Posts Tagged ‘William Moulton Marston’

Professor Marston & The Wonder Women Trailer: A Tad Salacious, A Lot Inaccurate

July 19, 2017

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The first full trailer for Professor Marston & The Wonder Women, a film about the lives of the creator of Wonder Woman and his two partners Elizabeth Marston and Olive Byrne, premiered yesterday, and I’ve got some mixed feelings about it. I’m excited for the film; the Marstons are fascinating, and their lives and beliefs led to the creation of Wonder Woman. Plus the movie’s got a fantastic writer/director in Angela Robinson, as well as a stellar cast. I mean, Connie Britton is playing Josette Frank and Oliver Platt is Max Gaines. If you’re a Golden Age comic book history nerd like I am, that’s just amazing.

This trailer, however, left me a little bit underwhelmed and somewhat concerned:

It’s entertaining in and of itself, I suppose. It’s sexy and mysterious and intriguing, and it looks like a compelling story. My problem is that it doesn’t seem to be a very accurate story. There are some changes I can understand, like having Josette Frank grill Luke Evan’s Marston in person. In reality, their contact was mainly through letters. As part of her role on DC’s advisory board, Frank sent letters to Marston’s publisher objecting to Wonder Woman‘s bondage imagery, which Gaines then relayed to Marston, whose messages back to Gaines were then relayed to Frank. None of that would make for a interesting film, really, so it makes sense to put them in the same room for a tense standoff. It’s far more dramatic that way.

My larger issue is with the depiction of the Marston family, and the liberties the film seems to be taking with them. They were an unconventional family; they lived together in a polyamorous relationship, and Marston had two children with each woman. The problem is that beyond this, we really don’t know much about how their relationship worked. Elizabeth had a day job and Olive stayed home with the kids, and they both had a considerable influence on the creation of Wonder Woman. Other than that, details are few. They were a very private family, and most of what’s been written about their personal lives beyond those broad strokes is questionable research and guesswork.

Take, for example, the bondage issue. Marston’s Wonder Woman comics were FULL of bondage. I wrote a book about it; the imagery is considerable, and while it’s there for a specific purpose that ties into Marston’s psychological theories, it wasn’t without its problematic aspects. So yes, Marston’s use of bondage is a historical fact, and I think it’s fair to suggest that there was a fetishistic aspect to it. He basically said so in his own correspondence. However, we have no proof that the Marstons were into bondage activities in their private lives. They could have been, but suggesting they were is pure speculation without any facts to back it up. Marston seeming to have a kink does not mean that he explored it with his wives.

This trailer appears to suggest otherwise, with Bella Heathcote’s Olive Byrne getting tied into a leather corset and the trailer clearly conflating the bondage imagery in the comics with the Marstons’ personal lives. But suggesting that the Marstons were into bondage is pure conjecture. Now, I’m not saying that there’s anything wrong with bondage, or that suggesting that the Marstons were into it besmirches them in some way. It doesn’t. There’s just no real evidence for it.

The same can be said about the relationship between Elizabeth and Olive. We know they were both with Marston, and that they lived together for decades after his death, but the exact nature of their relationship with each other is ill-defined. It may have been romantic. It may have been sexual. It may have been companionate. Again, we just do not know. But like with the bondage aspect, the film seems to be putting them together in a sexual way that’s just not historically provable.

Professor Marston & The Wonder Woman looks like it’s taking theories about the Marstons’ relationship that are maybes at best and presenting it as fact. It’s leaning into salacious speculation rather than what we definitively do know about the Marstons, which is fascinating material on its own. The Marstons are unique and interesting without these elements, and the movie playing fast and loose with history makes me worry that the filmmakers may not fully understand what is compelling about their subjects.

At the same time, this is only a trailer. And making it eye-catching is just smart marketing. There’s always a bit of embellishment and sensationalizing with biopics, and I understand that. I remain curious to see what the movie actually says about the Marstons, and it would be nice to see it try to stay true to established facts. We’ll find out this October, and I’m hoping for the best.

