Posts Tagged ‘Xermanico’

Wonder Woman #75 Review: The Battle for Themyscira

July 24, 2019

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I don’t usually start my reviews with a spoiler, but if you read last week’s issue then you knew this was coming: Diana, princess of the Amazons, has returned to Themyscira. Which at first glance doesn’t seem like a huge deal until you remember that, apart from “Year One,” she hasn’t been to her real home since the New 52 reboot nearly eight years ago. The Paradise Island of the Azzarello/Chiang run and the Finches’ tenure was an elaborate ruse, and she’s been kept apart from the true Themyscira ever since she discovered the truth in Rucka, Scott, and Sharp’s run. I’ve not figured out the numbers in any official capacity, but as a Wonder Woman historian I think I can confidently say that this is the longest she’s been separated from the Amazons, and probably by a wide margin. The mod era, with the Amazons departing to a different dimension, was only four years! And they’ve otherwise been a constant presence in Diana’s history.

So this was long overdue. The Amazons are a big part of what makes Wonder Woman such an amazing character, a powerful matriarchy that exudes female strength, power, and sisterhood. She’s amazing on her own, of course, but everything she is comes from this background and they’ve always been an essential part of her world. The community makes her stronger. To keep the true Amazons sidelined for so long was a mistake, one that’s finally been righted. We’ll dig into it all in detail, but first:

SPOILER ALERT!!

Yes, the Amazons are back but you knew that was coming!

Other things happened as well, and I’m about to spoil them!

Look away if you haven’t read this issue yet!

So, quick recap, amid all the chaos in the divine realms, Grail escaped, took over Themyscira, and captured Hippolyta. She also turned some of the Amazons to her side, but Antiope escaped with a small band to Dimension Chi, where Wonder Woman met up with them last issue. In this outing, Wonder Woman leads her forces against Grail and ultimately defeats her. It’s a big, long issue, with extra pages on account of it’s Wonder Woman #75, but that’s the core of it.

The battle was pretty darn good, too. G. Willow Wilson and her artists Xermanico, Vicente Fuentes, and Jesus Merino have pulled off an impressive feat here. This wasn’t a quick skirmish. This was a lengthy combat sequence, with a whole host of characters. There were entire armies on both sides, of course, but we were also following multiple characters through the fight. The end result was clear, legible, and exciting, which is not something I can say about a lot of huge comic book battles. Usually it’s just chaos, and this was not. It was well-executed, and fittingly epic for an anniversary issue. If you’re gonna charge an extra buck for the book you better make it worth it, and they definitely did.

The reunion was lovely as well. Seeing Diana and Hippolyta together at the end of the issue was all kinds of heartwarming. I love their relationship and hate that it’s been sidelined for so long, so having them back together was a long awaited moment of joy for me. Plus it got me excited for what’s to come. We only see them together briefly, but I know there are conversations to be had and perhaps many adventures ahead. Hopefully this marks the beginning of a new era for them, and the Amazons will be brought into the DC universe again. It’s been poorer for their absence.

However, as much as this issue was generally well-executed and had some great moments, it was lacking in surprises and twists for me. Everything that I thought was going to happen ended up happening, making the whole experience feel a little flat. I don’t think I’m not some sort of Nostradamus either. At the end of the last issue, it was clear that Wonder Woman and Antiope were going to go back to Themyscira and fight Grail, and I was pretty sure they were going to win. There were some other obvious bets too, like that Hippolyta would be threatened and Isadore Cale would come into play. I suppose I was a little surprised that Nubia sided with Grail initially, but I was suspicious of that throughout the issue and then not terribly shocked when she eventually turned on Grail. The issue is technically a game changer in that the Amazons are back, and that’s great! But it changed the game in exactly the ways I expected it to, without any big shocks or unexpected turns along the way.

It was very well drawn, though. Three artists can be a bad sign sometimes, and a few of the transitions from one to the other were a bit bumpy. They really scattered all three throughout the issue seemingly at random. But it hung together pretty well, and was strong throughout. I’ve been raving about Xermanico for months now, so I’ll not spend too much time on him other than to say that he’s a spectacular fit on the book and should draw every issue. Cifuentes was solid as well, matching the style of the book and fitting seamlessly into this world with some lovely pages. And finally, Jesus Merino. I’ve been very critical of his work lately. Underwhelmed, to say the least. But he was decent here! This is definitely the best art I’ve seen from him in some time, and he handled the bulk of the battle to good effect. Fingers crossed that this bodes well for future outings, because he’s scheduled on a lot of issues coming up. Also, shout out to Romulo Fajardo Jr. for his always amazing coloring! Tying three different artists together so the book feels cohesive is tricky work, and he did a fantastic job, as always. The dude’s a legend, and has been with the book for most, if not all, of the last 75 issues. It’s dang impressive.

