Posts Tagged ‘Phil Jimenez’

The Comic Books To Read After You See Wonder Woman This Weekend

June 1, 2017

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Wonder Woman is hitting theaters tomorrow, with early showings tonight (I’M GOING TO SEE IT TONIGHT AND I’M SO EXCITED I CAN’T EVEN DEAL WITH IT), and soon lots of new Wonder Woman fans are going to be wondering what to read next. While I definitely suggest my book Wonder Woman Unbound: The Curious History of the World’s Most Famous Heroine, I’ve also put together this list of comic collections that I think best capture the history and the spirit of the character. Start here, new Wonder Woman enthusiasts! You’ve got so many fun comic book adventures head of you.

Here is the list, in chronological order:

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The Wonder Woman Chronicles, Volume 1, written by William Moulton Marston, art by H.G. Peter

It’s always good to start at the very beginning. While Wonder Woman’s early outings are also collected in Archive and Omnibus formats, the Chronicles line is the cheapest option. Marston and Peter imbued Wonder Woman with a unique brand of feminism that was central to the character from day one, and a lot of the core cast and elements in these comics have remained key to Wonder Woman for more than 75 years. The stories are often wacky and fantastical, but that’s part of the charm.

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Wonder Woman by George Perez, Volume 1, written and drawn by George Perez with others

We’re jumping a few decades here, but while Wonder Woman comics were interesting at times in the Silver and Bronze Age, they’re more deeper cuts than Wonder Woman 101. Perez’s relaunch of the character, though, was hugely influential, and remains a touchstone today. Even though it was a total reboot, in many ways it was a modern update of the original Wonder Woman that stayed true to her feminist core. And with fantastic art by Perez, these stories still hold up thirty years later.

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Wonder Woman: Paradise Lost, written and drawn by Phil Jimenez with others

While there were lots of good arcs in Wonder Woman in the 1990s and 2000s, this collection is my personal favourite. The “Gods of Gotham” storyline is just good fun; Batman, the Joker, and Poison Ivy get taken over by gods and Wonder Woman has to sort things out. It’s great. “Paradise Lost” is strong as well, but “She’s a Wonder!” is the best of the bunch, teaming up Diana and Lois Lane in a story that highlights the strengths of each character and shows the respect DC’s two leading ladies have for each other.

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DC: The New Frontier, written and drawn by Darwyn Cooke

This isn’t a Wonder Woman comic specifically; pretty near everyone in the DC universe stars in this story, which is set in the 1950s and explores the dawn of a new era of heroism. But Wonder Woman’s scenes in the book are ALL spectacular. She confronts both Superman and President Eisenhower, assembles a female army in Vietnam, and comes back from a major injury to lead the charge against a foe that threatens the entire Earth. Every single moment with Wonder Woman is fantastic and the rest of the book isn’t too bad either.

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Sensation Comics featuring Wonder Woman, Volume 2, by too many folks to list but they’re all great

We’re getting into recent stuff now, because the past few years have been an embarrassment of riches in terms of great Wonder Woman stories. Any volume of Sensation Comics could be on this list, really. They’re all standalone stories by different creative teams, and the majority of them are great. But this volume is probably the best one. Standouts include James Tynion IV and Noelle Stevenson’s tale of a young Wonder Woman visiting the outside world for the first time, and Lauren Beukes and Mike Maihack’s adorable tale of make believe. They’re all pretty fun, though.

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DC Comics Bombshells, Volume 1: Enlisted, written by Marguerite Bennett, art by Marguerite Sauvage and more

This is another ensemble book, and it’s just so much fun. The series is a retelling of World War II with DC’s female superheroes fighting the evil magical forces of the Nazis. No male superheroes are involved at all, and heroines like Batwoman, Supergirl, and Wonder Woman take center stage. It’s empowering and action packed and true to the characters, especially Wonder Woman, while being something totally unique and different. It’s also super queer, in all of the best ways. Few books capture the spirit of Wonder Woman as well as this.

