Come See Me at C2E2 in Chicago, Artist Alley Table E7, April 6-8th!

March 19, 2018


Last week, I told you all about my upcoming “The Many Lives of Catwoman” panel discussion with Angelica Jade Bastién, Lauren Burke, Caitlin Rosberg, and Katie Schenkel at The Book Cellar in Chicago, IL, on April 5th at 7:00pm. That’s going to be all kinds of awesome. But it’s only part one of my upcoming Chicago fun! Starting the very next day, I will be at C2E2 all weekend long. Here is all the important info:

Tim Hanley @ C2E2

South Building at McCormick Place, Chicago, IL

April 6-8th

Artist Alley, Table E7

I have also built a handy map so that it’s easy to find me at the show. You can click to embiggen:


C2E2 is a great convention, and I’m so excited to be a part of it this year. I’ll be set up in Artist Alley for all three days, with all three of my books available for purchase. I’m talking Wonder Woman Unbound: The Curious History of the World’s Most Famous Heroine, my exploration of everyone’s new favourite cinematic heroine’s fascinating origins. Everybody loves Wonder Woman now, as they should. We’ve also got Investigating Lois Lane: The Turbulent History of the Daily Planet’s Ace Reporter, and it’s a perfect time to read up on Lois what with exciting new relaunches of Action Comics and Superman just around the corner. Heck, Brian Michael Bendis is gonna be at C2E2 too! And the third in the trilogy is The Many Lives of Catwoman: The Felonious History of a Feline Fatale, an overview of the many intriguing incarnations of this beloved character. Plus she’s getting married soon! Making this a good opportunity to read up on all of the romantic hijinks that led her to this point.

All three books will be available for sale, and I’ll have some fun free goodies to give away. And I’ll be glad to sign any and all of the books for free, of course, whether you’re buying them at the show or bringing your own copies from home. You can also just come by and chat superheroes for a while if you’d like. That’s always a good time.

So yeah, if you’re coming to C2E2 you should absolutely come by my table! And if you’re in the vicinity of Chicago and you aren’t coming to the show, you should probably remedy that. It’s a great convention, with a whole host of excellent guests and vendors and such. Susan Eisenberg, the iconic voice of Wonder Woman on the Justice League cartoon, is going to be there! That’s worth the price of admission alone. I hope to see you there!


Wonder Woman #42 Review: Jason Returns! From Where? And Why? Who Even Friggin’ Cares

March 14, 2018


It’s the second Wednesday of the month so we’ve got a new issue of Wonder Woman to dig into, and boy am I not feeling it today. I’ve been ill since the weekend, flattened out with some nefarious strain of the flu. Talking about whatever new travesty James Robinson has inflicted upon us is not how I’d like to be using what little energy I have right now. And yet, here I am. Am I a masochist? A hero? So addled by the flu that I’m making poor life decisions? It’s hard to say. Anyway, let’s jump into this latest batch of stupidity, but first:


I am about to tell you all of the things that happened in this issue!

They are all so dumb.

So very, very dumb.

So Jason is back, with fancy new armor and new abilities, and he has no idea where he was or who gave them to him. Sure, that seems legit. No wonder Diana agrees to fly off together with him. There’s nothing sketchy about this situation at all. Someone needs to tell the entire creative team and editorial that Wonder Woman is actually quite smart. Kind and compassionate, yes, but not foolishly so. And literally everything having to do with Jason thus far has required her to act foolishly and put her trust in someone who has yet to earn it in the slightest. Now the dude shows up more powerful, after eight days away, with ZERO explanation? Those are some serious red flags. And Diana just rolls with it all.

Grail’s back too, off to kill another deity or some such, so Diana and Jason team up to take her down. As they fly there, we’re treated to a useless five page flashback about the time Jason fought the Deep Six and met Grail for the first time. What a waste of a quarter of the book. It added literally nothing to the story that we didn’t know already. The editors must be asleep at the wheel here, because this is the filleriest of filler. All terribly written, too. There is nothing less compelling than a monologue from Jason.

