Posts Tagged ‘Scott Hanna’

Wonder Woman #18 Review: Who Watches the Godwatch?

March 9, 2017

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I’m a day late to this review after being busy all day yesterday with some family things, but I got to read the issue yesterday and having an extra day to think back on it has only increased my appreciation of it. “Godwatch” is clearly a different kind of story than “The Lies,” “Year One,” or “The Truth,” and I like that about it very much. The arc is keeping a dual focus on Veronica Cale and Wonder Woman, having them circle each other without meeting yet as they both grow into their new roles, Wonder Woman as a superhero and Veronica as the woman trying to learn her secrets. It’s made for some excellent storytelling so far, and we’ll dive into it all momentarily, but first:

SPOILER ALERT!!

I am about to disclose all of the things that happen in this issue!

Read no further if you haven’t picked up this issue yet!

First things first, we’ve got a time jump. I love a good time jump. It can be a really effective storytelling technique when done well, and I think it was nicely executed here in a very sensible way. At the end of Wonder Woman #16, everything had gone wrong for Veronica; Deimos and Phobos had her daughter, her best friend was dead, and her plan to capture Wonder Woman had failed on every level. This issue begins a year later, with Veronica having festered in this defeat for a year. Wonder Woman’s reknown and power has only grown, meanwhile Veronica’s daughter remains creepily faceless, Deimos and Phobos are still around, and she’s only just figured out how to bring back Adrianna’s consciousness as Dr. Cyber. The time jump gives us a sense of Veronica’s pain, and shows us the steps to her becoming the hard-edged villain we see in the present day arcs. All of this horror has been her life for a full year, a crucible forging her into what we know she’ll become.

The story almost shouldn’t work. We already know Veronica Cale is a villain who hates Wonder Woman. This arc adds backstory to that, but not a lot else as of yet, and it would be really easy for this to be a flat, unessential tale. Luckily for us, Greg Rucka and Bilquis Evely know what they’re doing. The characterizations are so strong and the emotions so clear that it makes for a very compelling read. I even feel sorry for Veronica and the terrible situation she’s in, and I’m Team Wonder Woman a billion percent! Seeing the joy of her getting her friend back and the sorrow of not having her daughter, it’s hard not to have some sympathy for the difficult spot she’s in, even though she does horrible things to characters we love.

Barbara Ann Minerva is both a good example of Veronica’s terrible acts and of presenting backstory in a powerful way. We all know she’s going to become the Cheetah, and that Veronica has something to do with that. That’s been well established earlier in the series. But getting a glimpse into how Barbara’s relationship with Diana has developed in the year since she became Wonder Woman adds more emotional heft to the story, and seeing the ways Veronica manipulates the situation so Wonder Woman can’t save her friend is genuinely upsetting. The scene when Wonder Woman finally arrives to find a bitter Barbara in her new Cheetah form is just heartbreaking. And we all knew it was coming!

Also, kudos to Rucka for his symmetry. Having Barbara become the Cheetah again in an emotionally brutal scene two weeks back in “The Truth” in Wonder Woman #17 and following it with her original transformation this week is quite the one-two punch. Tough on my poor heart; I’ve really grown to love Barbara. But so well executed and structured.

A key part of this arc being so effective is Bilquis Evely’s stellar artwork and what she’s able to bring to all of the characters. We know the broad strokes of this story already, and while Rucka’s doing a swell job writing the book, it’s all on Evely to communicate the emotions of the scenes that make filling in this backstory worthwhile. And she’s hitting it out of the park. The look of horror on Diana’s face when she realizes that she was too late to save her friend is so powerful that it sells the entire scene from the get-go. Similarly, she brings so much to Veronica, humanizing someone we could easily see as a monster. Again, Rucka’s writing her well, but it could feel hollow in the wrong hands. With Evely, each beat plays out true. The final page of the issue, in which Veronica is ashamed of the magnitude of horror she’s perpetrated to save her daughter, is particularly compelling. Evely captures the human side of her so well that you can’t help but sympathize with her despite all she’s done.