So the Amazons are back! In expected ways, but that’s okay. I’m glad to have them back in the fold regardless. And now we’ve got that to explore, plus “Year of the Villain” shenanigans on the horizon. The Cheetah’s got a nasty sword, and that will of course mean trouble for Wonder Woman and her pals. But with her mother and her sisters at her side again, I’m more than confident that Diana can handle whatever comes her way.

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Wonder Woman #74 Review: Reunited, And It Feels So Good

July 10, 2019

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Some major things are happening in this week’s issue of Wonder Woman, leading to even more major things for Wonder Woman #75 in two weeks’ time, presumably. Quarter century issues are a big deal these days, maybe because so few comic books make it to a 25th issue, much less a 50th or a 75th. Publishers like to save up big moments for these books and make them special, and the ending of this issue is definitely promising that. Significant developments are afoot.

Also, if you follow G. Willow Wilson on Twitter, she’s been teasing this month’s issues lately. Apparently Wonder Woman #75 is going to be 38 pages long, with an assortment of artists and a lot of double page spreads. Plus, various twists and reveals! It sounds like it’s going to shake up the status quo of Wonder Woman’s world quite a bit, and we’ll dig into what that could mean, but first:

SPOILER ALERT!!

I am about to tell you everything that happened in this issue!

Look away if you have not read it yet!

Also, you should be reading this book!

Hit your LCS or get it on Comixology! It’s a dang good series!

So should we do the big reveal first? Sure, let’s dive right in. The Amazons are back! Or rather, some Amazons are back. General Antiope and Philippus lead an escaped band of Amazons hidden in Dimension Chi, because Themyscira has fallen to its foes. The prisoners on the island escaped and took over, and now Grail is in charge and Hippolyta is in chains. I could happily live the rest of my life without ever seeing Grail again, but the good news is, the veil between the worlds is torn. Diana can go rescue her mother and save her sisters, which is what I assume the Wonder Woman #75 mega-issue will be all about.

With some surprises, of course. I doubt it’s going to be a straight forward beat the bad guys, save the good guys situation. There will probably be complications. But I’m even more interested in what comes next. If Diana can save Themyscira AND keep a path open to it, will the Amazons finally be part of her world again? Because I would love that. It’s been so long since we’ve had proper Amazons able to interact with the DC universe as a whole. The New 52 Amazons were trash, and the Rebirth Amazons have been sequestered. I miss the old days, when Themyscira was part of the United Nations and the Amazons could join in on major comic events. Remember in the Perez run when they opened Themyscira to the world and Lois Lane was among the first group of visitors? That was so cool. The DC universe is a better place with an awesome matriarchy in it, and I really hope that they come back in some capacity. Preferably a full on, move Themyscira into this plane of existence sort of thing.

Returning to this issue, though, I will say that the lead up to the Amazon reveal was a bit underwhelming. Part of it was the art. Jesus Merino just doesn’t do it for me. His stuff is straight forward, average superhero art. There’s no interesting flair or style to it. When Xermanico took over for the last six pages, things improved dramatically. Merino’s stuff was flat before that, and Xermanico brought everything to life just in time for the big reveal.

But another part of it was that the story wasn’t very compelling. The fight with Empress Hippolyta (the villainous Hippolyta from the last issue) seemed rote and uninspired. Again, the art didn’t really make anything cool of it, but I don’t know that there was a lot to it in the first place. It felt like fifteen pages of filler leading to Antiope. While there was some stuff about having a goddess as a mother that gave us a bit of bonding between Diana and Atlantiades, that was about it. Also, Maggie figuring out how to defeat Empress Hippolyta instead of trained Amazon warrior Diana was hard to buy. As much as I get that Maggie is rad, and that the sword is maybe imparting some sort of skill or knowledge to her, she’s not Wonder Woman. Figuring out how to stop the bad guys is Wonder Woman’s job.

I’ve got a theory that Wonder Woman’s world is too small right now. When Wilson was on Ms. Marvel, there was a huge cast of characters with different plotlines on the go. Not a single page felt wasted. There was so much to do and so many people to check in with! But with Wonder Woman, it’s really just Diana. Atlantiades and Maggie are cool, but there’s not a lot to them apart from coming along on Diana’s journey. Or rather, they’re compelling characters in want of subplots that aren’t so intertwined with Diana. Maybe bringing the Amazons back will change this dynamic and give Wilson more to work with. I’m used to far more engaging storytelling from her than a ten page fight that doesn’t really add anything to the book.

One last note on the art, because those final few pages are just top notch stuff. Xermanico puts so much texture into his drawings to start with, which is awesome, especially on the costumes, but with the shading I don’t know if it’s him or colorist Romulo Fajardo Jr. but there’s this Ben-Day dot shadow technique that I love. It’s an old school style on Xermanico’s modern artwork and it looks so good. I want Xermanico to do every issue. He and Fajardo Jr. work beautifully together.

So we’ve got a big fight ahead of us in two weeks’ time! And Antiope in the midst of it all, which is super cool. She’s never been a major player in the comics before, but after Robin Wright’s amazing depiction of her in the Wonder Woman movie I’ve been waiting for someone to bring her into the comics in a big way. Now it’s happened, and between Diana, Antiope, and Philippus, the foes of the Amazons should be very frightened indeed.

Wonder Woman #71 Review: A Colossal Discovery

May 22, 2019

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We’ve had a bit of a talky go of it lately with Wonder Woman. Atlantiades is not the sort of villain you stop with fisticuffs, or even a villain at all, really. More an interesting conundrum, a deity in a strange place doing what only comes natural to them, seeking worship. And toying with mortals, of course. The gods are always toying with mortals. It’s brought us an interesting glimpse into Wonder Woman’s love life, along with some cool discussions on free will and happiness, and it’s all been quite excellent. That plot is largely resolved this week, but with little in the way of awesome punching and action fun.

That’s why it’s handy that Maggie and Aphrodite went off exploring and found a new foe. One that’s definitely going to need some punching. There’ll be no thoughtful, introspective discussions with this adversary. Just a classic beat ‘em up. I love that Wonder Woman is a book that can give us both. G. Willow Wilson’s dug into some heavy subject matter since she took over the series, but she’s also made time to have Diana bust up some rock giants and now what appears to be a massive living statue of some sort. That’s just quality comic booking all around. We’ll dig into it all, but first:

SPOILER ALERT!!

We’re going to discuss everything that happened in this issue!

Turn away if you haven’t read it yet!

Also, as always, you should be reading this book!

Before we get into all the fun, I don’t know who keeps telling Terry and Rachel Dodson that Steve Trevor is in the book, but he is not. And yet, he keeps showing up on the covers. He actually popped in for a scene or two a couple weeks back, but wasn’t on the cover then. And now he’s back on the cover once more, with nary a mention of the man inside the book. It’s such a nitpicky thing, I know, but I wonder about the disconnect. Was Steve supposed to be in the book at one point and plans got changed? Are the Dodsons just drawing what they think will look cool? I mean, their covers are always amazing. I’m not even annoyed. Just curious and confused.

Anyway, onto the story. We get a resolution of sorts with Atlantiades, as they realized what they’d hoped to achieve in the town had failed. They thought that letting people be free of the expectations of their ordinary lives and indulge in their desires would bring the town happiness, but it most definitely did not. Actions have consequences, and the weight of these consequences snapped the townsfolk out of Atlantiades’ spell. They got them back momentarily with a display of divine power, but Diana talked them out of continuing the experiment. Atlantiades is clearly dealing with a lot, including a strained relationship with their mother, and hopefully we can see some growth on that front moving forward. They’re a selfish character, but I think they have a good heart. They’re just a bit lost and hurt, and likely have been that way for centuries. I’m excited to see what they make of the opportunities in this new world, having learned from this experience, and I hope Wilson checks in on them from time to time if this town escapade is indeed wrapped up for now.

The only thing I didn’t like about the resolution was that Xermanico didn’t draw the last few pages of it. This is understandable. Bi-weekly comics are an insane grind and you’re going to get some fill-in pages. Tom Derenick and Scott Hanna stepped in to finish the scene, and while the artwork was serviceable, it failed to capture the characters well, especially Atlantiades. Xermanico brought a compelling androgyny to Atlantiades that befit their mythological background. Derenick and Hanna failed to replicate that, leaning much more into the feminine aspects of the character. Atlantiades ended up looking like a twin of Diana rather than the unique take Xermanico had obviously carefully developed.

Xermanico’s work on this arc has been exceptional, from character design to panel layout and beyond, and I’m sad that the strictures of the schedule prevented him from being able to close it out himself. As much as I love getting Wonder Woman twice a month, I deeply hate the onerous demands that bi-weekly books put on artists. This is a run that should be collected for years, even decades to come, and putting out subpar artwork now to fit this unreasonable schedule is a short term compromise that will lead to disappointment long term. I know nobody likes late books, but I feel like editorial could do a better job of planning out the artwork.

But I digress. There was a whole other story to this issue, with a dang colossus in it! At first I thought it was just a giant minotaur, but Aphrodite called it a colossus and the golden head confirms her words. This appears to be a massive statue brought to life somehow, perhaps with the same power that got us stone giants in the Rockies. As far as I can tell, this is an original invention by Wilson and not based on an existing statue or anything. There have been various colossal statues throughout history, most famously the Colossus of Rhodes, which was a statue of Helios, but none of them were a minotaur, I don’t think.

So yeah, we’ve got a fight on our hands now! I love that the sword has emboldened Maggie, and that she was prepared to take on the colossus by herself. She’s been a great addition to the cast, and I’ve enjoyed watching her trepidation give way to courage over the past few issues. Not even Aphrodite dared face off against the colossus, and she’s a dang god! Luckily Wonder Woman arrived just in the nick of time and now they can make a good fight of it. I’m excited to see them throw down in June, and to see what mysteries these underground pathways hold. Well, “underground.” I’m guessing there’s some dimensional travel at play or an underworld sort of situation. Either way, adventure awaits!

Wonder Woman #70 Review: Love is a Battlefield

May 10, 2019

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Our gal Diana has been through a lot recently. Ares is back, and being a real jerk. Veronica Cale is up to her usual tricks. Olympus is destroyed and the Amazons are missing. Giant rock monsters are roaming through the mountains of Colorado. She’s been put through the wringer ever since G. Willow Wilson took over writing the book, and very enjoyably so. She’s Wonder Woman, after all. No one is better suited to handle an avalanche of enemies trying to break her down.

And she’s dealt with it well. Each villain she’s encountered has tried to dig into her a little bit, poking at her insecurities and exposing the complications and even some of the hypocrisies inherent in who she is and what she does. They’ve all made some good points, too, and given Diana a lot to think about it. But she’s held true to herself and continued on.

Until this week, that is. Atlantiades, another Olympian, has thrown her for a loop. Not even intentionally or maliciously this time, just through the sheer force of their unique power. The child of Aphrodite wields the power of truth in some unexpected ways that catch Diana by surprise. The result is a compelling, more introspective issue that examines a relationship that’s been a staple at DC Comics for nearly eighty years. We’ll dig into all momentarily, but first:

SPOILER ALERT!!

Turn away if you haven’t read this issue yet!

I am about to reveal its many secrets!

Also, go read it! It’s good and gorgeous!

So Atlantiades is an intriguing foe. I’m not sure what their plan is here, or if there even is a plan or purpose to what they’re doing. Having been cast out of Olympus, they find themself with an opportunity to regain some of their past glory, to rekindle the thrill of ancient cults worshipping them, and they go for it. In part to get back at their mother, it seems, and in part because it just felt like a fun thing to do. There is both petulance and cunning to Atlantiades, naiveté and wisdom. Which makes sense, given the dual nature of the character. I’m guessing we’ll never know quite what we’re going to get from them.

As I suspected based on their mythological origins, Atlantiades is presented as non-binary and uses gender neutral pronouns. They are literally two beings combined into one, Aphrodite’s son merged with a female water nymph to make one person. Now, this is not how most non-binary people come to be these days. It’s more to do with not feeling like they fit within the limiting bounds of a traditional binary approach to gender and finding an identity outside of these strictures that better matches their sense of self. Still, it’s very cool to see some non-binary representation in a mainstream superhero comic book. And now that we have Atlantiades, I’d love to see them interact with some more modern non-binary characters. The discussions they could have would be fascinating.

Atlantiades’ mythological origins give them both powers and a special sort of insight into those around them. They’ve captivated this town with ease, promising them freedom and their heart’s desire, and their divine allure quickly got everyone on board. Even Maggie, who has some familiarity with non-earthly folks, is immediately smitten. But not Wonder Woman. She is tempted, to be sure. There is a like calling to like dynamic between Diana and Atlantiades that is quite interesting. The Amazons are all about love and truth, and that is the very core of Atlantiades’ power. The connection between them is palpable.

But then Steve shows up, and the conversation he and Diana have is heartbreaking. They admit their insecurities and fears, with Steve telling Diana that he sometimes thinks he would be happier with a mortal woman and Diana acknowledging that she has thought the same thing. It’s all a ruse of course, but in a clever twist it’s not some attempt by Atlantiades to upset Diana. Instead, it’s her own fears manifesting in the aura of Atlantiades’ truthful power. It’s a nightmare of her own making, a shade created by her own anxieties.

Knowing that, Diana’s able to face it head on. Yes, she feels all of these things. She has concerns and fears about her relationship with Steve. But at the end of the day, she loves him, and that is enough. Love is central to Wonder Woman, and has been since her very first appearance n 1941. It’s why she’s strong. It’s why she’s brave. And it’s why she’s able to tackle her anxieties and work through them.

The scene is viscerally real and beautifully written by Wilson, who presents the complexities of the unusual relationship between Diana and Steve in an honest, gripping way. I was totally sold on the twist, and thought Atlantiades had brought Steve there to mess with Diana. It was a raw, powerful interaction, and one that made even more sense when the truth was revealed. Of course Diana has anxieties about their relationship. There are sacrifices and compromises on both sides, as in any relationship, and that gets exacerbated even further when superpowers and godhood enter the mix. But the conclusion felt just as real and true. She loves Steve enough to work through her concerns and carry on together.

This entire issue was wonderfully illustrated by Xermanico, who is just doing a stellar job on this book. They need to lock him down on Wonder Woman for a while because his artwork is exceptional. Diana’s emotional journey is shown so well, and that scene with Steve is especially strong. He also captures the androgynous beauty of Atlantiades, giving them a unique and captivating look that well suits the character. And of course, the colors of Romulo Fajardo Jr. add so much to the equation, elevating the already lovely linework. Xermanico needs to be the primary artist for this series moving forward. The dude is just too good.

The issue ends with some drama. The townsfolk are not so happy with getting everything they want because it turns out being selfish can backfire after a while. Decisions have consequences, and they’re starting to add up. It looks like we’ve got a revolt coming, and while Diana and Atlantiades are strong enough to handle the angry mortals without any real fear of harm, I’m curious to see how this entire situation gets resolved. Atlantiades has made a real mess, and it’s going to be tough to clean up, if that’s what they even want to do! Should be fun.

Wonder Woman #69 Review: Insert Hilarious Joke Here

April 25, 2019

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Let’s just deal with the obvious right away. This is the sixty-ninth issue of the latest Wonder Woman series, and the story is about a small town that’s gone mad with lust. Well played, everyone. A few other DC books have hit #69 recently, or they will shortly, but I don’t know if they’ve leaned into the joke as well as Wonder Woman has. It’s not a dirty issue by any means. The exuberant lust is largely off-panel, and the story really only addresses its ramifications. But still, they went for it, and I was amused.

Aside from all the lusting, this was a bit of a table setting issue. There was a new character to introduce, a powerful weapon to tease, and the entire story built to a final page reveal that I think we all knew was coming. Still, it was entertaining, and I’m very curious to see what happens in two weeks’ time. The idea that coming to our mortal realm changes the Olympian deities in some way is a fascinating one, and I like how they’ve explored it thus far. We’ll get into it all, but first:

SPOILER ALERT!!

I am about to reveal all of the details from this issue!

A very revealing issue, if you know what I mean!

Wink, wink, nudge, nudge!

Actually, it’s really not like that so much!

I’m just joking around!

I will start with the dumbest nitpick, because it’s a thing that always irks me: Steve Trevor is on the cover and he doesn’t appear in this issue at all. He’s not even mentioned, I don’t think. So sorry to all you Steve enthusiasts out there who picked up this issue excited for some Diana/Steve adventures. There were none. This disconnect may speak to a larger editorial issue, though, in that it looks like the book is the middle of changing hands.

Chris Conroy and Dave Wielgosz have been editing the series for ages now, and the credits suggest it’s now passing on to Brian Cunningham and Brittany Holzher. It’s an interesting switch. On the one hand, Wonder Woman is a book that definitely benefits from a female presence in editorial, I think, and Holzher is a smart, well-respected assistant editor at DC. On the other hand, when I ran the numbers a couple years back, Cunningham hired the fewest number of female creators of any editor at DC except Eddie Berganza (who wasn’t allowed to work directly with women and has since been fired for sexual harassment). So a bit of a mixed bag here. I’ll keep an eye on things to see if there are any noticeable changes to the book once this transition is complete.

But onto the issue itself! So much lusting, lusting. So little trusting, trusting. Antiope’s sword leads the gang to Summergrove, Connecticut, where an entire town has been overcome by a need to act on their deepest desires. And, in a perfectly executed moment, Wonder Woman is totally cool with it. She’s not there to kink-shame anyone, and would be happy to leave them to their bacchanal except for the fact that she has to step in to stop an aggrieved husband from striking his wife. And then the murder cupids show up, and we know something’s gone very wrong here.

(The murder cupids are a fantastic idea, by the way. A+ execution on this amazing concept by the entire creative team.)

It’s largely a light outing, with some jokes in the mix and hilarious villains with the murder cupids, but G. Willow Wilson does dig into some heavier subjects. Domestic violence is touched on briefly, and there’s also a discussion of whether being honest with yourself and following your heart absolves you of your responsibilities or from hurting others. Most of Wilson’s issues thus far have subtly raised deeper questions related to the bombastic superhero antics at hand, which is a move I quite enjoy. And this week’s installment was no exception. These questions also give us a glimpse of Wonder Woman’s mindset. She’s fine with the town’s sexual escapades, so long as everyone is having fun, but once people begin to hurt each other, physically or emotionally, she feels compelled to step in.

Her involvement leads us to the murder cupids, and finally to Atlantiades, the child of Aphrodite (my Comixology issue has them as Antlantiades, but I think that might be a typo?). I’ve been excited for this reveal because, based on the mythology, Atlantiades could be a non-binary character. There’s certainly an androgyny to their appearance here, and Xermanico does a really cool thing with the panel layouts on the pages leading up their introduction. The panels on one page combine into a distinctly female form, while the panels on the next page show a male form. This speaks to Atlantiades’ past, in which their originally male form was merged with the naiad Salmacis to become a being of both sexes. Atlantiades is also known as Hermaphroditus, from whom we get the term hermaphrodite.

We didn’t learn anything about Atlantiades gender preferences in this issue. The solicits refer to them as Aphrodite’s “son” but the comics have been more vague in past issues and used the word “child.” I feel like those panel layouts are telling as well. We’ll probably know more with the next issue, now that they’re officially in the mix. But what we do know now is that Atlantiades is using the murder cupids to be the ruler of lust town, and that their mother is not at all pleased by this. Love is a very powerful force, and to use it in such a coercive and even violent way is blasphemy to her.

The art throughout the issue is great. I’m glad to see Xermanico back. He’s got a classic superhero style but he’s good at not indulging in the hyper-sexualization that style can bring. His Wonder Woman is powerful and kind, his Aphrodite is beautiful and fierce, and he can draw the heck out of a pegasus. He does a good job with the lustful citizens as well, showing a wide range of people and body types and not lingering on the shenanigans in a salacious way. Romulo Fajardo Jr. does an excellent job with the colors, too. It’s a bright issue, generally, outdoors on a sunny day, but he does dark and ominous as necessary with the murder cupids in ways that really sell their menacing traits.

So, Atlantiades is in the mix now! That’s going to be a situation in two weeks’ time. And Antiope’s sword is going to do something cool at some point! They keep talking about how powerful and rad it is, and while Maggie’s not feeling it yet, she’s got to at some point. They’ve got it all teed up for us. Should be fun!

Wonder Woman #62 Review: Making Peace with the God of War

January 16, 2019

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The first arc of G. Willow Wilson’s run on Wonder Woman draws to a close this week, bringing the war in Durovnia to an end while leaving us with a lot of unanswered questions for our heroine and her divine associates moving forward. This was a storyline that raised a lot of heavy issues, for Wonder Woman herself but also for us as readers as we all grappled with the troubling shades of grey that characterize modern warfare. No matter how good someone’s intentions are, they can still cause harm when they decide to step in with force, and this is especially true in the arena of war. It’s almost impossible not to cause harm in a war, and Wonder Woman comes out of the conflict in Durovnia carrying the weight of that truth. We’ll get into the arc’s conclusion momentarily, but first:

SPOILER ALERT!!

I am about to tell you all of the important things that happened in this issue!

Look away if you haven’t read it yet!

Also, read it! This run has been GREAT so far!

Remember when Diana was the god of war? Oh, the New 52 days. So beautiful in its art, so increasingly troubling in its story choices. For all of that past run’s focus on Diana becoming the embodiment of war, it never really dug into the implications of what that could mean in a deeper, compelling way. War is inherently destructive and damaging. It harms innocents and profits the powerful. In short, it’s everything Wonder Woman hates. And yet, she often finds herself at the center of them. Fighting for peace, yes, but fighting nonetheless.

This arc dug into these contradictions, and fascinatingly so. By the end of this issue, Diana is shook. Yeah, she’s got some other stuff going on with the gods returning, a longing for home and a hope that the Amazons might be accessible again. But the war in Durovnia seems to have thrown her for quite the loop. Ares fashioning himself as a twisted version of her brand of heroism was disconcerting enough, and then the peace talks hit her hard. The president condemned the gods and empires that entered the fray, meaning Ares on the side of the rebels and American military assistance on the side of the government. Diana saw herself as beyond these sides, perhaps even above them, an impartial hero committed to protecting those caught in the middle. When she’s asked to leave with them, painted as part of the problem that exacerbated the conflict rather than part of the solution, it clearly stings.

Now, when an old, white dude whose government has been actively oppressing an ethnic minority calls you out like that, it’s a chastisement worth ignoring. I mean, that guy sucks. He’s blaming his own problems and the failings of his government on outside forces, admitting to past mistakes only once the entire nation nearly fell into chaos. This fool could have nipped all of this in the bud ages ago by not being such a terrible president. I feel like Diana should just brush off his dismissal of her and her efforts because, again, he sucks.

Also, so does Ares! Here’s another old, white dude misusing his power. And because of these two jerks, Diana is feeling a bit down on herself, a bit lost even. Not that there weren’t some interesting points raised over the course of their interactions. War is deeply, deeply terrible and it’s hard to be involved in it without hurting someone. But consider the source here. I’m very curious to see how Wonder Woman processes her feelings over the next few issues. It’s interesting that both men have her questioning herself, while Aphrodite and Etta are both telling her that she did a good job. Friggin’ patriarchy. Dudes tearing down women to make themselves feel better are the worst. What Diana needs right now are some more awesome ladies in her corner.

Which leads us to: AMAZONS. Wilson is teasing us at the end of this issue too much for this not to be happening, right? They’ve gotta be coming back! And I am very on board. First, the Amazons are the best and I miss them. And second, it feels like Diana is in a place where she could use some Amazon guidance. She’s been in man’s world for a while now. Their wars and aggressions are wearing on her, so much so that she’s starting to question herself. What she needs is some rad warrior women to remind her who she is, and to help her grapple with the disquieting questions that the harsh realities of modern warfare have raised for her.

Xermanico was back on art duties for this issue, and I liked it even better than his last one. I don’t know if it was him or Romulo Fajardo Jr. that brought in that Ben-Day Dot shading, but it looked super cool, especially in the night scenes with the battle. There was a bit of that two weeks back, but they really leaned into it here, for a nice effect. Xermanico is a good fit for this book, and I’ve enjoyed his two issues more than Cary Nord’s. His Diana feels more powerful and substantial, which is always good to see. And his art has actually improved from issue to issue, which we didn’t get with Nord owing to what appeared to be the time constraints of a bi-weekly book. I was wary when editorial had to swap artists so soon into the run, but they made a good choice here and I hope that we’ll see more of Xermanico in future issues. He carries on some of the cool style choices that Nord established, melding them well with his more conventional superhero comic style. I’m into it.

So we’re back in two weeks with Diana trying to deal with the successful but somewhat demoralizing outcome in Durovnia. Will there be Amazons? I sure hope so. And I’d love to see more of Aphrodite. That lady knows FAR more than she’s telling anybody, and that is definitely going to come into play in the issues to come. Plus, the search for Athena! She was name dropped this week and now I’m eager for her to join the mix as well. Something is up with the gods, and I’m keen for Wonder Woman to get to the bottom of that mystery. And find her mom! We have so much fun ahead of us, gang.

Wonder Woman #61 Review: Love Will Lead You Back

January 2, 2019

ww61

After taking a break over the holidays last week, Wonder Woman is back and set to dominate January. Or rather, lovingly induce the willing submission of January. The point is, we’re going to get three issues of Wonder Woman this month, and that should be a lot of fun. This run has been great so far, and it’s nice to enter the New Year with a stretch of good comics ahead of us.

This issue brings us the return of Aphrodite, and more questions than answers so far. Something strange is obviously afoot in the realm of the gods, perhaps caused by Ares’ escape from his Themysciran prison, but no one seems to know exactly what is happening. Deities are being deposited on the Earth all hither and yon, fully powered yet unsure as to why they are there. Mysteries abound, the war is relentless, and Steve Trevor’s been running around shirtless for several issues now, so this book’s got something for everyone.

We’ll dig into it all, but first:

SPOILER ALERT!!

Turn away if you haven’t read this issue yet!

You really should read it, though!

Add it to your pull list or subscribe through Comixology!

The book is good again, I promise!

So we begin where we left off three weeks ago, with Steve and Aphrodite. But a slightly different Aphrodite. She’s still a goddess with all of the powers and grandeur therein, but she’s grown tired of being the goddess of love specifically. Having observed humanity for centuries now, she’s come to the conclusion that love makes people do stupid things. Harmful things, even. All of this war and strife due to a fickle emotion is not something she wants to be associated with anymore.

I’m very much enjoying this identity crisis of the gods. First, we have Ares wanting to give up war for justice. That’s gone quite poorly so far, of course, due to his engrained toxic masculinity more than anything else, but it’s been a very interesting turn for the character. And now, Aphrodite wants to separate herself from love. She doesn’t seem to have a plan of where to go from there, what new cause to champion, if any. She’s just tired of being’s love representative.

And fair enough. What I like most about G. Willow Wilson’s new approach to the gods is that they each have a decent point to make. Ares, for all his foolishness, made some compelling arguments about the nature of war. He lacked the character or humility to back them up, but it was an understandable turn. With Aphrodite, I can again see her point. As much as love is wonderful and good, it’s an emotion that can make us act in unreasonable ways. Though, just like with Ares, I find myself agreeing with the mortal perspective. I sided with Wonder Woman’s arguments against Ares, and I’m in Steve’s camp now with his pro-love stance.

There’s a detachment to the perspective of the gods that I think befits their station. They’re separated from humanity, not just because of their status as deities but in a more literal fashion. Ares has been locked away for millennia, and Aphrodite has been comfortably housed in Olympus. They only see us from afar. They observe us rather than understand us, and this detachment has led them down some troublesome paths of thinking. At least Aphrodite hasn’t started a huge war with her new ideas. I’m curious to see what comes with her, whether she sticks to her new approach or finds her faith in love renewed by Diana and Steve. The latter might be hard to pull off without being corny, but if anyone can do it, it’s Wilson.

On art this issue we’ve got Xermanico, making what I think is his first appearance in a Wonder Woman comic book. He’s drawn the character, and the bulk of the DC universe, before in the ongoing Injustice: Gods Among Us series, but now he’s in the DC universe proper. And doing a decent job of it. It feels like he’s captured a little bit of the style Cary Nord had established in the first few issues, but with more of a conventional superhero angle. Everything certainly feels more polished and finished than the last issue, when it was pretty clear that Nord was racing against the clock to get the book done. This issue feels complete, and Romulo Fajardo Jr.’s colouring does a great job of establishing a lovely through line for the differing art styles.

The art on Wonder Woman has been inconsistent for the last year or so, a bit of a revolving door after the carefully planned Evely/Scott/Sharp trifecta of the Rucka run. This is a problem that’s plagued DC’s double shipping books for a couple years now. If an artist stays on a book for a while, things end up looking hasty and rushed. If they sub in a new artist, it’s hard to match the tone and the quality can vary wildly. Very few titles can keep a consistent level of quality. Batman does it well, with stellar artists rotating in and out, and the planning on that must be considerable. Here, Xermanico was a late addition to the book. Nord was originally scheduled to draw it, but they subbed Xermanico in. And it worked pretty well. This time, anyway. That they needed to sub someone in so early on is not the best sign, and I hope that the editors can come up with a workable schedule full of great artists to give the phenomenal writing of this run the gorgeous look it deserves. Everything is better when the whole team has the space and time to do their best work.

But this one looked nice. Also, I don’t know whether Wilson or Nord came up with the idea for Aphrodite to be wearing an oversized t-shirt with a swan on it, but I love it. It’s such a funny, humanizing touch, and it’s played so well with no one even mentioning it. In contrast with the bombastic armour of Ares, Aphrodite presumably just finding a t-shirt somewhere and rolling with it is delightful.

And now we’ve got an interesting situation ahead of us. Ares has tricked the prime minister with some sham peace talks, and it looks like he’s spoiling for a fight. Wonder Woman’s pretty annoyed with him, so she might be keen to offer one. But his old beau Aphrodite might have some other plans. We’ll find out, in two weeks’ time!


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