After that pointless diversion, the actual fight happens. Wonder Woman ensnares Grail in the lasso to try to learn Darkseid’s evil plan, but only gets a small piece of it before Grail escapes. Now Wonder Woman knows that Darkseid is going after Themyscira, at least, and she can go stop him or whatever. It sounds like he’s on his way to A.R.G.U.S. to steal a bunch of artifacts, so it looks like Steve’s going to have a rough issue in two weeks’ time.

Anyway, across all of these twenty pages we learned not a dang thing about Jason’s disappearance other than he’s stronger now, and Wonder Woman knows a bit more about Darkseid’s plan. That’s it. This is really not effective comic booking. If you’re going to tell a story as pointless as the saga of Diana’s idiot brother, at least speed it up a bit so we can get onto something else. Or put in a modicum of effort to try to make it interesting or fun in some way. This issue is an entertainment vacuum. It has nothing enjoyable to recommend it.

Even the art is disappointing. Jesus Merino’s work is inconsistent throughout, with a few good panels and a lot of pages that look like they were hastily dashed off. Such is the reality of bi-weekly comics, I suppose. Merino’s a talented guy, and I’m guessing that some poor editorial management may have contributed to the sloppy look. Even the colors feel a little rough. Romulo Fajardo Jr. has been masterful with his coloring for nearly two years now, so an average issue from him suggests to me that there was a very short turnaround time for everyone involved in this outing. The result is an issue that’s not terribly appealing on any level.

All together, “Amazons Attacked” is a very good name for this arc. Longtime Wonder Woman readers will remember the Amazons Attack event from about a decade back, in which the Amazons invaded Washington, DC. It was TERRIBLE. Easily one of the worst Wonder Woman stories ever committed to paper. It was nonsensical, poorly written, and tied up in the fiendish machinations of Apokolips and the New Gods. “Amazons Attacked” shares all of the same poor qualities as its similarly named predecessor. My question is, did the editors name the arc this knowing it was going to be just as bad as the original? Or do they think they’re rehabilitating the name? If it’s the first, that’s hilarious, though said. If it’s the second, it’s not working out in the slightest.

Okay, I’m going to go lay down now. Happy Wednesday, everyone! Wonder Woman still sucks. The June solicits should be out next week though, so let’s all cross our fingers for an end to this horrible run.

The Many Lives of Catwoman Panel Discussion in Chicago, April 5th at The Book Cellar!

March 13, 2018


I’m coming back to Chicago, gang! I’ll be in town in early April for C2E2, where I’ll be set up in Artist’s Alley from April 6-8th at Table E7 (I’ll share more about that later in the week). But before the show starts, I’m going to be part of a special panel discussion about the fascinating history of Catwoman at The Book Cellar. Here are all the important details:

The Many Lives of Catwoman Panel Discussion

The Book Cellar

4736-38 N Lincoln Ave

Chicago, IL

Thursday, April 5th at 7:00pm

I’ll be there, of course, and I’ll be joined by an amazing group of panelists! We’ve got Angelica Jade Bastién, a staff writer at Vulture and one of the best voices out there right now in film and television criticism. If you’re not reading her stuff, you’re missing out. Then we have Lauren Burke, an editor of the Ladies’ Night Anthology comic collections and co-host of the delightful Bonnets at Dawn podcast for all of you Austen and/or Bronte enthusiasts. Next up is Caitlin Rosberg, one of the finest comic critics in the business at The AV Club and Paste. She’s got a dang Eisner! And finally, we’ve got Katie Schenkel, who wrote great pieces on comics for sites like Book Riot and The Mary Sue and is now writing her own comics, Moonlighters and The Cardboard Kingdom!

