Woman, Volume 2: Year One, by Greg Rucka and Nicola Scott

Greg Rucka has penned several excellent Wonder Woman stories, but this is far and away his best. It’s a modern retelling of Wonder Woman’s origins that draws from past incarnations of the character while simultaneously doing something fresh and exciting. And it’s straight up gorgeous, too. Nicola Scott was born to draw this book, and the heart and beauty she puts in every panel is an amazing thing to behold. This volume is the perfect gateway to the current Wonder Woman series, and is one of the best Wonder Woman stories ever told.

So definitely dig into all of these great collections! Most are still easy to find in print, and anything that’s not is available digitally (plus the bulk of them are on sale right now at Comixology!). And after you’ve checked out these books, keep digging! Wonder Woman’s got a fascinating history with more than 75 years of great comic books, and there are so many other fantastic volumes out there.

Wonder Woman Annual #1 Review: A Delightful Assortment of Tales!

May 31, 2017

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Annuals are tricky comic books. They cost more than a regular issue, so readers expect some extra bang for their buck. They also tend to be disconnected from the ongoing arc(s) in the main series, so it’s easy for readers to question their relevance. An annual is an expensive collection of standalone stories, most of which aren’t by the usual creative team, and it’s never a surprise when they invariably sell fewer copies than the series’ regular issues do. I know I’ve skipped all sorts of annuals over the years. But this one I was excited for. It’s a “Year One” reunion  with Greg Rucka and Nicola Scott back together, and that alone is worth the price of admission. So much so that I’d completely forgotten who else was in the book, to be quite honest. Those stories turned out to be fun as well, though! I mean, there’s one where Wonder Woman plays fetch with a kaiju. That’s quality entertainment. We’ll get to it all, but first:

SPOILER ALERT!!

I am about to reveal important details from this very enjoyable comic book!

Do yourself a favour and go buy it now!

The first story is “And Then There Were Three” by Rucka and Scott. It was nice to have them back together after their stellar “Year One” run, and it was also great to have Rucka writing Batman and Superman again. He’s done fantastic work with both characters in the past, and in his hands they just felt right. DC’s trinity has been a little off kilter for me since the New 52 relaunch in 2011, and Rucka writing all three of them took me back to the characters as I know them best.

While the story tied into “Year One,” it didn’t have anything in the way of surprising revelations or information that added a key piece to the larger mysteries that have swirled throughout the “Rebirth” run. It was tangential, the story of Wonder Woman’s first meeting with Batman and Superman, but wow is it good. There are no big fights or drama, just great banter and a perfect distillation of their group dynamic. Superman teasing Batman is a dang delight, Alfred and Lois Laneare in the mix and amusingly so, and the end of the story, with Batman in awe of the pure heroism and love for the world at the core of Wonder Woman, is a great moment.

Plus it’s absolutely gorgeous. I wish Nicola Scott could draw Wonder Woman forever, and that Romulo Fajardo Jr. would be her eternal colorist. Scott has such a good handle on Wonder Woman, and captures her beautifully. She’s no slouch with Batman or Superman either! The entire story is exquisitely drawn from start to finish, from Metropolis to the Batcave to the Nevada desert, and makes for a wonderful opener to the annual.

Up next is “In Defense of Truth and Justice” by Vita Ayala and Claire Roe with colors by Jordie Bellaire. Ayala is an up an coming write at DC, and Roe is fresh off a run on Batgirl and the Birds of Prey. Their story pits Wonder Woman against the forces of Markovia as she works to save King Shark from an undeserved execution. I always love when Wonder Woman defends a villain who, though guilty of various crimes, is being treated an unfairly and needs help. These tales capture the compassionate core of the character, and Ayala and Roe do that well here, with some excellent action in the mix too. It’s a well executed story all around, with a great ending in which Wonder Woman tries to set King Shark on the right path moving forward with the help of one of her aquatic friends.