Evely’s helped by Scott Hanna on inks, and I’m glad to see that they were able to have just one inker for this outing. It was much stronger than last month’s issue, when several different inkers contributed to the books and the differences were clear and somewhat jarring. Romulo Fajardo Jr.’s colours remain stellar as well. That man has a deft touch. Evely’s linework pairs best with a muted colour palette, which could be limiting, but he’s able to find vibrancy and contrast within this somewhat subdued range that makes the book look absolutely gorgeous. It’s a different set of skills that Fajardo showed us with “Year One” and it’s just as lovely.

Overall, this issue was a heartbreaker, and a very well executed one at that. We knew the bulk of what was coming and it not only still hurt, it conjured up some sympathy for the villain of the piece! That’s kind of remarkable. This arc has been great so far, and I can’t wait to see how Rucka and Evely toy with our emotions again in a month’s time.

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Wonder Woman’s April 2016 Covers and Solicits

January 25, 2016

DC’s April 2016 solicits went up last week, and we’ve got the usual assortment of Wonder Woman fun plus a fairly surprising collection that’s due out in May. Of all the classic Wonder Woman runs that are currently out of print, I wasn’t expecting to see a spotlight shone on this one. We’ll get to that momentarily, but let’s start out with Wonder Woman #51:

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WONDER WOMAN #51
Written by MEREDITH FINCH
Art by MIGUEL MENDONÇA
Cover by DAVID FINCH
Variant cover by JOHN ROMITA, JR. and SCOTT HANNA
On sale APRIL 20 • 32 pg, FC, $3.99 US • RATED T
Wonder Woman returns to Paradise Island and the Tartarus Pit in her quest to save baby Zeke. But as she betrays those she loves in her struggle to save Olympus, she slips closer to an abyss in which she may lose Wonder Woman entirely!

Sigh. Still the Finches. Though with the rumours of a DC relaunch in June making the internet rounds as of late, my hopes are up that we’ll see a new team on Wonder Woman soon. But for now, this Zeke story is still rolling along with the Finches at the helm.

I actually don’t mind the cover, if only because it promises a dragon or a basilisk or some such, and Finch is pretty good at drawing that sort of thing. If there’s a big dragon fight in this issue, I might be on board. We’ll see what happens.

Next up, Superman/Wonder Woman #28:

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SUPERMAN/WONDER WOMAN #28
Written by PETER J. TOMASI
Art by ED BENES
Cover by PAUL RENAUD
Variant cover by JOHN ROMITA, JR. and SCOTT HANNA
On sale APRIL 27 • 32 pg, FC, $3.99 US • RATED T
In part four of “Super League,” Wonder Woman and Superman encounter the being that was discovered in BATMAN/SUPERMAN #31. But will this person be Superman’s savior—or destroyer? And what is Ulysses’s role in all of this?

Hooboy, this sounds not great. Tomasi’s run on Superman/Wonder Woman has been rough stuff, and Superman is currently the WORST; he’s such a jerk right now. So an event written by Tomasi with Superman at the center does not make this sound like an issue I am keen to read. Plus, the fourth part of a crossover I’m not going to read the rest of is never a great time.

Also out in April, the fantastic Legend of Wonder Woman #4:

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THE LEGEND OF WONDER WOMAN #4
Written by RENAE DE LIZ
Art by RENAE DE LIZ and RAY DILLON
Cover by RENAE DE LIZ
On sale APRIL 13 • 40 pg, FC, 4 of 9, $3.99 US • RATED T • DIGITAL FIRST
The seas have extracted a harsh price for Diana’s rescue of the outsider, casting her adrift upon the shores of Man’s World! A kind woman introduces her to this strange new home, and a new friend bolsters her confidence, but throughout the early days of her adventure, strange dreams of violence plague her nights.

I love this book! The digital issues are way ahead of the print, so I’ve already read two of the three digital installments that will be included in this print issue. And they’re GREAT. Etta Candy is in it in all of her classic, Golden Age glory, and it’s so much fun. This title is the best Wonder Woman comic on the stands, and if you’re not reading it, you’re missing out.

