Women In Comics Statistics: DC And Marvel, May 2015 In Review

July 30, 2015


My latest “Gendercrunching” column went up last week on Bleeding Cool, but I’ve been slow to post it because I’ve been on vacation. Aw yeah, cottage in the summer! Except it’s been grey and cloudy all week. I read The King of Attolia by Megan Whalen Turner, though, and it’s GREAT. Check out that series, for sure. Anyway, I’m back momentarily and posting some stats!

DC topped Marvel handily thanks to “Convergence” and two female editors appearing in well over half of all of DC’s books. DC had 25.3% female creators overall, a huge but only momentary total. Things go back to normal in June, and the numbers will drop. Marvel came in at 12.2% female creators overall, a drop from April but a decent total relative to Marvel’s poor showings as of late.

I also stopped by four other, smaller publishers to see how they’re doing in terms of representation. Boom! was down but still tops among all nine publishers we looked at over the past two months with 30% female creators overall. Dynamite came in at 20.6%, a big jump for them and a really great number overall; the “Swords of Sorrow” event spearheaded by Gail Simone helped a lot. Valiant was the pits with 2.2% female creators, but Archie came in at 9.7%, low compared to most other publishers but their best total yet.

I should also point out that I had incomplete numbers for Archie when the May “Gendercrunching” first went up. I didn’t know that the digests had new stories, and I missed the Dark Circle books and a Dark Horse crossover; all dumb mistakes on my part. Again, my apologies to Archie. Everything has been updated to reflect their entire line.

Head on over to Bleeding Cool for all of the “Gendercrunching” stats fun!

Chris Pine Is Probably Going To Play Steve Trevor In The Wonder Woman Movie

July 29, 2015


This rumour has been around for a while now, and gone through several variations. First, there were reports that Chris Pine was going to play Steve Trevor in Patty Jenkins’ Wonder Woman movie opposite Gal Gadot. Then there were reports that it was all just a cover to obscure the fact that he was actually going to be in Green Lantern and Scott Eastwood was playing Steve Trevor. Now we’re back to the first rumour, and people seem to be buying it this time. If I’ve learned anything from following various Wonder Woman adaptations over the years, it’s to believe nothing until it’s official, and even then don’t get too invested in it, but folks seem rather confident about the casting this time around.

I like Chris Pine a lot, in general. I think he’s a great Captain Kirk, and I’ve enjoyed him in several films. However, I think he’s kind of a dull choice for Steve Trevor. It doesn’t help that Steve Trevor doesn’t have a lot going for him to begin with; I mean, anyone is going to pale in comparison to Wonder Woman, but Steve is particularly prone to that. I think there’s a big reason that he hasn’t been a significant part of Wonder Woman comics for 20 years or so, and that’s because no one can come up with anything interesting to do with him. The military thing made sense in World War Two but really hasn’t worked great since then, and while the male damsel in distress angle is sort of fun, there’s not a lot more to him than that in terms of personality. He’s kind of bland. Pine is good with a character with a strong personality, like Captain Kirk, and Steve Trevor doesn’t have that unless they invent one for him whole cloth for the film.

I was recently chatting about Steve Trevor with Caitlyn Rosberg (a writer for The AV Club) and she made some excellent points in favour of a POC Steve Trevor. I was advocating for a Stephanie Trevor, but she brought up that a POC Steve would have a different perspective on the military than a white Steve, and that both he and Wonder Woman would have different but critical perspectives on America’s white patriarchal ways. I really liked the idea then, and it’s been growing on me ever since.

Chris Pine is about as white as you can get, and continues the superhero film industry’s trend of giving big roles to white dudes named Chris. I was hoping they’d find some way to do a different take on the character, be it race, gender, or something else, because generic white military guy is such a dull character, and one we’ve already seen so many times. Of course, we know next to nothing about the Wonder Woman movie, much less what they’re doing with Steve Trevor, so they may well do something cool with him. But at first glance, this casting strikes me as predictable, bland, and rather uninspired. I’m hoping for some diverse and surprising choices as the rest of the cast fills out; something a little more Suicide Squad than Avengers would be nice.

Sensation Comics featuring Wonder Woman #42 Review: “Nine Days, Parts 2 and 3″ by Karen Traviss, Andres Guinaldo, and Raúl Fernández

July 23, 2015


The three part “Nine Days” wrapped in today’s Sensation Comics, bringing to a close a story that never seemed to find its footing. There was a lot going on, with Strife and Eris, two sides of the same goddess, interfering in diplomatic relations between two hostile, neighbouring countries, with Wonder Woman in the middle trying to negotiate peace. Despite the many factors at play, the results were entirely predictable. The goddess of strife caused strife, the cartoonish leaders of each nation both reacted as you’d expect over one getting oil and not the other, and Wonder Woman literally had to throw them in a room together and make them sort out their differences. Oh, and there was sort of a fight in the middle.

When the reader knows how the broad strokes of a story are going to play out after the first installment, it’s not a particularly enjoyable read. If you’re going to follow an abundantly obvious formula, it better be the best version of that formula ever put to paper, or in this case to the screen, or the reader is going to be bored. We all know that superheroes are going to win in the end; that’s a given. But writers have to set up real stakes beyond that, invest the reader in the outcome of every character, and throw some twists and turns in along the way. “Nine Days” failed to do any of that.

The story’s awkward art only made things worse. It wasn’t terrible, but things never looked quite right to the point that it became a constant distraction, especially with Wonder Woman. For example, Guinaldo and Fernandez gave Diana oddly shaped glasses that never seemed to sit properly on her face. As Wonder Woman, her bangs shot off at odd angles in a way that gave her a bit of a mullet vibe. Little things like this added up to make the art an unpleasant reading experience. Combined with the obtrusive narration and a hit and miss colouring job, the book left a lot to be desired, visually.

I don’t want to keep going on about how this was a badly put together story because it’s not bad in an offensive way, just subpar across the board, so it’s nothing worth getting worked up over. I don’t really have anything nice to say about it, so I’m just not going to say anything more. The full story will be out in print form in September, so if you didn’t read it digitally, check out the book and see if you agree or disagree with my assessment! Sensation Comics will be back with a new storyline next week with what looks to be an Earth 3 crossover, the evil Superwoman vs. our favourite Amazon.

Wonder Woman #42 Review OR It’s Got A Dang Pegasus In It And It’s Still Not Very Good

July 22, 2015


Remember when Wonder Woman Annual #1 came out and it wasn’t terrible, and I was mildly optimistic that the Finches’ second arc might be not too bad? Well, that optimism was ill placed. We’re two issues in and while this new arc isn’t as aggressively terrible as the first, it doesn’t have a lot going for it. It’s traded being offensively bad for just being boring, which isn’t much better. The Finches have fixed a lot of the problems of the first arc; the Justice League isn’t around, Wonder Woman isn’t complaining all the time, and she isn’t drawn like a sexy adolescent anymore. But the poor storytelling remains, and that’s really the most important element. Let’s discuss the issue, but first:


I am about to reveal ALL OF THE THINGS that happen in this comic!

If you haven’t read it, turn away!

Okay, carrying on. We’ve got a couple of new developments in this issue. The first ten pages are devoted to Diana and Hessia living it up at a dance club and Diana then chasing that new dude who’s trying to kill her through London. Nothing actually happens; the dude tries to kill her, misses, and ultimately gets away. He rides a pegasus, which is pretty rad, I suppose.

SIDENOTE: Pegasus is the classic winged horse, but I don’t know if this is THE Pegasus or another winged horse, or if we call all winged horses pegasuses or just Pegasus. I’m going to go with calling it a pegasus for now, and you can correct me in the comments if I’m wrong.

Anyway, not a lot goes on in the first half of the issue, but then we get a flashback and learn that the mysterious would-be assassin is Aegeus, a descendant of Thesus and thus Poseidon, and he’s trying to claim what he thinks is his rightful place as a god. We still don’t know who he’s working with, but there are hints that it might be Strife. Speaking of Strife, she shows up a little later to free Donna Troy after Wonder Woman has a long and boring conversation with her imprisoned sister about forgiving herself. Strife convinces Donna to go see the Fates.

And that’s about all that happens. In terms of changes from where we were at the end of last month’s issue, Wonder Woman knows Aegeus is after her, we know Aegeus’ backstory, and Donna Troy is free.

Rather than dig into various aspects of a story I don’t particularly care about, I’m going to focus on one scene to try to articulate why I find this comic so bland. It’s the opening scene, with Diana and Hessia at a dance club. When I posted the preview for this issue on Monday, I talked a bit about the cliché of the woman who’s harassed by a guy and then decks her harasser. It’s been done a bunch of times, with diminishing returns, and this is one of the most clichéd versions I’ve seen. The actual scene in the book is longer than the preview, with the dude hitting on Diana for a page beforehand and Diana clearly stating she’s not interested. The guy is a walking caricature, Diana’s reaction is exactly what you’d expect, and her speech afterwards aims for empowered anger but just reads as tacky. I understand what Meredith Finch was going for here, but it all just comes off as stale.

Apart from the harassment bit, the writing in the scene feels incredibly flat on several levels. There are more clichés with Diana spouting the usual “This was just what I needed”, dancing her troubles away line that you can see in pretty much any scene sat at a dance club in any form of media. Moreover, the club is in London, and you can’t tell at all. Nothing captures the locale in the slightest. I’m not saying that there should be Union Jacks everywhere and that Diana’s fellow dancers should be talking about tea and crumpets and the queen, but there should be some sense of setting and instead there’s none. It’s all just generic. In Azzarello and Chiang’s run, when Diana needed to blow off steam she went to a punk club. It had atmosphere and a sense of place and said something about the character. Meanwhile, this scene is just completely nondescript.

The art doesn’t help matters. David Finch dresses Diana and Hessia in generic club dresses. There are no designs, no textures, nothing unique about them. They are a red and a grey dress of the same construction. Also, Diana’s only got one move: hands in the air, hips sticking out to one side or another. She does it over and over. Plus there are actual music notes in the background to let the reader know that music is playing:


It is all so very bland and nonspecific. Finch is not good at investing clothing and settings with any kind of mood or characterization. Because of this, he fails to set a scene properly, and also fails to communicate anything about the character and who she is through his art. This scene is like the clip art version of a dance club, everything boiled down to a simple, dull, non-detailed version of things.

I suppose we should be thankful that Finch didn’t try to come up with more creative outfits for Diana and Hessia, because he does so for Hera later in the issue and the result is a belly top and a loin cloth. It’s not great. His Zola is much improved, though! I’ll give him credit for that. He’s got her back in plaid and looking a bit more like herself.

Ultimately, this hopelessly bland and generic club scene is indicative of the Finches’ run as a whole. They’re not investing the characters with unique attributes that make them more than cardboard cutouts, and they’re not putting them in situations that speak to who they are in some way. Plus, they’re spending four pages on a clichéd dance club scene that really adds nothing to the book when they’ve got a dang pegasus in the mix. Pegasuses are SO COOL. How do you not have four pages of rad pegasus fun instead?

I feel like everyone in this book needs to push a little more. Dig into each scene, figure out why it’s in the book, what it’s saying about the characters, how you can bring out a bit more of everyone, add some excitement to the book, or do something unexpected. It all just feels boringly surface level and shallow, without much thought put into it. A pointless club scene, unfruitful chase, hints of backstory, and a moderately shocking ending is a really dull formula, doubly so when poorly executed. It’s hard to get invested in a book when there’s so little to get invested in.

Women At Marvel Comics Watch – October 2015 Solicits: A Rough Month, With 9 Different Female Creators On 10 Different Books

July 21, 2015


It’s never a smart idea to brand something as “All New, All Different” and then deliver so much of the same old. Marvel’s relaunch (but don’t call it’s a relaunch; they don’t like that) starts rolling out in October with a bunch of new books, and October also happens to have Marvel’s lowest number of female creators in some time. Marvel hasn’t had the strongest 2015 thus far, and they’ve been regularly thumped by DC, but at least the number of women has been in the double digits for a while, if just barely some months. They couldn’t even hit that low bar this month. Let’s see who’s doing what at Marvel in October:

  • Annie Wu: Angela: Queen of Hel #1 (variant cover)
  • Erica Henderson: Doctor Strange #1 (variant cover), The Unbeatable Squirrel Girl #1 (art and cover)
  • G. Willow Wilson: Avengers #0 (co-writer), Ms. Marvel #19 (writer)
  • Marguerite Bennett: 1602 Witch Hunter Angela #4 (writer), Angela: Queen of Hel #1 (writer)
  • Nik Virella: 1872 #4 (interior art)
  • Robin Furth: Dark Tower: The Drawing of the Three – Lady of Shadows #2 (co-writer)
  • Sara Pichelli: Invincible Iron Man #1 (variant cover), Secret Wars #8 (variant cover)
  • Stephanie Hans: 1602 Witch Hunter Angela #4 (art and cover), Angela: Queen of Hel #1 (art, variant cover)
  • Yasmine Putri: Invincible Iron Man #1 (variant cover)

All together, there are 9 different women set to work on 10 different comics this October, a definite step down from September’s 13 and 11. That’s really not a lot of ladies, despite a slew of new titles, and while I realize that more titles are coming and there might be more female creators in the mix, it doesn’t change the fact that Marvel’s done an embarrassingly poor job at female representation in this, the first month of their “All New, All Different” line.

Furthermore, a lot of the gigs listed above are one-time jobs. There are six variant covers up there; that’s not steady work. Avengers #0 is a one-shot, and 1602 With Hunter Angela is done in October, with basically the same creative team launching Angela: Queen of Hel. So it’s great that Marguerite Bennett and Stephanie Hans are sticking around, but their multiple credits this month will go down to just one credit each in November unless they land more jobs. Marvel’s posted some very low numbers, and they’re not even sustainable. They’re going to need an influx of ladies doing more just to maintain their paltry total next month.

It is, however, a good month for female characters. Several of the new series star women, including books headlined by Angela (now the queen of Hel, it seems), a new female Blade, Spider-Gwen, and Squirrel Girl. More will be coming next month, I’m sure. Several other female-led books have been announced but aren’t yet on the schedule.

Ultimately, it’s 2015, gang. If a massive publisher like Marvel with 70 or so books and well over 150 different creators can’t hire at least 10 female creators, they’re just not trying hard enough. There are so many talented women doing amazing work in this industry right now. It’s not hard to find great female cretors. Marvel’s usual response to a lack of diversity is to point out that there’s more coming, and that’s all well and good, but tomorrow is not today. And today, these numbers are rough. It’s even worse because it’s their big relaunch month. At a time when all eyes will be on Marvel, female creators will be few and far between. Not cool, Marvel. Sort of shameful, Marvel. Get it together, Marvel.

Wonder Woman #42 Preview OR It’s 11:30 and the Club is Jumpin’, Jumpin’

July 20, 2015

I almost made the subtitle for this post the entirety of Destiny’s Child “Jumpin’, Jumpin'”, but that seemed a bit excessive. It is, however, a fun and enjoyable jam, unlike Meredith and David Finch’s plodding Wonder Woman run thus far. I was hoping they’d return after the “Convergence” break with something fresh and moderately interesting, but last month’s issue was a real dud, with an ugly costume thrown in the mix too. Wonder Woman #42, out this Wednesday, picks up with that weird dude from June’s issue who is trying to kill Wonder Woman. Unsurprisingly, it’s not going well for him. But first, the club! Here’s a preview, courtesy of Comicbook.com:


ww42b ww42c ww42d ww42e ww42f

First off, why is Wonder Woman saying “Hi yah”? That’s an Asian martial arts thing, and she was trained in Amazon fighting styles. It just doesn’t seem like something Wonder Woman would say. Unless they were going for a Miss Piggy reference, in which case, cool beans.

Second, this club scene is not great. I understand what they’re going for here, sticking it to sexist dudes as some kind of empowering moment where the audience can cheer, but it’s all just so cliché. A guy harasses a girl and she beats him up? Seen it. So many times. Plus the guy is such a caricature, and Meredith Finch doesn’t have a good enough handle writing Wonder Woman to not make her follow up speech not read like an after school special. I appreciate what they’re trying to do here, but it doesn’t work well. Plus Azzarello JUST did this a little while ago, when Wonder Woman almost ripped Orion’s balls off.

Anyway, the rest of the issue is that dude from last issue trying to kill Wonder Woman and missing. I mean, a bow and arrow from that distance? That’s bound to go wrong, mysterious dude. And now Wonder Woman’s going to kick your ass.   There’s a lot of book left after this preview, so I doubt that scintillating conflict will play out over the whole of it. I’m expecting some Donna Troy stuff in there too, and maybe more background on this dude and who he’s working with. The Finches have talked about that a bit in interviews, but I won’t spoil it here until it’s officially out there in the comics.

Look for Wonder Woman #42 in comic shops everywhere and online this Wednesday! Or, as I suggested with Superman/Wonder Woman last week, just buy Sensation Comics featuring Wonder Woman #12, which is also out on Wednesday. It’s got some GREAT stuff in it. The Poison Ivy team up is really good.

Women At DC Comics Watch – October 2015 Solicits: 27 Different Female Creators On 22 Different Books

July 16, 2015


DC’s track record with female creators since their #DCYou mini-relaunch has been odd. On the one hand, they’ve topped Marvel every month thus far, but on the other hand they’ve been far below their pre-#DCYou numbers for female creators for four straight months, and by a considerable margin. It’s not been an impressive run; going backwards is never good, and hiring more women than Marvel really isn’t that hard to do. But now, finally, five months into their mini-relaunch, DC has a list of female creators that that is comparable to where they were for the first half of 2015. Let’s see who’s doing what in October:

  • Amanda Conner: All-Star Section Eight #5 (cover), Harley Quinn #21 (co-writer, cover), Harley Quinn and Power Girl #5 (co-writer, cover), Starfire #5 (co-writer, cover)
  • Annie Wu: Black Canary #5 (cover)
  • Asher Powell: Vertigo SFX #3 (unspecified)
  • Babs Tarr: Batgirl #45 (interior art, cover)
  • Becky Cloonan: Gotham Academy #11 (co-writer)
  • Carla Speed McNeil: Sensation Comics #15 (writer, interior art)
  • Cat Staggs: Wonder Woman ’77 Special #2 (interior art)
  • Chrissie Zullo: Fables: The Wolf Among Us #10 (cover)
  • Claire Wendling: Wonder Woman #45 (variant cover)
  • Corin Howell: Bat-Mite #5 (interior art, cover)
  • Emanuela Lupacchino: Starfire #5 (interior art)
  • Gail Simone: Clean Room #1 (writer), Secret Six #7 (writer)
  • Genevieve Valentine: Catwoman #45 (writer)
  • Jen Wang: Vertigo SFX #3 (unspecified)
  • Jenny Frison: Clean Room #1 (cover), Grayson #13 (variant cover), Sensation Comics #15 (cover)
  • Kate Leth: DC Comics Bombshells #3 (variant cover)
  • Laura Braga: DC Comics Bombshells #3 (interior art)
  • Lauren Beukes: Survivors Club #1 (co-writer)
  • Lea Hernandez: Teen Titans Go! #12 (interior art)
  • Marguerite Bennett: DC Comics Bombshells #3 (writer)
  • Marguerite Sauvage: DC Comics Bombshells #3 (interior art)
  • Meredith Finch: Wonder Woman #45 (writer)
  • Ming Doyle: Constantine: The Hellblazer #5 (co-writer, interior art), Vertigo SFX #3 (unspecified)
  • Nicola Scott: Wonder Woman ’77 Special #2 (cover)
  • Pia Guerra: Black Canary #5 (interior art)
  • Ricken: Teen Titans #13 (interior art)
  • Vanesa Del Rey: Constantine: The Hellblazer #5 (interior art)

All together, there are 27 different female creators set to work on 22 different comics in October, a big jump from September’s 19 and 16 and DC’s best month for female creator representation since April. It’s a huge improvement for DC, though still below their best. As always, there remains lots of room for growth.

Plus, there are a lot of one-time gigs here. I’d estimate that at least 7 of these women aren’t likely to be back next month. It doesn’t change the fact that it’s fantastic they’re getting work in October; it just means that DC’s going to have to step it up to keep their numbers from nosediving in November.

However, there are a lot of new names, and that’s always encouraging. I don’t think I’ve seen Asher Powell or Jen Wang at DC before; they’re both on a Vertigo special. This might be Claire Wendling’s first DC gig as well. My pal Kate Leth is doing a variant cover for DC Comics Bombshells, so that’s all kinds of rad! And Jenny Frison and Nicola Scott are back at DC to drop some fun cover art.

In terms of female characters, a few are starring in new books. Cassandra Cain is coming back in Batman and Robin Eternal, there look to be a few gals in the new Titans Hunt series, and an alternate universe Lois Lane headlines Superman: Lois & Clark, though DC is still hurting for a kick ass Lois Lane solo series. I mean, seriously. Get on that, DC. There are also scores of other new books that don’t feature women at all, real or fictional, including six “Darkseid War” one-shots all starring male characters written and drawn by male creators. So that’s not great.

Ultimately, October is looking decent for female creators in what is hopefully a return to form for a slumping DC. November will tell us whether this is an aberration or a new trend, but for now it’s nice to see DC well out of the teens again with a plethora of great female creators across their titles. Things could be a bit better for female characters, but there’s something at least. Here’s hoping for continued growth next month.


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