So yeah, it’s a pretty rad group. And there’s so much fun stuff to talk about. We’re going to do an overview of Catwoman’s history all the way from her first appearance in 1940 through to the present day. We’ll be hitting all of the highlights and a few of the lowlights: Her initial role as Batman’s only weakness, her delightful television incarnations in the 1960s, her reinvention in Batman: Year One in the 1980s, Michelle Pfeiffer’s brilliant take on the character in Batman Returns, Halle Berry’s decidedly less brilliant take on the character in Catwoman, and so much more! And it will all lead to a chat about her current status, with her upcoming nuptials currently taking the superhero comics world by storm.

If you’re in the area, I hope you’ll come by! And bring your friends, too. It’s totally free, and open to the public. It’s going to be a great event, and a really fun way to kick off the C2E2 weekend. Also, feel free to share the poster above online. I hope to see a lot of you there!

Women & NB Creators at Marvel Comics Watch, May 2018 Solicits: 15 Creators on 16 Books

March 8, 2018


It’s International Women’s Day, which is perhaps not the best day to take a look at Marvel’s May solicits. The fact of the matter is, Marvel is garbage at hiring female and non-binary creators right now. While the women currently working at Marvel are amazing talents making some great books, they are few and far between. And they have been for a while. What’s more, the announcements surrounding Marvel’s umpteenth relaunch that’s coming this summer have been ridiculously male-dominated thus far. The publisher has a problem. So let’s take a look at who’s doing what at Marvel this May:

  • Ashley Witter: Star Wars: Doctor Aphra #20 (cover)
  • Becky Cloonan: Moon Knight #195 (cover)
  • Elizabeth Torque: All-New Wolverine #35 (cover)
  • Erica Henderson: The Unbeatable Squirrel Girl #32 (interior art, cover)
  • G. Willow Wilson: Ms. Marvel #30 (writer)
  • Gail Simone: Domino #2 (writer)
  • Jen Bartel: Mighty Thor: At The Gates Of Valhalla #1 (interior art)
  • Jody Houser: Amazing Spider-Man: Renew Your Vows #19 (writer), Star Wars: Thrawn #4 (writer)
  • Kamome Shirahama: Star Wars: The Last Jedi Adaptation #2 (variant cover)
  • Kelly Thompson: Rogue & Gambit #5 (writer), X-Men Wedding Special #1 (co-writer)
  • Marika Cresta: X-Men Wedding Special #1 (interior art)
  • Mariko Tamaki: Hunt for Wolverine: Claws of a Killer #1 (writer)
  • Natacha Bustos: Moon Girl and Devil Dinosaur #31 (cover)
  • Rainbow Rowell: Runaways #9 (writer)
  • Yasmine Putri: Black Panther #1 (variant cover)

All together, there are 15 different female creators set to work on 16 different books at Marvel in May, 2 fewer creators than in April and the same number of books. As best I can tell, there are no non-binary creators scheduled for Marvel’s May comics. This marks the third straight month of numbers in the teens for the publisher, a run that is, quite frankly, beyond embarrassing. Not only has Marvel shown themselves to be capable of posting totals of more than twice this amount in the past, the ranks of excellent female and non-binary creators have never been larger. There are so many in the mix these days, a publisher pretty much has to go out of their way NOT to hire them. And Marvel appears to be doing just that.

This disinterest in female creators looks like it’s going to continue into the future as well. Marvel is in the midst of unveiling their new lineup for their latest relaunch; it’s got a name, but I don’t care enough to go look it up. They’ve announced over a dozen new books so far, and only ONE has a female creator in the mix, with Margaret Stohl relaunching Captain Marvel. And here’s the kicker: It’s a mini-series. The majority of the other books are ongoing titles. So barring a sudden influx of female-led titles, I wouldn’t expect Marvel’s numbers to improve in the months to come.