“The Curse and the Honor” by Michael Moreci and Stephanie Hans is just so pretty. The story itself is fine; the location is unnamed, but it looks like Wonder Woman is in a Japanese village, where she gives a warrior who has absorbed vengeful spirits the honourable death he deserves. But the art is stunning. Stephanie Hans always delivers amazing visuals, and this story is no exception. It’s a heavy tale, set in the winter so that Wonder Woman and her red cape appear in stark contrast to her surroundings. The art is lush and pretty, not so much finely detailed as atmospheric and moody. It is lovely all around; bringing in Stephanie Hans on this one was a very smart move from DC.

Continuing the Japanese influence, the final story is “The Last Kaiju,” written by Collin Kelly and Jackson Lanzing with art by David Lafuente and colors from John Rauch. As a giant kaiju approached a city on the Pacific coast, A.R.G.U.S. wants to light it up but Wonder Woman swoops in to deal with it directly. After a bit of fisticuffs, she ties it up in her golden lasso and learns that it’s not some mindless monster but a lost and lonely creature. Wonder Woman then defends the creature, flies it to Dinosaur Island where it can make friends, and they all play catch with a giant log. It’s cute and fun and again captured Wonder Woman’s compassionate core. Just like with King Shark, Wonder Woman willingly put herself in harm’s way to defend someone that no one else thought was worthy of defending. That’s always a great message for a Wonder Woman comic, and it’s nicely executed here.

All together, this was a pretty swell annual and definitely worth picking up. I came for Rucka and Scott’s take on DC’s trinity, but everything else was enjoyable as well. Plus it was great to see a wide variety of art styles and tones in the stories. It was an eclectic mix that all worked together to celebrate Wonder Woman’s heart and heroism. With the Wonder Woman movie coming just days from now, this is a fitting book to have on the shelves for new or returning fans.

Women at DC Comics Watch – May 2017 Solicits, 28 Women on 21 Books

March 6, 2017

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May looks to be a decent month for female creators at DC Comics, with the publisher set to post their highest number of different women for the year thus far. While the total is still somewhat below the highs that DC hit last fall, the numbers have been moving up for a couple of months now and are nearing the 30-range, a relatively strong bar for female representation at either superhero publisher. Let’s take a look at who is going what at DC in May 2017:

  • Amanda Conner: Harley Quinn #19 (co-writer, cover), Harley Quinn #20 (co-writer, cover)
  • Audrey Mok: Shade, the Changing Girl #8 (writer, interior art)
  • Becky Cloonan: Gotham Academy: Second Semester #9 (co-writer), Shade, the Changing Girl #8 (cover)
  • Bilquis Evely: Wonder Woman #22 (interior art, cover)
  • Carmen Carnero: DC Comics Bombshells #26 (interior art), DC Comics Bombshells #27 (interior art), Detective Comics #957 (interior art)
  • Cecil Castellucci: Shade, the Changing Girl #8 (writer)
  • Emanuela Lupacchino: Green Lanterns #22 (variant cover), Green Lanterns #23 (variant cover)
  • Genevieve Valentine: Detective Comics #957 (co-writer)
  • Hope Larson: Batgirl #11 (writer)
  • Jen Bartel: Shade, the Changing Girl #8 (variant cover)
  • Jenny Frison: Wonder Woman #22 (variant cover), Wonder Woman #23 (variant cover)
  • Jill Thompson: The Flintstones #11 (cover)
  • Jody Houser: Mother Panic #7 (writer)
  • Julie Benson: Batgirl and the Birds of Prey #10 (co-writer)
  • K. Perkins: Superwoman #10 (writer)
  • Kamome Shirahama: Batgirl and the Birds of Prey #10 (variant cover)
  • Laura Braga: DC Comics Bombshells #27 (interior art)
  • Lilah Sturges: Everafter: From the Pages of Fables #9 (co-writer)
  • Marguerite Bennett: Batwoman #3 (co-writer), DC Comics Bombshells #26 (writer), DC Comics Bombshells #27 (writer)
  • Marley Zarcone: Shade, the Changing Girl #8 (interior art)
  • Mirka Andolfo: DC Comics Bombshells #26 (interior art), DC Comics Bombshells #27 (interior art)
  • Msassyk: Gotham Academy: Second Semester #9 (interior art)
  • Nicola Scott: Red Hood and the Outlaws #10 (cover), Wonder Woman Annual #1 (interior art, cover)
  • Rachael Stott: DC Comics Bombshells #26 (interior art)
  • Sandra Hope: Gotham Academy: Second Semester #9 (inker)
  • Shawna Benson: Batgirl and the Birds of Prey #10 (co-writer)
  • Tula Lotay: Everafter: From the Pages of Fables #9 (cover)
  • Yasmine Putri: The Hellblazer #10 (variant cover)