The Comic Books To Read After You See Wonder Woman This Weekend

June 1, 2017

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Wonder Woman is hitting theaters tomorrow, with early showings tonight (I’M GOING TO SEE IT TONIGHT AND I’M SO EXCITED I CAN’T EVEN DEAL WITH IT), and soon lots of new Wonder Woman fans are going to be wondering what to read next. While I definitely suggest my book Wonder Woman Unbound: The Curious History of the World’s Most Famous Heroine, I’ve also put together this list of comic collections that I think best capture the history and the spirit of the character. Start here, new Wonder Woman enthusiasts! You’ve got so many fun comic book adventures head of you.

Here is the list, in chronological order:

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The Wonder Woman Chronicles, Volume 1, written by William Moulton Marston, art by H.G. Peter

It’s always good to start at the very beginning. While Wonder Woman’s early outings are also collected in Archive and Omnibus formats, the Chronicles line is the cheapest option. Marston and Peter imbued Wonder Woman with a unique brand of feminism that was central to the character from day one, and a lot of the core cast and elements in these comics have remained key to Wonder Woman for more than 75 years. The stories are often wacky and fantastical, but that’s part of the charm.

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Wonder Woman by George Perez, Volume 1, written and drawn by George Perez with others

We’re jumping a few decades here, but while Wonder Woman comics were interesting at times in the Silver and Bronze Age, they’re more deeper cuts than Wonder Woman 101. Perez’s relaunch of the character, though, was hugely influential, and remains a touchstone today. Even though it was a total reboot, in many ways it was a modern update of the original Wonder Woman that stayed true to her feminist core. And with fantastic art by Perez, these stories still hold up thirty years later.

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Wonder Woman: Paradise Lost, written and drawn by Phil Jimenez with others

While there were lots of good arcs in Wonder Woman in the 1990s and 2000s, this collection is my personal favourite. The “Gods of Gotham” storyline is just good fun; Batman, the Joker, and Poison Ivy get taken over by gods and Wonder Woman has to sort things out. It’s great. “Paradise Lost” is strong as well, but “She’s a Wonder!” is the best of the bunch, teaming up Diana and Lois Lane in a story that highlights the strengths of each character and shows the respect DC’s two leading ladies have for each other.

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DC: The New Frontier, written and drawn by Darwyn Cooke

This isn’t a Wonder Woman comic specifically; pretty near everyone in the DC universe stars in this story, which is set in the 1950s and explores the dawn of a new era of heroism. But Wonder Woman’s scenes in the book are ALL spectacular. She confronts both Superman and President Eisenhower, assembles a female army in Vietnam, and comes back from a major injury to lead the charge against a foe that threatens the entire Earth. Every single moment with Wonder Woman is fantastic and the rest of the book isn’t too bad either.

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Sensation Comics featuring Wonder Woman, Volume 2, by too many folks to list but they’re all great

We’re getting into recent stuff now, because the past few years have been an embarrassment of riches in terms of great Wonder Woman stories. Any volume of Sensation Comics could be on this list, really. They’re all standalone stories by different creative teams, and the majority of them are great. But this volume is probably the best one. Standouts include James Tynion IV and Noelle Stevenson’s tale of a young Wonder Woman visiting the outside world for the first time, and Lauren Beukes and Mike Maihack’s adorable tale of make believe. They’re all pretty fun, though.

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DC Comics Bombshells, Volume 1: Enlisted, written by Marguerite Bennett, art by Marguerite Sauvage and more

This is another ensemble book, and it’s just so much fun. The series is a retelling of World War II with DC’s female superheroes fighting the evil magical forces of the Nazis. No male superheroes are involved at all, and heroines like Batwoman, Supergirl, and Wonder Woman take center stage. It’s empowering and action packed and true to the characters, especially Wonder Woman, while being something totally unique and different. It’s also super queer, in all of the best ways. Few books capture the spirit of Wonder Woman as well as this.

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The Legend of Wonder Woman, Volume 1: Origins, written and drawn by Renae De Liz with Ray Dillon

I’m doubling up on recent World War II retellings here, but it can’t be helped. Both are just too good to pick only one. And this one is all about Wonder Woman, starting with young Diana growing up on Paradise Island and following her as she eventually leaves the island to save the world. It spends a lot of time with the Amazons, which is always fun, plus Etta Candy is a key player in the book, too. Also, it’s absolutely stunning. The art is lush and gorgeous and perfect for the era and the story. Do yourself a favour and check out this outstanding book.