There also seems to be a distinct disinterest in titles headlined by female characters, both this month and moving forward. Usually when I do the cover montage at the top, I have tons of great female characters to choose from and I get to pick the art that I like the best. This month was slim pickings. I had to go through the solicits twice to find the seven covers above.

Some new books are starting in May, too, and they are all male-led. We’ve got new solo titles for Black Panther, Quicksilver, and Venom, along with a round of mini-series centered on Wolverine. The dude Wolverine, I should say, not the new, awesome lady Wolverine who is much, much, much cooler. There’s a new Avengers book as well, and only 2 of the 8 characters on the team are women, with Captain Marvel and She-Hulk in the mix.

And just to continue the disappointing news run, of all of the relaunch titles announced so far, there are one and a half books with titular female characters. We’ve got the aforementioned Captain Marvel mini, and the Wasp sharing a new series with Ant-Man.

So yeah, Marvel’s got a definite problem with women right now. Their female and non-binary creator numbers are in the midst of the lowest run we’ve seen in years, and it doesn’t look like that’s going to improve anytime soon. Their female characters are on the decline as well, again with no change in sight. It feels like Marvel is intentionally appealing to conservative fanboys now, that irksome group who blasted the company for diversifying their line and making everyone a “social justice warrior.” And that’s just gross. Marvel needs to get it together before they embarrass themselves even further. Will they? Probably not. But we can hope.

Women & NB Creators at DC Comics Watch, May 2018 Solicits: 23 Creators on 20 Books

March 6, 2018


May looks to be another pedestrian month for female and non-binary creator representation at DC Comics. Despite a lot of big changes and new initiatives, the numbers have been sitting in the mid-20s for several months now. While it’s not the worst we’ve seen from the publisher, they’ve shown themselves to be capable of far higher totals. And unfortunately, the future isn’t looking very bright at the moment, either. Let’s take a look at who’s doing what at DC Comics this May:

  • Amanda Conner: Harley Quinn: Harley Loves Joker #1 (cover), Harley Quinn: Harley Loves Joker #2 (cover)
  • Becky Cloonan: Shade, The Changing Woman #3 (cover)
  • Carmen Carnero: Green Arrow Annual #2 (interior art)
  • Cecil Castellucci: Shade, The Changing Woman #3 (writer)
  • Emanuela Lupacchino: Wonder Woman #46 (cover), Wonder Woman #47 (cover)
  • Hope Larson: Batgirl #23 (writer)
  • Jenny Frison: Wonder Woman #46 (variant cover), Wonder Woman #47 (variant cover)
  • Jill Thompson: Action Comics Special #1 (interior art)
  • Jody Houser: Mother Panic: Gotham A.D. #3 (writer)
  • Joelle Jones: Exit Stage Left: The Snagglepuss Chronicles #5 (variant cover)
  • Julie Benson: Batgirl and the Birds of Prey #22 (co-writer), Green Arrow Annual #2 (co-writer)
  • Kamome Shirahama: Batgirl and the Birds of Prey #22 (variant cover)
  • Magdalene Visaggio: Eternity Girl #3 (writer)
  • Marguerite Bennett: Batwoman #15 (writer), Bombshells United #17 (writer), Bombshells United #18 (writer)
  • Marley Zarcone: Shade, The Changing Woman #3 (interior art)
  • Nicola Scott: Mera, Queen of Atlantis #4 (cover)
  • Paulina Ganucheau: Bombshells United #17 (cover)
  • Rachael Stott: Motherlands #5 (interior art)
  • Rachel Dodson: Batgirl and the Birds of Prey #22 (cover), Bombshells United #18 (cover)
  • Sandra Hope: The Silencer #5 (cover)
  • Shawna Benson: Batgirl and the Birds of Prey #22 (co-writer), Green Arrow Annual #2 (co-writer)
  • Siya Oum: Bombshells United #17 (interior art)
  • Yasmine Putri: Nightwing #44 (variant cover), Wonder Woman Annual #2 (cover)

All together, there are 23 different female creators set to work on 20 different books at DC Comics in May, the same number of creators as in April though on 3 fewer books. As best I can tell, there are no non-binary creators listed in the solicits this month. These totals are among the lowest DC has posted in a while, though they remain in the ballpark of where the publisher has been lately. A range of 23-27 women and non-binary creators has been the norm, and it’s been that way despite some big creative changes. Losses somewhere were met with gains elsewhere, keeping things about the same for a while now.

