Posts Tagged ‘Shea Fontana’

Women at DC Comics Watch – July 2017 Solicits, 27 Women on 23 Books

May 9, 2017

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July looks to be a bit of a drop for female creator representation at DC, though not a particularly steep one. The June solicits had their strongest numbers of 2017 thus far, so a decline is hardly unexpected. Growth is rarely a steady thing in the comic book world. Plus DC’s totals for July are in the upper end of their range as of late, which is encouraging despite the drop. Let’s take a look at who is scheduled to do what at DC in July 2017:

  • Amanda Conner: Harley Quinn #23 (co-writer, cover), Harley Quinn #24 (co-writer, cover)
  • Aneke: DC Comics Bombshells #30 (interior art), DC Comics Bombshells #31 (interior art)
  • Becky Cloonan: Gotham Academy: Second Semester #11 (co-writer), Shade, the Changing Girl #10 (cover)
  • Carmen Carnero: DC Comics Bombshells #30 (interior art), DC Comics Bombshells #31 (interior art)
  • Cecil Castellucci: Shade, the Changing Girl #10 (writer)
  • Emanuela Lupacchino: Green Lanterns #26 (variant cover), Green Lanterns #27 (variant cover)
  • Hope Larson: Batgirl #13 (writer)
  • Jan Duursema: Scooby Apocalypse #15 (interior art)
  • Jenny Frison: Wonder Woman #26 (variant cover), Wonder Woman #27 (variant cover)
  • Jill Thompson: Scooby Apocalypse #15 (variant cover), Shade, the Changing Girl #10 (variant cover)
  • Jody Houser: Mother Panic #9 (writer)
  • Julie Benson: Batgirl and the Birds of Prey #12 (co-writer)
  • K. Perkins: Superwoman #12 (writer)
  • Kamome Shirahama: Batgirl and the Birds of Prey #12 (variant cover)
  • Laura Braga: DC Comics Bombshells #30 (cover), DC Comics Bombshells #31 (interior art)
  • Leila Del Duca: Shade, the Changing Girl #10 (interior art)
  • Lilah Sturges: Everafter: From the Pages of Fables #11 (co-writer)
  • Marguerite Bennett: Batwoman #5 (co-writer), DC Comics Bombshells #30 (writer), DC Comics Bombshells #31 (writer), The Kamandi Challenge #7 (writer)
  • Marley Zarcone: Shade, the Changing Girl #10 (interior art)
  • Mirka Andolfo: Wonder Woman #26 (interior art), Wonder Woman #27 (interior art)
  • Msassyk: Gotham Academy: Second Semester #11 (interior art)
  • Sandra Hope: Gotham Academy: Second Semester #11 (inker)
  • Shawna Benson: Batgirl and the Birds of Prey #12 (co-writer)
  • Shea Fontana: Wonder Woman #26 (writer), Wonder Woman #27 (writer)
  • Stephanie Hans: Batwoman #5 (interior art, cover)
  • Tula Lotay: Everafter: From the Pages of Fables #11 (cover), The Hellblazer #12 (cover)
  • Yasmine Putri: Detective Comics #960 (cover), Detective Comics #961 (cover), Nightwing #24 (variant cover), Nightwing #25 (variant cover), The Hellblazer #12 (variant cover)

All together, there are 27 different female creators set to work on 23 different book at DC this July, 4 fewer women than last month though 1 more book. While the decline in creators isn’t great to see, the high 20s is a fairly solid showing for DC relative to their past performances, and is slightly above par for the course for the year thus far. And having women on more books despite the decline in creators is nice; it’s good to see female creators being spread through the ranks more. Publishers often group women together on a few select titles, so any growth in representation throughout the line itself is encouraging.

Speaking of the line, it looks like it’s going to stay stagnant yet again in July. The only new books recently are preludes to DC’s big Metal event and the print version of a new digital first mini-series, Batman ’66/Legion of Superheroes; the latter has a couple of ladies in the Legion, at least. Apart from some shifting here and there as a few bi-monthly series switch to monthly, things remain steady. I expect some new books will be on the way sooner than later, perhaps some sort of push in the fall, but things are quiet right now.

Despite the constant line, however, we’ve got some new names in the mix. Shea Fontana is taking over the writing duties on Wonder Woman, and Mirka Andolfo, who we know from DC Comics Bombshells, is joining her on art. We’ve also got Leila Del Duca on some interior art for Shade, the Changing Girl, Stephanie Hans pitching in on art duties for Batwoman, and Jill Thompson is back to do a couple variant covers, which is always a good time.

Overall, July looks to be a pretty average month for female representation at DC Comics. They’re capable of higher, as they showed last month and even more so at times last year, but they’ll be near the upper range of their numbers in July. An influx of new books and new creators seems a bit off yet, so it’ll be interesting to see if DC maintains this level through the summer.