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Wonder Woman, Volume 2: Year One, by Greg Rucka and Nicola Scott

Greg Rucka has penned several excellent Wonder Woman stories, but this is far and away his best. It’s a modern retelling of Wonder Woman’s origins that draws from past incarnations of the character while simultaneously doing something fresh and exciting. And it’s straight up gorgeous, too. Nicola Scott was born to draw this book, and the heart and beauty she puts in every panel is an amazing thing to behold. This volume is the perfect gateway to the current Wonder Woman series, and is one of the best Wonder Woman stories ever told.

So definitely dig into all of these great collections! Most are still easy to find in print, and anything that’s not is available digitally (plus the bulk of them are on sale right now at Comixology!). And after you’ve checked out these books, keep digging! Wonder Woman’s got a fascinating history with more than 75 years of great comic books, and there are so many other fantastic volumes out there.

Cat Grant, President Marsdin, and Elizabeth Holloway Marston All Went to the Same College

May 16, 2017

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Last night’s Supergirl was one of the best episodes of the year, in no small part due to Lynda Carter guest starring as President Marsdin and the long awaited return of Calista Flockhart as Cat Grant. They even got to share the screen together before the Daxamite queen Rhea, played by Teri Hatcher, shot Air Force One out of the sky. Luckily Supergirl was there to save Cat, and the President was able to save herself when she revealed that she was actually an alien. It was all a lot of fun; one of the things that makes Supergirl special is its depth of amazing female characters, both heroes and villains, and they were out in full force last night.

After the plane crash, everyone was wondering how Cat Grant got on the plane in the first place. It turns out that she was old friends with the president, and that they’d gone to college together. Marsdin was her RA in the dorms of Radcliffe College, and that choice of university is a very fitting one.

Supergirl has been making sly references to the history of Wonder Woman with Lynda Carter’s President Marsdin, and fittingly so. When you’ve got Lynda Carter on board, you’ve got to have some Wonder Woman fun! Her name seems to be a double reference: Marsdin is reminiscent of Wonder Woman’s creator, William Moulton Marston, while Olivia appears to reference Olive Byrne, Marston’s partner and a major inspiration for Wonder Woman. With tonight’s episode, we got a shout out to Elizabeth Holloway Marston, the third member of the Marstons’ polyamorous relationship, co-inspiration for Wonder Woman, and a graduate of Radcliffe College.

Having already earned a BA from Mount Holyoke College and a law degree from Boston University, Elizabeth went to Radcliffe College in 1919 to get a master’s degree in psychology. At the time, Radcliffe was a women’s college; women weren’t yet allowed to attend Harvard itself, so Radcliffe was Harvard’s sister school. While at Radcliffe, Elizabeth worked with her husband researching systolic blood pressure and helped create the lie detector test, and eventually graduated in 1921 with her third degree.

Having Cat Grant and President Marsdin go to Radcliffe too is a delightful deep cut reference to Wonder Woman’s history, and that the writers at Supergirl took the time to make it speaks of their respect not just for their titular character but for Lynda Carter, Wonder Woman, and the women of the superhero world generally. William Moulton Marston didn’t create Wonder Woman on his own; Elizabeth and Olive contributed to the character in ways we’ll probably never fully know, and they deserve to be remembered as a key part of her history. With last night’s episode, Supergirl did just that in a small, enjoyable way. It was a cool moment in what was an absolutely great episode that has me so excited to watch next week. Did you guys see that ending? It’s crazy! Such a good cliffhanger!

Talking About Wonder Woman at the Imagine Film Festival in Amsterdam: A Recap!

April 17, 2017

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I am now home from my five day visit to Amsterdam, and it was such a cool trip. I’m from Halifax, which is one of the oldest cities in North America, but it doesn’t even come close to the history and legacy of Amsterdam and it was so fun to get to explore the city. While I had to keep my head on a swivel to avoid bicycles as I did so because they’re EVERYWHERE, I adapted to that pretty quick and got to see a good portion of the city.

First, though, here’s a hot tip, gang: If you ever get the chance to fly KLM, do it. We flew there and back on KLM, and it was far and away the best airline I’ve ever been on. They give you so many drinks and meals and snacks! Plus there are a pile of good movies to watch. I saw Moana, Arrival, Finding Dory, and Doctor Strange; it was great. So yeah, highly recommended.