And finally, the aforementioned surprising collection:

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WONDER WOMAN BY MIKE DEODATO TP
Written by WILLIAM MESSNER-LOEBS
Art and cover by MIKE DEODATO
On sale MAY 11 • 376 pg, FC, $24.99 US
Collecting Mike Deodato’s run on WONDER WOMAN from issues #85, 0 and 90-100! In her mother’s eyes, Diana has not lived up to the task of being Wonder Woman, and now the Queen of the Amazons sets in motion a contest where a new Wonder Woman will be crowned. But Diana sees things differently and decides take on any and all comers—until she is bested by Artemis!

This seems like an odd choice. There are so many other books I’d rather see new collections of. Maybe some of Rucka’s run, or Jimenez. But Deodato’s been a pretty hot artist at Marvel lately, so it makes sense that DC would reprint some of his early work. It’s not the best stuff, though. He’s pretty solid now, and I loved his recent Avengers work, but Deodato’s old Wonder Woman art makes me cringe. It’s the embodiment of 1990s hyper-sexualization, plus Wonder Woman ends up with a really dumb costume, even worse than that high collared thing she’s been sporting lately. It’s more an amusing relic than a classic run, though Artemis is kind of fun. Also, the page count seems very long for only 13 issues, so I’d expect a lot of extras with this one.

Look for all of these books this April (and May for the Deodato book) at comic shops everywhere!

Check Out All of the John Romita Jr. Variant Covers Featuring Wonder Woman, Coming This April

January 18, 2016

DC Comics loves its monthly variant cover themes, and last week they announced that their theme for April would be art by John Romita Jr. They’ve done creator specific months before; the Michael Allred and Darwyn Cooke months were a lot of fun, and there’s a Neal Adams month coming soon. Nabbing John Romita Jr. away from Marvel after he’d been there for decades was a big get for DC, so making the most of their acquisition makes sense.

I find that my enjoyment of Romita Jr. varies. He seems better suited to particular characters than others; he was a great fit on Wolverine during a yearlong run with Mark Millar a while back, but his recent run on Superman didn’t do much for me at all. I think I prefer him in a grittier, darker setting; bright and colourful is not my Romita Jr. jam. I was really surprised when DC put him on Superman instead of Batman, because Batman struck me as such a good fit for his style. But now, with these covers, John Romita Jr. gets to draw all sorts of DC’s characters.

So let’s take a look at his various takes on Wonder Woman. We’ll start with Wonder Woman #51, inked by Scott Hanna with colours by Dean White:

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I kind of like this. The flying through a snowstorm angle works well for me. If it was just the straight Wonder Woman image on a sunny day I would probably be less enthused, but the snow on top of it all makes it look cool. And also sort of intriguing, because now I want to know who Wonder Woman is fighting mid-snowstorm. I might pick this one up, if I can.

Next is Superman/Wonder Woman #28, inked by Scott Hanna with colours by Laura Martin:

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This is almost the exact same pose for Wonder Woman as the previous cover, which is kind of a bummer. The busted up machinery is fun and all, but the repetition is uncool. Also, I automatically dislike every Superman/Wonder Woman cover in which Superman is in the foreground and Wonder Woman is in the background (i.e. most of them).

Onto some team fun with Justice League #50, inked by Scott Hanna with colours by Alex Sinclair:

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I’m amused by Superman flying sideways and looking straight out while everyone else is looking ahead. Focus up, Superman! You’re going to fly into a lamp post or something. Also, you’re blocking Wonder Woman! There’s not a lot of Wonder Woman here, just the top of her torso and her head as she grits her teeth and flies with all her might. Weird composition on this one all around.

And finally, JLA #10 with inks by Danny Miki and colours by Dave McCaig:

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And now everybody is flying up instead of to the right. Romita Jr. is being really repetitive with his layouts here, which is making for some dull covers. We get a bit more of Wonder Woman in this one at least, though in a profile similar to the previous cover. I get that drawing 26 variant covers is a lot of work, but I could do with some more imaginative designs across the board here.