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The Legend of Wonder Woman, Volume 1: Origins, written and drawn by Renae De Liz with Ray Dillon

I’m doubling up on recent World War II retellings here, but it can’t be helped. Both are just too good to pick only one. And this one is all about Wonder Woman, starting with young Diana growing up on Paradise Island and following her as she eventually leaves the island to save the world. It spends a lot of time with the Amazons, which is always fun, plus Etta Candy is a key player in the book, too. Also, it’s absolutely stunning. The art is lush and gorgeous and perfect for the era and the story. Do yourself a favour and check out this outstanding book.

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Wonder Woman, Volume 2: Year One, by Greg Rucka and Nicola Scott

Greg Rucka has penned several excellent Wonder Woman stories, but this is far and away his best. It’s a modern retelling of Wonder Woman’s origins that draws from past incarnations of the character while simultaneously doing something fresh and exciting. And it’s straight up gorgeous, too. Nicola Scott was born to draw this book, and the heart and beauty she puts in every panel is an amazing thing to behold. This volume is the perfect gateway to the current Wonder Woman series, and is one of the best Wonder Woman stories ever told.

So definitely dig into all of these great collections! Most are still easy to find in print, and anything that’s not is available digitally (plus the bulk of them are on sale right now at Comixology!). And after you’ve checked out these books, keep digging! Wonder Woman’s got a fascinating history with more than 75 years of great comic books, and there are so many other fantastic volumes out there.

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Superwoman #2 Review: Where’s Lois Lane?

September 14, 2016

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Superwoman  was advertised as a Lois Lane comic book. The New 52 Lois got superpowers when the New 52 Superman died, and now she was ready to take to the skies to defend and protect Metropolis as Superwoman. I was intrigued. It wasn’t the Lois Lane comic I was hoping for; I’d rather see her tracking down scoops and taking down bad guys at the Daily Planet. But I was on board, especially with Phil Jimenez writing and drawing it and Emanuela Lupacchino subbing in on art occasionally. It was a stellar team with a new, different take on Lois, and I was excited for it. Turns out, that’s not was Superwoman was about at all. We’ll discuss, but first:

SPOILER ALERT!!

I am going to disclose a number of shocking reveals!

So the first issue was fine for a while. It had a lot of Lana Lang, but I didn’t mind too much. I knew that she’d be working with Lois, and I was excited to see them grow from rivals and often adversaries into partners and friends. Then we learned that Lana has superpowers too, and again I didn’t mind too much. All the better for rad team ups! I liked the idea of dual Superwomen fighting evil. Then Lois was killed at the end of the issue, or at least it looked that way. It’s a comic book, so I was wary. I’m used to fake out cliffhanger endings, so while I was concerned, I was hoping it would all be a trick and the gals would be back together in the next issue.

But no. Lois is dead.

Real dead too. She straight up disintegrated in the opening pages of the second issue, leaving a grieving Lana to carry on as a superhero on her own. Luckily she’s got a good support system with John Henry Irons and his niece Natasha, two characters I quite like. But Lois is gone, and that means so am I.

Now, Superwoman isn’t a bad comic. Jimenez’s artwork is great, as always, and the series has got a lot of good characters in the mix. The first two issues have been a bit overstuffed, which has affected the pacing of the issues and the readability of the art at times but it is, on its own merits, a decent book. If it was advertised as the Lana Lang comic it is, I probably would have checked it out. I’m not a huge Lana fan, but she’s a character with potential and elevating her to a superhero role after decades trapped being a romantic rival is kind of cool. That’s a good hook on its own.

But instead we got this bait and switch, and with every page my main thought was, “Where’s Lois?” My frustration at the death of the lead character I was promised trumped whatever level of enjoyment I got from the comic itself. A Lois Lane comic book is LONG overdue. She hasn’t had a solo series since Superman’s Girl Friend Lois Lane ended in 1974, but she’s been a mainstay in the DC universe in every medium for over 75 years now. She should have her own series, preferably with a better title than her old one. To promise this book and then not deliver it is both insulting and disappointing.

Even worse is killing her off in the process. Lois gets killed a lot, especially over the last decade or so. Offing her, for real or not, to create anguish for Superman has become a common trope used again and again by bad writers, and now she’s been offed to create anguish for Lana. Moreover, the New 52 Lois had a terrible run. Since the 2011 relaunch, she’s been sidelined and forgotten, and this new series felt like redemption after years of poor treatment. Instead, Superwoman fell into the same old patterns straight away.