The first day in Amsterdam was largely a blur. My mother came with me, because if you ever luck out and get a free trip to Amsterdam and your mother’s never been to Europe, you should take her. Plus she’s a swell lady! Our flight there was an overnighter but we didn’t sleep much, so we ended up crashing at the hotel when we got there, then exploring the area a bit in the afternoon, then more sleep. Or attempts at sleep, at least. Jet lag is rough, folks.

Day two was more exploration. We figured out the metro, which was super easy and convenient, and walked through some of the good shopping places in the city. I didn’t buy much, but I did an ice cream at this rad place called Banketbakkerij Van Der Linde; they only make vanilla ice cream but it’s amazing and there’s always a line up out the door, even on a cool day like Thursday was.

Day three was my presentation, so I mostly went over my notes all day. We had some near-drama when I arrived at the EYE Film Institute and the presentation wouldn’t play; we tried my laptop, then another laptop, but nothing was showing up on the big screen. Everyone behind the scenes at the Imagine Film Festival was super great, though. The technical folks worked like crazy to get everything sorted while everyone else chatted with me and joked about our predicament. I’m still not sure exactly what was wrong, but after replacing the same small box several times, it worked. We started a few minutes late, but everything worked perfectly from then on.

The presentation itself was very fun to do. I always get super nervous before I have to give a talk, but once it gets going it tends to be more pleasant, and this was no exception. The crowd was wonderful, which helps a lot. We had a good number of people in, all of whom seemed very enthusiastic to hear about Wonder Woman, her evolution, and the role of her costume therein. I started with Marston, of course, and dug into the bizarre origins of both Wonder Woman and his own background, psychological and life-wise. Then we discussed the American symbology of the costume and how it was meant to help Wonder Woman fit in and thus help America while slyly spreading Amazon values there as well. We also looked at this great panel:

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Talking about the costume led to a deep dive into her bracelets and the bondage metaphors of Golden Age Wonder Woman comics, which segued nicely into an examination of her golden lasso as a symbol of feminine power.

From there, we passed through the Silver Age pretty quickly because her costume stayed largely the same and that was the main focus of the talk. The Bronze Age and Wonder Woman’s mod revamp, however, merited close examination. We looked at the story in which Diana Prince got trendy clothes to help Steve Trevor out of a jam:

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After which Steve started to show interest in Diana for the first time ever and Wonder Woman realized she no longer needed to be super to keep his interest. This introductory issue really set the tone for this whole era, in which Diana gave up her superpowers and got very into mod fashions, all while falling for every man she met and behaving hysterically when they inevitably betrayed her. It was an attempt to make Wonder Woman a more modern, relevant character that failed rather spectacularly.

But it did lead to Gloria Steinem campaigning for Wonder Woman to return to her roots, which was followed by her appearing on the first cover of Ms. magazine and eventually the Lynda Carter television show. The latter was particularly fun to chat about, and I showed a clip of Wonder Woman talking to her sister Drusilla in both of her identities so that we could see how Carter played them differently. We also chatted briefly about her awesome Wonder Woman scuba suit, because how could we not?

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This all was followed by a quick run through the Perez era, the ridiculousness of the Deodato era, and how Wonder Woman’s costume has remained fairly constant since the television show. Any big changes rarely lasted for long, even much hyped alterations like her ill-fated pants and leather jacket in 2010. We looked at the New 52 era as well, which led to Gal Gadot and her onscreen Wonder Woman. It was a film festival, so I wanted to be sure to give her a lot of attention.

The early discussion surrounded Zack Snyder’s brown, desaturated version of the costume which had all of the classic Wonder Woman elements but none of the brightness and vibrancy one would expect from Wonder Woman. We also watched a clip of Wonder Woman showing up in Batman v Superman: Dawn of Justice for the first time, i.e. pretty much the only good part of that movie. Her general mysteriousness in that film led to some speculation about the character in her new solo film, and I was glad to dig into how Patty Jenkins seems to be embracing color. We watched the latest trailer and dug into how we got a lot of the elements we would expect in a Wonder Woman origin story, including the requisite incarnations of the characters and her corresponding outfits. But we also discussed how her sword seems to have superseded her lasso as her primary weapon:

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And the way that this, intentional or not, is an assertion of masculine concepts of heroism and power over the more classic feminine power represented by her lasso.