These John Romita Jr. variant covers will be available this April, so if you want to pick any up you should talk to you local comic book shop and get them to set them aside for you!

Wonder Woman’s March 2016 Covers and Solicits

December 15, 2015

DC’s March 2016 solicits went up yesterday, and we’ve got the usual Wonder Woman fun plus a cool and somewhat unexpected surprise. Let’s take a look at what Wonder Woman will be up to this March, starting with Wonder Woman #50:

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WONDER WOMAN #50
Written by MEREDITH FINCH
Art by DAVID FINCH and SCOTT HANNA
Polybagged variant cover by MASSIMO CARNEVALE
On sale MARCH 23 • 48 pg, FC, $4.99 US • RATED T
It’s a special super-sized 50th issue! Wonder Woman continues her quest to save Zeke and Olympus, but is she prepared for what she might find? Long-buried secrets suddenly brought to light will call into question everything she thought she knew about those she loves and trusts the most.

I’m pretty sure that this is the cover from last month’s solicits, so now I don’t know which book the cover will go on. I’m guessing it’ll be on the February issue, since the rest of this month’s 50th issues have snazzy, more iconic covers while this one has more gods than Wonder Woman. We’ll find out either way come February, I guess.

Anyway, the new Wonder Woman has made it to fifty issues! The last batch of which have not been great, but so it goes. I’m mildly interested in this issue because in a recent issue Meredith Finch revealed that they’re doing a backup story like they did earlier this year in the annual, and that back-up story was probably the best thing in the book since the Finches took over. I mean, it wasn’t good but it wasn’t terrible, so I’m glad for them to revisit that.

Up next, Superman/Wonder Woman #27:

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SUPERMAN/WONDER WOMAN #27
Written by PETER J. TOMASI
Art by DOUG MAHNKE and JAIME MENDOZA
Cover by ED BENES
Polybagged variant cover by CHARLIE ADLARD
On sale MARCH 16 • 32 pg, FC, $3.99 US • RATED T
“Savage Dawn” continues from this month’s ACTION COMICS #50! A comet drawn by Vandal Savage to Earth is wreaking havoc across the globe—and empowering his children in the most dangerous way possible!

True story: I bought the latest issue of this series the day it came out and forgot to read it, remembered that I had forgotten the next day, and didn’t bother to read it for about a week. Turns out, I wasn’t missing anything. I find that this book lacks a purpose. Their relationship is all out of whack, everything seems tangential to bigger plots going on in other Super-books, and the entire dynamic is just unpleasant. It feels unnecessary all around. And with that ringing endorsement, keep your eyes peeled for this issue in March!

Now to a book I love: The Legend of Wonder Woman #3:

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THE LEGEND OF WONDER WOMAN #3
Written by RENAE DE LIZ
Art by RENAE DE LIZ and RAY DILLON
Cover by RENAE DE LIZ
On sale MARCH 9 • 40 pg, FC, 3 of 9, $3.99 US • RATED T • DIGITAL FIRST
Themyscira comes alive with the sounds of Amazons on the hunt. Will they find their prey before Diana has a chance to rescue the outsider who fell from the sky? Hippolyta stands against her foes, and announces a tournament that will change Themyscira forever as the fate of the mysterious stranger hangs in the balance.

You’re going to want to be picking up this series, gang. The first issue is out in January, so GET ON IT. You’ll love it. It’s so much fun, and such a fresh but iconic take on Wonder Woman and the Amazons. This third issue seems to be getting to the Steve Trevor part of the story, which should be fun. Plus the tournament! I love the tournament in every incarnation; one of my favourite things in the mythos is that any Amazon could have been Wonder Woman and Diana is just the best of the best. But yeah, buy this book!