Lois could yet come back, of course. It’s comics, after all; nobody stays dead and Jimenez seems to be teasing something. Plus, why introduce her just to kill her off so quick? There may be a longer plan at work here. But I’ve got no time for it. I really don’t understand DC’s thinking here. Why involve Lois at all, and especially why advertise it as a Lois book in the first place? If the plan is to kill her off for good, you’re only upsetting Lois fans. If the plan is to “kill her off” and then bring her back later, all of the Lois fans will have already jumped ship by the time you do so. No matter how you slice it, the way DC set up this series is just ridiculous.

Lois Lane is the First Lady of the DC universe. She is as brave and heroic and compelling as any of those folks with the masks and the capes, and she deserves some time in the spotlight. Whether she’s dead or “dead,” Lois’s depiction in Superwoman has been yet another in a long list of comics that have treated her poorly. We don’t need more of those. I’m done with the series, and this will be my last review of it. I like Jimenez and Lupacchino, and I like Lana, John, and Natasha, but I love Lois Lane, and any book that kills her off to further someone else’s plot is a book that I’m just not interested in.

Superwoman #1 Review: Either One Of The Best Or Worst Comics Of DC’s “Rebirth” Line

August 10, 2016

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Superwoman is a great comic book until the last page, and depending on how that last page plays out it’s either going to be a book I’ll be very much looking forward to each month or a book I’ll drop like a hot potato. We’ll see how it goes. I’m certainly hoping for the former, because I really enjoyed the bulk of this issue. We’ll dig into it all, but first:

SPOILER ALERT!!

I mean, it’s kind of spoiled all over the internet right now, but still!

Read the book first!

This honestly isn’t the kind of Lois Lane comic book I wanted. I’ve been arguing that Lois should have her own series for years now, one that focuses on her journalistic adventures tracking down big scoops and taking down evildoers of the non-costumed variety. I basically want Gotham Central set in the Daily Planet newsroom with Lois as the main character. This book is not that. It’s Lois Lane with superpowers, which she gained when the New 52 Superman died a few months back. But while Superwoman is not what I’ve been wanting, it’s a lot of fun.

First, of course Lois Lane would make an awesome superhero. She’s done it a bunch of times over the years, as she actually mentions in the issue, and it’s always a good time. In Investigating Lois Lane, I call Lois a superhero without superpowers; she’s got all of the same values, bravery, and desire to do what’s right that Superman and Wonder Woman do, she’s just a hero in a slightly more down to earth way. So with powers, she’s got the temperament and heart to use them well and be a stellar superhero.

Second, this is one of the first comic books where Lois Lane and Lana Lang are on friendly terms. They’ve been rivals for decades, often to cringeworthy degrees, Superman’s old flame versus his new one. Writers in the Silver Age really leaned into their rivalry and often had them at each other’s throats, literally so on several occasions. This continued when Lana returned in the Bronze Age; in one issue, they got into a fight at work and Lana dunked Lois’s head in a punch bowl. Throughout the Modern Age, Lana became kind of a sad character who was obsessed with Clark and grated on Lois, and in the New 52 era the women haven’t exactly been pals.

But Lois knows that Lana helped Clark with his powers, and that she needs help to learn how to control hers. She also knows that Lana is smart and a good person, and that her advice and input would be invaluable. So she proposes that they work together and after some reluctance, Lana gets on board. They’re not friends, exactly, but they’re friend adjacent, which is a lovely change of pace. Plus the banter is so much fun.

Third, this relationship comes with the exciting twist of Lana having superpowers too! Her energy powers resemble the 1990s Red Superman era, and she and Lois team up to stop Lex Luthor’s mega-warship from taking out a bridge. So Lana’s not just an advisor and trainer; they have a super-team up! I was so on board for that. Two formal rivals that have been so often mistreated in comics teaming up to be super friends? Yes, please!

Then they killed Lois. Or so the last page suggests. It’s a busy page, so it’s hard to tell exactly what happens. Maybe whatever mystery villain the duo is battling turns Lois into stone or some such, or perhaps Lois just burns out in a manner that may have been exacerbated by Lana using her powers. Whatever the case, Lois appears to be dead and the tease for the next issue is “Who Killed Superwoman?”