All together, there are 28 different female creators set to work on 21 different books in May, 2 more women than in April though 3 fewer books. Things were a bit more concentrated this month; rather than women across the board, a few series like Shade, the Changing Girl and a double shot of DC Comics Bombshells had a lot of women in just a few places, thus the drop in different comics despite the gains in female creators overall. All together, it was a solid month for DC, and the nearest the publisher has come to their fall highs thus far in 2017.

In terms of new names, I think we’ve got a few women making their DC debuts, though they are known for their work elsewhere in the industry. According to my records, Audrey Mok, Jen Bartel, and Rachael Stott are all appearing in the DC solicits for the first time since this project began, and it’s always enjoyable to see pros from other kinds of comics pop in to do some corporate superhero fun. We’ve also got a couple of returning favourites; we haven’t seen Carmen Carnero, Genevieve Valentine, or Jill Thompson in a while, and it’s cool to have them back in the mix.

There’s not many new comics set to premiere at DC in May, much less ones with female leads. Things have been pretty steady at DC for a while now, so much so that I can’t help but expect a new wave of books sometime soon. June will mark a year since “Rebirth” began, so perhaps we’ll see some new titles then? DC’s been sticking with this lineup for several months now.

All together, May looks to be a decent month for women at DC Comics. There remains, as always, a massive amount of room to grow, but increases in female representation for two months running is a positive sign, as is posting the highest number of the year thus far. Hopefully June brings more growth, and perhaps some new series.

Women at DC Comics Watch – April 2017 Solicits, 26 Female Creators on 24 Books

February 17, 2017

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Female creator representation in DC’s April 2017 solicits is about par for the course for the year thus far. DC’s been hovering around the mid-20s for months, an okay level but noticeably below their recent highs last fall and Marvel’s current highs. Given the progress both major superhero publishers have made in expanding their female creator ranks over the past few years, DC’s run in 2017 thus far is slightly underwhelming. Let’s take a look at who’s doing what at DC in April 2017:

  • Afua Richardson: All Star Batman #9 (interior art and cover)
  • Amanda Conner: Harley Quinn #17 (co-writer, cover), Harley Quinn #18 (co-writer, cover)
  • Aneke: DC Comics Bombshells #25 (interior art)
  • Becky Cloonan: Gotham Academy: Second Semester #8 (co-writer), Shade, the Changing Girl #7 (cover)
  • Bilquis Evely: Wonder Woman #20 (interior art, cover)
  • Cecil Castellucci: Shade, the Changing Girl #7 (writer)
  • Eleanora Carlini: Green Arrow #20 (interior art)
  • Emanuela Lupacchino: Green Lanterns #20 (variant cover), Green Lanterns #21 (variant cover), Supergirl #8 (cover), Trinity #8 (interior art)
  • Gail Simone: Clean Room #18 (writer)
  • Hope Larson: Batgirl #10 (writer)
  • Jenny Frison: Clean Room #18 (cover), Wonder Woman #20 (variant cover), Wonder Woman #21 (variant cover)
  • Jody Houser: Mother Panic #6 (writer)
  • Joelle Jones: Supergirl: Being Super #3 (interior art)
  • Julie Benson: Batgirl and the Birds of Prey #9 (co-writer)
  • K. Perkins: Superwoman #8 (writer)
  • Kamome Shirahama: Batgirl and the Birds of Prey #9 (variant cover)
  • Lilah Sturges: Everafter: From the Pages of Fables #8 (co-writer)
  • Marguerite Bennett: Batwoman #2 (co-writer), DC Comics Bombshells #25 (writer)
  • Marguerite Sauvage: Shade, the Changing Girl #7 (interior art, cover)
  • Mariko Tamaki: Supergirl: Being Super #3 (writer)
  • Msassyk: Gotham Academy: Second Semester #8 (interior art)
  • Nicola Scott: Red Hood and the Outlaws #9 (cover), The Flintstones #10 (variant cover)
  • Sandra Hope: Gotham Academy: Second Semester #8 (inker)
  • Shawna Benson: Batgirl and the Birds of Prey #9 (co-writer)
  • Tula Lotay: Everafter: From the Pages of Fables #8 (cover)
  • Yasmine Putri: The Hellblazer #9 (variant cover)