But this could change very soon. A couple of big cancellations were announced recently that are going to have a significant effect on the numbers. First, Batgirl and the Birds of Prey is shipping its final issue in May. That book has been a powerhouse for female creators. It accounts for four of the names listed above, and has done so more or less steadily for the past year and a half. On top of that, Bombshells United is set to wrap up soon. From DC Comics Bombshells through Bombshells United, the book has been a bastion of female representation at DC for years now. Not only were women working on it at all levels of production, it also double shipped frequently, adding a slew of names to the list each month. It was a showcase for female artists as well, with creators like Mirka Andolfo, Laura Braga, Carmen Carnero, and many more doing fantastic work there before moving on elsewhere in the DC universe. Without it, not only are the numbers going to take a hit, but an important pipeline for female creators will be lost.

So that’s going to be a lot for the rest of the line to have to overcome. Batgirl and the Birds of Prey will be gone in the June solicits, and Bombshells has maybe a month or two left. And we’ve yet to see any news on what female and non-binary creator-led titles could replace them. Things are ramping up for a lot of big changes at DC, with Brian Michael Bendis taking over the Superman line and Scott Snyder tackling the Justice League. But from the looks of things, they’re bringing a lot of dudes with them to draw those books. Unless DC’s got some exciting new announcements up their sleeve, and several of them, I fear the numbers are going to start to drop very soon.

Wonder Woman #41 Review: Failing at All of the Little Things

February 28, 2018


I’m starting to worry that I may be trapped in Tartarus, the deepest depths of Hades where the dead are punished for eternity with cruel forms of poetic justice. Like Sisyphus pushing his boulder up a hill, like Tantalus unable to reach the fruit above him or the water below, so too am I subjected to a terrible new issue of Wonder Woman every two weeks in a run that feels like it will never end. I’m not sure what I did to end up in Tartarus. Typically, you have to offend Zeus, so perhaps my intense and vocal dislike of his part in Wonder Woman’s current origin story played a part? Whatever the case, here do I suffer, again and again.

So that’s where I am with Wonder Woman right now.

We’ve got another issue this week and, well, it sure is a comic book. There are words and drawings. Multiple pages. All of the ingredients you need for superhero fun. And yet somehow it offers no fun whatsoever. This book is a mystery, one that keeps finding new ways to be so, so bad. We’ll dig into it, but first:


I am about to reveal all of the details of this book!

Maybe that’s why I’m in Tartarus, for spoiling comics?

I always give a warning, Zeus! Every time!

Let’s start at the very beginning today with the cover. It’s not good, but it’s dramatic. We’ve got a crazed looking Wonder Woman, sword drawn in anger, standing over her fallen love. The title ominously proclaims, “For the Life of Steve Trevor!” This must be a doozy of an issue, right? No. Not even a little bit. Steve is in the issue, yes, but he’s totally fine. The only time he’s in any harm’s way is in a flashback. Nor are he and Wonder Woman exposed to any great danger in the present. The bulk of the issue consists of a conversation between the two of them as they fill each other in on what they’ve been up to. No blood, no angst, no destruction.