If Lois is really dead, then I’m out and this book can go right to hell. I’m so sick of dead Loises. The entire 21st century history  of Superman comics is dead Loises, in various forms. Lois is why I showed up for this book. I love Lana, but I’m not going to read a Lana book that comes at the expense of Lois. It doesn’t help that I was reluctant to get this book in the first place because serial sexual harasser Eddie Berganza is editing it. Between that and killing off Lois, I’ll drop this book and never look back if the final page reveal holds.

However, this is superhero comics. Fake out death cliffhangers are the genre’s stock in trade. If this is a momentary thing that’s reversed and the book continues to be Lois and Lana: Super Friends, then I’m all about it. This was a very enjoyable opening issue, and I’m excited to read more if Lois stays in the picture.

I’m not sure how to read the tea leaves on this one. This book is called Superwoman, singular, so that hints that Lana might replace Lois since there can only be one. And there’s already another Lois Lane in the universe, a transplant from the pre-New 52 days, so the Superman offices might have considered their leftover New 52 Lois to be redundant. On the other hand, I know that Phil Jimenez loves Lois, and I’m hoping he’s going to stick with the character. Lois is on upcoming covers, too, though I’ve been fooled by that trick before. I’m also hoping that DC is smart enough not to tease us with a Lois book just to kill her off. They can’t be that dumb, right?

So, Superwoman may be the start of an exciting new series, or it may be a straight up pile of garbage! Time will tell. I’m really hoping that Lois is alive, because this was such a fun first issue and I am so down for more Lois and Lana fun. Phil Jimenez did a great job with the writing and the art, particularly with the excellent new costumes, and I’d love to see this new partnership explored for many issues to come. But if Lois is gone, I’m gone. We’ll see how things shake out.

A Big Change for Wonder Woman in DC Universe Rebirth #1 (And Why the Special Irks Me)

May 25, 2016

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DC Comics new initiative “Rebirth” is now underway, with the oversized special issue DC Universe Rebirth #1 hitting comic shops at midnight last night. DC titles will begin to relaunch starting in June, allegedly bringing a new tone to the DC universe that will focus on hope and inspiration rather than the darkness and cynicism that characterized the bulk of DC’s New 52 run over the past five years. It’s a big change for the publisher, and hopefully one that will lead to some better comic books as these new titles unfold.

So what does DC Universe Rebirth #1 hold for Wonder Woman? Not a lot. She gets one page. Or rather, her potential future story gets one page that she’s not even on and then she appears in a group shot on a different page, and that’s about it. The special reveals that Diana has a twin brother named Jason who is out in the world somewhere, and that he has powers. A twin means that DC is probably sticking with the new Wonder Woman origin story in which she’s the daughter of Zeus and Hippolyta and not crafted from clay by her mother. This is a bummer, because that’s a dumb origin and parthenogenesis is so much more fun.

I’m curious to see if the existence of Diana’s mysterious twin is part of the “Lies” that make up the present day story arc of Greg Rucka and Liam Sharp’s upcoming run on Wonder Woman. A secret twin would certainly be quite a lie that would shake things up for Wonder Woman. If I’m being honest, this reveal strikes me as sort of dumb; we’ve seen secret siblings for Wonder Woman a bunch of times already, and it never turns out particularly interesting.

Even more dumb is the way in which it’s revealed in DC Universe Rebirth #1: Grail tells it to baby Darkseid. “Who is Grail and why is Darkseid a baby?” you might ask. Excellent questions. Grail is the daughter of Darkseid and an Amazon who’s been appearing in the recent “Darkseid War” story in Justice League, and Darkseid is a baby because he was destroyed in said war but has now been reborn; I think he was Superwoman’s kid? I haven’t been paying super close attention. The larger point here is that to understand this scene, and the special in general, you have to be very up-to-date on what’s been going on in DC’s comics as of late. It’s really not a book for casual or new readers.