And finally, we’re getting more Lynda Carter fun in Wonder Woman ’77 Special #3:

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WONDER WOMAN ‘77 SPECIAL #3
Written by MARC ANDREYKO, CHRISTOS N. GAGE, RUTH FLETCHER, AMANDA DEIBERT and TRINA ROBBINS
Art by RICHARD ORTIZ, STAZ JOHNSON, CAT STAGGS and others
Cover by NICOLA SCOTT
On sale MARCH 30 • 80 pg, FC, $7.99 US • RATED E • DIGITAL FIRST
In “Claymates,” when Clayface finds himself crumbling and drying up, he seeks a cure by any means necessary! Can Wonder Woman stop him before he enslaves Paradise Island? Then, Diana and Steve go undercover in “Oceans,” where a diplomat crucial to the Panama Canal negotiations has dangerous plans! After a battle with smugglers at home, Wonder Woman is surprised to find a warehouse full of ivory. In Africa, she teams up with the local IADC to track “Orion the Hunter.” Finally, Federal Agent Diana Prince joins a Congressman and his aides to investigate a cult. “Reverend Mike Loves You,” but can you trust his plans for the future?

This sounds really cool, and I’m excited to see that they’re mixing it up with a lot of different creative teams this time around. The longer arcs in past runs got a little bit formulaic, so it should be fun to just enjoy a bunch of short stories. There are some killer creators involved too. For digital readers, I’m guessing we’ll see these stories starting in February or so? The Legend of Wonder Woman is pretty far ahead of the print schedule, so maybe they’ll do a hiatus like they used to do with Sensation Comics.

Wonder Woman’s also involved in Teen Titans #18 and Titans Hunt #6, as well as the continuing saga of the “Darkseid War” in Justice League, so check those out as well if you’re interested. It could be a fun month all around; we’re certainly getting great stuff from the digital-first division, and maybe even the main series won’t be as bad as usual? Here’s hoping!

 

Wonder Woman #46 Review OR Dysfunctional Family Squabbling, Just In Time For Thanksgiving

November 25, 2015

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So here’s the thing: Wonder Woman is not a good comic book right now. We all know this. Neither of the Finches are well suited for the book, and it’s just been a chore to read since they took it over. Trust me, I’ve read every issue. They’ve ranged from full on terrible to blandly bad. That being said, this issue definitely felt like Meredith Finch was really trying. The end result still wasn’t great, but you could see the effort. There were, at the very least, some potentially interesting ideas in the mix here, and that’s not something you can say about most of this run. We’ll get into it all, but first:

SPOILER ALERT!!!

I am about to discuss ALL of the things that happened in this comic!!

If you have not read it, look away!!

Following up on the big reveal at the end of last month’s issue, the big bad behind Aegeus’ attempts to kill Wonder Woman and take her mantle of the god of war is Eirene, the god of peace. The initial explanation of the conflict is somewhat interesting: Wonder Woman hasn’t been a very war-like god of war, and it’s upsetting some kind of divine, cosmic balance, with Eirene bearing the brunt of it. Wonder Woman shirking her mantle is causing harm to Eirene.

What followed was a lengthy conversation on the nature of war. I feel like Meredith Finch was trying to be thought provoking here, but garnered very mixed results. I was actually intrigued by the first angle, a visit to a sweat shop with child labourers where Eirene explained that without the power of the god of war active in the world, the children had lost the will to revolt and fight back against their oppressors. That’s kind of a cool idea, and one I would’ve liked to see explored further. It was less about war itself than about a fighting spirit, something Wonder Woman could definitely get behind. She may not be a fan of outright warfare, but people standing up for themselves is her kind of thing.

But instead of delving into that, Eirene ramped up into different scenarios and took on more of a distinctly villainous vibe. Whenever someone starts talking about “the beauty and tragic glory of war” and “war in all its bloody, beautiful glory,” you know they’re on the bad guy side of things. Eirene tried to explain that peace needs war, that a lack of war doesn’t automatically create peace but that war is a necessary exercise for then creating peace, a balance that perpetually tips back and forth. Wonder Woman rightly decided that Eirene had gone off her rocker, and they punched it out for a while. Poor Eirene was pretty hung up on Ares, and seems to have gone a little bit crazy after his death.

This whole discussion took up more than half the book, which really isn’t particularly interesting comic booking. In the end, it all just felt like a pretense for Zeke to use his powers to bring back Ares and Apollo, as well as Donna Troy, who got shot and turned into stone last month. Apparently Donna is the new Fate now, because the Fates are dead, and the gods are immortal again or something. That part all kind of unspooled quickly without much in the way of detailed and/or sensible explanation.