Finally, we talked about “Rebirth,” particularly how Rucka and Scott reasserted the importance of the lasso in “Year One.” Talking about Scott led us to Wonder Woman recent, short-lived United Nations ambassadorship, and we discussed the body-shaming petition for her removal and how reducing the character to her appearance ignores what she has meant as an inspirational figure for generations of fans.

So yeah, it was a fun talk! And there were some excellent questions after, which is always fun. My favourite may have been the woman who chatted about the historical reality of the Amazons, which was very cool, but they were all great. Then I got to hang out with the film festival folks for a bit, who were delightful and kind and so enjoyable to visit with.

Day four was the Rijksmuseum; it’s HUGE and took up the entire afternoon, really. I got to see Van Goghs, and Rembrandts, and Vermeers, but my favourite painting of all was this one by Nicolaas Baur called “A Women’s Skating Race on Stadsgracht in Leeuwarden, 21 January 1809”:

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There was a skating race for a gold cap-brooch and 64 unmarried women entered, but some of them were so into the race that they threw off their cloaks and skated bare armed, causing quite a stir among spectators who considered them shockingly immodest. There was such an outcry that it was the last women’s race for several years.

So that was my trip! Huge thanks again to the Imagine Film Festival for bringing me to Amsterdam; it was such a nice city to visit, and everyone at the festival was wonderful. Thanks to everyone who came to my talk as well. It was very fun to spread the word about Wonder Woman on a whole new continent!

Check Out New Book, Wonder Woman Psychology, And My Essay On Marston and Wertham!

March 28, 2017

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There’s a fascinating new book about Wonder Woman set to hit stores next week (though Amazon seems to be shipping it out already in America), and I’m very honoured to be a part of it. Wonder Woman Psychology: Lassoing the Truth is edited by Travis Langley and Mara Wood, and examines Wonder Woman from a psychological perspective through a series of essays, all of them with unique viewpoints and insightful thoughts on the Amazon princess. Travis is a pro at this style of book, having written or edited similar volumes on Batman, Doctor Who, Games of Thrones, The Walking Dead, and more. The psychological angle is an interesting lens through which to view these properties, and one that’s especially fitting for Wonder Woman.

Wonder Woman was created by a psychologist, William Moulton Marston, to be “psychological propaganda for the new type of woman who should, I believe, rule the world,” and my essay in Wonder Woman Psychology compares and contrasts Marston’s optimistic approach to comic books with Dr. Fredric Wertham’s pessimistic view of the medium. Wertham famously decried the comic book industry in his 1954 book Seduction of the Innocent, and was especially hard on Wonder Woman, accusing her of being a lesbian (no minor allegation in the 1950s) and calling her a “morbid ideal” for young girls.

And yet, despite their very different views on Wonder Woman, the two men had a lot in common. They both believed that psychological principles could make the world a better place, and shared progressive views on many issues. They also agreed that comic books had a powerful potential to influence the youth of America. Their major divergence was their reaction to the medium; Marston sought to harness that potential for good and influence young readers while Wertham sought to protect young readers from dangerous messages that could lead them to juvenile delinquency. Both men are fascinating figures and key players in the history of Wonder Woman, and it was a lot of fun to dig into their histories and discuss them in such a close comparison.

Travis Langley co-wrote the piece with me, which was great. I’m a historian first and foremost, and psychology is not my area of expertise, so I provided all of the history and researched the psychological work of both men as best I could, and then Travis took the baton to the finish line. I was very glad to have someone with his impressive psychological knowledge on board, both to check my own work and add to the piece. It was a fun, easy partnership and I’m really pleased with how the essay turned out.

You can order Wonder Woman Psychology: Lassoing the Truth now, or ask for it at your local bookstore. If they don’t have it ordered already, I’m sure they can get it for you; the series is popular and well known. I heartily recommend picking it up if you’re a fan of Wonder Woman, and not just because of my own part in it! There are lots of great writers delving into interesting components of the character, and there’s even an old biographical piece by Elizabeth Holloway Marston, William’s wife and a key player in the creation of Wonder Woman, which is ridiculously cool and worth the price of admission alone for any hardcore Wonder Woman enthusiast. You’re in for a great read across the board!