This is exemplified by the core story of the book, the return of Wally West. “There’s already a Wally West in the current DC Universe!” you might say. Excellent point. He’s been in a bunch of comics, is a black kid like he is on The Flash television show, and he’s got super speed like his uncle Barry. But as it turns out, THAT Wally is a totally different dude and not an updated version of the character, the son of a different brother of Iris who happens to also be named Wally. The REAL Wally West is the newly returned Wally, a white guy who was a speedster from the 1950s on until he got erased and replaced (momentarily) by the new Wally when DC rebooted their line in 2011. Are you confused yet? The old Wally has come back to reveal the malevolent force behind the 2011 reboot and restore his rightful place in continuity because lord knows we can’t ever replace a white character with a black one without the white guy having to come back sooner than later.

The malevolent force is Dr. Manhattan from Watchmen, who apparently has been phunking with the DC Universe. “Isn’t Watchmen set in a completely different universe, and a classic that DC should stop screwing around with after the mess that was Before Watchmen?” you might ask. Excellent observations. But they’re doing it. And presumably it’s all going to lead up to DC heroes vs. Watchmen characters and I have no idea how that’s not going to suck.

So, to have a half decent understanding of DC Comics Rebirth #1 you have to a) be up to date on DC’s recent comics, b) have a solid understanding of DC’s continuity, particularly the history of Wally West, c) also have a solid understanding of DC’s publishing history and it’s various reboots and relaunches, and d) have read Watchmen because the ending will make literally zero sense if you haven’t. It’s a super inaccessible book. If you’re not steeped in DC comic books on multiple fronts, you’re going to miss out on a lot. And that’s a dumb way to make a comic book that’s supposed to introduce a fresh, NEW relaunch.

I should also add that the special is edited by known sexual harasser Eddie Berganza, a man who remained at the publisher after the slightest of slaps on the wrist following his misconduct a few years back and remains a key architect of the DC Universe as a whole. The guy is in charge of the Superman books specifically, which is ironic and gross. Just as the special’s focus on past continuity celebrates the “good old days” of comics, so too does Berganza’s involvement reflect the insular “good old boys” network of comic book editors and creators who turn a blind eye to sexual harassment and couldn’t care less about women in general. Incidentally, there’s not a single woman in the credits page; fifteen different people worked on the book, all of them men. So yeah, Berganza’s continued role at DC Comics may be enough to put you off of “Rebirth” and the publisher as a whole, a very understandable stance that seems like the best option more and more.

Anyway, we were talking about Wonder Woman. She’s got a brother. It sounds kind of dumb, but Greg Rucka, Liam Sharp, and Nicola Scott are all ridiculously good at comics and I trust them to do an excellent job with Diana. I’m excited for the new Wonder Woman, intrigued by the two new Batgirl titles and a superpowered Lois Lane in Superwoman, and I might try Detective Comics for Batwoman and Cassandra Cain. Other than that, not much is grabbing me. The lack of new reader friendliness in DC Universe Rebirth #1 hasn’t sold me on this new direction well at all. Hopefully some fun things come of it, but this first big outing felt like a misstep to me. The only thing I really liked was this ad at the end, which looks amazing:

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It Looks Like Lois Lane Will be the New Superwoman in Upcoming Series by Jimenez and Lupacchino

April 12, 2016

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First, Newsarama noticed that a picture file of the cover of DC’s recently announced Superwoman title, which is part of their upcoming “Rebirth” line, was titled “Lois Spread_Colors_Final.” That was a bit of a hint. And now that DC is releasing previews of their upcoming line, Bleeding Cool‘s got the inside scoop: Lois Lane is Superwoman. Here’s the official description of the new series:

Imbued with the powers of Superman, Lois Lane pledges to use her powers to protect Metropolis as the new Superwoman. The only problem is, Lois’ new powers are killing her, and neither she nor her friend and confidant Lana Lang know what to do about it. Will Lois even survive long enough to find out the deadly secret of ULTRA-WOMAN?

Superwoman debuts this August, and is written and drawn by Phil Jimenez, along with Emanuela Lupacchino, and it sounds like it could be an interesting series. Look away if you don’t want to see any potential spoilers, but it sounds like the New 52 Superman is going to die and have several different replacements. The pre-New 52 Superman who currently stars in Superman: Lois and Clark will take over as THE Superman, but there will also be Gene Luen Yang’s new Chinese Super-Man, Lex Luthor’s wearing a suit with a Superman logo on it, and Lois will take to the skies as Superwoman. It’s all very reminiscent of the original death of Superman in the 1990s, when he was replaced by Cyborg Superman, the Eradicator, Steel, and Superboy.