All together, there are 26 different female creators set to work on 24 different books, 2 more women than last month though 3 fewer books. DC’s now settled into their “Rebirth” lineup, and there’s not a huge amount of change from month to month, so most of the women above tend to have steady gigs, but the ranks don’t seem to be growing much. The numbers are stable, but below what DC has shown they’re capable of.

In terms of new names, Aneke is someone I don’t think we’ve seen at DC before; she’ll be drawing an issue of DC Comics Bombshells that brings back the universe’s Suicide Squad, so that should be a blast. K. Perkins is back too, though I don’t know if her writing gig on Superwoman is a onetime thing or she’ll be there moving forward. Finally, it’s very cool to welcome Lilah Sturges to the list! She’s been working on Everafter for a while now, but she’s recently transitioned to living openly as a woman and this is the first batch of solicits that reflects this change.

There aren’t any new series set to debut in April. As I said above, DC’s lineup is pretty set right now. We’ve got a new book or two since 2017 began, but not much else. I’m guessing they’ll be a new wave of “Rebirth” titles at some point soon, but for now things are pretty steady and uneventful.

Overall, April doesn’t look to be a bad month for women at DC, but it’s another average outing that doesn’t near their past highs. Nonetheless, it’s an impressive group of creators doing great work. The ranks are just leveled out right now. I wouldn’t expect much change until DC launches some new books or has a major creative overhaul.

Wonder Woman’s April 2017 Covers and Solicits

January 24, 2017

DC’s solicits were a little bit late this month, but when they finally arrived yesterday they brought a bevy of new Wonder Woman comic books for us to look forward to this April. So let’s take a look at what Wonder Woman will be up to in a few months’ time, starting with her own series:

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WONDER WOMAN #20
Written by GREG RUCKA • Art and cover by BILQUIS EVELY • Variant cover by JENNY FRISON
“Godwatch” part three! Cale launches a desperate gambit to take control of Godwatch, but her plan hinges on two factors she cannot control: the witch Circe, and Wonder Woman!
On sale APRIL 12 • 32 pg, FC, $2.99 US • RATED T

WONDER WOMAN #21
Written by GREG RUCKA • Art and cover by LIAM SHARP • Variant cover by JENNY FRISON
“The Truth” part four! As the reality of Themyscira is revealed, Wonder Woman is forced to make a decision: defy the will of the gods or betray her Amazon sisters to Godwatch!
On sale APRIL 26 • 32 pg, FC, $2.99 US • RATED T

The dual narrative continues this April, with Wonder Woman facing off against Godwatch in the even numbered issues and learning the truth about Themyscira in the odd books. Circe’s going to be in Wonder Woman #20, which should be a lot of fun. After her poor portrayal in Superman/Wonder Woman a couple of years back, I’m looking forward to what can only be a better spin on her from Rucka and Evely.

Now onto Trinity:

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TRINITY #8
Written by CULLEN BUNN • Art by EMANUELA LUPACCHINO and RAY McCARTHY • Cover by CLAY MANN • Variant cover by BILL SIENKIEWICZ
A “Superman: Reborn Aftermath” tie-in! In this essential chapter of the “Superman Reborn Aftermath” epic, Kal-El reveals to Batman and Wonder Woman what had happened to him—and how they all may be in danger!
On sale APRIL 19 • 32 pg, FC, $3.99 US • RATED T

I’ve been enjoying Trinity, but honestly I’m picking it up for the amazing Francis Manapul art and there just hasn’t been much of it. Now eight issues in, it looks like he’ll have drawn half of them at most, and we’re getting a tie-in issue with a Superman event? Not what I’m looking for. Hopefully Manapul is back in full force in May, because otherwise I might be ready to move on, especially with the $1 price hike.