The annoying part is, they were on to something kind of cool here. Wonder Woman fighting with a crazed, war-hungry deity is pretty old hat, but exploring a more nuanced take on war that would force Wonder Woman to confront her lack of engagement with her divine status could have been interesting. I mean, it’s a comic book; we want the punching and the action and whatnot. It’s a staple of the genre. Thoughtful re-examinations of one’s choices don’t bring that so much. It’s a lot easier when Wonder Woman’s opponent is clearly crazed and villainous and they can just duke it out. Nonetheless, I feel like the Finches let an intriguing idea slip away here.

I will say this: the book did a lot of heavy lifting in twenty pages. Donna’s alive again, we know all about Eirene and how she’s wacky for war, Ares and Apollo are back. The latter is particularly significant, because the obvious question now is with Ares back, what does that mean for Wonder Woman’s god of war status? And with Apollo back, what does that mean for Hera’s rule on Olympus, since last time we saw him he’d seized the throne? There’s a bunch of new stuff in play. I’m not optimistic that it will pan out to be anything interesting or fun to read, but things happened and big changes are afoot. There have been several issues of this run where it seemed like nothing really happened at all, so all of this activity is something at least.

Ultimately, this was yet another not great issue of Wonder Woman. Things happened, but they weren’t all that exciting, and some potentially interesting stuff quickly fell by the wayside. I got more out of it than most of their previous issues, though; I was slightly less bored than usual. Nonetheless, the book is still a long, long, long way from good, and Wonder Woman’s New 52 incarnation is absolutely crying out for a revamp.

Wonder Woman #46 Preview OR The God of War vs. The God of Peace

November 23, 2015

Wonder Woman #46 comes out this Wednesday, online and in comic shops, continuing what has been a rather underwhelming arc thus far. This demigod dude named Aegeus has been trying to kill Wonder Woman and take her god of war mantle, but now he’s realized that that’s a terrible idea and wants Wonder Woman to help him escape the wrath of his benefactor, Eirene, the god of peace. DC has released a preview for the issue, so let’s take a look:

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First off, that’s a terrible cover. Just ugly and rough looking and not at all pleasant. Covers are what sell the book to casual readers, and a cover like that would turn off any interest I had in the comic.

But hold on to your hats, gang, because I’m going to say something shocking: I think there’s a really clever idea in this preview. I like the notion that Diana, by not fully exercising her powers as the god of war, is harming Eirene, the god of peace, like she’s upset a balance and Eirene is bearing the brunt of it. That’s a cool idea. I have no faith that the creative team will handle it well, but it’s an interesting angle and one that’s fitting for the book. Ever since Wonder Woman’s become the god of war, she’s really not done anything with the new title, and now it seems that this has had repercussions. It could also explain future solicits where it looks like Ares is coming back. So yeah, I’m mildly curious? What a bizarre situation to be in.

Wonder Woman #46 is on sale this Wednesday! Maybe look for the Looney Tunes variant cover on this one, though.

Wonder Woman’s February 2016 Covers and Solicits

November 18, 2015

DC’s February 2016 solicits went up on Monday, and it looks to be a fairly busy month for Wonder Woman, with all of her usual series plus a special and a couple of team books. It’s been good to see Wonder Woman having an increased presence across the DC universe lately, even if her two mainline titles have been not so great. Let’s take a look at what Wonder Woman will be up to this February, starting with Wonder Woman #49:

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WONDER WOMAN #49
Written by MEREDITH FINCH
Art and cover by DAVID FINCH and SCOTT HANNA
Variant cover by NEAL ADAMS
Wonder Woman Triptych variant cover by • KIM JUNG GI
On sale FEBRUARY 17 • 32 pg, FC, $3.99 US • RATED T
Wonder Woman confronts what the return of Ares and Apollo will mean for her, and how it will impact her role as the God of War.