There are currently two Lois Lanes in the DC universe, the New 52 Lois and the pre-New 52 Lois, and the description doesn’t specify which Lois will be Superwoman. I’m guessing it’s the New 52 Lois, though, seeing as she’s got the closest connection to the Superman who seems to be not long for the world. I’m not sure if she’ll continue with her journalistic alter ego or if she’ll just be Superwoman and the pre-New 52 Lois will take over at the Daily Planet; the details are a little sparse right now.

I do like that there are two Loises, though. Having Lois be Superwoman and ditch journalism just wouldn’t feel right, but with a second Lois around to continue on the newspaper front, DC can have their cake and eat it too. We’ll have the classic Lois, chasing down scoops, along with a new take on the character in her Superwoman guise.

Lois has gotten superpowers occasionally in the past, but only momentarily. In one Silver Age story, both Lois and Lana Lang got powers and immediately used their new abilities to fight over who would be the better wife for Superman. It sounds like today’s Lois is going to use her powers for more altruistic means, and I’m very excited to hear that she’s teaming up with Lana! They were rivals for decades in the Silver and Bronze Ages, and then were never close in the post-Crisis era. Having them finally become friends is a very cool change and I’m looking forward to seeing them work together.

However, I do have a bit of trepidation about the superpowers slowly killing her, only because it sounds a lot like the current plot of The Mighty Thor. Jane Foster is Thor, but she has cancer in her civilian identity and turning into Thor negates the effects of her chemotherapy. Phil Jimenez is a great writer, though, and I’m hopeful that he’ll have a very different angle on things that will make Superwoman stand out from The Mighty Thor.

While the bulk of DC’s “Rebirth” line is set to ship bi-monthly, Superwoman will be a normal, monthly title and its first issue will premiere on August 10. I’m definitely going to check it out. Honestly, it’s not the sort of Lois Lane series I was hoping for; I think that Lois is long overdue for a series that focuses on her adventures as a journalist, tracking down scoops for the Daily Planet and taking down villains, corrupt institutions, and more. But this sounds fun too. I love Jimenez and Lupacchino, the book will be gorgeous for sure, and it could be an interesting new direction for the character. I’m looking forward to it.

Wonder Woman’s May 2016 Covers and Solicits

February 23, 2016

May is going to be another busy month for Wonder Woman, and will mark the end of her two mainline series. Wonder Woman is set to relaunch in June with a new #1 issue, while Superman/Wonder Woman will be done forever, thank goodness; that book never even got close to decent, despite three years of trying. But that’s June. In May, both series are wrapping up, plus Wonder Woman’s got a few other things in the mix, including a very cool surprise. Let’s take a look at what she’ll be up to in May, starting with Wonder Woman #52 and its two covers:

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WONDER WOMAN #52
Written by MEREDITH FINCH
Art by MIGUEL MENDOÇA
Cover by YANICK PAQUETTE
Variant cover by DAVID FINCH and MATT BANNING
On sale MAY 18 • 32 pg, FC, $3.99 US • RATED T
Hecate’s true motivations are revealed and Wonder Woman’s dream of a happy ending is called into question by the Amazon warrior herself. You can’t afford to miss the epic conclusion of the quest to save baby Zeke and the Olympians.

While we don’t have official confirmation on the new Wonder Woman creative team, all signs point to this being the last issue for Meredith and David Finch. And there was much rejoicing throughout the land. Their final outing wraps up the storyline of Zeke’s illness, and it sounds like Hecate might be up to no good. Really? The creepy looking witch goddess with the spikes coming out her head doesn’t have the purest of intentions? I did not see that coming (I actually did, in my review of the start of this arc last week. I think I was sarcastic about her then, too. That sounds like me).

Anyway, the Finches will be done and maybe the series will be good for a change from now on. Here’s hoping!