Next up, some Amazon fun:

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THE ODYSSEY OF THE AMAZONS #4
Written by KEVIN GREVIOUX
Art by RYAN BENJAMIN and RICHARD FRIEND
Cover by RYAN BENJAMIN
The Amazons are taken to Valhalla, heavenly home of warriors who have fallen in combat. Hessia learns where the Amazons originated and why their numbers have come to be spread throughout the world. But she’s also determined to find a way back to Earth, to rescue her comrades who have been taken by the Storm Giants. As for the Giants, they are getting ready to go to war.
On sale APRIL 19 • 32 pg, FC, 4 of 6, $3.99 US • RATED T+

This series starts TOMORROW, so we’ll know pretty soon if this is going to be worth picking up in April. While the buzz for it seems to be minimal/non-existent, a lot of great titles fly under the radar so we’ll see what happens. It still just sounds like a Thor book to me, but I’m curious to see what Grievoux, Benjamin, and Friend do. I’ll be checking out the first issue tomorrow and will report back if I have anything interesting to say about it.

Now some classic TV fun:

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BATMAN ’66 MEETS WONDER WOMAN ’77 #4
Written by MARC ANDREYKO and JEFF PARKER • Art by DAVID HAHN and KARL KESEL • Cover by MICHAEL ALLRED
Ra’s al Ghul has discovered the Amazons’ Elysian Well…better known to Man’s World as a Lazarus Pit! Wonder Woman takes Batman and Robin (and Catwoman!) to confront him, but strange creatures live in the same maze, which the Amazons have used for centuries as a prison!
On sale APRIL 26 • 32 pg, FC, 4 of 6, $3.99 US • RATED E • DIGITAL FIRST

I’m so down for Catwoman on Paradise Island. You had me there, and you don’t have to sell me on anything else, DC. I’m super on board.

We’ve also got a few Wonder Woman collections announced. They include:

  • WONDER WOMAN VOL. 2: YEAR ONE TP: Collects WONDER WOMAN #2, 4, 6, 8, 10, 12 and 14. On sale MAY 3 • 168 pg, FC, $16.99 US. If you didn’t read this in single issues, BUY THIS. It’s phenomenal. Greg Rucka and Nicola Scott hit this one out of the park.
  • WONDER WOMAN BY JOHN BYRNE BOOK ONE HC: Collects WONDER WOMAN #101-114. On sale MAY 24 • 328 pg, FC, $39.99 US. A nice big collection of Byrne’s work on Wonder Woman, which I found moderately enjoyable when I read it. It’s Byrne before he went full on Internet wacko, which is usually worth checking out.
  • WONDER WOMAN: THE GOLDEN AGE OMNIBUS VOL. 2 HC: Collects COMIC CAVALCADE #6-13, SENSATION COMICS #25-48 and WONDER WOMAN #8-15. On sale JULY 5 • 768 pg, FC, $75.00 US. Early Marston/Peter Wonder Woman comics are always a good choice, and this HUGE new collection comes with a gorgeous Darwyn Cooke cover.

So we’ve got a nice selection of books to choose from this April, and some fine collections on the way as well. Should be fun!

Wonder Woman #14 Review: The Grand Finale of “Year One”

January 11, 2017

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It’s been so long since we’ve had an in-continuity Wonder Woman story that was this good. Outside of continuity, there have been some great Wonder Woman tales over the past few years; The Legend of Wonder Woman was amazing, while there were some absolutely stellar issues of Sensation Comics over the course of its run. But in terms of the proper mainline Wonder Woman title itself, things haven’t been great for a while now. There were cool moments here and there, but the book has lacked a sustained start to finish arc that tells a good story and captures the essence of who Wonder Woman is, what she means, and why she’s important. Greg Rucka and Nicola Scott have given us such a tale, and it’s been a joy to read each issue. Today’s finale was a fitting close to the arc, one that stands on its own as a distillation of the heart of the character while also tying into everything else going on in “The Lies,” “The Truth,” and “Godwatch.” Let’s dig into it all, but first:

SPOILER ALERT!!