Wonder Woman’s April 2017 Covers and Solicits

January 24, 2017

DC’s solicits were a little bit late this month, but when they finally arrived yesterday they brought a bevy of new Wonder Woman comic books for us to look forward to this April. So let’s take a look at what Wonder Woman will be up to in a few months’ time, starting with her own series:

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WONDER WOMAN #20
Written by GREG RUCKA • Art and cover by BILQUIS EVELY • Variant cover by JENNY FRISON
“Godwatch” part three! Cale launches a desperate gambit to take control of Godwatch, but her plan hinges on two factors she cannot control: the witch Circe, and Wonder Woman!
On sale APRIL 12 • 32 pg, FC, $2.99 US • RATED T

WONDER WOMAN #21
Written by GREG RUCKA • Art and cover by LIAM SHARP • Variant cover by JENNY FRISON
“The Truth” part four! As the reality of Themyscira is revealed, Wonder Woman is forced to make a decision: defy the will of the gods or betray her Amazon sisters to Godwatch!
On sale APRIL 26 • 32 pg, FC, $2.99 US • RATED T

The dual narrative continues this April, with Wonder Woman facing off against Godwatch in the even numbered issues and learning the truth about Themyscira in the odd books. Circe’s going to be in Wonder Woman #20, which should be a lot of fun. After her poor portrayal in Superman/Wonder Woman a couple of years back, I’m looking forward to what can only be a better spin on her from Rucka and Evely.

Now onto Trinity:

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TRINITY #8
Written by CULLEN BUNN • Art by EMANUELA LUPACCHINO and RAY McCARTHY • Cover by CLAY MANN • Variant cover by BILL SIENKIEWICZ
A “Superman: Reborn Aftermath” tie-in! In this essential chapter of the “Superman Reborn Aftermath” epic, Kal-El reveals to Batman and Wonder Woman what had happened to him—and how they all may be in danger!
On sale APRIL 19 • 32 pg, FC, $3.99 US • RATED T

I’ve been enjoying Trinity, but honestly I’m picking it up for the amazing Francis Manapul art and there just hasn’t been much of it. Now eight issues in, it looks like he’ll have drawn half of them at most, and we’re getting a tie-in issue with a Superman event? Not what I’m looking for. Hopefully Manapul is back in full force in May, because otherwise I might be ready to move on, especially with the $1 price hike.

Next up, some Amazon fun:

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THE ODYSSEY OF THE AMAZONS #4
Written by KEVIN GREVIOUX
Art by RYAN BENJAMIN and RICHARD FRIEND
Cover by RYAN BENJAMIN
The Amazons are taken to Valhalla, heavenly home of warriors who have fallen in combat. Hessia learns where the Amazons originated and why their numbers have come to be spread throughout the world. But she’s also determined to find a way back to Earth, to rescue her comrades who have been taken by the Storm Giants. As for the Giants, they are getting ready to go to war.
On sale APRIL 19 • 32 pg, FC, 4 of 6, $3.99 US • RATED T+

This series starts TOMORROW, so we’ll know pretty soon if this is going to be worth picking up in April. While the buzz for it seems to be minimal/non-existent, a lot of great titles fly under the radar so we’ll see what happens. It still just sounds like a Thor book to me, but I’m curious to see what Grievoux, Benjamin, and Friend do. I’ll be checking out the first issue tomorrow and will report back if I have anything interesting to say about it.

Now some classic TV fun:

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BATMAN ’66 MEETS WONDER WOMAN ’77 #4
Written by MARC ANDREYKO and JEFF PARKER • Art by DAVID HAHN and KARL KESEL • Cover by MICHAEL ALLRED
Ra’s al Ghul has discovered the Amazons’ Elysian Well…better known to Man’s World as a Lazarus Pit! Wonder Woman takes Batman and Robin (and Catwoman!) to confront him, but strange creatures live in the same maze, which the Amazons have used for centuries as a prison!
On sale APRIL 26 • 32 pg, FC, 4 of 6, $3.99 US • RATED E • DIGITAL FIRST

I’m so down for Catwoman on Paradise Island. You had me there, and you don’t have to sell me on anything else, DC. I’m super on board.