Onto Superman/Wonder Woman #29:

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SUPERMAN/WONDER WOMAN #29
Written by PETER J. TOMASI
Art by DOUG MAHNKE and JAIME MENDOZA
Cover by KARL KERSCHL
On sale MAY 18 • 32 pg, FC, $3.99 US • RATED T
It’s the penultimate chapter of “Super League”! When all the Supermen have fallen, it’s Supergirl to the rescue! But can Kara and Wonder Woman stop a villain who wants to end Clark’s hope for future Supermen?

This is a whole big crossover scene with all of the other Super-books, and seeing as I don’t buy any of those than I’m guessing this issue won’t make a lick of sense to me. But it’s a Wonder Woman/Supergirl team-up, and that could be fun. Plus a Karl Kerschl cover! This issue has some stuff going for it, certainly. Though it also sounds like a fitting end to this series that has consistently focused on Superman over Wonder Woman, with a Super-crossover that’s yet again all about the Man of Steel.

We’ve also got a double shipping Legend of Wonder Woman in May:

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THE LEGEND OF WONDER WOMAN #5
Written by RENAE DE LIZ
Art by RENAE DE LIZ and RAY DILLON
Cover by RENAE DE LIZ
On sale MAY 4 • 40 pg, FC, 5 of 9, $3.99 US • RATED T • DIGITAL FIRST
Double shipping in May! In issue #5, the Holliday Girls are off to Boston! But while the girls go shopping, Etta and Diana have more dangerous errands to run. Diana visits the newspaper that published tales of the Duke of Deception…and discovers a new mission—perhaps she can save Themyscira by saving the people of Man’s World from him!

THE LEGEND OF WONDER WOMAN #6
Written by RENAE DE LIZ
Art by RENAE DE LIZ and RAY DILLON
Cover by RENAE DE LIZ
On sale MAY 18 • 40 pg, FC, 6 of 9, $3.99 US • RATED T • DIGITAL FIRST
Double shipping in May! There’s a war devastating the outside world, and while Diana tries not to care, she cannot help but want to protect the many who are suffering. As she finally confronts the Duke of Deception and his minions, she must decide whether to chase her answers of home, or use her new strengths to defend the outsiders.

Double the shipping, double the fun! Two issues of the Legend of Wonder Woman sounds like a good deal to me. This book is so good, I’d gladly pay for it twice in one month. It’s the best Wonder Woman comic in years, by a considerable margin. We’ve seen the contents of the fifth issue already in digital form, and it’s super good; Diana and Etta hijinks are the best. And the next issue will finally have Diana going off to the war to battle the Duke of Deception, which should be an excellent time. It’s the best comic, gang. Buy it!

Finally, a fun surprise: A Wonder Woman coloring book!

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COLORING DC: WONDER WOMAN TP
Art by GEORGE PEREZ, PHIL JIMENEZ, DAVID FINCH and others
Cover by EMANUELA LUPACCHINO
On sale JUNE 29 • 96 pg, B&W, $15.99 US
DC’s Amazon princess stars in a new coloring book focusing on her greatest covers, splash pages and more by some of comics’ top artists!

This sounds SO cool. Wonder Woman art by her classic artists will be so much fun to color, plus the book is 96 pages long! That’s a lot of coloring bang for your buck. I’m excited to see what pages and covers they include in the book, and I’m definitely going to pick this one up.

The solicits also listed several new Wonder Woman figures. We’ve discussed most of them before elsewhere on the site, but here are the details of when you can get them:

  • The DC Comics Icons Wonder Woman figure designed by Ivan Reis is out in September 2016 for $28 US.
  • The DC Designer Series: Greg Capullo line Wonder Woman figure is also out in September 2016 and also sells for $28 US.
  • The September 2016 fun continues with a Wonder Woman 3-pack of figures that includes her first Golden Age appearance, the Terry Dodson figure, and the New 52 figure. It sells for a surprisingly steep $75US.

Look for all of the comics in May, the coloring book in June, and the figures in September. Also, maybe start saving your pennies now because that’s a lot of things to buy!