I am about to reveal all of the details in this exciting conclusion!

Look away if you haven’t read it yet!

Also, go read it! It’s really good!

When we last left our intrepid heroine, the god of war had appeared at the military installation where Wonder Woman was staying, and he seemed to be in a bad mood. His poor attitude wasn’t terribly surprising; Ares is known to have a rather foul disposition. But now we know what he was after: He wanted the location of the home of the Amazons, and he was going to take it by force if he had to.

Wonder Woman wasn’t interested in force, however. She battered Ares around a bit initially, but then took a different tack, and the scene that ensued captured everything I love about Rucka and Scott’s approach to Wonder Woman. First, she realized that fighting the god of war WITH war, i.e. confronting him directly and violently, wasn’t going to end well for anyone. He’s war incarnate, after all. He’s very good at it. So instead, she decided to talk to him, and supplicated herself before him.

Second, she then appealed to what is best in Ares. She didn’t insult him or try some kind of trickery. Instead, she gave him an honourable out when she told him, “Show us thine courage in mercy.” Wonder Woman recognized his power and offered him a way to use it that would make him look good while avoiding any bloodshed. It was a tactical move on her part, to be sure, but it also showed how Wonder Woman sees the best in everyone, understands their potential for good, and tries to help them achieve that. She met Ares on his own terms, and tried to turn him onto a path that would be for the good of all, himself included. And she was willing to humble herself to do so.

Third, Wonder Woman gave herself up for her friends. Kneeling before Ares is kind of a terrible idea. Exposing herself to the god of war, defenseless, could easily have taken a grisly turn. But she was willing to take that risk, put herself on the line, and trade whatever she could in order to find a peaceful solution to what could have been a violent conflict that endangered her friends. Her new friends, at that, and beyond. She barely knew Steve, Etta, and Barbara, and she’d been exposed to the evils of this outside world, and still she was willing to give herself up to keep them, and the wider world, safe.

Fourth, when all else failed and Ares didn’t get what he wanted, Wonder Woman knew how and where to hit him. She didn’t punch him, thus avoiding playing the game on his terms. Instead, she wrapped him in the lasso of truth and used its power to defeat him. Interestingly, while the lasso has retained its classic truth revealing elements in this incarnation of Wonder Woman, its added something new: Understanding. Wrapping themselves in the lasso is how Diana, Steve, Etta, and Barbara overcame their language barrier. It united them in a manner that allowed them to understand each other perfectly, despite their many differences. It may seem a little corny, but I absolutely love a story in which truth and understanding is the weapon the hero uses to defeat hate and war.

The rest of the issue was fun as well. Athena stepped in and revealed Ares’ fiendish master plan, so Wonder Woman and Steve went off and took care of that with ease. This resulted in another great scene for Diana; she was overcome with anger while fighting a group of terrorists and almost gave into a murderous impulse, but then she wrapped herself in her own lasso and the truth steeled her against the power of Ares’ lies. The fun continued in other ways as well, with the Etta/Barbara romantic subplot developing nicely, and for readers interested in some male eye candy, Nicola Scott had a lot of shirtless Steve Trevor in this issue. There was something for everyone, really. And the issue ended with a nice nod to Wonder Woman’s past, with an array of newspapers naming her “Wonder Woman” using different fonts that harkened back to the scripts used on the covers of Wonder Woman over the course of the series’ history.

All together, it was an excellent conclusion to a fantastic run that will go down as one of the best Wonder Woman stories of all time. It was well written and absolutely gorgeous, and it set the tone for who Wonder Woman is and what she means in today’s world. With such a good beginning, I can’t wait to see what’s next. Bilquis Evely, who drew the wonderful Barbara Ann Minerva standalone issue, is taking over the art for Scott on the new arc, “Godwatch,” a transition so perfect that it lessens the blow of Scott’s departure considerably. Wonder Woman‘s going to be good for a while, gang. It’s exciting times.


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