The return of Ares and Apollo is a surprise, but also not a surprise at all once you think about it. They’re gods. They never go away for good. Their return could really shake things up, both for Wonder Woman as the God of War and for Hera controlling Olympus, though neither of these things have been a huge part of the book as of late. In fun news, Wonder Woman’s back in her old costume! Hopefully that’s a change that sticks. Her new one outfit was not great.

Next up is Superman/Wonder Woman #26:

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SUPERMAN/WONDER WOMAN #26
Written by PETER J. TOMASI
Art by DOUG MAHNKE and JAIME MENDOZA
Cover by ED BENES
Variant cover by NEAL ADAMS
Superman Triptych variant cover by KIM JUNG GI
On sale FEBRUARY 17 • 32 pg, FC, $3.99 US • RATED T
“Savage Dawn” continues! Suffering a terrible loss, Wonder Woman comes to the aid of the Kryptonite-charged Man of Steel to face the terror of the twins of Vandal Savage!

I didn’t know that Vandal Savage had twins. I must be out of the Vandal Savage loop. He’s always been a weird character for me. He sounds cool; an immortal dude constantly trying to take over the world and such. That should be fun. But I’ve yet to read a really good Vandal Savage story. Anyway, his twins are in this one and Superman’s all jacked up with Kryptonite and, if EVERY issue of this series that has come out already is any indication, this probably won’t be terribly good.

And now, a comic that is fantastic, The Legend of Wonder Woman #2:

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THE LEGEND OF WONDER WOMAN #2
Written by RENAE DE LIZ
Art by RENAE DE LIZ and RAY DILLON
Cover by RENAE DE LIZ
On sale FEBRUARY 10 • 40 pg, FC, 2 of 9, $3.99 US • RATED T • DIGITAL FIRST
As their training sessions grow more intense, Alcippe teaches Diana about life as well as battle while the island they both love continues its fall. When the festival of Anthesteria dawns, so too does the possibility of an Amazonian revolt against Queen Hippolyta!

We’re only one issue into this book, digitally, but DANG it’s so good. And it looks like there’s a ton of fun stuff coming up as well. It’s a fresh take on Wonder Woman that’s iconic and true to her roots, and the first issue knocked it out of the park. I’m so excited for the second digital issue to come out tomorrow! This is going to be gorgeous in print, too. Definitely add this series to your pull list, gang.

Wonder Woman also looks to be playing a key role in Justice League: Darkseid War Special #1:

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JUSTICE LEAGUE: DARKSEID WAR SPECIAL #1
Written by GEOFF JOHNS
Art by OSCAR JIMENEZ
Cover by JASON FABOK
Variant cover by NEAL ADAMS
Batman triptych variant cover by KIM JUNG GI
On sale FEBRUARY 17 • 32 pg, FC, $3.99 US • RATED T
The massive “Darkseid War” epic continues to set the stages for the future of the DC Universe as we reveal the secrets behind its newest major player: Darkseid’s daughter, Grail! And if the Justice League is not careful, the spoils of war will all end up with her! See the truth behind Grail’s role in this war and the future of the DC Universe as she tears her way across it. Don’t miss this extra-sized special offered at the regular price of $3.99!

This Darkseid War situation has been going on for ages! I don’t know much about it, but I do know that Darkseid’s daughter Grail is half-Amazon, and that Wonder Woman supposedly has played a decent-sized role throughout the event. I’m actually looking forward to reading it all once it’s collected; Jason Fabok’s been doing most of the art, and he draws a fantastic Wonder Woman. If you’ve been keeping up with the main Justice League book, be sure to pick up this special.

Elsewhere at DC, Wonder Woman is part of the team in Bryan Hitch’s Justice League of America #8, she’s fighting World War Two with some other lady superheroes in the wonderful DC Comics Bombshells #9, and Donna Troy is a regular part of Titans Hunt #5.

Look for all of these books this February, online and in comic shops everywhere! If you’re on a budget, I’d recommend the digital-first books above the rest; both The Legend of Wonder Woman and DC Comics Bombshells are excellent, enjoyable showcases for Wonder Woman.


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