We’ve also got a few Wonder Woman collections announced. They include:

  • WONDER WOMAN VOL. 2: YEAR ONE TP: Collects WONDER WOMAN #2, 4, 6, 8, 10, 12 and 14. On sale MAY 3 • 168 pg, FC, $16.99 US. If you didn’t read this in single issues, BUY THIS. It’s phenomenal. Greg Rucka and Nicola Scott hit this one out of the park.
  • WONDER WOMAN BY JOHN BYRNE BOOK ONE HC: Collects WONDER WOMAN #101-114. On sale MAY 24 • 328 pg, FC, $39.99 US. A nice big collection of Byrne’s work on Wonder Woman, which I found moderately enjoyable when I read it. It’s Byrne before he went full on Internet wacko, which is usually worth checking out.
  • WONDER WOMAN: THE GOLDEN AGE OMNIBUS VOL. 2 HC: Collects COMIC CAVALCADE #6-13, SENSATION COMICS #25-48 and WONDER WOMAN #8-15. On sale JULY 5 • 768 pg, FC, $75.00 US. Early Marston/Peter Wonder Woman comics are always a good choice, and this HUGE new collection comes with a gorgeous Darwyn Cooke cover.

So we’ve got a nice selection of books to choose from this April, and some fine collections on the way as well. Should be fun!

RIP Pete Marston, the Son of Wonder Woman Creator William Moulton Marston

January 19, 2017

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Moulton “Pete” Marston, the son of Wonder Woman creator William Moulton Marston and Elizabeth Holloway Marston, passed away on Tuesday. He was 88 years old. Aside from his parental connection to Wonder Woman, in recent years Pete had become well known in the fan community for his Wonder Woman Museum, comprised of a massive collection of memorabilia. Some items were old treasures from Pete’s own collection, but he was an avid collector as well and assembled a wide array of new material. Currently, there are nearly 4,000 items housed in the Wonder Woman Museum at his home in Bethel, Connecticut.

Outside of his impressive Wonder Woman collection, Pete spent most of his working years as a realtor, and he also built and renovated homes and worked in a variety of construction trades. He spent time in the merchant marine as well. Pete is survived by his wife, Olive Louise Marston, two siblings, three children, and five grandchildren.

A note from Pete’s brother Byrne in his official obituary offers an inside peek at Pete’s role in early Wonder Woman comics:

My brother Pete was always a man of enormous imagination. As a kid, he was a dreamer. When we were teenagers our dad, who was often under pressure to produce scripts for his Wonder Woman superheroine, offered $100 to anyone writing a usable scenario for a Wonder Woman episode. Though $100 was a fortune at that time, Pete was the only one of us who could dream them up.

Pete seemed to have had a good relationship with his father. On top of pitching plots for Wonder Woman, Pete also left Harvard in the mid-1940s to return home and help care for his father. William Moulton Marston had polio and cancer, and passed away in 1947. It’s lovely that Pete created such a testament to his father’s creation with his Wonder Woman Museum. The museum is also a testament to the women who raised him; Pete’s mother, Elizabeth, gave Marston the idea to create a female superhero, and the Marstons lived in a polyamorous relationship with Olive Byrne, who raised the kids (Marston had two with each woman) and also inspired key elements of Wonder Woman’s look and personality.

Regrettably, I never got the chance to interact with Pete directly, though his daughter Christie was a great help when I was researching Wonder Woman Unbound and I know that Pete had a big hand in the materials that she sent me and the recollections that she was able to share. By all accounts, he was a kind and warm man; everyone who visited the museum (a guest list that included Lynda Carter herself!) seemed to come away with an appreciation and affection not just for its myriad wonderful items but also for the man who assembled it all.

My deepest condolences to the Marston family during this sad time, and I hope that their grief is tempered somewhat by the knowledge that Pete lived a long and interesting life and that he’s remembered so fondly by Wonder Woman fans the world over. In lieu of flowers, Pete would like to have donations in his memory sent to the Bethel Police Benevolent Association (PBA), P.O. Box 169, Bethel CT 06801.


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