Also, and this is a silly nitpick, I know, but Steve’s hair doesn’t look like that in this issue. It’s longer and slicked back, not short. He doesn’t wear anything that resembles the outfit above either. All of this gets to the larger point I am trying to make here: It feels like the editorial oversight on this book is non-existent. The cover not matching the contents, both in story and appearance, is just the tip of the iceberg. Everything inside this book is a dang mess, and it’s been that way for months. The stories have been repetitive, undeveloped, and largely nonsensical. None of the characters feel right. So much of the writing is screaming for another draft following a lengthy list of editorial notes. I don’t know what the editors on Wonder Woman are doing other than sending the files off to the printer every couple of weeks. Do they not know their names go on the book too? This is a very embarrassing product to be associated with, guys.

And what’s especially morbidly fascinating about the series right now is how it’s bad in a different way with every issue. The structure of this issue actually isn’t an awful idea. Diana and Steve catching up after a rough week of fighting bad guys with flashbacks to their various encounters could be good. We’d get to see them as a couple, sharing feelings and perspectives on their unique lives. It’s a nice set up. The only problem is, the writer would need to be capable of writing dialogue that actual human people would say. The stilted, hackneyed conversation we get here is so awkward that the whole thing goes off the rails with the first page.

Moreover, the stories behind it all are both random and bad. First, the book starts with Darkseid speechifying about a plan that never gets mentioned again for the rest of the issue. Then we go to the Diana/Steve conversation, which honestly makes it look like Wonder Woman is losing control a bit. She’s taking down villains aggressively, and showing no concern for them. It’s wildly out of character. In one fight, she laments that destroying a mecha-creature crashed the brain of the woman powering it, not because she is presumably brain dead now, but because the women wouldn’t be able to explain the motive behind her attack. This is not how Wonder Woman rolls. Even at her lowest, laden with all the problems of the world, Wonder Woman still cares. It’s a defining trait of the character.

Diana then goes to confront Veronica Cale, which is another big left turn. Cale was behind the attacks, trying to earn some defense contracts, and fine. That sort of seems like her. But what does this have to do with anything? Cale hasn’t been in the book since Greg Rucka left. She’s had nothing to do with this storyline in the slightest. I suppose she reminds us that her daughter is in Themyscira with the Amazons, and it looks like Darkseid is going to attack there soon, but does that mention require an entire issue of brawls? That seems a bit much.

The book ends with everybody’s least favourite character in the world showing up. It’s Jason! And he’s got a new outfit. And presumably he and Diana are going to fight now or something. Whatever. Who cares. He’s the worst. Also, nothing in the story preceding this last page reveal had teased his return. He just shows up after this detour of an issue to get back to the Darkseid related stuff, I guess. It’s all such poor story crafting.

I should say, on a brighter note, that the art is decent. Stephen Segovia does a solid job here, and Romulo Fajardo Jr.’s colours are gorgeous as always. Both artists feel like they are actually trying to make an enjoyable comic book, and I certainly appreciate that since I’m not sensing an ounce of effort or care from the writer or the editorial staff. Ugh. I still can’t believe we have months of this left. MONTHS, gang. Or, if I’m right about being in Tartarus, all of eternity.

Wonder Woman #40 Review: Still With This Foolishness?

February 14, 2018


There’s a line in today’s issue of Wonder Woman that perfectly captures the quality of writing we’ve been dealing with for the past several months. The woefully underdeveloped villain Silver Swan is flying through the night sky, stinging from her recent battle with Wonder Woman, and as she sees the moon shining she notes, “The moon reflects the cold silver of my dead heart.” Friends, I laughed out loud. The unfortunate thing is, I don’t think writer James Robinson was trying to be funny here. He’s constructed what he must imagine is a serious villain, given the swath of bodies left in her wake, yet her internal monologue reads like a bad goth parody. And, unsurprisingly given how poor this run has been, the rest of the writing in this issue is not much better. I remain flabbergasted that DC Comics is allowing such a terrible story for one of their marquee characters. We’ll get into it all, but first:


Do not read this review unless you want to know all of the big reveals from this issue!

I mean, most of these reveals are very dumb!

And badly written!

But still!

