I recently read and absolutely loved IDW’s collection of the short running Wonder Woman comic strip from the 1940s, and I was fascinated with the way the strips compared to the regular Wonder Woman comic books. Both were done by Wonder Woman’s original creative team of William Moulton Marston and H.G. Peter, but the strip debuted more than two years after Wonder Woman first appeared. With a couple years under their belts, they duo got a second chance to introduce Wonder Woman’s feminist message to a new audience, and the differences in the strips are just as interesting as what stayed the same. I examined IDW’s collection as compared to the original comics in a review that’s up now at The Comics Journal.
Marston doubled down on his matriarchal message, making it explicitly clear that Wonder Woman was coming to America to conquer the patriarchy. Look at this comparison of Wonder Woman leaving Paradise Island for the first time, and see what Marston added to the strip:
He also kept his bondage fetishism front and center as always. In fact, the Cheetah story in the strips is completely different from the Cheetah’s first appearance in Wonder Woman except for an elaborate bondage sequence that was redrawn by Peter almost exactly as it first appeared: