Posts Tagged ‘Yasmine Putri’

Women & NB Creators at Marvel Comics Watch, November 2018 Solicits: 29 Creators on 28 Books

September 19, 2018

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When the November solicits were released last month, it looked like Marvel was taking a big step in terms of representation and were moving toward finishing the year on a high note. Then things changed. The numbers didn’t crater by any means, but a big jump got noticeably smaller. It’s an odd set of circumstances, and we’ll dig into it all after we look at who was originally scheduled to do what at Marvel in November:

  • Afua Richardson: Shuri #2 (variant cover)
  • Amy Reeder: Ironheart #1 (cover)
  • Ashley Witter: Star Wars: Doctor Aphra #26 (cover), X-23 #6 (cover)
  • Aud Koch: The Vision #1 (interior art)
  • Chelsea Cain: The Vision #1 (co-writer)
  • Elizabeth Torque: Captain America #5 (variant cover), Spider-Geddon #3 (variant cover)
  • Elsa Charretier: Star Wars: Han Solo – Imperial Cadet #1 (variant cover)
  • Erica Henderson: The Unbeatable Squirrel Girl #38 (cover)
  • Eve Ewing: Ironheart #1 (writer)
  • G. Willow Wilson: Ms. Marvel #36 (writer)
  • Gail Simone: Domino #8 (writer)
  • Gurihiru: The Unstoppable Wasp #2 (interior art)
  • Jen Bartel: Black Panther #6 (interior art), Ironheart #1 (variant cover), Uncanny X-Men #1 (variant cover)
  • Jenny Frison: X-Men Red #10 (cover)
  • Jody Houser: Spider-Girls #2 (writer)
  • Kelly Thompson: Mr. and Mrs. X #5 (writer), Uncanny X-Men #1 (co-writer), Uncanny X-Men #2 (co-writer), Uncanny X-Men #3 (co-writer), West Coast Avengers #4 (writer)
  • Margaret Stohl: The Life of Captain Marvel #5 (writer)
  • Marguerite Sauvage: The Life of Captain Marvel #5 (interior art)
  • Mariko Tamaki: Infinity Wars: Infinity Warps #1 (co-writer), X-23 #6 (writer)
  • Natacha Bustos: Infinity Wars: Infinity Warps #1 (interior art), Moon Girl and Devil Dinosaur #37 (cover)
  • Nnedi Okorafor: Shuri #2 (writer)
  • Rainbow Rowell: Runaways #15 (writer)
  • Rosi Kampe: Spider-Gwen: Ghost Spider #2 (interior art)
  • Sara Pichelli: Fantastic Four #4 (interior art)
  • Seanan McGuire: Marvel Super Hero Adventures: Captain Marvel – Mealtime Mayhem #1 (co-writer), Spider-Gwen: Ghost Spider #2 (writer)
  • Stacey Lee: The Unstoppable Wasp #2 (cover)
  • Stephanie Hans: Ironheart #1 (variant cover)
  • Yasmine Putri: Shatterstar #2 (cover), Spider-Girls #2 (cover)

All together, 29 female creators were scheduled to work on 28 different books at Marvel this November, 4 more creators than in October and 5 more books. As best as I can tell, there are no non-binary creators in this round of solicits. This is a very solid gain, and a good beginning to the end of a year that has seen some troubling lows at Marvel. But then Marvel decided to cancel The Vision, without releasing a single issue. Apparently the book didn’t fit with the publisher’s new plans for the character or some such. So while Chelsea Cain and Aud Koch are listed in the solicits, their book isn’t coming out and that 4 creator gain is now only 2. Now, 2 isn’t terrible; any gain is a plus in the superhero comic business. But wow, after an already very rough year for gender representation at Marvel, this cancellation is bizarre.

We do have a new name, though. Eve Ewing is writing the new Ironheart series, which should be rad. That’s about it, though. Everyone else we’ve seen before, last month or in the recent past. But shout out to my pal Kelly Thompson, who’s writing or co-writing FIVE books for Marvel this month. She’s blowing up and I’m loving it because she is super excellent at what she does.

In terms of female characters, we’ve got the aforementioned Ironheart series starring Riri Williams. And we’ve got some group books, too. It looks like every mutant ever is going to be in Uncanny X-Men, so look for your favourite ladies there, while Proxima Midnight is part of a new Black Order series. Everything else is dudes, though. The Vision would have featured Viv, but it is no more.

Overall, November’s looking to be kind of a weird month for Marvel. The Vision situation is just odd, and takes what looked to be some solid growth down to something a bit more humdrum. I suppose they’re not going backwards, at least. That’s good to see after the publisher’s disastrous performances earlier this year. Growth is growth, however slow. But dang, Marvel needs to learn to stop shooting themselves in the foot.

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Women & NB Creators at DC Comics Watch, November 2018 Solicits: 20 Creators on 21 Books

September 17, 2018

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DC is officially in a rut when it comes to female and non-binary creators. After losing mainstays on this list like Bombshells United and the “Young Animal” line, the bulk of those creators are no longer at DC while some creative changes and the debut of a new Vertigo slate have barely erased the losses. Reading the solicits every month, we see the same dudes cranking out books across the line, but retention for female and non-binary creators is pretty low. Growth requires both a stable group of creators and the addition of new voices. DC is middling at both when it comes to female and non-binary creators. Let’s take a look at who’s doing what at DC this November:

  • Adriana Melo: Plastic Man #6 (interior art)
  • Agnes Garbowska: Teen Titans Go! #31 (interior art)
  • Amanda Conner: Old Lady Harley #2 (cover), Supergirl #24 (variant cover)
  • Ashley Witter: Raven, Daughter of Darkness #10 (cover)
  • Bilquis Evely: The Dreaming #3 (interior art)
  • Emanuela Lupacchino: Hex Wives #2 (cover)
  • G. Willow Wilson: Wonder Woman #58 (writer), Wonder Woman #59 (writer)
  • Gail Simone: Plastic Man #6 (writer)
  • Jenny Frison: Wonder Woman #58 (variant cover), Wonder Woman #59 (variant cover)
  • Joelle Jones: Catwoman #5 (writer, interior art, cover)
  • Julie Benson: Green Arrow #46 (co-writer)
  • Kamome Shirahama: Nightwing #52 (variant cover)
  • Kat Howard: The Books of Magic #2 (writer)
  • Mairghread Scott: Batgirl #29 (writer), DC Nuclear Winter Special #1 (co-writer)
  • Mirka Andolfo: Hex Wives #2 (interior art)
  • Nalo Hopkinson: House of Whispers #3 (writer)
  • Nicola Scott: Justice League Dark #5 (cover)
  • Rachel Dodson: Justice League Odyssey #3 (variant cover), Wonder Woman #58 (cover), Wonder Woman #59 (cover)
  • Shawna Benson: Green Arrow #46 (co-writer)
  • Yasmine Putri: DC Nuclear Winter Special #1 (interior art), Red Hood and the Outlaws #28 (variant cover), Titans #29 (variant cover), Titans #30 (variant cover)

All together, there are 20 different female creators scheduled to work on 21 different books at DC this November, one fewer creator than in October an one more book. As best as I can tell, there are no non-binary creators listed in this round of solicits. The numbers are holding steady, more or less, which would be nice if the totals were at a solid level. But they are not. DC’s shown themselves to be capable of posting much higher numbers in the recent past, and they remain well below that now.

And that’s with a big addition! G. Willow Wilson is back at DC, writing Wonder Woman in what should be an excellent run. That’s a big get for DC, and it comes with Rachel Dodson inking covers and Jenny Frison continuing on her stellar variants. Elsewhere, we’ve got another Marvel regular popping over for a cover with Ashley Witter on Raven, Daughter of Darkness. The rest we’ve all seen in months past, though several of the creators are still relatively new to DC.

There’s not a lot going on for female characters this month. Wonder Woman‘s got a new direction, of course, but in terms of new series it’s mostly dudes. There are some team books with female characters in the mix, at least, with Wonder Woman and Harley Quinn on the cover of the DC Nuclear Winter Special and Amanda Waller, Enchantress, and Katana in the mix for Suicide Squad: Black Files.

Overall, apart from the excellent Wonder Woman news, it’s a pretty humdrum month at DC. Female creator numbers remain low, and the lack of non-binary creators is disappointing. This has been an underwhelming year for women and non-binary creators at DC, and barring a remarkable turnaround in December, we’ll have to see what 2019 will bring. There’s certainly lots of room to grow, at least.

Women & NB Creators at Marvel Comics Watch, October 2018 Solicits: 25 Creators on 23 Books

August 16, 2018

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Marvel has A LOT going on in October. A ton of new series and minis, an array of one-shots, a big “Spider-geddon” event, plus all of their usual fare. Their output is in the ballpark of 85 new comic books for the month, about 10 more than they usually release. The increase in production hasn’t come with an increase in representation, though. Female and non-binary creator numbers are set to hold steady at a level that, while better than their recent lows, remains well off their recent highs. Let’s take a look at who is doing what at Marvel this October:

  • Amy Reeder: Spider-Girls #1 (variant cover)
  • Ashley Witter: Star Wars: Doctor Aphra #25 (cover)
  • Becky Cloonan: Moon Knight #200 (cover)
  • Erica Henderson: The Unbeatable Squirrel Girl #37 (cover)
  • G. Willow Wilson: Ms. Marvel #35 (writer)
  • Gail Simone: Domino #7 (writer)
  • Gurihiru: The Unstoppable Wasp #1 (interior art, cover)
  • Jen Bartel: The Life and Times of Captain Marvel #4 (variant cover)
  • Jenny Frison: X-Men Red #9 (cover)
  • Jody Houser: Spider-Girls #1 (writer)
  • Kelly Thompson: Mr. and Mrs. X #4 (writer), West Coast Avengers #3 (writer)
  • Leah Williams: What If? Magik #1 (writer), X-Men Black – Emma Frost #1 (writer)
  • Margaret Stohl: The Life and Times of Captain Marvel #4 (writer)
  • Mariko Tamaki: X-23 #5 (writer)
  • Natacha Bustos: Moon Girl and Devil Dinosaur #36 (interior art, cover)
  • Nnedi Okorafor: Shuri #1 (writer)
  • Rainbow Rowell: Runaways #14 (writer)
  • Rosi Kampe: Spider-Gwen a.k.a. Ghost Spider #1 (interior art)
  • Sara Pichelli: Fantastic Four #3 (interior art)
  • Seanan McGuire: Spider-Gwen a.k.a. Ghost Spider #1 (writer), X-Men Black: Mystique #1 (writer)
  • Stephanie Hans: Asgardians of the Galaxy #2 (variant cover)
  • The Soska Sisters: Avengers Halloween Special #1 (co-writers)
  • Yasmine Putri: Shatterstar #1 (cover), Spider-Girls #1 (cover), The Unstoppable Wasp #1 (variant cover)

All together, there are 25 different female creators scheduled to work on 23 different books at Marvel in October, 1 fewer creator than in September but 2 more books. To the best of my knowledge, there are no non-binary creators in this round of solicits. Now, holding steady in the mid-20s isn’t a terrible place for Marvel to be. We’ve seen terrible earlier this year, when the publisher’s numbers were in the low teens. But we’ve also seen them in the high 30s before, so Marvel is still pretty far behind the level they’re capable of hitting. Plus, with a slew of new books, you’d hope for a bit of a jump overall. None is a little disappointing.

That doesn’t mean there aren’t some new names in the mix, though. We’ve got Seanan McGuire writing a new Spider-Gwen series and a Mystique one-shot, and the Soska Sisters (Jen and Sylvia) co-penning a story in the Avengers Halloween Special. There are some returning favourites, too: I think it’s been a couple years since we’ve seen Rosi Kampe, who’s doing interior art for the Spider-Gwen book, and Nnedi Okorafor is back with a new Shuri series that should be super cool.

Also, I should point out that the publisher is doing a bunch of Marvel Battle Lines variant covers in October, many of which feature Korean artists who seem to have little to no English web presence. While I did my best to track each of them down, I’ve still got a couple of question marks, and those folks could possibly be female or non-binary creators.

In terms of fictional characters, ladies are set to have a big month with this October bonanza. Spider-Geddon is set to feature Spider-Gwen and “every Spider-Woman ever,” plus we’ve got new minis like Spider-Force with Jessica Drew and Ashley Barton, Spider-Girls with Mayday, Spiderling, and two Spider-Girls, and the new Spider-Gwen a.k.a. Ghost Spider series. Elsewhere, Shuri has a new book, The Unstoppable Wasp is back, and we’ve got a What If? oneshot starring Magik and two X-Men Black oneshots that focus on Emma Frost and Mystique. It’s a busy month!

Overall, while there are some new names at Marvel and that’s always fun, the new names aren’t enough to counter the lack of holdovers from last month and the numbers are remaining relatively steady. Less than steady, frankly, when you consider how many new books there are in October, each of them an opportunity to introduce new creative teams. Marvel’s picked themselves up from their poor start to 2018, but now they’ve been treading water for a few months at a level far below what they’re capable of achieving, establishing given the breadth of talent from female and non-binary creators out there making comics right now.

Women & NB Creators at DC Comics Watch, October 2018 Solicits: 21 Creators on 20 Books

August 15, 2018

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After a dismal round of solicits for September, female creator representation is on the rise at DC Comics this October. Not to any impressive levels, though. September’s numbers were terrible and thus does October look much better, but October’s numbers in and of themselves are nothing to crow about. DC remains well below their recent highs, continuing what has become a disappointing year for the publisher in terms of female and non-binary creators. Any potential for growth we saw in the winter months has fizzled out into a long stretch of under achievement. Let’s take a look at who is doing what at DC this October:

  • Adriana Melo: Plastic Man #5 (interior art)
  • Amanda Conner: Old Lady Harley #1 (variant cover), Supergirl #23 (variant cover)
  • Becky Cloonan: Cursed Comics Cavalcade #1 (co-writer, interior art)
  • Bilquis Evely: The Dreaming #2 (interior art)
  • Cheryl Lynn Eaton: Batman Secret Files #1 (co-writer)
  • Elena Casagrande: Batman Secret Files #1 (interior art)
  • Emanuela Lupacchino: Superman/Top Cat Special #1 (variant cover), The Terrifics Annual #1 (cover), Wonder Woman #56 (interior art), Wonder Woman #57 (interior art)
  • Gail Simone: Plastic Man #5 (writer)
  • Jenny Frison: Hex Wives #1 (variant cover), Wonder Woman #56 (variant cover), Wonder Woman #57 (variant cover)
  • Joelle Jones: Hex Wives #1 (cover), Catwoman #4 (writer, cover)
  • Jordie Bellaire: Batman Secret Files #1 (co-writer)
  • Julie Benson: Green Arrow #45 (co-writer)
  • Kat Howard: The Books of Magic #1 (writer)
  • Mairghread Scott: Batgirl #28 (writer)
  • Mirka Andolfo: Hex Wives #1 (interior art)
  • Nalo Hopkinson: House of Whispers #2 (writer)
  • Rachel Dodson: Justice League Odyssey #2 (variant cover)
  • Sandra Hope: Sideways Annual #1 (cover)
  • Shawna Benson: Green Arrow #45 (co-writer)
  • Tess Fowler: Plastic Man #5 (cover)
  • Yasmine Putri: Green Lantern/Huckleberry Hound Special #1 (variant cover), Red Hood and the Outlaws #27 (variant cover), Wonder Woman #56 (cover),Wonder Woman #57 (cover)

All together, there are 21 different female creators set to work on 20 different comic books at DC in October, 6 more creators and 6 more books than in September. As best I can tell, there are no non-binary creators scheduled for this month. The gains are good, of course. Being in the teens in this day and age is just embarrassing, what with the scores of talented women and non-binary creators working in comics now. But DC is barely out of the teens now, and that’s not a great look either. Creators lost in a string of recent cancellations have yet to come back elsewhere, and no new creators have taken their place. Thus this current unimpressive run.

Speaking of, we don’t have much in the way of new faces scheduled for October, but there are a few notable additions. Cheryl Lynn Eaton is brand new to DC, and she’s writing a story in the Batman Secret Files oneshot. Jordie Bellaire, who is a colorist by trade, is also penning a tale for the book, so that’s exciting to see. And Kat Howard is starting her Books of Magic series for the “Sandman Universe” line, and thus we should be seeing her for a while. In terms of returning favourites, we haven’t seen Tess Fowler in a while, or Elena Casagrande, and both are back this month with a cover and art for a short story respectively.

While representation for real women is somewhat lacking this month, fictional women have some things going on. Wonder Woman is the star of a crossover event that will see her regular series tie into Justice League Dark and a couple of special issues. We’ve also got the debut of Old Lady Harley, which I presume is a humorous take on Marvel’s Old Man Logan, and the debut of the new Vertigo series Hex Wives. There’s also a sort of Halloween special with Cursed Comics Cavalcade that will feature stories about Wonder Woman and Zatanna.

So there are two ways to look at DC’s October. First, it’s a lot better than September, so hooray for that. But second, it’s well below what the publisher is capable of achieving. If DC is trying to bring in female and non-binary creators, then they’re really struggling at it. And if they’re not trying, well that’s an even bigger problem. Whatever the case, the numbers remain weak.

Women & NB Creators at Marvel Comics Watch, September 2018 Solicits: 26 Creators on 21 Books

July 19, 2018

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After what has been a rough year thus far for female and non-binary creator representation at Marvel, the publisher seems to have settled into a bit of a groove now. Unconventionally, too. Maybe about half of the gigs listed below are steady, ongoing jobs. The rest are variant covers, one-shots, or mini-series, positions that don’t last for long. And yet, Marvel’s keeping their numbers steady on the backs of such gigs. More long-term work would be nice to see, and the publisher does remain well below their past highs, but at least they’ve pulled themselves up from the terrible numbers they were posting earlier in the year. Let’s take a look at who’s doing what at Marvel this September:

  • Agnes Garbowska: Marvel Super Hero Adventures: Captain Marvel – First Day of School #1 (cover)
  • Ashley Witter: Star Wars: Doctor Aphra #24 (cover), Star Wars: Doctor Aphra Annual #2 (variant cover)
  • Becky Cloonan: Moon Knight #199 (cover)
  • Carmen Carnero: X-Men Red #8 (interior art)
  • Devin Grayson: Marvel Rising: Omega #1 (writer)
  • Emanuela Lupacchino: Avengers #7 (variant cover)
  • Erica Henderson: The Unbeatable Squirrel Girl #36 (cover)
  • Eve Venture: Avengers #7 (variant cover)
  • G. Willow Wilson: Ms. Marvel #34 (writer)
  • Gail Simone: Domino #6 (writer), Domino Annual #1 (co-writer)
  • Gurihiru: Marvel Rising: Omega #1 (cover)
  • Helen Chen: Marvel Rising: Omega #1 (variant cover)
  • Jenny Frison: X-Men Red #8 (cover)
  • Jody Houser: Amazing Spider-Man: Renew Your Vows #23 (writer)
  • Kelly Thompson: West Coast Avengers #2 (writer)
  • Leah Williams: Domino Annual #1 (co-writer)
  • Margaret Stohl: The Life of Captain Marvel #3 (writer)
  • Mariko Tamaki: X-23 #4 (writer)
  • Natacha Bustos: Domino Annual #1 (interior art), Moon Girl and Devil Dinosaur #35 (interior art, cover)
  • Rainbow Rowell: Runaways #13 (writer)
  • Sara Pichelli: Avengers #7 (interior art), Fantastic Four #2 (interior art)
  • Sing Ji: Spidergeddon #0 (variant cover)
  • Tini Howard: Captain America Annual #1 (writer)
  • Vanessa Del Rey: Sentry #4 (variant cover)
  • Yasmine Putri: X-23 #4 (variant cover)

All together, there are 26 different female creators scheduled to work on 21 different comic books at Marvel in September, 1 more creator than in August and the same number of books. As far as I can tell, there are no non-binary creators listed in Marvel’s solicits. So we don’t have much of a gain here, but what we do have is some much needed stability. The publisher has had at least 20 female creators in their ranks for four months running now, and this is their highest total since last September. Of course, Marvel’s been well into the 30s before so the mid-20s is nothing to write home about. Hooray for staying out of the teens and all, but there’s still a long way to go for the publisher to reach the level they’re capable of.

We’ve got some new creators set for September. Two of them, Eve Venture and Sing Ji, are on variant covers, while Tini Howard is writing a Captain America annual. These are all one-time gigs, but who knows where they could lead in the future? I don’t think we’ve seen Agnes Garbowska at Marvel before either, and she’s on covers for a new Marvel kids’ book.

New titles are few for September, but Asgardians of the Galaxy is set to debut and it features both Angela and Valkyrie. Everything else is dudes, including returns for Wolverine and Iceman. So there aren’t a lot of female characters premiering in new books this month, but there aren’t too many new books either.

Overall, September looks decent for female creator representation at Marvel. It’s taken a while for the publisher to dig out of their hole, but now their numbers are holding strong at a reasonable level. Marvel can now be slightly less embarrassed about their lack of female creators! They should still be embarrassed to some degree, though. They’ve still got hundreds of dudes versus 26 women. But things are starting to look up.

Women & NB Creators at DC Comics Watch, September 2018 Solicits: 15 Creators on 14 Books

July 17, 2018

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So, this is pretty terrible. DC’s female and non-binary creator numbers have been in the ballpark of the low 20s for a while, stable if noticeably below their past highs. But now, September marks a nosedive for the publisher. All of DC’s recent cancellations of female creator-led books have caught up with them, and they are set to post their lowest total in over than three years. Not good, DC Comics. Not good at all. Let’s take a look at who is doing what at DC this September:

  • Adriana Melo: Plastic Man #4 (interior art)
  • Amanda Conner: Harley Quinn #50 (cover), Supergirl #22 (variant cover)
  • Amanda Deibert: Teen Titans Go! #30 (co-writer)
  • Bilquis Evely: The Dreaming #1 (interior art)
  • Emanuela Lupacchino: Plastic Man #4 (cover)
  • Gail Simone: Plastic Man #4 (writer)
  • Jenny Frison: Wonder Woman #54 (variant cover), Wonder Woman #55 (variant cover)
  • Joelle Jones: Catwoman #3 (writer, interior art, cover)
  • Julie Benson: Green Arrow #44 (co-writer)
  • Mairghread Scott: Batgirl #27 (writer)
  • Nalo Hopkinson: House of Whispers #1 (writer)
  • Rachel Dodson: Justice League Odyssey #3 (variant cover), Supergirl #22 (cover)
  • Shawna Benson: Green Arrow #44 (co-writer)
  • Yasmine Putri: Red Hood and the Outlaws #26 (variant cover)
  • Zu Orzu: Cover #1 (variant cover)

All together, there are 15 different female creators set to work on 14 different comic books at DC this September, 10 fewer creators than in August and 5 fewer books. As best I can tell, there are no non-binary creators listed in DC’s solicits this month. So, this is quite a drop. Losing two fifths of your female work force in one month is not a good look. A lot of it can be chalked up the end of the “Young Animal” line, which was good for at least five female creators each month. And August’s numbers were ballooned by a variety of oneshots and special issues. With all of that gone, we’re left with some paltry numbers.

But some new faces, at least. We’ve not seen Zu Orzu before, and she’ll be providing a variant cover for the first issue of the series Cover. We’ve got a returning favourite as well with Amanda Deibert, and the launch of two of the new “Sandman Universe” line brings us Bilquis Evely and Nalo Hopkinson on a regular basis. The gains haven’t counter balanced the losses, clearly, but at least there were some gains, a couple of which we’ll be seeing a lot of moving forward.

In terms of female characters, we’ve got a few things going on. Harley Quinn and Wonder Woman were name checked in the solicit for the first issue of Heroes in Crisis, so they should be playing a part in that. Both of the new “Sandman Universe” books have female leads too, as does Cover. August’s endings took away a lot of female characters as well, so having a few new leads in the mix is nice.

Overall, despite these new characters and my great excitement for the “Sandman Universe,” September looks to be a rough month for female and non-binary characters at DC. Here’s a startling fact: There are only FIVE superhero titles this month that aren’t written or drawn entirely by men. That is very few indeed. Also, there are just TWO women doing interior art across the entirety of DC’s line. That is an embarrassingly low number. All of the lovely covers listed above will be grand, I’m sure, but it’s nice to have women drawing the insides of the book too. And the sad fact is, we’re going to need to see some big changes to the line to pull DC up out of the teens. Some books have been announced, and things should improve somewhat over the next couple months if everything else can remain steady, but the publisher has a lot of ground to make up now after digging themselves into such a hole.

Wonder Woman Annual #2 Review: New Planet, Same Bad Writing

June 6, 2018

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So, remember a few weeks back when Wonder Woman was fighting an angry god and she defeated him by channeling the power of love? Well, for only five American dollars, you can read a very similar story this week in Wonder Woman Annual #2. Honestly, gang, I don’t know what anyone involved in this series is thinking right now. James Robinson is either phoning it in or he’s forgotten everything he ever knew about storytelling. The editors must be checked out entirely at this point to let this dreck hit the stands every two weeks. The artists are doing their best, I suppose. I do appreciate that. But why has this mess been going on for so long? It’s embarrassing.