Reviewing this series lately just feels like making a list of complaints, which is something I do not care for. And yet, here we are again. I’d much rather be celebrating a fine comic book than criticizing a bad one, but this book just keeps finding new ways to be unpleasant every other week. It’s like compounded interest, except with terribleness instead of money. And I’m not at all shocked to see a new array of dumb decisions in this issue, on top of the already asinine storyline.

Let’s start with the art. It was fairly solid, as always. Emanuela Lupacchino and Carmen Carnero are quite good at their craft, and there was a lot of nice work in this outing. Throughout this run, the art has been the one decent thing we can count on, even when these fine artists are drawing the dumbest of stories. However, there was an odd choice that I didn’t much like. Lupacchino drew Jason towering over Diana, making him a full head taller than her in several panels. She often looked like a little pixie when next to his imposing frame. First, this is new. Jason was drawn only slightly taller than Diana initially. And second, Wonder Woman is tall. She is an imposing figure herself. To make her look small, you have to be a dang giant, or at the very least some sort of basketball star.

Moreover, the juxtaposition made her look not weak, but lesser, to a degree. There’s nothing at all wrong with being shorter, of course. Strength is not relative to size. But Diana and Jason are twins, and I think it’s a poor choice to make the male twin so much bigger. Especially in a genre where the men are typically behemoths and the women are tiny. They should be equals, and they’ve not been drawn as such here.

We’ve also got a condescending Steve Trevor moment in this issue that felt very out of character. If you’re not writing Steve Trevor as a good dude, you’re not writing him well. He is a fundamentally decent, respectful person, especially when it comes to women. So I found it a bit during when, during his battle with the Furies, he patronizingly called Lashina “sweetheart.” It’s a small thing, to be sure. But it’s a small thing that’s indicative of a writer who’s just doesn’t seem that interested in getting the characters right. That’s not something Steve would say. And since he’s only in two pages this issue, and has been an afterthought for a lot of this run, such a glaring error stands out especially sharply.

This outing also sees the introduction of another villain, and I’m not excited about it. Why would DC give Robinson the chance to screw up another classic Wonder Woman villain? It’s mind boggling. The revelation comes near the end of the issue, when a reflection reveals that the kindly Dr. Edward Carne looks to in fact be Dr. Psycho. Now, I’m not great at predicting plots and twists, in part because I don’t like to. I’d rather just follow along with where the story’s going. But the second the book introduced a short, friendly doctor talking about “the power of the mind,” my immediate thought was “well, that’s probably Dr. Pyscho then.” I was very amused when the next page revealed just that. It’s a weak twist, and I really don’t want Robinson to screw up this character too. Haven’t we been subjected to enough already? I have zero faith that he’ll do something interesting with him.

Elsewhere, the arc continued in its usual underwhelming way. Diana and Jason argued about proper heroing. There was another fight with the Silver Swan, and ultimately Wonder Woman captured here. Then Jason decided to run away because he’s so bad at being a superhero. Except that when he went to leave, he was swept up in some type of malevolent purple force. My fingers are crossed that he’d dead and gone, but that seems unlikely. Chances are, Grail and Darkseid have him now and we’ll see him again sooner than later.

So the overarching story is still plodding along. The Silver Swan tale is done for now, and it sounds like we’ve got Darkseid vs. the Amazons coming up next. And then, hopefully, a new creative team that knows what they’re doing. But after all of this complaining, let’s take a moment to recognize something amazing about this series. Jenny Frison has been doing variant covers for Wonder Woman for well over a year now, and they are consistently fantastic. I usually put up the main cover at the start of my review, but DANG did Frison outdo herself this week and I had to post that instead. That cover is stunning, and one of her best yet. I don’t know why DC isn’t making her covers the main ones, because they are gorgeous. Though really, I don’t know why DC isn’t doing a lot of things differently with Wonder Woman these days. Nonetheless, what a stellar piece of art. She’s been doing phenomenal work.

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