Wonder Woman #20 Review: A Late Look at the New Circe’s Debut

April 18, 2017

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First off, apologies for the late review. I was gallivanting around Amsterdam last week and am only getting around to reading the latest issue of Wonder Woman today. It was an issue worth the wait, though; between Greg Rucka reinventing a villain that he created more than a decade ago and Bilquis Evely providing gorgeous, expressive art, “Godwatch” has been a great read thus far. I particularly enjoy that it’s so different from every other arc of the “Rebirth” Wonder Woman we’ve seen so far. We’re four arcs into this new era, and each has a different feel and style, which is very cool. Let’s dig into what happened in Wonder Woman #20, but first:

SPOILER ALERT!!

I am about to reveal all of the major plot points of this issue!

It came out nearly a week ago, though!

You should have read it by now!

So the ongoing saga of Veronica Cale and her captured daughter Izzy continues, with Cale going to extreme lengths to try to get her daughter back. This month, that means enlisting the help of the ancient witch Circe, who comes up with a plan to trap Phobos and Deimos and thus get Cale one step closer to her daughter. However, things don’t go quite as expected. The brothers get captured and turned into the dogs that we’ve seen Cale command in the present day “The Lies” and “The Truth,” but it turns out that their father Ares has Izzy, and even a fiendish witch like Circe has no desire to go up against him. Cale, though, is more than willing to unleash war on the world if it means getting her daughter back, and the issue ends with what appears to be the first step toward a sinister new plan.

Usually when an arc of Wonder Woman focuses so little on Wonder Woman herself, it very quickly gets on my nerves. She’s in just a handful of pages in this issue, and “Godwatch” as a whole has been rather light on Wonder Woman in its first three installments. And yet, I’m really enjoying it. Rucka’s constructed a compelling narrative for Cale and he’s turned her into one of the most interesting, well fleshed out villains I’ve read in some time. She’s a terrible person, sure, but there’s a humanity behind all of that rooted in her love for her daughter that makes her so much more than just some evil cardboard cut out. And Evely absolutely embraces the complicated nature of the character. I follow Evely on Twitter, and it seems clear that she really loves to draw Veronica Cale and capture both her arrogant snark and her softer emotional core. What she does with Cale’s expressions and body language is so enjoyable to read each month. Rucka’s writing her well, but Evely is really elevating her into a sensational, fascinating character.

Evely is doing an amazing job with designs for the arc as well. This issue introduced Circe, and she looks ridiculously cool. Circe’s been a Wonder Woman villain for decades, and her many incarnations have followed a similar theme: she’s generally rather sexualized, and her costumes tend to have a classic Greek myth aesthetic skewed through the lens of the male gaze. This new Circe is very different. She shows up sporting a rad short haircut that nonetheless attains impressive height, wearing a sharp outfit that includes black slacks and a vest, a collared shirt, and a cream blazer. This Circe is modern and fun and clearly mischievous. She makes me think of a sort of malevolent Sue Perkins, really.

We get a bit of the ancient Greek vibe when Circe’s doing her magic binding, and again it’s unique. Rather than a bodice that exposes ample cleavage, as we so often get with Circe, Evely equips her with a full, ornately crafted chestplate that fits nicely over her well tailored shirt and pants. It’s a simple, elegant design that conveys so much about this new take on the character, combining her ancient power with a fresh, contemporary look in manner that works so well. It feels like Circe even though it’s unlike any Circe we’ve ever seen before. I love her and I want an action figure, please.

Now, all of this villainous focus is enjoyable, but I also love how Evely draws Wonder Woman and I’m hoping we’ll get some more of that in the next few issues. The saga of Veronica Cale is a great read, but it seems that Evely is only going to be on Wonder Woman for the one arc, and I’d love to see her go to town with Wonder Woman as well. When you’ve got a great, unique talent like Evely, you should try to make her draw as much awesome stuff as possible!

Finally, while I was away, Greg Rucka announced that he will be leaving the book after Wonder Woman #25, and the art crew on both arcs seem to be moving on as well. It was sad news, to be sure, but ultimately I think it could be good for the book. I like Rucka a lot, but I’m also ready for a new take on the character, preferably from someone young with a unique perspective. Rucka was a great choice for “Rebirth” because Wonder Woman was very much adrift and DC needed someone to right the course. Rucka, Evely, Scott, and Sharp have done that admirably, and established a take on Wonder Woman that is both true to her roots and relevant to the world today. They had to fix a huge mess, and they did a great job. The end of the currents arcs seems like a good spot to pass the baton, and I’m excited to see what comes next. Shea Fontana and Mirka Andolfo have been announced as the new team on the book, with Fontana writing it for at least five issues, and that’s a very fun first step. We’ll find out soon if Fontana is staying with the book or we’re getting a new team after that, and here’s hoping that this great run for Wonder Woman continues.


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