Also, one year and a few days ago, the Wonder Woman movie was the biggest thing in the dang world. And in response, DC introduced her brother? Tied the book into the remnants of an out of continuity event? And now they do this story, which ties into their latest big event book? None of this is accessible for new readers. None of this is what anyone who loved the movie (or who loved the character before the movie, frankly) wants to see in a Wonder Woman comic book. The folks at DC have dropped the ball spectacularly when it comes to Wonder Woman, and wasted the biggest opportunity the character’s had in decades. It’s stupid, and it’s sad, and I hope they figure something out by the time Wonder Woman 2 comes out, because the comic should be a dang powerhouse.

Anyway, let’s talk about this dopey annual, but first:

SPOILER ALERT!!

I am about to reveal all the details of Wonder Woman’s encounter with the Star Sapphires!

I said it before, but this book costs FIVE DOLLARS!

For what? A rehashed plot? Good lord.

Last we saw Wonder Woman, she was being whisked away from Earth by the Star Sapphires to help them face a grave threat on Zamaron. Turns out, the Zamaron threat is a lot like the Earth threat. They have a Dark God, too, and it’s killing them one by one because it detects impurities in their love or something? I don’t know. That bit, like most of this issue, was pretty dumb. Anyway, Wonder Woman swaps costumes and goes to fight the god, learns his boring backstory, and channels all the love of the Star Sapphires to defeat him. The end. Except in the comic, it took like forty pages of drawn out conversations and subpar action scenes.

The book’s first big problem is that the Dark Gods just aren’t interesting. I mean, here’s the rationale for their appearance: At the end of DC’s Metal event, Wonder Woman was too vague in the wording of a magic wish she made. Oof. Robinson gets paid to come up with that? She wanted HER gods to return, but she wished for THE gods to return, and so the Dark Gods showed up. Never mind the fact that they’re from a different universe and you can’t return to a place you’ve never been. Let’s just set that incongruity aside, because why even bother? There’s no point in giving this comic more thought than the writers and editors did. But yeah, the Dark Gods are wreaking havoc on the universe because Wonder Woman misspoke slightly. Cool story.

This particular Dark God has a tragic backstory, of course. He’s from the Dark Multiverse, after all. It’s not a nice place. It’s in no way interesting, though. And now he’s all mad at Wonder Woman for separating some of the gods from the rest of their family, even though the gods don’t seem to like each other very much? Again, let’s not overthink this comic book. It does not warrant careful analysis. Just in terms of pure entertainment value, the dude is boring, he doesn’t even look cool, and the fight sucks. A fun encounter can make up for some haphazard plotting, but this book’s got neither.

In the end, Wonder Woman wins, and she goes back to Earth to fight more of these things. Oh, the Star Sapphires are in this, too. I like the Star Sapphires, but they’re pretty much wasted here. They deliver the exposition then help with the final takedown, and that’s about it. Also, there’s a mention of Blackest Night, a DC event from their old universe that’s no longer in continuity. And it was an event that was DEEPLY rooted in that universe’s continuity because it involved old friends and foes coming back to life, evil zombie style. So how Wonder Woman was flashing back to that, I have no idea. Her entire world is different now, twice over, since then.

The artists try their best with this issue, and the end result is a bit of a jumble. There are four different artists, which is a bit jarring. Sometimes swapping between them works, like when Frazier Irving steps in to do flashbacks to the Dark Universe and such. But then Irving does a chunk of the main fight as well, and it just doesn’t fit with the styles of the other three dudes who are doing the present day art. Their art is serviceable, if not particularly strong or interesting. And the book is really missing Romulo Fajardo Jr., who doesn’t color this issue! You can tell, too. Fajardo brings so much life and texture to his pages, and this book just feels flat. Though to be fair to the colorists, when an issue’s got four different artists, it usually means one guy was late and other guys were brought in to help so pages were coming in last minute. The colorists may not have had much time.

Overall, I was sort of curious about this Zamaron adventure. Wonder Woman getting snatched away a couple weeks back amused me, and I was hoping that this annual might be mildly fun. It was not. It was long and dull and not especially nice to look at, and I’m very annoyed that I had to pay five dollars for it. American, too. That’s like six something Canadian. But here’s some happy news: We’ve only got three issues of this left, then we get new creators. We can do it, gang. It’s gonna be rough, but we can do it.


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