Wonder Woman’s April 2015 Covers And Solicits

January 22, 2015

April is going to be a little different for Wonder Woman comics, with the “Convergence” event pre-empting her usual New 52 titles. While she’s got two books every month in the New 52, there will only be one Wonder Woman “Convergence” book. However, we’ve got two digital-first books to look forward to, so that’s a plus. Let’s dig into the solicits, starting with Convergence: Wonder Woman #1:

aprilww1

CONVERGENCE: WONDER WOMAN #1
Written by LARRY HAMA
Art and cover by JOSHUA MIDDLETON
Variant cover designed by CHIP KIDD
On sale APRIL 22 • 32 pg, FC, 1 of 2, $3.99 US • RATED T
STARRING HEROES FROM CRISIS ON INFINITE EARTHS! Diana Prince is in the grip of a Domesday cult when Steve Trevor leaps into the fray! But can he save Etta Candy from vampires of Red Rain?

This solicit is a lot about Steve Trevor and not so much about Wonder Woman, which I don’t love. But on the plus side, I do enjoy Joshua Middleton, and I’m very excited to see him do two issues of Wonder Woman interiors.

“Convergence” brings together a multitude of DC Comics’ universes, and this one look to be pre-Crisis. Giving Larry Hama’s writing it, I’m guessing the characters will be from the 1970s, Bronze Age era of Wonder Woman, but given the universe mashing each character may well be from a different time period. We’ll have to wait for April to find out.

Next up, we’ve got the print version of the Wonder Woman ’77 digital first series:

aprilww771

WONDER WOMAN ’77 SPECIAL #1
Written by MARC ANDREYKO
Art by DREW JOHNSON and MATT HALEY
Cover by NICOLA SCOTT
1: 25 Variant cover by PHIL JIMENEZ
One-shot • On sale APRIL 29 • 80 pg, FC, $7.99 US • RATED E • DIGITAL FIRST
Don’t miss this digital-first special based on the classic TV series starring Lynda Carter! Travel back to the sizzling ’70s as the undercover Amazon Princess joins forces with special agent Steve Trevor to defend America against Cold War-era criminals. A search for an escaped Soviet scientist brings Wonder Woman to the hottest disco of the day, Studio 52. A live stage act might prove more of a threat to Wonder Woman than the Russian Roller Derby girls out to bring the scientist home.

I’ve been enjoying the digital issues, and I think this print collection of the comics will work even better. The story seems better suited to be read all at once than in installments. It’ll look really nice too; Drew Johnson and Matt Haley have been doing a really good job with the art.

It seems that they’re going with a publication method sort of like Legends of the Dark Knight, where a bunch of stories are collected in a bigger volume instead of regular issue size. The solicit only mentions the current arc, which is just three issues long and thus should only take up 30 pages or so, and so I assume a second arc is on the way.

Finally, we’ve got another issue of Sensation Comics featuring Wonder Woman to look forward to as well:

aprilsensation

SENSATION COMICS FEATURING WONDER WOMAN #9
Written by CECIL CASTELLUCCI and LAUREN BEUKES
Art by CHRIS SPROUSE, KARL STORY and MIKE MAIHACK
Cover by FRANCESCO FRANCAVILLA
On sale APRIL 15 • 40 pg, FC, $3.99 US • DIGITAL FIRST • RATED T
It’s a “Girls’ Day Out,” and Lois Lane doesn’t do “puff piece” interviews, which is fine, because Diana of Themyscira is not interested in being treated as fluff. But when they’re attacked by croco-aliens and robots, the situation really gets heated! Then, in “The Problem with Cats,” Wonder Woman has been summoned to the Isle of Cats to rescue her Justice League teammates, but can Diana save the day?

The art above looks to be a page from the Mike Maihack story and not the cover, so I’ll keep my eyes peeled for the reveal of Francesco Francavilla’s cover in the future. It’s sure to be lovely; the man is epic at covers.

Both of these stories sound fantastic! I am all about a Wonder Woman and Lois Lane team up, especially one involving aliens and robots, so that should be a fun a fun. And Mike Maihack is drawing a story! He’s great, as is Lauren Beukes, and I can’t wait to see what they’ve put together. I think it should be an excellent issue all around.

The solicits also include the upcoming Jae Lee designed action figure line, which has a very cool looking Wonder Woman.  They’ll be available in August 2015.

Look for all of these comic books this April in comic shops everywhere!


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